Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
201 |
Egan, Melissa
PeacefulSynthetic polymer paint on canvas, signed lower right M.Egan, Art Galleries Schubert, Queensland label attached verso, 98.5 x 149 cm |
*** | *** | |
202 |
Pekel, Herman
Paris Rooftops, 2009Oil on board, signed lower left Pekel, signed, dated and inscribed verso: Paris rooftops/ Herman Pekel/ June 2009. Jenny Pihan Fine Art, label attached verso, 119 x 90 cm |
*** | *** | |
203 |
Hanham, Mark
London EyeSynthetic polymer paint on canvas, signed lower right Mark Hanham, signed and inscribed verso: Mark Hanham/ London eye, 141.5 x 200.5 cm |
*** | *** | |
204 |
Knight, Jasper
True Lies, 2010Enamel, masonite and perspex on board, signed, dated and inscribed verso: Jasper/ Knight/ 'True/ Lies'/ 2010/ JKnight, 120 x 120 cm |
*** | *** | |
205 |
Ropar, Dennis
Tear Drop Girl, 2009Synthetic polymer paint on canvas, signed and dated verso: Ropar/ 2009, 122 x 122 cm |
*** | *** | |
206 |
Bromley, David
MallorySynthetic polymer paint and gold leaf on card, signed lower right Bromley, 121.5 x 80 cm |
*** | *** | |
207 |
Keeling, Anwen
Untitled, 2005Oil on canvas, signed and dated lower right Keeling '05, signed and dated verso: Anwen Keeling 2005, Art Galleries Schubert label fragment attached verso|, 86.5 x 122 cm |
*** | *** | |
208 |
McKenna, Noel Vincent Joseph
Untitled, 1994, 1995, 1997, 1998 (4)Painted and glazed ceramic tile |
*** | *** | |
209 |
Tremayne, Paris
Flying Floating We, 2012Synthetic polymer paint on canvas, signed, dated and inscribed verso: Paris Tremayne/ 2012/ 'Flying Floating We', 137 x 168 cm |
*** | *** | |
210 |
Howson, Mark Henry
Coastal Composition, 2003Oil on canvas, signed and dated lower right M Howson 03, signed, dated and inscribed verso: Mark Howson/, Coastal Composition/ 2003, 50.5 x 50.5 cm |
*** | *** | |
211 |
Boyd, David
Children by the OrchardOil on board, signed lower left David Boyd, inscribed verso: Children by the/ Orchard, 37.5 x 45 cm |
*** | *** | |
212 |
Boyd, David
A Wombat Watching Europa at Night, 1995Oil on board, signed lower left David Boyd, dated lower right 1995, 40.5 x 35.5 cm |
*** | *** | |
213 |
Boyd, David
Untitled (The Arrival)Oil on board, signed lower left David Boyd, 28 x 30.5 cm |
*** | *** | |
214 |
Sawrey, Hugh David
The Land of Her Fathers, 1965Oil on board, signed lower right Sawrey, signed, dated and inscribed verso: 'The Land Of/ Her Fathers'/ Hugh Sawrey/ 1965/ To John/ From Sawreys/ Feb. 1965, 38 x 45.5 cm |
*** | *** | |
215 |
Sawrey, Hugh David
Going Out for the MusterOil on board, signed lower right Sawrey, signed and inscribed verso: 'Going Out For The Muster'/ 'Springvale' Station/ W. Qld/ Hugh Sawrey, 50 x 60 cm |
*** | *** | |
216 |
Hart, Kevin Charles (Pro)
The Wool Pressers, C1982Oil on board, signed lower right Pro/ Hart, Tom Mathieson Gallery, Sydney label attached verso, 43 x 59 cm |
*** | *** | |
217 |
Braund, Dorothy Mary
