Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
51 |
Firth-Smith, John
Rhythms #2, 2002Oil on linen, signed, dated and inscribed verso: John Firth-Smith/ 'Rhythms #2'/ Oil On Linen 3' x 9'/ SYDNEY 2002/ Firth-Smith 02/ #521, 91.5 x 274 cm |
*** | *** | |
52 |
Makigawa, Akio
Seer, 1990Oil and gold leaf on canvas; white Carrara marble, Poltarro marble, painting signed and dated lower right Akio Makigawa/ 1990, 119 x 180 cm (irregular) |
*** | *** | |
53 |
Fantauzzo, Vincent
BrandonOil on linen, 130 x 200 cm |
*** | *** | |
54 |
Shead, Garry
Before the Start, 1989Oil on canvas, signed and dated lower right Garry Shead 89, 182 x 182 cm |
*** | *** | |
55 |
Bradley, Helen Layfield
Grandpa Held Prince, 1977Oil on canvas on board, signed lower right Helen Bradley, signed and inscribed on label attached verso: Grandpa held Prince whilst we all got/ into the Landau. Father and Mr Taylor, (the/ Bank Manager) are taking Mother, Aunt Frances,/ Aunt Charlotte, George and I, also Miss Carter (who/ wore Pink) shopping into Manchester and Grandpa/ is telling Father to make sure that Prince is/ tied to a Lamp post in Brown Street and to/ find a nice Boy who will stay with him, also/ the Boy must be given a Penny. We had a lovely/ morning and Prince and the Boy were still in/ Brown Street ready to take us back to Plymouth/ Grove and our Dinner. Aunt Mary and the dogs (Gyp/ and Barney) stayed behind to look after Grandpa and/ the Dinner, and the year was 1906./ Helen Layfield Bradley, 44.5 x 59.5 cm |
*** | *** | |
56 |
Williams, Frederick (Fred) Ronald
LandscapeGouache on paper, signed lower left Fred Williams, 55.5 x 74 cm |
*** | *** | |
57 |
Boyd, Arthur Merric Bloomfield
Wheatfield in High SummerOil on cheesecloth on board, signed lower right Arthur Boyd, 99.5 x 74 cm |
*** | *** | |
58 |
Boyd, Arthur Merric Bloomfield
Othello Listening, 1988Oil on canvas, signed lower right Arthur Boyd, 152.5 x 182.5 cm |
*** | *** | |
59 |
Perceval, John De Burgh
Fishermen and Their Catch, WilliamstownOil and shells on canvas, signed lower right Perceval, signed and inscribed verso: 'Fishermen/ And Their/ Catch/ Williamstown/ Perceval', 91.5 x 122 cm |
*** | *** | |
60 |
Hele, Ivor Henry Thomas
The Charge at Beersheba, 1973Oil on board, signed and dated lower left Ivor Hele/ 73, 83 x 113 cm |
*** | *** | |
61 |
McCubbin, Frederick
Cows Crossing McCauley Creek, Looking Towards Melbourne, C1886Oil on canvas, signed lower right F McCubbin, 50 x 75.5 cm |
*** | *** | |
62 |
Gill, Samuel Thomas
UntitledWatercolour and pencil on paper, signed with initials lower left S.T.G, 36 cm (tondo) |
*** | *** | |
63 |
Gill, Samuel Thomas
Kangaroos Grazing, 1874Watercolour on paper, signed with initials and dated lower left S.T.G/74, 23.5 x 34 cm |
*** | *** | |
64 |
Chevalier, Nicholas
Alpine Landscape, 1880Watercolour on paper, signed and dated lower right N. Chevalier 1880, 46 x 67 cm |
*** | *** | |
65 |
Nolan, Sidney Robert
Mount Olga, 1984Oil on canvas, signed lower right Nolan, signed, dated and inscribed verso: Mount Olga/ 12 October 84/ Nolan, 160 x 259.5 cm |
*** | *** | |
66 |
