Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
53 |
Fantauzzo, Vincent
Kimbra (The Build Up), 2012Oil on linen, 200.5 x 260.5 cm |
*** | *** | |
54 |
Storrier, Timothy Austin (Tim)
The Histrionic Wayfarer (After Bosch) (Maquette)Bronze, edition: 8/8, signed, numbered and stamped with foundry mark to base, 83 cm height |
*** | *** | |
55 |
Nolan, Sidney Robert
New Guinea, 1965Oil on canvas, signed with initial lower right N, signed, dated and inscribed verso: NG New Guinea/ 11 Dec 1965/ Nolan, 122.5 x 153 cm |
*** | *** | |
56 |
Amor, Rick
Across History, 2000Oil on canvas, signed and dated lower right Rick Amor '00, signed, dated and inscribed verso: Across History/ Jul 00/ 97 x 130/ RA6 (illeg.), 97 x 130.5 cm |
*** | *** | |
57 |
Arkley, Howard
Curlicue Console, 1998Synthetic polymer paint on board and suite of three synthetic polymer paintings on canvas, each signed and dated verso: Howard Arkley 98, shelf: 36 x 100 x 21 cm; canvas: 23 x 31 cm (each) |
*** | *** | |
58 |
Mellor, Danie
A Point of Order (New Worlds from Old Power), 2010Pastel, pencil, Swarovski crystals, glitter and wash on paper, signed and dated lower right Danie Mellor 2010, inscribed lower left A Point of Order (New Worlds from Old), 142 x 185 cm (framed dimensions: 155.5 x 210 cm) |
*** | *** | |
59 |
Mellor, Danie
A Trace of History (Of Death and Resurrection), 2010Pastel, pencil, wash, studs, glitter and Swarovski crystals on paper, signed and dated lower right Danie Mellor 2010, inscribed lower left A Trace of History (of Death & Resurrection), 205.5 x 79.5 cm |
*** | *** | |
60 |
Kngwarreye, Emily Kame
Untitled (Wildflower Dreaming), 1992Synthetic polymer paint on canvas, inscribed verso: Emily Kngwarreye/ Emily Kngwarreye/ commissioned by/ Delmore, 151.5 x 122 cm |
*** | *** | |
61 |
McKenzie, Queenie Nakarra
The Argyle Diamond Mine, 1998Natural earth pigments on canvas, bears artist's name and inscription verso: Queenie McKenzie 120 x 90 KP062/ Red Rock Art 398, 87.5 x 121 cm |
*** | *** | |
62 |
Thomas, Rover (Julama)
Dingo Holes at Bilaluna (Also Known as Nyaama Dingo Holes), 1995Natural earth pigments on canvas, bears artist's name and inscription verso: S658/ 140 x 90 cm/ Rover Thomas/ Waringarri/ Aboriginal/ Arts/ APO 513, accompanied by framed photographs of the artist creating the work, 90 x 140 cm |
*** | *** | |
63 |
Pwerle, Minnie
Awelye Atnwengerrp, 2000Synthetic polymer paint on canvas, bears artist's name, date and inscription verso: DG 03935/ Minnie Pwerle/ Awelye-Atnwengerrp/ 2000, accompanied by a certificate of authenticity from Art Mob Aboriginal Fine Art, Hobart, 50 x 148 cm |
*** | *** | |
64 |
Kngwarreye, Emily Kame
Untitled (Body Paint Design)Synthetic polymer paint on paper, 74.5 x 50 cm |
*** | *** | |
65 |
Kngwarreye, Emily Kame
Untitled (Wildflower Dreaming), C1993Synthetic polymer paint on canvas, bears inscription verso: Emily Kngwarreye 21 - 1091 M.B.A, 121 x 91 cm |
*** | *** | |
66 |
Napangardi, Lily Kelly
Sand Hills Story, 2005Synthetic polymer paint on linen, bears date and inscription verso: Muk Muk Aboriginal Art 2006, accompanied by a certificate of authenticity from Kimberley Art, Melbourne, 145 x 300 cm |
*** | *** | |
67 |
Pwerle, Minnie
Body Paint, 2004Synthetic polymer paint on canvas, bears inscription verso: MP04-10078, accompanied by original gallery documentation from Jinta Desert Art, New South Wales, 122 x 167 cm |
*** | *** | |
68 |
