Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
203 |
Copes, Dixon
Silo Near Nowra, South CoastOil on panel, signed lower right, 25.5 x 30.5 cm |
*** | *** | |
205 |
Evergood, Miles (Myer Blashki)
River Track and Wooden Footbridge, 1894Oil on canvas, signed M Blashki lower left, 23.5 x 33.5 cm |
*** | *** | |
206 |
Fizelle, Reginald (Rah) Cecil Graham
Timber MillWatercolour, signed lower right, 34 x 26 cm |
*** | *** | |
207 |
Whiteley, Brett
Ex Libris Pat CorriganLinocut, printed signature, 18 x 12 cm |
*** | *** | |
208 |
Garrett, Thomas Balfour (Tom)
The PasturesMonotype, 24 x 30.5 cm |
*** | *** | |
209 |
Parker, Colin Ross
Caloundra ColourOil on panel, signed lower left, 19.5 x 14.5 cm |
*** | *** | |
210A |
,
Dante in Australia with Banksia, 1992Pen & ink, unsigned. Label verso, and inscribed, 17 x 12.5 cm |
*** | *** | |
210 |
Best, Kevin John
Bush Camp at NightOil on canvas on board, 15.5 x 13 cm |
*** | *** | |
211 |
Minns, Benjamin Edwin
Figures in Forest, 1899Watercolour, signed lower left, 34 x 24 cm |
*** | *** | |
212 |
Long, Leonard Hugh
Wollondilly Valley [NSW] 1987Oil on canvas board, 19 x 24 cm |
*** | *** | |
213 |
Ure Smith, Sydney George
Hyde Park Barracks from St. James Church, c.1936Pencil & watercolour, signed lower left, 29.5 x 23 cm |
*** | *** | |
214 |
,
Middle Eastern Street SceneWatercolour, 25 x 19 cm |
*** | *** | |
215 |
Durack, Elizabeth
EveningHand-finished lithograph, signed lower right. Text upper left reads: Evening; from the water colour, 1/2 original size (painted in West Kimberley, WA), 36 x 47 cm |
*** | *** | |
217 |
Park, Andrew
Collaroy [NSW]Watercolour with white highlights, 24 x 30 cm |
*** | *** | |
218 |
School, Australian
Ships in Working HarbourOil on canvas, no signature apparent, 24.5 x 34.5 cm |
*** | *** | |
219 |
Salvana, John (Jack)
Farm at the Foot of the HillsOil on board, signed lower right and dated 19?4, 24.5 x 34.5 cm |
*** | *** | |
220 |
Penglase, Marjory
Fishermans Cottages - Coverack, Cornwall [UK]Oil on canvas board, signed lower left, 19 x 24 cm |
*** | *** | |
221 |
Blanchard, Brian
Bushwalk - The Artist's Wife, Brenda, at The Gorge, Launceston, TasmaniaOil on board, 25 x 37 cm |
*** | *** | |
223 |
Mannix, Max
He Looks Like He's Seen A GhostOil on canvas on board, 29.5 x 37 cm |
*** | *** | |
224 |
Mannix, Max
SprintersOil on canvas on board, 19 x 24 cm |
*** | *** | |
225 |
Mannix, Max
And He Sang As He WatchedOil on canvas on board, 19 x 24 cm |
*** | *** | |
226 |
Mannix, Max
The Picnic, 2024Ink & watercolour, 20 x 29.5 cm |
*** | *** | |
227 |
Mannix, Max
Backyard FunInk & watercolour, 17.5 x 23 cm |
*** | *** | |
228 |
,
Power Station and Shoring Up the MineWatercolour & gouache, both signed lower left, 43 x 33 cm |
*** | *** | |
229 |
Knight, Kenneth J. (Ken)
Afternoon Shadows, 1995Oil on board, signed lower left and verso, 25.5 x 31 cm |
*** | *** | |
231 |
Van Nunen, David
Water Glimpse Through Trees, 1986Oil on linen (unstretched), signed and dated lower right, 200 x 190 cm (image) |
*** | *** | |
232 |
Popov, Constantine
The Teal DressAcrylic on linen, 40 x 30 cm |
*** | *** | |
233 |
Popov, Constantine
Entropy, 2022Acrylic on board, inscribed verso as painted at Byron Bay, 30 x 30 cm |
*** | *** | |
234 |
Popov, Constantine
Born to be Blue, 2022Acrylic on board, 30 x 30 cm |
*** | *** | |
235 |
Waite, Allan
Taga (Savai'i); Meditation, Samoa; and PiulaOil on canvas on board (3), 46 x 61 cm (each) |
*** | *** | |
236 |
Waite, Allan
The Red Dress; Untitled Nude; and Portrait Study of a Woman in a Red DressOil on canvas board (2) oil on board (1), 50 x 41 cm (each) |
*** | *** | |
237 |
Waite, Allan
