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Brett Whiteley Australia, 1939-92
Number of Works: 3,501, Results Page: 2
2nd Hozumi Momota Art Award and Japanese Australian Festival Oct 6-13 Sydney Square, 1980
Screenprint, 'BW' monogram upper right, 74 x 50 cm
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Swinging Monkey 2 (Regents Park Zoo Series)
Screenprint 49/70, numbered, titled and signed below image, together with original gallery certificate, 76 x 55 cm
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Baboon II, 1977
Etching, sugarlift & aquatint 29/60, 50.5 x 50 cm (plate)
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Startled Owl
Sugarlift aquatint, signed in margin, 50.5 x 49.5 cm
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Another Way of Looking at Vincent Van Gogh 1888-1889, 1983
Etching on paper, signed and stamped below image '79/100, Brett Whiteley', 37 x 21 cm
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The Garden in Sanur, Bali, 1980
Screenprint with offset lithography on paper, edition: 81/100, numbered and, signed below image '81/100, Brett Whiteley', 55 x 77 cm
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Male Torso, 1982
Charcoal, pencil and wash on paper, signed, titled, inscribed and dated lower right corner 'Brett Whiteley, Male Torso, Kingo's sketch club, March '82', stamped lower left corner 'BW' monogram, 75 x 55 cm
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Nude No. I 1974
Brush and ink on paper, signed and dated lower right: Brett Whiteley 74, titled on Australian Galleries label verso, 76 x 50 cm
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The Back 1977
Sepia etching, edition: 23/60 lower left, signed lower right, 60 x 45 cm
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Female Torso
Charcoal drawing, signed lower left with artists stamp bw in rectangular square, 34 x 24.5 cm
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Back View, 1976
Etching on paper, signed and numbered below image, 60 x 44.5 cm (image)
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The Ferry Coming In - Lavender Bay, 1977
Brush and ink on paper on board, 143.5 x 152 cm
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The Honeyeater
Etching ed. 54/75, signed lower margin, 60 x 45 cm
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Towards Sculpture I 1977
Lithograph ed. 29/50, signed lower margin Artist's monogram upper right, 80 x 52 cm
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Preliminary For 'River At Carcoar', 1977
Ink on paper, signed lower right: brett whiteley dated and inscribed lower left: Preliminary for 'River at Carcoar' 16/4/77 stamped lower right with artist's monogram, 90.5 x 56 cm
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The Wren, 1978
Oil on canvas, signed lower right: brett whiteley, 168 x 153 cm
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Bather On The Sand, 1975 – 76
Oil on canvas, signed and dated lower right: brett whiteley 75?76, 122 x 90 cm
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Swinging Monkey 2, 1965
Screenprint, ed.1/10, signed lower right, editioned lower left, titled in plate lower left, 75.5 x 54.5 cm
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Doves on the Balcony, Lavender Bay 1979
Oil on canvas, signed and dated 'brett whiteley 79' lower centre, 91 x 61 cm
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Study for Portrait of Wendy I 1985
Charcoal on paper on board, signed and dated 'brett whiteley 85' lower right; signed with monogram 'B/W' upper right; signed, dated and inscribed '"Study For / Portrait of W." / 1985 / brett whiteley' verso, 177 x 152.4 cm
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Young Baboon 1977
Sugarlift aquatint, ed. A/P, signed lower right brett whiteley, editioned lower left, 49.5 x 49 cm
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Figures on an Ochre Background 1961
Screenprint, ed. 59/75, signed lower right Brett Whiteley, editioned lower left, 65 x 50 cm
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Hyena 1965
Screenprint, ed. 48/70, signed lower right Brett Whiteley, editioned lower left, titled in plate lower left, 78 x 59 cm
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Fruit Dove 1980
Linocut, ed. A/P, signed lower right Brett Whiteley, editioned lower left, 30 x 30 cm
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Sydney Cove, 1958
Watercolour and gouache on paper, signed and dated lower right Brett Whiteley 58, bears inscription on backing verso: Brett Whiteley/ Sydney Cove/ 1958, 10 x 17.5 cm
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The Heroin Clock 2 1981
