Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
553 |
Ragless, Maxwell Christopher Richard (Max)
Bellingen ValleyOil on board, signed lower right, 39.5 x 60 cm |
*** | *** | |
554 |
Vike, Harald Hansen Gallis
La Trobe Valley, 1955Oil on canvas, signed and dated lower right, 54.5 x 62.5 cm |
*** | *** | |
555 |
Namatjira, Keith
Central Australian LandscapeWatercolour, signed lower right, 36 x 52.5 cm |
*** | *** | |
556 |
Asch, Alexander (Alex)
Wooden House (Tin Roof)Recycled timber and found objects, 112 x 21 x 22 cm |
*** | *** | |
557 |
Asch, Alexander (Alex)
Wooden HouseRecycled timber and found objects, 111 x 19 x 33 cm |
*** | *** | |
558 |
Asch, Alexander (Alex)
Wooden HouseRecycled timber and found objects, 93.5 x 25 x 35 cm |
*** | *** | |
559 |
Hall, Ben
Distant Cities, 1994Oil on jute, signed and dated lower right. Access Contemporary Art Gallery label verso, 130 x 131 cm |
*** | *** | |
560 |
Morris, Nick
3 Window Commodore, 2017Acrylic and screenprint on canvas, labelled lower right, signed dated and titled verso, 102 x 102 cm |
*** | *** | |
561 |
Richards, Gordon
JesterOil on canvas, unsigned?, 122.5 x 101 cm |
*** | *** | |
562 |
Richards, Gordon
Over the DamAcrylic on canvas, signed and labelled verso, 61 x 84 cm |
*** | *** | |
563 |
Blackman, Charles Raymond
Angels of Time, 1966 - 1967Lithograph, ed. 29/75, signed lower centre, dated lower right, 56 x 79 cm |
*** | *** | |
564 |
Boyd, Arthur Merric Bloomfield
Figures EmbracingLithograph, ed. 16/25, signed lower right, 47.5 x 60 cm |
*** | *** | |
565 |
Boyd, Arthur Merric Bloomfield
UntitledEtching, ed. 27/75, signed lower right, 30 x 50 cm |
*** | *** | |
566 |
Nolan, Sidney Robert
DancersScreenprint, ed. 60/100, signed lower right, 74.5 x 58 cm |
*** | *** | |
567 |
Cusick, Cheryl
SandbankAcrylic on canvas, signed lower right, 101.5 x 101.5 cm |
*** | *** | |
568 |
Njiminjuma, Jimmy
Untitled, 1985Ochre and natural pigments on bark, inscribed and dated verso, 55 x 25,5 cm (irregular) |
*** | *** | |
569 |
Connor, Kevin Leslie
Study for Redfern, Railway StationOil on board, signed lower right, titled verso, 34 x 44.5 cm |
*** | *** | |
570 |
Mannix, Max
The DunnyBronze sculpture, ed. 86/100, signed to lower left |
*** | *** | |
571 |
Andrews, Raymond
The Gift Bearer II, 2001Oil and gold leaf on beach veneer, inscribed, dated and titled verso, Everard Read Gallery label verso, 186 x 69 cm |
*** | *** | |
572 |
Olsen, John Henry
The Christ Bird Arrives, 1975Etching, ed. 12/50, signed and dated lower right, 40.5 x 44.5 cm |
*** | *** | |
573 |
Long, Leonard Hugh
Port Macquarie Headlands, 1955Oil on board, signed and dated lower left, 26.5 x 31.5 cm |
*** | *** | |
574 |
Lindsay, Circle Of, Perceval (Percy) Charles
Country CottageOil on canvas laid on board (AF- fraying and losses to upper centre), signed indistinctly lower right, 44.5 x 36 cm |
*** | *** | |
575 |
Peries, Ivan
The Face, 1980Watercolour , mounted, unframed, initialled and dated lower right, 28 x 20 cm |
*** | *** | |
576 |
