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Brett Whiteley Australia, 1939-92
Number of Works: 3,501, Results Page: 1
Figures on an Ochre Background, 1961
Screenprint, ed. 6/75, signed lower right to margin: Brett Whiteley; editioned to margin lower left: 6/75, 66 x 50 cm
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Baboon, 1975-76
Ink on paper from artist's notebook, signed and dated lower right: brett whiteley 76. dated lower right: 2/2/75. bears inscription verso: 9.431 30. stamped lower right with artist's monogram. Provenance: Private collection, Sydney, acquired c1984. References: McGrath, S., Brett Whiteley, Bay Books, Sydney, 1979, cat.66 (illus. pp.68, 224). Sutherland, K., Brett Whiteley: Catalogue Raisonné, Schwartz Publishing, Melbourne, 2020, vol.7, p.375, cat.186.76. We gratefully acknowledge the assistance of Dr Kathie Sutherland with cataloguing this work., 35 x 30.5 cm
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Lavender Bay Wharf, 1978
Etching, edition: 6/90, signed lower right: brett whiteley. numbered lower left: 6/90. Provenance: Private collection, Melbourne. References: Brett Whiteley: The Graphics 1961-1992, Deutscher Fine Art, Melbourne, 1995, p.112, cat.47 (illus. p.55, another example). Sutherland, K., Brett Whiteley: Catalogue Raisonné, Schwartz Publishing, Melbourne, 2020, vol.5, p.103, cat.93P (illus., another example), vol.7, p.825., 60 x 50 cm (image))
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Oberon, NSW, 1979
Pencil on paper, signed, dated and inscribed lower left: Oberon, NSW/ brett whiteley 79, 40 x 33 cm
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Lavender Bay in the Rain 1987
Screenprint, ed. A/P, signed lower right: Brett Whiteley, editioned lower left, 105.5 x 74.5 cm (image)
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Monstera Deliciosa 1978
Etching, ed. 33/40, signed lower right: Brett Whiteley, editioned lower left, 50 x 70.5 cm (image)
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Palm Tree 3 1975
Screenprint, ed. 27/50, signed lower right: Brett Whiteley, editioned lower left, stamped lower left with artist's monogram, 81 x 59.5 cm (image)
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Swinging Monkey 2 1965
Screenprint, ed. 26/70, signed lower right: Brett Whiteley, editioned lower left, titled within plate lower left, 76 x 54.5 cm (image)
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Figures on an Ochre Background 1961
Screenprint, ed. 59/75, signed lower right: Brett Whiteley, editioned lower left, 65 x 50 cm (image)
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The Back 1977
Etching, ed. 54/60, signed lower right: Brett Whiteley, editioned and inscribed lower left, 60 x 45 cm (image)
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Swinging Monkey 1 1965
Screenprint, ed. 14/70, signed lower right: Brett Whiteley, editioned lower left, titled within plate lower left, unknown inscription lower left within print, 76 x 56 cm (image)
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Self Portrait, One of a Dozen Glimpses (From Another Way of Looking at Vincent Van Gogh 1888 - 1889)
Etching and aquatint, ed. 56/100, signed under image '56/100, Brett', 26 x 20.5 cm
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The Back 1977
Sepia etching, signed lower right, 60 x 45 cm
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2nd Hozumi Momota Art Award and Japanese Australian Festival Oct 6-13 Sydney Square, 1980
Screenprint, 'Bw' monogram upper right, 74 x 50 cm.
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Brett Whiteley and Joel Elenberg
Offset lithograph, signed lower right, 70 x 55 cm.
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Ex Libris Pat Corrigan
Linocut, printed signature, 18 x 12 cm
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Palm Tree 2 1975
Screenprint, ed. 12/50, signed lower right, editioned lower left; stamped with artist's stamp below image, 80.5 x 59.5 cm
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Young Baboon, 1977
Sugarlift aquatint on paper, ed. Artist's Proof, signed lower right, edition lower left, 50 x 50 cm
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Hyena, 1965
Screenprint, ed. 30/70 (laid down, AF), signed lower right, 91 x 68 cm
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2nd Hozumi Momota Art Award and Japanese Australian Festival Oct 6-13 Sydney Square, 1980
Screenprint, 'BW' monogram upper right, 74 x 50 cm
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Lavender Bay in the Rain, 1981
Archival pigment print, ed. 23/250 (unframed/cellophane wrapped with corflute backing), facsimile signature lower right; certificate verso, 84 x 83 cm
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Baboon II, 1977
Sugar lift aquatint & drypoint etching, ed. 12/60, signed lower right, 50.5 x 50 cm
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The Willow, 1979
Brush and ink on paper on composition board, signed, dated and inscribed with title lower right: brett whiteley 79 'the willow' stamped lower left with artist's monogram, bears inscription verso: 27 original Brett Lichtenstein frame, Sydney, 153.5 x 101 cm
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The Dead Rabbit, 1979
Oil, Liquitex etc., signed, stamped with initials, dated and inscribed with title lower right: 12 / Aug / 79 / 'the dead rabbit' / (on the Bathurst Road west of Oberon, N.S.W.) / brett Whiteley / Bw, 132 x 74.5 cm
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(The Orange) Fruit Dove in Clark Park, 1980
Colour screenprint, edition: 4/30, signed lower right: brett whiteley, numbered and titled lower left: 4/30 fruit dove in clark park, 76 x 53 cm (image); 95.5 x 75.5 cm (sheet); 106.5 x 82 cm (f
