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Brett Whiteley Australia, 1939-92
Number of Works: 3,482, Results Page: 1
Lavender Bay in the Rain, 1981
Archival pigment print, ed. 23/250 (unframed/cellophane wrapped with corflute backing), facsimile signature lower right; certificate verso, 84 x 83 cm
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Baboon II, 1977
Sugar lift aquatint & drypoint etching, ed. 12/60, signed lower right, 50.5 x 50 cm
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The Willow, 1979
Brush and ink on paper on composition board, signed, dated and inscribed with title lower right: brett whiteley 79 'the willow' stamped lower left with artist's monogram, bears inscription verso: 27 original Brett Lichtenstein frame, Sydney, 153.5 x 101 cm
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The Dead Rabbit, 1979
Oil, Liquitex etc., signed, stamped with initials, dated and inscribed with title lower right: 12 / Aug / 79 / 'the dead rabbit' / (on the Bathurst Road west of Oberon, N.S.W.) / brett Whiteley / Bw, 132 x 74.5 cm
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(The Orange) Fruit Dove in Clark Park, 1980
Colour screenprint, edition: 4/30, signed lower right: brett whiteley, numbered and titled lower left: 4/30 fruit dove in clark park, 76 x 53 cm (image); 95.5 x 75.5 cm (sheet); 106.5 x 82 cm (f
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The Arrival, 1988
Offset lithograph, edition: 88/150, signed lower right: brett whiteley, numbered and titled lower left: 88/150 'the arrival', signed within image lower left: brett whiteley, commissioned for the cover of Time Australia to mark the Australian Bicentenary in 1988, 71 x 89 cm (image); 96.5 x 112 cm (framed)
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Towards Sculpture 2 1977
Lithograph, edition: 45/50, signed lower right: brett whiteley, titled and numbered lower left: 2. 45/50, stamped lower right with artist's monogram, printed by Curwen Studio, London, published by Ganymed Original Editions, London, 76 x 49 cm (image); 116 x 92.5 cm (framed)
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Straight Head of Franny, 1971
Screenprint, edition: 7/10, signed, dated, numbered and titled lower right: Straight head of Franny 7/10 Brett Whiteley 6/9/71, stamped lower right with artist's monogram, 50.5 x 34 cm (image); 93 x 62.5 cm (sheet); 133 x 90.5 cm (f
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Lovers, 1975
Screenprint, edition: 16/70, signed and numbered lower right: Brett Whiteley 16/70, 50 x 63 cm (image); 76 x 85.5 cm (framed)
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Swinging Monkey 2 1965
Colour screenprint, edition: 16/70, signed lower right: Brett Whiteley, numbered lower left: 16/70, titled within image lower left: Swinging Monkey 2, 76 x 56 cm (image); 102.5 x 82 cm (framed)
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10 Rillington Place W11 (Still from Proposed 16mm Film), 1964
Screenprint, edition: 9/70, signed and numbered lower right: 9/70 Brett Whiteley, titled lower left: 10 Rillington Place W11 (Still from a proposed 16mm film), 60 x 55.5 cm (image); 99.5 x 69.5 cm (sheet); 108 x 77 cm (f
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Figures on an Ochre Background, 1961
Colour screenprint, edition: 6/75, signed lower right: Brett Whiteley, numbered lower left: 6/75, 65 x 50 cm (image); 89 x 73 cm (framed)
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Lipstick, 1981
Colour lithograph, edition: 13/50, signed and titled lower centre: lipstick brett whiteley, numbered lower left: 13/50, 107 x 75 cm (sheet); 160 x 109.5 cm (framed)
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Blue Nude 2
Ink on paper, artist's stamp lower right corner 'BW', 24 x 33 cm
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Young Baboon, 1977
Sugarlift aquatint on paper, edition: 21/60, numbered and signed below image '21/60, Brett Whiteley', 49.5 x 49 cm
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Lindfield Gardens, 1978
Colour screenprint with offset lithography, edition: 76/80, numbered, stamped and signed below image '76/80, BW, Brett Whiteley', 92 x 116 cm
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Green Heron (1983, cast later)
Bronze and painted eye, artist's proof from an edition of 5, plus artist's proofs, signed and inscribed 'brett whiteley / A.P.2' on base, 260.5 x 30 x 65 cm
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The Breaking of the Drought, Oberon 1982
Oil, mixed media and collage on canvas, signed, dated and inscribed '“The breaking of the drought” Brett Whiteley Oberon 82' lower left, 86.5 x 87 cm
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Place De La Bastille Paris 1990
Etching, editioned 10/10 lower left and signed by artist lower right. in pencil, dimensions 40 x 29.5 cm (image); 77 x 62 cm (frame)
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The 15 Great Dog Pisses of Paris 1989
Archival pigment print, facsimile signature, dated and editioned on margin: brett whiteley 89 / 8/250, 47 x 56 cm
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Number of Bars Behind Monkeys, Swinging Monkey 3 1965
Colour screenprint, signed and editioned on margin: Brett Whiteley / 12/70, with printed title in image and on margin, 76.5 x 56 cm