Tucker, Albert Lee
Girl Fleeing, 1971Synthetic polymer paint on canvas, signed and dated lower right Tucker 71, inscribed verso: 'Girl Fleeing From Convict' 4, 66 x 76 cm |
*** | *** | |
67 |
Boyd, Arthur Merric Bloomfield
Dusk at ShoalhavenOil on board, signed lower right Arthur Boyd, Savill Galleries, Sydney label attached verso|Australian Galleries, Melbourne label attached verso, 20.5 x 15 cm |
*** | *** | |
68 |
Boyd, Arthur Merric Bloomfield
UntitledWool tapestry, edition: 1/6, signed lower left within image, Tapecarias de Portalegre, Portugal label attached verso|, 139 x 223 cm |
*** | *** | |
69 |
Onus, Lin
Fish and ReedsGouache on card, signed lower right Lin Onus, 28 x 64 cm |
*** | *** | |
70 |
Onus, Lin
FrogsGouache on card, signed lower left Lin Onus, 28 x 64 cm |
*** | *** | |
71 |
Hearman, Louise
UntitledOil on board, 52 x 68 cm |
*** | *** | |
72 |
Cullen, Adam
Australia / Spain, 2007Synthetic polymer paint on canvas, inscribed upper right Australia, signed, dated and inscribed verso: Australia. / Spain 07 For Dave + Trisiy 07 Acx/ Adam Cullen 07, 109.5 x 127 cm |
*** | *** | |
73 |
Lindsay, Norman Alfred William
Untitled (Rita with Mantilla)Pencil on paper, signed and inscribed lower right Affectionately To Ritchie/ Norman Lindsay, Queensland Art Brokering Services, Queensland label attached verso, 58 x 46 cm |
*** | *** | |
74 |
Piperides, Phillip
AntheaBronze on marble base, edition: 11/25, signed and numbered to base, 105 x 38 x 25 cm (including base) |
*** | *** | |
75 |
Lindsay, Norman Alfred William
Portrait of OliveOil on canvas on board, signed later lower right Norman Lindsay, 55 x 49.5 cm |
*** | *** | |
76 |
Brierly, Oswald Walters
Retreat of the Spanish Armada 1588, 1871Watercolour, bodycolour and pencil on paper on board, signed and dated lower left O. W. Brierly 1871, inscribed on label verso: 'Retreat of the Spanish Armada/31st July 1588/'Meantime Drake and the Lord Admiral, with ninety sail,/and five days provisions clung to the rear of the enemy/'We have the army of Spain before us, wrote Drake to/Walsingham, 'and mean by the grace of God to wrestle a fall/'with it. There never was anything pleased me better than/'seeing the enemy flying with a southerly wind to the northward...', 58 x 103.5 cm |
*** | *** | |
77 |
Heysen, Hans
The Dutch Barge, West Wemyss, Fifeshire, Scotland, 1900Oil on canvas, signed and dated lower right Hans Heysen 1900, signed, dated and inscribed on label verso: Hans Heysen Scotland 1900, 24.5 x 32 cm |
*** | *** | |
78 |
De Breanski, Alfred Fontville
A Summer Evening, Loch TayOil on canvas, signed lower right Alfred.de Breanski, signed and inscribed verso: 'A Summer Evening - Loch Tay.' NB/ Alfred.de Breanski Sen', 51 x 76.5 cm |
*** | *** | |
79 |
De Breanski, Alfred Fontville
A Scotch LakeOil on canvas, signed lower left Alfred.de Breanski, signed and inscribed verso: 'A Scotch Lake'/ Alfred.de Breanski. Sen', 61 x 91.5 cm |
*** | *** | |
80 |
Fullbrook, Samuel Sydney (Sam)
JockeyOil on board, 35 x 25 cm |
*** | *** | |
81 |
Fullbrook, Samuel Sydney (Sam)
NudePastel on paper, signed with initials lower right S F, 30 x 23 cm |