Two clocks mounted in a Perspex box, signed dated and inscribed verso: especially reproduced for Clive Evatt, 'The Heroin Clock 2' 1981 brett whiteley/ 24/october 1981/ (19th Century Hands)/ about the authorship of idea of this art object.../ it would aesthetically be wrong to add even a studio signature stamp to the front. even initials./ it should be checked that the red second hands are in exact sinc [sic] all the time or the picture is false./ 'The Heroin Clock 2' is not a moral statement, a discription [sic] of destruction a glimpse of evil or any of that sort of thing./ it is more like a scientific matter of fact - a visual equasion [sic], a comparasion [sic] if you like, of addiction to non-addition [sic]. (But it should be noted that this object should produce a feeling of anxiety.), stamped verso with artist's monogram, 27.5 x 46.5 x 6.5 cm
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Moreton Bay Fig, 1977
Pen, brush, ink and ink wash on paper, signed lower right Brett Whiteley, 34.5 x 26 cm
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Lindfield Garden
Colour screenprint with offset lithography, signed and editioned lower right and left: Brett Whiteley / Ap, studio stamp lower left, 81 x 115 cm
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The Garden in Sanur, Bali, 1980
Screenprint with offset lithography on paper edition: 81/100, numbered and signed below image '81/100, Brett Whiteley', 55 x 77 cm (unframed)
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Lovers, 1975
Screenprint, edition 13 of 70, signed and editioned lower right: 'Brett Whiteley 13/70', 52 x 66 cm
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Young Musician With Cello, c.1957
Oil on board, signed lower left: Brett Whiteley, 37 x 29.5 cm
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Sons of the Sun (from Another way of looking at Vincent Van Gogh 1888 - 1889)
Etching on Japanese paper, ed. A/P (AF), signed lower right, 26.5 x 20 cm
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The Back 1977
Sepia etching, edition: 23/60, signed lower right, 60 x 45 cm
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The River at Yass, NSW 1977
Ink on paper, signed, dated and inscribed lower left: the river at Yass/ N.S.W./ brett whiteley 77, 61 x 91 cm
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Leighton Lane, West Lithgow 1957
Pen, ink and gouache on card, signed, dated and inscribed lower right: Brett Whiteley 1957./ Leighton Lane West Lithgow, 15.5 x 20.5 cm
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The Divided Unity 1974
Colour screenprint, edition: 9/70, signed lower right: brett whiteley, numbered, titled and dated lower left: 9/70 'the Divided Unity' 74, stamped lower right with artist's monogram, 76.5 x 105 cm (sheet)
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The Hill c1960
Oil, gouache and pencil on card on board, signed and inscribed verso: "The Hill"/ for S.A./ Brett Whiteley, 37 x 51.5 cm
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Putting on Lipstick 1981
Charcoal, oil-stick and collage on paper, signed lower right: brett whiteley, stamped twice lower right with artist's monogram, 65 x 93.5 cm
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Feeding Lavender Bay Doves 1979
Oil on canvas on board, signed lower left: brett whiteley, signed, dated and inscribed verso: 'Feeding Lavender Bay Doves' 79/ brett whiteley/ oil on canvas, 92 x 60.5 cm
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(The Orange) Fruit Dove in Clark Park 1980
Colour screenprint, edition: Artist's Proof (edition of 30), signed lower right: Brett Whiteley, numbered and inscribed lower left: the fruit dove in Clark Park/ A/P, stamped lower left with artist's monogram, 76 x 53 cm (image); 105.5 x 75.5 cm (sheet)
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'Inside a Moreton Bay Fig Tree,' 1975
Ink on paper, title inscribed in pencil lower left. also signed and dated '75. Studio stamp upper left. monogram lower right, 98 x 75 cm
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Bird On A Branch, 1977
Sugarlift aquatint on paper, signed and numbered below image stamped with studio stamp lower right: Bw, 43 x 75 cm (image)
68.5 x 78.5 cm (sheet)
68.5 x 78.5 cm (sheet)
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Max Lake's Vineyard, hunter valley
Crayon, ink and watercolour on paper, signed, titled and dated '76 at lower right, 50 x 76 cm
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Towards sculpture, 1977
Print - cover sheet, signed by the artists and numbered 'AP5/5' verso, 91 x 63.5 cm (sheet)
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Lavender Bay in the Rain, 1981
Archival pigment print, edition: 25/250, numbered and stamped with Artist's Estate Blind stamp below image '25/250', 84 x 82.5 cm
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Francis Bacon 1971
Screenprint with additions in black ink on rice paper, unique state, signed lower right: brett whiteley, 92 x 63 cm
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Another Way of looking at Vincent van Gogh 1888-1889
Etching (3), ed. 14/100, each signed lower right, each editioned lower left
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Palm tree 3 1975
Screenprint, ed. 1/50, signed lower right: brett whiteley, editioned lower left, monogram stamp lower left, 81 x 59.5 cm
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