Eight Couples, 1989Gouache on paper, signed and dated lower right Braund 89, 41 x 54 cm |
*** | *** | |
218 |
Dickerson, Robert Henry (Bob)
Children Holding HandsPastel on paper on board, signed lower right Dickerson, 34.5 x 39 cm |
*** | *** | |
219 |
Dickerson, Robert Henry (Bob)
Children Playing in a StreetPastel on paper on board, signed lower right Dickerson, 35 x 36.5 cm |
*** | *** | |
220 |
Nolan, Sidney Robert
StorkOil on paper, signed lower left Nolan, 28.5 x 23 cm |
*** | *** | |
221 |
Tucker, Albert Lee
Study for the Old Eve, 1951Ink and watercolour on paper, signed and dated lower right Tucker 51, 26 x 19 cm |
*** | *** | |
222 |
Tuckson, John Anthony (Tony)
Untitled (Portrait), C1952-56Oil wash on paper, 76 x 50.5 cm |
*** | *** | |
223 |
Napangardi, Dorothy Robinson
Karntakurlangu Jukurrpa, 2000Synthetic polymer paint on linen, inscribed verso: Dorothy/ cat. 4681, accompanied by a certificate of authenticity from Gallery Gondwana, Alice Springs, 91.5 x 91.5 cm |
*** | *** | |
224 |
Pwerle, Minnie
Awelye, 2000Synthetic polymer paint on canvas, 122 x 182 cm |
*** | *** | |
225 |
Nyadbi, Lena
Jimbala Country, 2000Natural earth pigments on canvas, 70 x 95 cm |
*** | *** | |
226 |
Naparrula, Lorna Fencer
Caterpillar Dreaming, 2000Synthetic polymer paint on canvas, inscribed verso: 101.601/ 940 x 610/ Caterpillar/ Lorna Fencer Napurrurla/ Lajamanu. N.T, accompanied by a certificate of authenticity from Aboriginal Galleries of Australia, Melbourne, 93 x 63 cm |
*** | *** | |
227 |
Petyarre, Gloria Tamerre
Mountain Devil Dreaming, 2003Synthetic polymer paint on linen, inscribed verso: Gloria, accompanied by a certificate of authenticity from Flinders Lane Gallery, Melbourne, 152 x 122 cm |
*** | *** | |
228 |
Petyarre, Greeny Purvis
Yam Dreaming, 2001Synthetic polymer paint on canvas, accompanied by a certificate of authenticity from Mbantua Gallery, Alice Springs, 300 x 120 cm |
*** | *** | |
229 |
Pwerle, Minnie
Bush Melon Seed, 1999Synthetic polymer paint on linen, inscribed verso: D503636/ minnie Pwerle/ Bush melon seed/ 1999, accompanied by a certificate of authenticity from Dacou Gallery, Adelaide, 120 x 90 cm |
*** | *** | |
230 |
Pwerle, Minnie
Bush Melon Seed, 1999Synthetic polymer paint on linen, inscribed verso: DG03662/ minnie Pwerle/ bush melon seed/ 1999, accompanied by a certificate of authenticity from Dacou Gallery, Adelaide, 120 x 90 cm |
*** | *** | |
231 |
Pwerle, Minnie
Awelye Atnwengerrp, 2000Synthetic polymer paint on linen, inscribed verso: 03359/ Minnie Pwele/ Awelye-Atnwengerrp/ 2000, 92 x 58 cm |
*** | *** | |
232 |
Pwerle, Minnie
Awelye (Atnwengerrp), 2000Synthetic polymer paint on canvas, inscribed verso: 03292/ minnie pwerle/ Awelye - Atnwengerrp/ 2000, accompanied by a certificate of authenticity from Flinders Lane Gallery, Melbourne, 122 x 92 cm |
*** | *** | |
233 |
Tjampitjinpa, Maxie
Bushfire Dreaming, 1996Synthetic polymer paint on canvas, 183 x 122 cm |
*** | *** | |
234 |
Abdulla, Ian W.
