Number of Works: 3,517, Results Page: 1

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Nectar (Addiction), Portrait of Paul Verlaine, 1979

etching, ed. 21/75, signed 'Brett Whiteley' lower right, numbered '21/75' lower left, 66.5 x 49 cm
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The Back, 1977

etching, ed. 28/60, signed 'Brett Whiteley' lower right, numbered '28/60' lower left, 64 x 47 cm (frame: 89 x 70 cm)
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Place De La Bastille, Paris, 1990

etching, ed. 10/10, signed 'Brett Whiteley' lower right, numbered '10/10' lower left, 45.5 x 34.5 cm (frame:77 x 62 cm)
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(Nude), c.1980.

Brush & black ink on ivory paper, artist monogram lower left., 23 x 18 cm
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North Queensland, 1976

Pencil on paper, signed lower left 'brett whiteley', 76 x 101 cm
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Dove in Blue Palm, Lavender Bay 1983

Oil and collage on board, signed and dated 'brett whiteley 2/7/83' lower left, 132 x 129.5 cm
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Study for Portrait of Wendy I 1985

Charcoal on paper on board, signed and dated 'brett whiteley 85' lower right; signed with monogram 'B/W' upper right; signed, dated and inscribed '"Study For / Portrait of W." / 1985 / brett whiteley' verso, 177 x 152.4 cm
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Wandering up to Montmartre in the Rain 1991

Oil, collage and mixed media on plywood, signed, dated and inscribed '16/10/91 / Winter / Spring / Sketch of Montmartre / brett whiteley' lower right; signed and inscribed "wandering up to / montmartre in the rain" / brett whiteley' verso, 62.5 x 65.5 cm
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Page of Lovers 1971

Pen and ink on paper on board and paint on glass, signed and dated 'Brett Whiteley 9/7/71' lower right; stamped with artist's 'chop' upper right (on glass); signed and dated 'Brett / Whiteley / 9/7/71' verso, 102 x 71 cm
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Bird in The Rain, 1984

Painted and glazed earthenware with cobalt blue decoration and white glaze, signed and dated on base: brett whiteley 84 monogrammed on base by potter John K Dellow: 84 Jkd, 53 cm (height)
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Wren, 1988

(cast later by Meridian Foundry, Melbourne) cast bronze, wire, glass eyes on a wooden stand, bears foundry stamp at base of bronze: Bw Ap 2-1 / E Ed, 31 x 23 x 23 cm (bronze)
60 x 23 x 31 cm (overall, includ
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The Wagtail beside the Fish River, 1979

Gouache, pen and ink and collage on paper, titled and stamped with artist's stamp lower right corner 'The Wagtail beside the Fish River, BW', 42 x 35 cm
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Humming Bird, 1988

Brush and black ink on paper, titled, signed and dated lower right corner 'Humming Bird, Brett Whiteley, 4/5/88', stamped lower middle with artist's stamp 'BW', 100 x 70 cm
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Torso, 1980

Charcoal on paper, signed and dated lower right corner 'Brett Whiteley, '80', stamped upper right with artist's stamp 'BW', 76 x 50 cm
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Towards Sculpture 1, 1977

Lithograph on paper, edition: 43/50, numbered and signed below image '43/50, Brett Whiteley' stamped upper right corner artist's monogram, 77.5 x 58 cm
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Towards Sculpture 4, 1977

Lithograph on paper, edition: 5/50, numbered and signed below image, '5/50, Brett Whiteley', stamped upper right with artist's stamp 'BW', 81.5 x 56 cm
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Figures on an Ochre Background, 1961

Screenprint, ed. 6/75, signed lower right to margin: Brett Whiteley; editioned to margin lower left: 6/75, 66 x 50 cm
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Baboon, 1975-76

Ink on paper from artist's notebook, signed and dated lower right: brett whiteley 76. dated lower right: 2/2/75. bears inscription verso: 9.431 30. stamped lower right with artist's monogram. Provenance: Private collection, Sydney, acquired c1984. References: McGrath, S., Brett Whiteley, Bay Books, Sydney, 1979, cat.66 (illus. pp.68, 224). Sutherland, K., Brett Whiteley: Catalogue Raisonné, Schwartz Publishing, Melbourne, 2020, vol.7, p.375, cat.186.76. We gratefully acknowledge the assistance of Dr Kathie Sutherland with cataloguing this work., 35 x 30.5 cm
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Lavender Bay Wharf, 1978

Etching, edition: 6/90, signed lower right: brett whiteley. numbered lower left: 6/90. Provenance: Private collection, Melbourne. References: Brett Whiteley: The Graphics 1961-1992, Deutscher Fine Art, Melbourne, 1995, p.112, cat.47 (illus. p.55, another example). Sutherland, K., Brett Whiteley: Catalogue Raisonné, Schwartz Publishing, Melbourne, 2020, vol.5, p.103, cat.93P (illus., another example), vol.7, p.825., 60 x 50 cm (image))
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Oberon, NSW, 1979

Pencil on paper, signed, dated and inscribed lower left: Oberon, NSW/ brett whiteley 79, 40 x 33 cm
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Lavender Bay in the Rain 1987

Screenprint, ed. A/P, signed lower right: Brett Whiteley, editioned lower left, 105.5 x 74.5 cm (image)
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Monstera Deliciosa 1978

Etching, ed. 33/40, signed lower right: Brett Whiteley, editioned lower left, 50 x 70.5 cm (image)
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Palm Tree 3 1975