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The Arrival, 1988
Offset lithograph, edition: 88/150, signed lower right: brett whiteley, numbered and titled lower left: 88/150 'the arrival', signed within image lower left: brett whiteley, commissioned for the cover of Time Australia to mark the Australian Bicentenary in 1988, 71 x 89 cm (image); 96.5 x 112 cm (framed)
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Towards Sculpture 2 1977
Lithograph, edition: 45/50, signed lower right: brett whiteley, titled and numbered lower left: 2. 45/50, stamped lower right with artist's monogram, printed by Curwen Studio, London, published by Ganymed Original Editions, London, 76 x 49 cm (image); 116 x 92.5 cm (framed)
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Straight Head of Franny, 1971
Screenprint, edition: 7/10, signed, dated, numbered and titled lower right: Straight head of Franny 7/10 Brett Whiteley 6/9/71, stamped lower right with artist's monogram, 50.5 x 34 cm (image); 93 x 62.5 cm (sheet); 133 x 90.5 cm (f
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Lovers, 1975
Screenprint, edition: 16/70, signed and numbered lower right: Brett Whiteley 16/70, 50 x 63 cm (image); 76 x 85.5 cm (framed)
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Swinging Monkey 2 1965
Colour screenprint, edition: 16/70, signed lower right: Brett Whiteley, numbered lower left: 16/70, titled within image lower left: Swinging Monkey 2, 76 x 56 cm (image); 102.5 x 82 cm (framed)
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10 Rillington Place W11 (Still from Proposed 16mm Film), 1964
Screenprint, edition: 9/70, signed and numbered lower right: 9/70 Brett Whiteley, titled lower left: 10 Rillington Place W11 (Still from a proposed 16mm film), 60 x 55.5 cm (image); 99.5 x 69.5 cm (sheet); 108 x 77 cm (f
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Figures on an Ochre Background, 1961
Colour screenprint, edition: 6/75, signed lower right: Brett Whiteley, numbered lower left: 6/75, 65 x 50 cm (image); 89 x 73 cm (framed)
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Lipstick, 1981
Colour lithograph, edition: 13/50, signed and titled lower centre: lipstick brett whiteley, numbered lower left: 13/50, 107 x 75 cm (sheet); 160 x 109.5 cm (framed)
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Blue Nude 2
Ink on paper, artist's stamp lower right corner 'BW', 24 x 33 cm
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Young Baboon, 1977
Sugarlift aquatint on paper, edition: 21/60, numbered and signed below image '21/60, Brett Whiteley', 49.5 x 49 cm
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Lindfield Gardens, 1978
Colour screenprint with offset lithography, edition: 76/80, numbered, stamped and signed below image '76/80, BW, Brett Whiteley', 92 x 116 cm
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Green Heron (1983, cast later)
Bronze and painted eye, artist's proof from an edition of 5, plus artist's proofs, signed and inscribed 'brett whiteley / A.P.2' on base, 260.5 x 30 x 65 cm
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The Breaking of the Drought, Oberon 1982
Oil, mixed media and collage on canvas, signed, dated and inscribed '“The breaking of the drought” Brett Whiteley Oberon 82' lower left, 86.5 x 87 cm
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The 15 Great Dog Pisses of Paris 1989
Archival pigment print, facsimile signature, dated and editioned on margin: brett whiteley 89 / 8/250, 47 x 56 cm
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Number of Bars Behind Monkeys, Swinging Monkey 3 1965
Colour screenprint, signed and editioned on margin: Brett Whiteley / 12/70, with printed title in image and on margin, 76.5 x 56 cm
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Study for Sculpture
Exhibition poster, with printed inscription on margin, 84 x 59 cm
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Magpie 1977
Sugar-lift aquatint, signed in pencil to margin and numbered 48/60, 50 x 50 cm plate size
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The Up and Down Side of Montmarte, 1989
Pen and sepia ink, tape and photo-collage on paper, inscribed with title lower right: The up + / down side / of / Montmarte. / stamped with studio stamp lower right: b / w, 33 x 25 cm x 74.5 x 51.5 cm (frame)
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Lovers (1971)
Pen and ink on paper, signed with monogram 'B/W' lower left; stamped with artist's 'chop' lower right, 25 x 30 cm
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Her (1967)
Oil and mixed media on plywood, inscribed 'Often times, one strips oneself of passion / In order to see the secret of Life; / Often times, one regards life with passion, / in order to see its manifest results' centre left [within box], 183 x 237.5 cm
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Not I - Me 1967
Oil and mixed media on board with detachable sculptural arm, signed, dated and inscribed "Not I - Me"' verso / '1967 / Brett Whiteley, 185.4 x 152.4 x 119.4 cm
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Reclining Nude (1978)
Oil on composition board, 122 x 172 cm
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Charlie Mingus, 1971
Ink and pencil on paper, inscribed upper left the soft black pear/ with fingers like taut carrots underground/ playin the bass like a banjo/ like its Charlie Mingus/ what do you do with a rush like that?/ + photograph to remember says Charlies eyes/ and a rhythm ripples to the heart of the sacrifice. . inscribed lower right for Kym . stamped upper left with artist's chop, 53 x 37.5 cm
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