One Night When We Were Out Spotlighting..., 2003Synthetic polymer paint on canvas, signed and dated lower right Ian.W.Abdulla. 2003., inscribed upper centre: One night when we were out/ spotlighting we got bogged/ down in the soft sand so we/ tried to push the station wagon/ of mine out and while we were/ doing this we could hear noises/ in the dark well we soon got/ the wagon couse we knew that/ the noises were the sound of/ ghost's in the night so we didnt/ go back there again, 91 x 121.5 cm |
*** | *** | |
235 |
Davie, Alan
Butterflys, 1990Gouche on paper, signed and dated lower left Alan Davie 90, inscribed lower right Butterflys / Hodi Studies/ No 10, 56.5 x 68.5 cm |
*** | *** | |
236 |
Davie, Alan
El Terremoto (Earthquake), 1989Gouache on paper, signed and dated upper left Alan Davie 89, inscribed upper right El Terremoto / G 2090, 55.5 x 76.5 cm |
*** | *** | |
237 |
Lindsay, Norman Alfred William
Untitled (Roosevelt, Churchill and Stalin), C1944Charcoal, ink and wash on paper, signed lower right Norman/ Lindsay, 45 x 35 cm |
*** | *** | |
238 |
Von Herkomer, Hubert
Medieval Tournament, 1886Watercolour on paper, signed and dated lower left H Herkomer/ 1886, 61 x 43.5 cm |
*** | *** | |
239 |
Minns, Benjamin Edwin
Sirius CoveWatercolour on paper, signed lower right B. E. Minns, 17 x 24 cm |
*** | *** | |
240 |
Ragless, Maxwell Christopher Richard (Max)
Road Through the ValleyOil on board, signed lower right Max Ragless, inscribed verso: No. 14 'Road Through The Valley', 44 x 44 cm |
*** | *** | |
241 |
Lindsay, Norman Alfred William
Untitled, C1920Watercolour on paper, signed lower right Norman Lindsay, certificate of authenticity from The Bloomfield Galleries, New South Wales attached verso, 45 x 37 cm |
*** | *** | |
242 |
Lindsay, Norman Alfred William
Lady and ParrotWatercolour on paper, signed lower centre: Norman/ Lindsay, 38 x 33.5 cm |
*** | *** | |
243 |
Dupain, Maxwell Spencer (Max)
Torso in Sun, 1930sSilver gelatin photograph, signed and dated within image, authentication verso signed and dated by Diana Dupain|, 48.5 x 36 cm |
*** | *** | |
244 |
Dupain, Maxwell Spencer (Max)
Brave New World, 1935Silver gelatin photograph, signed and dated within image, authentication verso signed and dated by Diana Dupain, 35 x 25.5 cm |
*** | *** | |
245 |
Dupain, Maxwell Spencer (Max)
Effect of Movement, 1930sSilver gelatin photograph, signed and dated within image, authentication verso signed and dated by Diana Dupain|, 27.5 x 36.5 cm |
*** | *** | |
246 |
Dupain, Rex
Landscape with Red Figure, 2012Lambda colour photograph, edition: 1/10, signed, dated and numbered below image: Rex Dupain '12 1/10, signed, dated and titled verso: Rex Dupain/ 'Landscape With Red Figure' 2012, 107 x 107 cm |
*** | *** | |
247 |
Piccinini, Patricia
Natural Selection (Sandman Series), 2002C type colour photograph, edition: 5/30, numbered, signed and dated below image, 103 x 183.5 cm |
*** | *** | |
248 |
Kaoru, Izima
Shinohara Ryouo Wears Viviennne Westwood #95, 2003Chromogenic print, 101.5 x 80 cm |
*** | *** | |
249 |
Dupain, Rex
Nude I, 2012Lambda colour photograph, edition: 1/10, signed, dated and numbered below image: Rex Dupain '12 1/10, signed, dated and titled verso: Rex Dupain/ 'Nude' 2012, 107 x 107 cm |
*** | *** | |
250 |
Barton, Del Kathryn
Angels, 2001Pencil and pastel on paper, signed, dated and inscribed lower left -angels-/ del kathryn barton/ 2001, 76 x 56.5 cm (sheet size) |
*** | *** |