Due Diligence Reports: Do you need hard facts and data before buying an artwork at auction? Our online due diligence report, available on all Australian and New Zealand artists listed in Australian Art Sales Digest, will give you the necessary information and help you to complete your due diligence. Read more…
Lot No. Details Hammer Price
incl. Premium
203 Click here to view image Copes, Dixon

Silo Near Nowra, South Coast

Oil on panel, signed lower right, 25.5 x 30.5 cm
*** ***
205 Click here to view image Evergood, Miles (Myer Blashki)

River Track and Wooden Footbridge, 1894

Oil on canvas, signed M Blashki lower left, 23.5 x 33.5 cm
*** ***
206 Click here to view image Fizelle, Reginald (Rah) Cecil Graham

Timber Mill

Watercolour, signed lower right, 34 x 26 cm
*** ***
207 Click here to view image Whiteley, Brett

Ex Libris Pat Corrigan

Linocut, printed signature, 18 x 12 cm
*** ***
208 Click here to view image Garrett, Thomas Balfour (Tom)

The Pastures

Monotype, 24 x 30.5 cm
*** ***
209 Click here to view image Parker, Colin Ross

Caloundra Colour

Oil on panel, signed lower left, 19.5 x 14.5 cm
*** ***
210A Click here to view image ,

Dante in Australia with Banksia, 1992

Pen & ink, unsigned. Label verso, and inscribed, 17 x 12.5 cm
*** ***
210 Click here to view image Best, Kevin John

Bush Camp at Night

Oil on canvas on board, 15.5 x 13 cm
*** ***
211 Click here to view image Minns, Benjamin Edwin

Figures in Forest, 1899

Watercolour, signed lower left, 34 x 24 cm
*** ***
212 Click here to view image Long, Leonard Hugh

Wollondilly Valley [NSW] 1987

Oil on canvas board, 19 x 24 cm
*** ***
213 Click here to view image Ure Smith, Sydney George

Hyde Park Barracks from St. James Church, c.1936

Pencil & watercolour, signed lower left, 29.5 x 23 cm
*** ***
214 Click here to view image ,

Middle Eastern Street Scene

Watercolour, 25 x 19 cm
*** ***
215 Click here to view image Durack, Elizabeth

Evening

Hand-finished lithograph, signed lower right. Text upper left reads: Evening; from the water colour, 1/2 original size (painted in West Kimberley, WA), 36 x 47 cm
*** ***
217 Click here to view image Park, Andrew

Collaroy [NSW]

Watercolour with white highlights, 24 x 30 cm
*** ***
218 Click here to view image School, Australian

Ships in Working Harbour

Oil on canvas, no signature apparent, 24.5 x 34.5 cm
*** ***
219 Click here to view image Salvana, John (Jack)

Farm at the Foot of the Hills

Oil on board, signed lower right and dated 19?4, 24.5 x 34.5 cm
*** ***
220 Click here to view image Penglase, Marjory

Fishermans Cottages - Coverack, Cornwall [UK]

Oil on canvas board, signed lower left, 19 x 24 cm
*** ***
221 Click here to view image Blanchard, Brian

Bushwalk - The Artist's Wife, Brenda, at The Gorge, Launceston, Tasmania

Oil on board, 25 x 37 cm
*** ***
223 Click here to view image Mannix, Max

He Looks Like He's Seen A Ghost

Oil on canvas on board, 29.5 x 37 cm
*** ***
224 Click here to view image Mannix, Max

Sprinters

Oil on canvas on board, 19 x 24 cm
*** ***
225 Click here to view image Mannix, Max

And He Sang As He Watched

Oil on canvas on board, 19 x 24 cm
*** ***
226 Click here to view image Mannix, Max

The Picnic, 2024

Ink & watercolour, 20 x 29.5 cm
*** ***
227 Click here to view image Mannix, Max

Backyard Fun

Ink & watercolour, 17.5 x 23 cm
*** ***
228 Click here to view image ,

Power Station and Shoring Up the Mine

Watercolour & gouache, both signed lower left, 43 x 33 cm
*** ***
229 Click here to view image Knight, Kenneth J. (Ken)

Afternoon Shadows, 1995

Oil on board, signed lower left and verso, 25.5 x 31 cm
*** ***
231 Click here to view image Van Nunen, David

Water Glimpse Through Trees, 1986

Oil on linen (unstretched), signed and dated lower right, 200 x 190 cm (image)
*** ***
232 Click here to view image Popov, Constantine

The Teal Dress

Acrylic on linen, 40 x 30 cm
*** ***
233 Click here to view image Popov, Constantine

Entropy, 2022

Acrylic on board, inscribed verso as painted at Byron Bay, 30 x 30 cm
*** ***
234 Click here to view image Popov, Constantine

Born to be Blue, 2022

Acrylic on board, 30 x 30 cm
*** ***
235 Click here to view image Waite, Allan

Taga (Savai'i); Meditation, Samoa; and Piula

Oil on canvas on board (3), 46 x 61 cm (each)
*** ***
236 Click here to view image Waite, Allan

