Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
101 |
Picasso, Pablo
Yan Barbu, 1963Incised and hand-painted terracotta earthenware, edition: 179/300, incised, stamped and numbered on base: 'Edition Picasso / Madoura Plein Feu / Edition Picasso / 179/300 / Madoura, 26.5 cm height |
*** | *** | |
102 |
Bedford, Paddy Nyunkuny
Jirljin (Red Pocket), 2000Ochres and pigments with acrylic binder on Belgian linen, signed with initials verso: PB, bears inscription verso: To: Chapman Gallery, Jirrawun Arts cat. PB 3 2000.77, 122 x 135 cm |
*** | *** | |
103 |
Timms, Freddie
Spring Head Creek - Texas Country, 2003Natural earth pigments and synthetic binder on linen, bears inscription verso: artist's name, title, and Jirrawun Arts cat. FT 9 2003-182, 135 x 122 cm |
*** | *** | |
104 |
Ramsey, Rammey
Warlawoon Country, 2008Ochres and pigments with acrylic binder on Belgian linen, signed with initials verso: RR, bears inscription verso: artist's name, title and Jirrawun Arts cat. RR 2008 09 236, 120 x 120 cm |
*** | *** | |
105 |
Atkinson, Yvonne
The Family, 1936Oil on canvas, signed and dated lower right Yvonne Atkinson / 1936, 39 x 44.5 cm |
*** | *** | |
106 |
Purves Smith, Peter Charles Roderick
Botanic Gardens, C.1949Watercolour and ink on paper, 40 x 49 cm |
*** | *** | |
107 |
Preston, Margaret Rose (MacPherson)
Harbour Foreshore, 1925Woodcut, edition: 7/50, signed with initials in image lower left PM. signed, dated, numbered and inscribed with title below image, 24.5 x 18.5 cm |
*** | *** | |
108 |
Bucholz, Erich
Airborne Bows (Schwebende Bogen), 1920Woodcut, edition: 6/unknown, signed, dated and numbered below image, 24.5 x 20.5 cm |
*** | *** | |
109 |
Colquhoun, Amalie Sara
Lorne BeachOil on canvas on board, signed lower left Amalie Colquhoun, 36 x 41 cm |
*** | *** | |
110 |
Meldrum, Duncan Max (Max)
Le Pont Royal, Paris, C.1929Oil on board, signed upper right Meldrum, 32 x 40 cm |
*** | *** | |
111 |
French, Leonard William
Footscray Brickworks, 1951Oil on canvas, signed and dated upper left French / 51, 50 x 62.5 cm |
*** | *** | |
112 |
French, Leonard William
Musicians, 1947 (Verso: Canal Scene)Oil and tempera on composition board, signed and dated upper right French 47, 60.5 x 40 cm |
*** | *** | |
113 |
Braund, Dorothy Mary
Four Footballers, 1967Oil on composition board, signed and dated lower left Braund 67, inscribed with date and title verso: No 16 / 'FOUR FOOTBALLERS' / LEVESON GALL NOV: 67, 61 x 91.5 cm |
*** | *** | |
114 |
Russell, John Peter
Bois De Boulogne, Paris, 1905Watercolour and pastel and pencil on paper, signed, dated and inscribed with title lower left Bois De B. P. January. 1905 - John Russell, 24 x 33 cm |
*** | *** | |
115 |
Bunny, Rupert Charles Wulsten
Spring Landscape, South of FranceOil on board, certificate of authenticity label signed by Sir Daryl Lindsay, attached verso, bears inscription verso: … / Reserved / Dr Ewan Murray Will, 19.5 x 22.5 cm |
*** | *** | |
116 |
Bunny, Rupert Charles Wulsten
Landscape, South of FranceOil on board, certificate of authenticity label signed by Sir Daryl Lindsay, attached verso, 19.5 x 22.5 cm |
*** | *** | |
117 |
Bunny, Rupert Charles Wulsten
Rural Scene with Haystack (France), C.1922Oil on canvas, signed with monogram lower left RCWB, bears inscription verso: Rupert Bunny Landscape, 42.5 x 59 cm |
*** | *** | |
118 |
Bunny, Rupert Charles Wulsten
The Siren I, C.1894Conté and monochrome wash with white highlights on card, signed with artist's monogram on image lower right RCWB, inscribed with title centre left THE SIREN, 29.5 x 19.5 cm (image) |
*** | *** | |
119 |
Outhwaite, Ida Rentoul Sherbourne
Fairy and Water BabyWatercolour and pen and ink on cardboard, signed with initials lower left IRO, 45 x 33 cm |
*** | *** | |
120 |
Hookey, Mabel Madeline
Near Rokeby HouseOil on canvas, signed on stretcher verso: M Hookey, inscribed on stretcher verso: Mabel Hookey / Tasmania, 30 x 54 cm |
*** | *** | |
121 |
Long, Sydney
Creeping Shadows, C.1895Oil on wood panel, signed lower left Syd Long, bears inscription with title on old label verso: No 7 / Creeping Shadows / Syd Long, 10.5 x 28 cm |
*** | *** | |
122 |
Long, Sydney
The Slab Hut, 1937Oil on academy board, signed and dated lower right Sydney Long / 1937, 30 x 58 cm |
*** | *** | |
123 |
Rubbo, Attributed, Anthony Dattilo
Il Giornale Italiano (The Italian Journal), C.1932 - 33Oil on canvas, 51 x 33.5 cm |
*** | *** | |
124 |
Lawrence, George Feather
