Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
79 |
Kmit, Michael
OdalisqueCrayon on paper, signed lower right: Michael Kmit, 37 x 43.5 cm |
*** | *** | |
80 |
Haefliger, Paul
Female Nudes 1975Oil on newsprint on board, signed and dated lower right: Haefliger / 75, 41.5 x 59.5 cm |
*** | *** | |
81 |
Harvey, Edmund Arthur
Fog over Iron Cove 1938Oil on canvas, signed lower left: Harvey, signed, titled and dated verso: Fog Over Iron Cove / E. A. Harvey/1938, 49 x 65 cm |
*** | *** | |
82 |
Brown (Australia), Mary
View of Circular Quay; View of Woolloomooloo and Potts Point (2)Oils on board, each signed lower left: Mary Brown, 39 x 80 cm each overall |
*** | *** | |
83 |
Jardine, Walter Lacy
The Supply Team ArrivesInk and wash on paper, titled verso, 45 x 63 cm |
*** | *** | |
84 |
Watkins, John Samuel
Seated LadyPencil on paper, signed lower right: J. S Watkins, 24.5 x 31 cm |
*** | *** | |
85 |
Lambert, George Washington
At the Polo Match c.1890Pencil and ink on paper, titled, dated and inscribed verso, 23.5 x 26.5 cm |
*** | *** | |
86 |
Lambert, George Washington
Little Norah: Sunday Best 1897Pencil on paper, signed lower right: G W L (partially obscured), titled on Agnsw label verso, 21 x 14 cm |
*** | *** | |
87 |
Lambert, George Washington
Naughty Girl c.1895Pencil on paper, titled and inscribed verso, 23 x 15.5 cm |
*** | *** | |
88 |
Lambert, George Washington
Study of Two BoysPencil on paper, initialled lower left, artist's name and titled verso, 20 x 16.5 cm |
*** | *** | |
89 |
Lambert, George Washington
LottiePencil on paper, signed lower centre: G W Lambert, titled verso, 18 x 17 cm |
*** | *** | |
90 |
De Maistre, LeRoy Leveson Laurent (Roy)
Study for the Resurrection 1950Charcoal on paper, titled and dated verso, signed with studio stamp lower right: R de Maistre?, 26 x 19 cm |
*** | *** | |
91 |
Abbott, Harold Frederick
Nude 1932Pencil on paper, signed and dated lower centre: Harold / Abbott / 32, inscribed lower left: E. Jackson / demonstration, 33.5 x 23.5 cm |
*** | *** | |
92 |
Harvey, Edmund Arthur
Nude Sitting on FloorOil on board, signed lower left: Harvey, 22 x 29 cm |
*** | *** | |
93 |
Lindsay, Ruby
Female StudyPencil on paper, signed lower right: Rubylind, titled verso, 29.5 x 22.5 cm |
*** | *** | |
94 |
Woodward-Smith, Sidney
Camellia and Netsuke 1967Oil on canvas board, artist's name, date and title on label verso, 24 x 19 cm |
*** | *** | |
95 |
Abbott, Harold Frederick
Macquarie Street from Outside Conservatorium 1946Pencil on paper, signed, titled and dated lower left: Abbott '46 Macquarie St. from outside Conservatorium, 31 x 23 cm |
*** | *** | |
96 |
Lindsay, Norman Alfred William
Fallstaff in Utopia c.1920Pen on paper, signed lower centre: Norman Lindsay, titled on National Trust label verso, 18.5 x 21.5 cm |
*** | *** | |
97 |
Lindsay, Norman Alfred William
Unfinished IllustrationPen and pencil on paper, initialled lower right, titled verso, 22 x 16 cm |
*** | *** | |
98 |
Pratt, Douglas Fieldew
Pacific Ramparts Sydney HeadsOil on board, signed lower left: Douglas / Pratt, titled verso: Pacific Ramparts / Sydney Heads, 72 x 80 cm |
*** | *** | |
99 |
Pratt, Douglas Fieldew
Canadian Pin-Oak and Autumn Gold, CanberraOil on board, signed lower left: Douglas Pratt, titled verso: Canadian Pin-Oak / and Autumn Gold, Canberra, 72 x 81 cm |
*** | *** | |
100 |
Brady, Margaret Mary
Picnic 1963Oil on masonite, signed and dated lower left: Mary Brady / '63, 74 x 100 cm |
*** | *** | |
101 |
McGilchrist, Erica Margaret
Summer Night 1967Oil on masonite, signed and dated lower right: Erica McGilchrist 1967, signed and titled verso: Erica Mcgilchrist / Summer Night, 96 x 74.5 cm |
*** | *** | |
102 |
Sutherland, Jean Parker
Self PortraitOil on board, signed upper left: J. P. Sutherland, title inscribed verso, artist's studio stamp verso, 94 x 56 cm |