The Red Dress; Untitled Nude; and Portrait Study of a Woman in a Red Dress

Oil on canvas board (2) oil on board (1), 50 x 41 cm (each)
*** ***
237 Click here to view image Waite, Allan

Mountain Stream Near Island Bend; and 2 Untitled (Landscape)

Oil on board (3), 51 x 60 cm (1); 46 x 60 cm (2)
*** ***
238 Click here to view image Waite, Allan

Tino; Tui Tevita David of Korolevu; Fijian Boy, Korolevu and Georgina Wise, Korolevu

Oil on canvas on board (1); oil on canvas board (3), 61 x 46 cm (each)
*** ***
239 Click here to view image Waite, Allan

Trudy and Trudy

Oil on board (2), 46 x 61 cm (each)
*** ***
241 Click here to view image Perceval, John De Burgh

Sunflowers

Screenprint 106/250, certificate of authenticity included, 53 x 43 cm
*** ***
242 Click here to view image Laity, David

The Green Room

Screenprint 60/250, 44 x 42 cm
*** ***
244 Click here to view image Sharp, Martin

Nimrod 10s, 1982

Screenprint 475/1000, signed, 88 x 73 cm
*** ***
245 Click here to view image Sharp, Martin

Kaspar (Nimrod Series) 1982

Screenprint 550/1000, signed, 65 x 48 cm
*** ***
249 Click here to view image Hurley, James Francis (Frank)

The Crystal Canoe, c.1915 (printed later)

Silver gelatin photograph, national Library of Australia note attached verso, contextualising the image as being taken at De Geer Glacier, South Georgia, during Ernest Shackleton's Imperial Trans-Antarctic Expedition, 1914-1917, 28.5 x 36.5 cm (sight)
*** ***
250 Click here to view image Dupain, Maxwell Spencer (Max)

Hands, c.1939 (date of printing unknown)

Silver gelatin photograph, rex Dupain verification stamp verso (trimmed), 38 x 37.5 cm (image) 44 x 40.5 cm (sheet)
*** ***
251 Click here to view image Dupain, Maxwell Spencer (Max)

Rhythmic Form, c.1935 (printed later)

Silver gelatin photograph, rex Dupain verification stamp verso, signed by Rex Dupain, 22.5 x 33 cm (image) 37 x 25 cm (sheet)
*** ***
252 Click here to view image Dupain, Maxwell Spencer (Max)

Little Nude, 1939 (printed later)

Silver gelatin photograph, rex Dupain verification stamp verso, signed by Rex Dupain, 44.5 x 35.5 cm (image) 50.5 x 40.5 cm (sheet)
*** ***
253 Click here to view image Scott, Roger

Moore Park, Sydney, 1972/5

Silver gelatin photograph, signed and title verso, 37.5 x 55 cm (image) 50.5 x 60.5 cm (sheet)
*** ***
254 Click here to view image McFarlane, Robert

Max Dupain at Home, Castlecrag, 1981 (printed later)

Silver gelatin photograph, signed and titled verso, and to mount, 33 x 21.5 cm
*** ***
255 Click here to view image McFarlane, Robert

Roby Archer as Lola Blau, Adelaide, c.1982

Silver gelatin photograph, signed and titled verso, 24 x 16 cm (image) 25.5 x 20.5 cm (sheet)
*** ***
256 Click here to view image King, Henry

William Street, Sydney, Looking East; and King Street, Sydney, Looking West from Elizabeth Street, c.1880s

Vintage albumen photograph (2), 15 x 20 cm (each)
*** ***
257 Click here to view image Morris, George J.

European Images Portfolio, 1936/1983

Silver gelatin photograph (20) 14/20, a posthumous edition of twenty photographic prints taken by George J. Morris in Europe in 1936 on a 35mm Leica camera. The photographs were printed in 1983 from the original negatives by John Fuller. The linen-bound portfolio also includes a list of images and a certificate of authenticity signed by Eleanor Morris, the artist's widow, 30.5 x 40.5 cm (each sheet)
*** ***
258 Click here to view image ,

Charing Cross Road, London (Puddle Jumper) c.1937

Silver gelatin photograph, signed and inscribed verso. Ex Peter Fetterman Photographic Works of Art, Santa Monica, USA (label verso), 39.5 x 29 cm (image)
*** ***
259 Click here to view image ,

St. Giles Circus, London, Double Decker Bus in Snow, 1936

Silver gelatin photograph, signed and inscribed verso. Ex Peter Fetterman Photographic Works of Art, Santa Monica, USA (label verso), 29.5 x 37.5 cm (image)
*** ***
260 Click here to view image Street, Mervyn

Branding Days, Nine Mile Yard; & Having a Break From a Long Ride

Charcoal on arches paper (2), each accompanied by a Mangkaja certificate of authenticity (cat #121/20 & 119/20), 56 x 76 cm (each)
*** ***
.