*** | *** | |
82 |
Shead, Garry
Dancers (The Kiss), 2002Oil on board, signed lower right Garry Shead, signed, dated and inscribed verso: Dancers (The Kiss)/ Garry Shead/ 2002, 57.5 x 44.5 cm |
*** | *** | |
83 |
Boyd, Arthur Merric Bloomfield
Figures and Lovers in Pine Forest, 1973Oil on canvas, signed lower right Arthur Boyd, 114 x 109 cm |
*** | *** | |
84 |
Olley, Margaret Hannah
Flannel Flowers, C1970Oil on board, signed lower right Olley, 50.5 x 40 cm |
*** | *** | |
85 |
Crooke, Ray Austin
Untitled (Islander)Oil on canvas, signed lower right R Crooke, 49.5 x 39.5 cm |
*** | *** | |
86 |
Connor, Kevin Leslie
Figure in a Garden, 1970Oil on composition board, signed and dated lower right Connor '70, signed, dated and inscribed verso: Figure in a Garden/ Connor 70, 61 x 61 cm |
*** | *** | |
87 |
Tucker, Albert Lee
Parrots and Bush, 1964Oil on board, signed and dated lower left Tucker 64, 60 x 80 cm |
*** | *** | |
88 |
Davidson, Bessie Ellen
Untitled (Market Scene)Oil on paper, signed lower right Bessie Davidson, 17 x 22 cm |
*** | *** | |
89 |
Bunny, Rupert Charles Wulsten
Bell Tower in the South of France, C1925Oil on wood panel, inscribed verso: R Bunny/ Prov/ Douglas Dundas/ Artist, panel manufacturer's mark in cartouche upper left AL, 19 x 23 cm |
*** | *** | |
90 |
Buckmaster, Ernest
Mixed Flowers in a White JugOil on canvas, signed lower right E Buckmaster, 91.5 x 66 cm |
*** | *** | |
91 |
Feint, Adrian George
Still Life, Potted Plant, 1961Oil on board, signed and dated lower right Adrian Feint/ 1961, 37.5 x 30 cm |
*** | *** | |
92 |
Hele, Ivor Henry Thomas
The Necklace, 1963Oil on composition board, signed and dated upper left Ivor Hele/ 63, 91.5 x 76 cm |
*** | *** | |
93 |
Lindsay, Norman Alfred William
NarussineWatercolour on paper, signed lower left Norman Lindsay, certificate of authenticity from The Bloomfield Galleries, New South Wales attached verso, 38.5 x 41.5 cm |
*** | *** | |
94 |
Jacks, Robert
Possibly Happiness, 1966Oil on canvas, signed and dated lower left jacks '66, inscribed verso: 'possibly happiness', 175 x 175 cm |
*** | *** | |
95 |
Hickey, Dale
Untitled (Studio Series), 2005Oil on canvas, signed lower right Dale Hickey, 183 x 152.5 cm |
*** | *** | |
96 |
Henson, Bill
Untitled 1992/93, 1992-93C type photograph, edition of 10, 100 x 64.5 cm |
*** | *** | |
97 |
Henson, Bill
Untitled 2000/01, 2000-01C type photograph, edition: 2/5, numbered, titled, signed and dated below image, 105 x 155.5 cm |
*** | *** | |
98 |
Larter, Richard Charles
Montezuma #7, 1986Synthetic polymer paint on canvas, signed with initials and dated lower right R. L./ 6. 1986, signed, dated and inscribed verso: 'Montezuma'/ #7/ June 1986/ Richard Larter/ Yass, 179 x 104 cm |
*** | *** | |
99 |
Cardoso, Maria Fernanda
Emu Square, 2005Emu feathers, fibreglass netting, impasto, steel, fabric in perspex box, anthea Polson Art, Queensland label attached verso|, 121 x 120.5 x 20.5 cm |
*** | *** | |
100 |
Souza, Francis Newton
Self Portrait, 1984Gouache on magazine paper, signed and dated upper left Souza 1984, 27.5 x 20.5 cm |
*** | *** |