Mountain Stream Near Island Bend; and 2 Untitled (Landscape)Oil on board (3), 51 x 60 cm (1); 46 x 60 cm (2) |
*** | *** | |
238 |
Waite, Allan
Tino; Tui Tevita David of Korolevu; Fijian Boy, Korolevu and Georgina Wise, KorolevuOil on canvas on board (1); oil on canvas board (3), 61 x 46 cm (each) |
*** | *** | |
239 |
Waite, Allan
Trudy and TrudyOil on board (2), 46 x 61 cm (each) |
*** | *** | |
241 |
Perceval, John De Burgh
SunflowersScreenprint 106/250, certificate of authenticity included, 53 x 43 cm |
*** | *** | |
242 |
Laity, David
The Green RoomScreenprint 60/250, 44 x 42 cm |
*** | *** | |
244 |
Sharp, Martin
Nimrod 10s, 1982Screenprint 475/1000, signed, 88 x 73 cm |
*** | *** | |
245 |
Sharp, Martin
Kaspar (Nimrod Series) 1982Screenprint 550/1000, signed, 65 x 48 cm |
*** | *** | |
249 |
Hurley, James Francis (Frank)
The Crystal Canoe, c.1915 (printed later)Silver gelatin photograph, national Library of Australia note attached verso, contextualising the image as being taken at De Geer Glacier, South Georgia, during Ernest Shackleton's Imperial Trans-Antarctic Expedition, 1914-1917, 28.5 x 36.5 cm (sight) |
*** | *** | |
250 |
Dupain, Maxwell Spencer (Max)
Hands, c.1939 (date of printing unknown)Silver gelatin photograph, rex Dupain verification stamp verso (trimmed), 38 x 37.5 cm (image) 44 x 40.5 cm (sheet) |
*** | *** | |
251 |
Dupain, Maxwell Spencer (Max)
Rhythmic Form, c.1935 (printed later)Silver gelatin photograph, rex Dupain verification stamp verso, signed by Rex Dupain, 22.5 x 33 cm (image) 37 x 25 cm (sheet) |
*** | *** | |
252 |
Dupain, Maxwell Spencer (Max)
Little Nude, 1939 (printed later)Silver gelatin photograph, rex Dupain verification stamp verso, signed by Rex Dupain, 44.5 x 35.5 cm (image) 50.5 x 40.5 cm (sheet) |
*** | *** | |
253 |
Scott, Roger
Moore Park, Sydney, 1972/5Silver gelatin photograph, signed and title verso, 37.5 x 55 cm (image) 50.5 x 60.5 cm (sheet) |
*** | *** | |
254 |
McFarlane, Robert
Max Dupain at Home, Castlecrag, 1981 (printed later)Silver gelatin photograph, signed and titled verso, and to mount, 33 x 21.5 cm |
*** | *** | |
255 |
McFarlane, Robert
Roby Archer as Lola Blau, Adelaide, c.1982Silver gelatin photograph, signed and titled verso, 24 x 16 cm (image) 25.5 x 20.5 cm (sheet) |
*** | *** | |
256 |
King, Henry
William Street, Sydney, Looking East; and King Street, Sydney, Looking West from Elizabeth Street, c.1880sVintage albumen photograph (2), 15 x 20 cm (each) |
*** | *** | |
257 |
Morris, George J.
European Images Portfolio, 1936/1983Silver gelatin photograph (20) 14/20, a posthumous edition of twenty photographic prints taken by George J. Morris in Europe in 1936 on a 35mm Leica camera. The photographs were printed in 1983 from the original negatives by John Fuller. The linen-bound portfolio also includes a list of images and a certificate of authenticity signed by Eleanor Morris, the artist's widow, 30.5 x 40.5 cm (each sheet) |
*** | *** | |
258 |
,
Charing Cross Road, London (Puddle Jumper) c.1937Silver gelatin photograph, signed and inscribed verso. Ex Peter Fetterman Photographic Works of Art, Santa Monica, USA (label verso), 39.5 x 29 cm (image) |
*** | *** | |
259 |
,
St. Giles Circus, London, Double Decker Bus in Snow, 1936Silver gelatin photograph, signed and inscribed verso. Ex Peter Fetterman Photographic Works of Art, Santa Monica, USA (label verso), 29.5 x 37.5 cm (image) |
*** | *** | |
260 |
Street, Mervyn
Branding Days, Nine Mile Yard; & Having a Break From a Long RideCharcoal on arches paper (2), each accompanied by a Mangkaja certificate of authenticity (cat #121/20 & 119/20), 56 x 76 cm (each) |
*** | *** |