Tjapaltjarri, Clifford Possum
Mt Wedge - Tingarri School for Young Men, 1998Synthetic polymer paint on linen, signed and inscribed verso: Clifford Possum/ Mt Wedge Area/ Sand Painting - Tingari/ School For Young Men/ Tjangala + Tjampitjinpa, accompanied by original gallery documentation and photographs of the artist creating the work from Jinta Desert Art, New South Wales, 127.5 x 66.5 cm |
*** | *** | |
69 |
Roberts, Thomas (Tom) William
Tasmanian Landscape, C1926Oil on board, certificate of authenticity attached verso signed: R.C. Croll, 15 x 24 cm |
*** | *** | |
70 |
Gruner, Elioth
Valley Near Bairnsdale, 1930Oil on board, signed and dated lower right Gruner/ 1930, signed, dated and inscribed verso: Valley near Bairnsdale/ E Gruner 1930, 29 x 39.5 cm |
*** | *** | |
71 |
Wilson, Dora Lynell
The Spirit of the WoodsPastel on paper, signed lower left Dora L Wilson, signed and inscribed on label attached to backing verso: The Spirit of the Woods/ 10 guineas/ Dora L Wilson/ Melbourne, 36 x 28.5 cm |
*** | *** | |
72 |
Long, Sydney
Portrait of a Young Girl, 1888Oil on panel, signed, dated and inscribed lower left A.S.C '87/ Sidney Long/ 1888, 53.5 x 35.5 cm |
*** | *** | |
73 |
Van Rysselberghe, Theo
Portrait De Madeleine Maus, 1898-1902Pastel on paper, signed with artist's monogram lower left, signed, dated and inscribed with dedication upper right Pour mes amis Dejongh [sic]/ en souvenir du 2 Avril 1898/ Theo V.R, 54 x 68 cm |
*** | *** | |
74 |
Warhol, Andy
Ladies and Gentlemen, 1975Colour screenprint, edition: 93/125, numbered, signed and dated verso, 128 x 71.5 cm (sheet) |
*** | *** | |
75 |
Freud, Lucian
The Painter's Doctor, 2006Etching on Somerset paper, edition: 45/46, numbered and initialled below image, 59 x 45.5 cm |
*** | *** | |
76 |
McKenzie, Alexander
Priory, 2008Oil on linen, signed with initials and dated lower right A McK 08, signed, dated and inscribed verso: alexander mckenzie (c) 08/priory/ oil on linen/ 76 x 76 cm, 76.5 x 76.5 cm |
*** | *** | |
77 |
Dyer, Geoffrey
Ocean Beach 6Oil on linen, signed lower right Dyer, 122 x 213 cm |
*** | *** | |
78 |
Benjamin, Jason
What You Give to Me, 2004Oil on linen, signed, dated and inscribed verso: what you give to me/ March '04/ Benjamin, 180.5 x 241.5 cm |
*** | *** | |
79 |
Audette, Yvonne
Summer Morning, 1975-76Oil on composition board, signed and dated lower right Audette/ 1976, signed, dated and inscribed verso: Y.Audette/ Summer Morning/ 1975/76/ A174, 76 x 63 cm |
*** | *** | |
80 |
Johnson, Michael
Cattai Revisit, 1990Oil on canvas, signed and dated verso: Michael Johnson 1990 , signed, dated and inscribed verso: Cattai Revisit Michael Johnson 1990, 214 x 152 cm |
*** | *** | |
81 |
Chen, Zhong
Guangzhou Girl, 2007Oil on canvas, signed and dated verso: zhong chen/ 2007, 234 x 198 cm |
*** | *** | |
82 |
Cullen, Adam
Mr and Mrs Nude, 2003Synthetic polymer paint, enamel and ink on canvas, inscribed on stretcher verso: Mr + Mrs Nude, 183 x 183 cm |
*** | *** | |
83 |
Alexander, Giles
Saturn Devouring His Son, 2013Oil, ink and resin on polyester (triptych), each panel signed, dated and inscribed verso: Giles Alexander/ 'Saturn Devouring His Son'/ Oil, Ink & Resin on Polyester/ 150 X 280/ 2013, 150 x 280 cm (overall) |
*** | *** | |
84 |
Edwards, McLean
Nighthead, 2013Oil on canvas, dated lower right 41, signed, dated and inscribed verso: 'Nighthead'/ Mclean/ Sydney/ 2013, 122 x 152.5 cm |
*** | *** | |
85 |