*** | *** | |
103 |
Waterhouse, Phyllis Pauline
At the Train CrossingOil on masonite, signed lower right: Waterhouse, titled verso, 66 x 91 cm |
*** | *** | |
104 |
Long, Sydney
Country LandscapeOil on board, signed lower right: Sid Long, 30.5 x 38 cm |
*** | *** | |
105 |
Murch, Arthur James
Mother and ChildOil on board, signed lower left: Murch, 29.5 x 36.5 cm |
*** | *** | |
106 |
Boyd, Arthur Merric Bloomfield
River Bride I, II, and IIIThree collographs, ed. 50/70, 42/70, 24/70, each signed, titled and numbered below image |
*** | *** | |
107 |
Rowan, Marian Ellis (Ellis)
Netted Stinkhorn FungiWatercolour on paper, signed lower left: Ellis Rowan, 27 x 17.5 cm |
*** | *** | |
108 |
Prudhon, Circle of, Pierre-Paul
Io Surprised by JupiterBlack and red crayon on paper, 23.5 x 29.5 cm |
*** | *** | |
109 |
Maillol, Aristide Joseph Bonaventure
Femme assise de Profil a Droite, un Genou Plie, un Genou Releve 1926Etching, signed with artist's monogram lower right, publisher's blind stamp to lower margin, 22.5 x 24 cm (plate) |
*** | *** | |
110 |
Maillol, Aristide Joseph Bonaventure
Femme nue de ProfilLithograph, edition of 30, signed with artist's monogram lower right, publisher's blind stamp lower right, 48 x 31 cm (reveal) |
*** | *** | |
111 |
Bonnard, Pierre
La Toilette Assise 1925Lithograph, ed. 99/100, signed lower right: P Bonnard, numbered lower left: 99/100, 46 x 31 cm (reveal) |
*** | *** | |
112 |
Fragonard, Jean-Honore
Saint Luke c.1764Etching, 12 x 9.5 cm (plate) |
*** | *** | |
113 |
Dufy, Raoul
Le BaigneusesLithograph, signed lower right: Raoul Dufy, publisher's blind stamp lower right, 26 x 36 cm (reveal) |
*** | *** | |
114 |
Masson, Andre
La Fabrication du Pain c.1965Colour lithograph, ed. 116/150, signed lower right: Andre Masson, numbered lower left: 116/150, 55 x 44.5 cm (reveal) |
*** | *** | |
115 |
Angas, After, George French
The City and Harbour of Sydney, from near Vaucluse, by Thomas Shotter Boys 1868Hand-coloured lithograph on wove paper, 39 x 57.5 cm (reveal) |
*** | *** | |
116 |
Raworth, William Henry
Sydney Harbour Near Double Bay 1893Watercolour on paper, signed and dated lower left: W H Raworth / 1893, 32 x 63 cm |
*** | *** | |
117 |
Barnes, Gertrude Jameson
Mountainous Landscape with LakeOil on canvas, signed lower right: G J Barnes, 48 x 73.5 cm |
*** | *** | |
118 |
Barnes, Gertrude Jameson
Landscape with House and Water Wheel by a LakeOil on canvas, signed lower right: G J Barnes, 49 x 74 cm |
*** | *** | |
172 |
Firth-Smith, John
Tune 1987Lithograph, ed. 17/100, signed, titled, dated and numbered below image: 17/100 "tune" Firth-Smith 87, 57 x 76 cm (sheet) |
*** | *** | |
173 |
Vanni, Ermanno
La Vecchietta and AttesaInk on board, both signed: E Vanni, each with artist's name and title on label verso, 60 x 44.5 cm each |
*** | *** | |
174 |
Dufy, Raoul
Bouquet de FleursColour lithograph on paper, ed. 158/250, numbered lower right: 158/250, signed in stone lower right, 53 x 42.5 cm (plate) |
*** | *** | |
175 |
Lawrence, George Feather
Untitled Landscape 1974Oil on board, signed and dated lower right: G F Lawrence / '74, 29.5 x 44.5 cm |
*** | *** | |
176 |
Artist Unknown,
Gungella MistsInk and wash on board, titled on label verso, 25.5 x 30.5 cm |
*** | *** | |
177 |
Barton, Del Kathryn
To love like this 2023Archival pigment print, ed. 21/150, signed, titled, dated and numbered below image: 21/150 - to love like this - del kathryn barton 2023, 75.5 x 124 cm |
*** | *** | |
178 |
Storrier, Timothy Austin (Tim)
EveningArchival pigment print, ed. 5/25, signed, titled and numbered below image: 5/25 'Evening' Storrier, 59 x 100 cm |
*** | *** | |
179 |
Ngatane, Ephraim Mojalefa
Untitled (Street Scene) 1969Watercolour and gouache, signed and dated lower left: E. Ngatane '69, 55.5 x 73.5 cm |
*** | *** |