Peries, Ivan
Seated Man I, 1980Watercolour , mounted, unframed, initialled and dated lower left, 25.5 x 21 cm |
*** | *** | |
577 |
Peries, Ivan
Seated Figure, 1982Watercolour , mounted, unframed, initialled and dated lower left, 18.5 x 24 cm |
*** | *** | |
578 |
Miro, Joan
La Melodie Acide, 1980Lithograph on Arches paper, ed. 1252/1,500, signed in plate lower right, 32 x 24 cm |
*** | *** | |
579 |
Agam, Yaacov Gipstein
Forme Lignes, 1974Colour screenprint on Arches, ed. XXIX/LX, signed lower right, 78 x 76 cm |
*** | *** | |
580 |
Boyd, David
Fruit PickersColour etching, ed. 1/60, signed lower right, 24 x 22 cm |
*** | *** | |
581 |
Boyd, David
Wombat & EuropaColour etching, ed. 14/90, signed lower right, 37 x 49 cm |
*** | *** | |
582 |
Grove, Helene
Mommy Making Out, 2007Acrylic on board, signed and dated lower left, labelled verso, 58 x 70 cm |
*** | *** | |
583 |
Miro, Joan
UntitledLithograph, signed in plate lower right, 47.5 x 68.5 cm |
*** | *** | |
584 |
Miro, Joan
UntitledLithograph, signed in plate lower right, 47.5 x 68.5 cm |
*** | *** | |
585 |
Miro, Joan
La Melodie Acide, 1980Lithograph on Arches paper, 32 x 24 cm |
*** | *** | |
586 |
Miro, Joan
La Melodie Acide, 1980Lithograph on Arches paper, 32 x 24 cm |
*** | *** | |
587 |
Curtis, Robert Emerson
Broken Hill, 1952 (2)Pencil on paper, each signed and dated lower right, 20.5 x 24 cm; 20.5 x 32.5 cm |
*** | *** | |
588 |
Dickerson, Robert Henry (Bob)
First Time Round IColour etching, ed. A/P, signed lower right, 41 x 60 cm |
*** | *** | |
589 |
Emanuel, Cedric Raymond
Evan Street Rozelle, SydneyWatercolour, signed lower right, 34.5 x 50 cm |
*** | *** | |
590 |
Emanuel, Cedric Raymond
Adriatic Traders at Trogir, Croatia, 1966Pencil, signed lower left, 40 x 48 cm |
*** | *** | |
591 |
Boyd, Arthur Merric Bloomfield
PleasureEtching, ed. 19/45, signed lower right, 66 x 50 cm |
*** | *** | |
592 |
Auld, James Muir
Figures Strolling Along Country TrackOil on canvas on board, signed lower left, 29 x 23 cm |
*** | *** | |
593 |
Counihan, Noel Jack
Standing Figure, 1968/83Etching and aquatint, ed. 7/12, signed lower right, 16 x 15 cm |
*** | *** | |
594 |
Hollings, Russell J.
The End of the Season, TuscanyOil on board, signed lower right, labelled verso, 51 x 51 cm |
*** | *** | |
595 |
Marsh, Dale
Girl in a Blue Dress, 1982Oil on canvas on board, signed and dated lower right, titled lower left, 49.5 x 59 cm |
*** | *** | |
596 |
Parker, Dudley Bruce
From Beacon Hill Towards Dee Why, c1940'sOil on board, signed lower right, 34.5 x 44.5 cm |
*** | *** | |
597 |
Harding, Mary
Mother & ChildOil on canvas, inscribed verso, 80.5 x 69.5 cm |
*** | *** | |
598 |
Lindsay, Lionel Arthur
Evening Ride at Wahroonga, 1925Drypoint etching, ed: 14/35, signed lower right, 22.5 x 34 cm |
*** | *** | |
599 |
Fullwood, Albert Henry
Mosman, 1890Etching, signed lower right, 13.5 x 26 cm |
*** | *** | |
600 |
Speedy, John
SunsetWatercolour, gouache and pastel on board, signed lower left, titled verso, 50 x 63.5 cm |
*** | *** |