Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
51 |
Streeton, Arthur Ernest
Olinda HillsideOil on canvas, signed lower left A Streeton, 51.5 x 77 cm |
*** | *** | |
52 |
Fox, Ethel Carrick
Wild FlowersOil on canvas, signed lower left Carrick Fox, bears inscription on label attached to stretcher bar verso: 23 / Carrick Fox / Wild Flowers / 23, label attached to stretcher bar verso: Lucien Lefebvre–Foinet, Paris, 46.5 x 38.5 cm |
*** | *** | |
53 |
Davidson, Bessie Ellen
Still Life With Flowers, c.1935Oil on wood, signed lower right Bessie Davidson, bears inscription on old label verso: Salon des Tuileries / Bessie Davidson / 40 rue Boissonade / No. 3 Nature morte / (fleurs), bears inscription verso: D H6 3, 41 x 33 cm |
*** | *** | |
54 |
Drysdale, George Russell (Russell)
Studio Still Life, c.1937Pencil, pen and ink and watercolour on paper, signed lower centre Russell Drysdale, signed and inscribed with title on backing attached verso: Still Life / Russell Drysdale, bears inscription on typed label verso: Russell Drysdale Still Life / Lent By / Daryl Lindsay, 22.5 x 29.5 cm (sight) |
*** | *** | |
55 |
Drysdale, George Russell (Russell)
Golden Gully, c.1949Ink and watercolour on paper, signed lower right Russell Drysdale, 20.5 x 32 cm |
*** | *** | |
56 |
Dobell, William
Campers At Lake Macquarie, Wangi Wangi, NSWGouache on paper, 12 x 18.5 cm |
*** | *** | |
57 |
Dobell, William
Study For the Student, 1940Oil on card, signed and dated lower right W Dobell / 40, 45 x 27 cm |
*** | *** | |
58 |
Dobell, William
Nude, 1933Oil on composition board, signed and dated upper right Dobell / 33, bears inscription with artist’s name and title on partial label verso, 21 x 24.5 cm |
*** | *** | |
59 |
Herman, Sali Yakubowitsch (Sali)
Migrant Woman, Woolloomooloo Lane, 1969Oil on canvas, signed and dated lower right S. Herman, 69, 64 x 76.5 cm |
*** | *** | |
60 |
Rees, Lloyd Frederic
A Morning Vision (High Above Sandy Bay, Tasmania), 1985Oil on canvas board, signed and dated lower right L Rees 85 , inscribed with title verso: A Morning Vision / (High Above Sandy Bay Tasmania –, 47.5 x 55.5 cm |
*** | *** | |
61 |
Last, Clifford Frank
Family Group, c.1962Bronze on timber base, edition: 4/6, signed with artist’s monogram and numbered verso: L / IV/VI, 32 x 20.5 x 16.5 cm (including base) |
*** | *** | |
62 |
Klippel, Robert Edward
No. 462, 1982 cast 1983Bronze, edition: A/P, signed with initials, dated and numbered on base: RK No 462 83 AP, Meridian Melbourne foundry stamp at base, 41 cm (height) |
*** | *** | |
63 |
Redpath, Norma
Piccola Citta, 1976Silver on marble base, edition: 4/5, signed, dated and numbered at edge: p.d’A. 4/5 015 / Norma Redpath 1976, 13.5 cm (height) |
*** | *** | |
64 |
Bacon, Francis
Triptych 1974-77, 1981Colour etching and aquatint3 panels printed on one sheet, edition: 25/99, signed and numbered below image 38.5 x 29.5 cm (each panel), published by Polígrafa, Barcelona, 1981, ., 38.5 x 93.5 cm (overall image) |
*** | *** | |
65 |
Long, Sydney
Flamingoes, 1916Watercolour on paper, signed and dated lower right Sid Long / .1916., 34.5 x 72 cm (sight) |
*** | *** | |
66 |
Hall, Lindsay Bernard (Bernard)
Andante, C.1887Oil on canvas, signed lower left B. Hall, 32 x 70 cm |
*** | *** | |
67 |
Bunny, Rupert Charles Wulsten
Aurore Et Selene, c.1921Colour monotype, inscribed with title verso: Aurore et Céline [sic] /monotype/1928 AF/ Bunny , bears inscription on label attached verso: Ville de Gand / Musée des Beaux–Arts / N° 1928 / Depot Hulin AF, 24.5 x 34.5 cm (image)28 x 38 cm (sheet) |
*** | *** | |
68 |
Cumbrae-Stewart, Janet Agnes
Young Girl Sewing, 1926Pastel on paper, signed and dated lower right Cumbrae Stewart / 26, 61 x 50 cm |
*** | *** | |
69 |
Streeton, Arthur Ernest
Cairo, Street Scene, 1898Watercolour on paper on card, signed lower right Arthur Streeeton , bears inscription verso: Mrs Walker / Cooldrina / Packington St / Kew, 36.5 x 17.5 cm |
*** | *** | |
70 |
Conder, Charles Edward
Interior With Women By SeaOil on canvas, 71 x 91 cm |
*** | *** | |
71 |
Traill, Jessie Constance Alicia
Working the FieldOil on canvas on board, 100.5 x 60 cm |
*** | *** | |
72 |
Fox, Emanuel Phillips
Golden Evening, c.1907Oil on panel, signed lower left E Phillips Fox, signed and partially inscribed with title on label verso: Golden Evening / E. Phillips Fox, bears inscription verso: 1, 27 x 35 cm |
*** | *** | |
73 |
Davidson, Bessie Ellen
Chambray Landscape, FranceOil on board, 18.5 x 24 cm |
*** | *** | |
74 |
Russell, John Peter
Trees, River and Mountains, c.1866 - 67Oil on wood panel, signed lower left J. Russell, 28.5 x 22.5 cm (irregular) |
*** | *** | |
75 |
Gill, Samuel Thomas
North Bondi Bay, c.1856Watercolour on paper, signed with initials lower left STG, 18.5 x 20 cm (oval) |
*** | *** | |
76 |
Gill, Samuel Thomas
West of Queenscliff, VictoriaWatercolour on paper, signed with initials lower left S T G, signed and inscribed with title on label verso: West of Queenscliff / Victoria / S. T. Gill., 10.5 x 33.5 cm (sight) |
*** | *** | |
77 |
Buvelot, Abram Louis (Louis)
in the Western DistrictOil on academy board, inscribed with title verso: In Western District, 23 x 31 cm |
*** | *** | |
78 |
Syme, Eveline W.
Melbourne From St Kilda Road (Looking North Across Princes Bridge)Watercolour on paper on card, signed with initials lower right E.W.S., 20 x 30 cm (sheet) |
*** | *** | |
79 |
Traill, Jessie Constance Alicia
Yallourn Power Station, 1924Watercolour on paper, signed and dated lower right J Traill 1924, 38 x 57.5 cm |
*** | *** | |
80 |
Webb, Attributed, Alexander
Malop Street, Geelong and the Provident Institute, Melbourne, c.1860Watercolour on paper, each inscribed with title on mount |
*** | *** | |
81 |
Hornel, Edward Ernest Atkinson
Girl and Bluebells, Brighouse Bay, 1919Oil on canvas, signed and dated lower left E A Hornell 1919 –, 51.5 x 77 cm |
*** | *** | |
82 |
Leighton, Edmund Blair
The Letter, 1921Oil on canvas, signed with initials and dated lower left E.B.L. 1921, 51 x 36 cm |
*** | *** |