Gill, Samuel Thomas
TrackingWatercolour on paper, signed with initials lower left S.T.G, 18.5 x 26.5 cm |
*** | *** | |
86 |
Heysen, Hans
A Lord of the Bush, C1912Pastel on paper, signed lower right Hans Heysen, signed and inscribed to label verso: A Lord of the Bush./ Hans Heysen, 20 x 16 cm |
*** | *** | |
87 |
Namatjira, Albert
Near Corroboree Rock, Eastern MacdonnellsWatercolour on paper, signed lower right Albert Namatjira, 24.5 x 34.5 cm |
*** | *** | |
88 |
Martens, Conrad
The Axeman, 1841Watercolour on paper, signed with initials and dated lower left cm/ 41, inscribed verso: Conrad Martens signed under hat/ Thomas Mark Windeyer son of Archibald Windeyer of 'Kinross' Raymond Terrace/ in the Hunter, assisting in 1841 the opening of a road to neighbouring/ lands purchased by his father that year/ w/c drawing by Conrad Martens (1801-1878)/ Thomas Mark Windeyer 1819-1850 was 23 when drawing done. He shared digs with Conrad Martens/ when in Sydney and Martens visited 'Kinross' on several occasions, 19 x 24 cm |
*** | *** | |
89 |
Johnstone, Henry James
So Near and Yet So FarWatercolour on paper, signed lower left H.J Johnstone, 74 x 56 cm |
*** | *** | |
90 |
Fullwood, Albert Henry
Queen Street, Brisbane, C1900Watercolour on paper, signed lower left A H Fullwood, inscribed lower right Brisbane. Q./ Queen. St, 14 x 22.5 cm |
*** | *** | |
91 |
Minns, Benjamin Edwin
The Harbour Bridge, 1930Watercolour on paper, signed and dated upper right B.E. Minns/ January 1930, 27 x 36.5 cm |
*** | *** | |
92 |
Boyd, Arthur Merric Bloomfield
Shoalhaven LandscapeOil on board, signed lower right Arthur Boyd, 38 x 30 cm |
*** | *** | |
93 |
Boyd, Arthur Merric Bloomfield
Winter Stroll, C1964Oil on canvas, signed lower right Arthur Boyd, 51 x 61 cm |
*** | *** | |
94 |
Blackman, Charles Raymond
Alice Drinking a Cup of Tea, 1957Watercolour and ink on paper, signed lower right Blackman, dated lower left 1957 March, 51.5 x 28 cm |
*** | *** | |
95 |
Blackman, Charles Raymond
EnigmaInk and watercolour on paper, signed lower right Blackman, 54 x 73 cm |
*** | *** | |
96 |
Blackman, Charles Raymond
Grass Man, C1952Enamel on composition board, signed and inscribed upper left Charles Blackman/ Grass Man, 60 x 75 cm |
*** | *** | |
97 |
Vassilieff, Danila Ivanovich
Murray River Exodus (From the Murray River Carnival Series), 1956Oil on canvas, bears date and inscription on stretcher verso: from the Murray River Carnival series/ 1956, 47.5 x 52.5 cm |
*** | *** | |
98 |
Boyd, David
Untitled, C1969Oil on board, signed lower right David Boyd, 102.5 x 141 cm |
*** | *** | |
99 |
Pugh, Clifton Ernest
The Shooting of Kangaroos, 1984Oil on board, signed and dated lower right Clifton/ '84, inscribed lower left The Shooting of Kangaroos, 120 x 152.5 cm |
*** | *** | |
100 |
Pugh, Clifton Ernest
Transmutation, 1984Oil on board, signed and dated lower right Clifton/ '84. inscribed lower left Transmutation, 120 x 152.5 cm |
*** | *** | |
101 |
Hart, Kevin Charles (Pro)
Dragonfly, 1992Oil on board, signed lower left Pro/ Hart, dated lower right 92, signed, dated and inscribed with dedication verso: To Murray and Pamela/ Good Luck/ In Your New Home/ Pro Hart/ 26-1-1988, 120.5 x 90 cm |
*** | *** | |
102 |
Perceval, John De Burgh
The Pharaoh's Daughter, 1990Oil on canvas, signed and dated lower left '90/ Perceval, signed, dated and inscribed verso: The Pharaoh's Daughter/ After-/ -Perceval/ '90, 59 x 75 cm |
*** | *** |