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Study for Sculpture
Exhibition poster, with printed inscription on margin, 84 x 59 cm
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Magpie 1977
Sugar-lift aquatint, signed in pencil to margin and numbered 48/60, 50 x 50 cm plate size
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The Up and Down Side of Montmarte, 1989
Pen and sepia ink, tape and photo-collage on paper, inscribed with title lower right: The up + / down side / of / Montmarte. / stamped with studio stamp lower right: b / w, 33 x 25 cm x 74.5 x 51.5 cm (frame)
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Lovers (1971)
Pen and ink on paper, signed with monogram 'B/W' lower left; stamped with artist's 'chop' lower right, 25 x 30 cm
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Her (1967)
Oil and mixed media on plywood, inscribed 'Often times, one strips oneself of passion / In order to see the secret of Life; / Often times, one regards life with passion, / in order to see its manifest results' centre left [within box], 183 x 237.5 cm
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Not I - Me 1967
Oil and mixed media on board with detachable sculptural arm, signed, dated and inscribed "Not I - Me"' verso / '1967 / Brett Whiteley, 185.4 x 152.4 x 119.4 cm
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Reclining Nude (1978)
Oil on composition board, 122 x 172 cm
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Charlie Mingus, 1971
Ink and pencil on paper, inscribed upper left the soft black pear/ with fingers like taut carrots underground/ playin the bass like a banjo/ like its Charlie Mingus/ what do you do with a rush like that?/ + photograph to remember says Charlies eyes/ and a rhythm ripples to the heart of the sacrifice. . inscribed lower right for Kym . stamped upper left with artist's chop, 53 x 37.5 cm
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2nd Hozumi Momota Art Award and Japanese Australian Festival Oct 6-13 Sydney Square, 1980
Screenprint, 'BW' monogram upper right, 74 x 50 cm
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Swinging Monkey 2 (Regents Park Zoo Series)
Screenprint 49/70, numbered, titled and signed below image, together with original gallery certificate, 76 x 55 cm
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Baboon II, 1977
Etching, sugarlift & aquatint 29/60, 50.5 x 50 cm (plate)
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Startled Owl
Sugarlift aquatint, signed in margin, 50.5 x 49.5 cm
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Another Way of Looking at Vincent Van Gogh 1888-1889, 1983
Etching on paper, signed and stamped below image '79/100, Brett Whiteley', 37 x 21 cm
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The Garden in Sanur, Bali, 1980
Screenprint with offset lithography on paper, edition: 81/100, numbered and, signed below image '81/100, Brett Whiteley', 55 x 77 cm
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Male Torso, 1982
Charcoal, pencil and wash on paper, signed, titled, inscribed and dated lower right corner 'Brett Whiteley, Male Torso, Kingo's sketch club, March '82', stamped lower left corner 'BW' monogram, 75 x 55 cm
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Nude No. I 1974
Brush and ink on paper, signed and dated lower right: Brett Whiteley 74, titled on Australian Galleries label verso, 76 x 50 cm
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The Back 1977
Sepia etching, edition: 23/60 lower left, signed lower right, 60 x 45 cm
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Female Torso
Charcoal drawing, signed lower left with artists stamp bw in rectangular square, 34 x 24.5 cm
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Back View, 1976
Etching on paper, signed and numbered below image, 60 x 44.5 cm (image)
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The Ferry Coming In - Lavender Bay, 1977
Brush and ink on paper on board, 143.5 x 152 cm
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The Honeyeater
Etching ed. 54/75, signed lower margin, 60 x 45 cm
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Towards Sculpture I 1977
Lithograph ed. 29/50, signed lower margin Artist's monogram upper right, 80 x 52 cm
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Preliminary For 'River At Carcoar', 1977
Ink on paper, signed lower right: brett whiteley dated and inscribed lower left: Preliminary for 'River at Carcoar' 16/4/77 stamped lower right with artist's monogram, 90.5 x 56 cm
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The Wren, 1978
Oil on canvas, signed lower right: brett whiteley, 168 x 153 cm
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Bather On The Sand, 1975 – 76
Oil on canvas, signed and dated lower right: brett whiteley 75?76, 122 x 90 cm
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Swinging Monkey 2, 1965
Screenprint, ed.1/10, signed lower right, editioned lower left, titled in plate lower left, 75.5 x 54.5 cm
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Doves on the Balcony, Lavender Bay 1979
Oil on canvas, signed and dated 'brett whiteley 79' lower centre, 91 x 61 cm
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