Screenprint, ed. 27/50, signed lower right: Brett Whiteley, editioned lower left, stamped lower left with artist's monogram, 81 x 59.5 cm (image)
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Swinging Monkey 2 1965

Screenprint, ed. 26/70, signed lower right: Brett Whiteley, editioned lower left, titled within plate lower left, 76 x 54.5 cm (image)
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Figures on an Ochre Background 1961

Screenprint, ed. 59/75, signed lower right: Brett Whiteley, editioned lower left, 65 x 50 cm (image)
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The Back 1977

Etching, ed. 54/60, signed lower right: Brett Whiteley, editioned and inscribed lower left, 60 x 45 cm (image)
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Swinging Monkey 1 1965

Screenprint, ed. 14/70, signed lower right: Brett Whiteley, editioned lower left, titled within plate lower left, unknown inscription lower left within print, 76 x 56 cm (image)
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Self Portrait, One of a Dozen Glimpses (From Another Way of Looking at Vincent Van Gogh 1888 - 1889)

Etching and aquatint, ed. 56/100, signed under image '56/100, Brett', 26 x 20.5 cm
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The Back 1977

Sepia etching, signed lower right, 60 x 45 cm
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2nd Hozumi Momota Art Award and Japanese Australian Festival Oct 6-13 Sydney Square, 1980

Screenprint, 'Bw' monogram upper right, 74 x 50 cm.
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Brett Whiteley and Joel Elenberg

Offset lithograph, signed lower right, 70 x 55 cm.
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Ex Libris Pat Corrigan

Linocut, printed signature, 18 x 12 cm
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Palm Tree 2 1975

Screenprint, ed. 12/50, signed lower right, editioned lower left; stamped with artist's stamp below image, 80.5 x 59.5 cm
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Young Baboon, 1977

Sugarlift aquatint on paper, ed. Artist's Proof, signed lower right, edition lower left, 50 x 50 cm
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Hyena, 1965

Screenprint, ed. 30/70 (laid down, AF), signed lower right, 91 x 68 cm
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2nd Hozumi Momota Art Award and Japanese Australian Festival Oct 6-13 Sydney Square, 1980

Screenprint, 'BW' monogram upper right, 74 x 50 cm
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Lavender Bay in the Rain, 1981

Archival pigment print, ed. 23/250 (unframed/cellophane wrapped with corflute backing), facsimile signature lower right; certificate verso, 84 x 83 cm
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Baboon II, 1977

Sugar lift aquatint & drypoint etching, ed. 12/60, signed lower right, 50.5 x 50 cm
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The Willow, 1979

Brush and ink on paper on compositionĀ board, signed, dated and inscribed with title lower right: brett whiteley 79 'the willow' stamped lower left with artist's monogram, bears inscription verso: 27 original Brett Lichtenstein frame, Sydney, 153.5 x 101 cm
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The Dead Rabbit, 1979

Oil, Liquitex etc., signed, stamped with initials, dated and inscribed with title lower right: 12 / Aug / 79 / 'the dead rabbit' / (on the Bathurst Road west of Oberon, N.S.W.) / brett Whiteley / Bw, 132 x 74.5 cm
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(The Orange) Fruit Dove in Clark Park, 1980

Colour screenprint, edition: 4/30, signed lower right: brett whiteley, numbered and titled lower left: 4/30 fruit dove in clark park, 76 x 53 cm (image); 95.5 x 75.5 cm (sheet); 106.5 x 82 cm (f
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The Arrival, 1988

Offset lithograph, edition: 88/150, signed lower right: brett whiteley, numbered and titled lower left: 88/150 'the arrival', signed within image lower left: brett whiteley, commissioned for the cover of Time Australia to mark the Australian Bicentenary in 1988, 71 x 89 cm (image); 96.5 x 112 cm (framed)
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Towards Sculpture 2 1977

Lithograph, edition: 45/50, signed lower right: brett whiteley, titled and numbered lower left: 2. 45/50, stamped lower right with artist's monogram, printed by Curwen Studio, London, published by Ganymed Original Editions, London, 76 x 49 cm (image); 116 x 92.5 cm (framed)
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Straight Head of Franny, 1971

Screenprint, edition: 7/10, signed, dated, numbered and titled lower right: Straight head of Franny 7/10 Brett Whiteley 6/9/71, stamped lower right with artist's monogram, 50.5 x 34 cm (image); 93 x 62.5 cm (sheet); 133 x 90.5 cm (f
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Lovers, 1975

Screenprint, edition: 16/70, signed and numbered lower right: Brett Whiteley 16/70, 50 x 63 cm (image); 76 x 85.5 cm (framed)
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Swinging Monkey 2 1965

Colour screenprint, edition: 16/70, signed lower right: Brett Whiteley, numbered lower left: 16/70, titled within image lower left: Swinging Monkey 2, 76 x 56 cm (image); 102.5 x 82 cm (framed)
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10 Rillington Place W11 (Still from Proposed 16mm Film), 1964

Screenprint, edition: 9/70, signed and numbered lower right: 9/70 Brett Whiteley, titled lower left: 10 Rillington Place W11 (Still from a proposed 16mm film), 60 x 55.5 cm (image); 99.5 x 69.5 cm (sheet); 108 x 77 cm (f
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Lipstick, 1981

Colour lithograph, edition: 13/50, signed and titled lower centre: lipstick brett whiteley, numbered lower left: 13/50, 107 x 75 cm (sheet); 160 x 109.5 cm (framed)
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