Reservoir Street, 1941Oil on canvas on board, signed and dated lower right G. Lawrence / 41, inscribed on label verso: 'Reservoir St' / George F. Lawrence / 41 Cliff Rd / Northwood, 37 x 45 cm |
*** | *** | |
125 |
Ashton, Julian Rossi
Shipping on the Yarra - Early Morning, C.1880Watercolour on paper, signed lower right J.R. Ashton, 35.5 x 54 cm |
*** | *** | |
126 |
Forrest, James Haughton (Haughton)
Hauling in Net In Rough SeasOil on academy board, signed lower left H Forrest, 30.5 x 47 cm |
*** | *** | |
127 |
Forrest, James Haughton (Haughton)
To the RescueOil on canvas, signed lower left H Forrest, 68.5 x 114.5 cm |
*** | *** | |
128 |
Bryant, Charles David Jones
Camouflaged Hospital Ship, Le Havre, France, 1918Oil on canvas on board, signed lower left Charles / Bryant, 29.5 x 39.5 cm |
*** | *** | |
129 |
Kmit, Michael
Study of a Woman, 1964Oil on canvas on composition board, signed and dated upper right Kmit / 64, 97 x 71 cm |
*** | *** | |
130 |
Molvig, Jon
Girl with Hoop, 1957Oil on paper on composition board, signed and dated lower right Molvig 57, 45 x 37.5 cm |
*** | *** | |
131 |
Molvig, Jon
Adam and Eve, 1962Ink and wax resist on paper composition board, signed and dated lower right Molvig 62, bears inscription with title on frame verso: Molvig: Adam & Eve, 72 x 101 cm |
*** | *** | |
132 |
Crooke, Ray Austin
Western Australian Landscape, C.1969Oil on canvas on composition board, signed lower right R Crooke, bears inscription verso: No 47 / R Crooke / Landscape / W.A., 23 x 30.5 cm |
*** | *** | |
133 |
Daws, Lawrence M.
Running Figures, C.1974Oil on canvas on composition board, bears inscription verso: C1589 Lawrence Daws, 91.5 x 106.5 cm |
*** | *** | |
134 |
Friend, Donald Stuart Leslie
Trojan Archers, C.1962Beaten sheet aluminium on marble base, signed and inscribed with title on base: Donald Friend / 'Trojan Archers' / No. 7337 / Ex. Coll / Lynne / Drysdale, 32 cm height (including base) |
*** | *** | |
135 |
Friend, Donald Stuart Leslie
Double Bay, C.1970Gouache on paper on board, signed and inscribed with title upper right Double Bay / Donald Friend, 49.5 x 37 cm |
*** | *** | |
136 |
Perceval, John De Burgh
Study of Twins, C.1949Pencil on paper, signed lower left Perceval, bears inscription verso: 33, 33 x 46 cm |
*** | *** | |
137 |
Blackman, Charles Raymond
Barbara, C.1967Coloured chalk on paper, signed lower right Charles Blackman, 46 x 35 cm |
*** | *** | |
138 |
Williams, Frederick (Fred) Ronald
Trees, C.1960Watercolour on paper on board, signed lower left Fred Williams, bears inscription with title verso: No. 3085 'Trees' / C.245, bears inscription on label verso: A/195, 38 x 50 cm |
*** | *** | |
139 |
Connor, Kevin Leslie
View from Mosman to the City, 1973Oil on canvas, signed and dated lower right '73 / Connor, 122 x 137 cm |
*** | *** | |
140 |
Connor, Kevin Leslie
Haymarket, 1973Pastel on paper, signed and dated lower right Connor '73. signed, dated, and inscribed with title verso: Haymarket 1973 / (Dawn) Early Morning - Central / Kevin Connor, 74 x 92.5 cm |
*** | *** | |
141 |
Connor, Kevin Leslie
Interior with Figures, 1972Oil on board, signed and dated lower right Connor / 72, 45 x 30 cm |
*** | *** | |
142 |
Lymburner, Francis
The Stumble, C.1958Oil on composition board, signed lower right Lymburner, bears inscription verso: 5, 64 x 76.5 cm |
*** | *** | |
143 |
Dunlop, Brian James
Reclining NudeWatercolour and pencil on paper, signed lower right Dunlop, 30.5 x 55 cm |
*** | *** | |
144 |
Aboriginal Artist Unknown,
A Broad Shield, New South Wales, Late 19th CenturyIncised and carved wood with traditional designs, 74 cm length |
*** | *** | |
145 |
Aboriginal Artist Unknown,
A Hooked Boomerang, Queensland-New South Wales Border, Early 20th CenturyCarved hardwood filled with natural earth pigment, 65 cm length |
*** | *** | |
146 |
Aboriginal Artist Unknown,
A Bicornial Basket, Cardwell/Cairns, Queensland, Late 19th Century - Early 20th CenturyNatural earth pigments on woven lawyer cane, 40 cm height |
*** | *** | |
147 |
Aboriginal Artist Unknown,
A Gulmari Shield, South West Queensland, 19th CenturyCarved fig wood with geometric designs filled with natural earth pigments, 43 cm length |
*** | *** | |
148 |
Timbery, R
Transitional Shield, La Perouse, New South Wales, 20th CenturyFlame engraved hard wood with pigment, bears inscription verso: Aboriginal / Made / R. Timbery, 57 cm length |
*** | *** | |
149 |
Aboriginal Artist Unknown,
Pair of Throwing Clubs, Queensland and Western Australia, 19th CenturyCarved and incised hard wood, 70 and 72 cm length |
*** | *** |