Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
52 |
Barton, Del Kathryn
Feelings of Her Own, 2010 (From 'Engine That Raised Groan Of Rejoicing' Series, No.9)Pen, ink and watercolour on two sheets of Arches paper, signed, dated and inscribed with title lower centre to lower right feelings of her own – ladder– del Kathryn barton 2010, 57 x 76 cm overall |
*** | *** | |
53 |
Withers, Walter Herbert
Midsummer, c.1895Oil on board, signed lower left Walter Withers, 24.5 x 33 cm |
*** | *** | |
54 |
McCubbin, Frederick
Princes Bridge, 1910Oil on canvas board, signed and dated lower left F McCubbin / 1910, 25 x 35 cm |
*** | *** | |
55 |
McCubbin, Frederick
A Mountain Clearing, Macedon, 1904Oil on canvas on board, signed and dated lower left F McCubbin / 1904, 29.5 x 45 cm |
*** | *** | |
56 |
Boyd, Theodore Penleigh
Harbour Headland, 1922Oil on board, signed and dated lower left and lower right Penleigh Boyd/ 22, 42.5 x 52 cm |
*** | *** | |
57 |
Davies, David
St IVes, c.1900Oil on canvas, signed and inscribed lower left D.Davies. St Ives, 28.5 x 61.5 cm |
*** | *** | |
58 |
McCubbin, Frederick
Ti Tree at Mentone, 1901Oil on wood panel, signed and dated lower left F McCubbin / 1901, 25.5 x 35.5 cm |
*** | *** | |
59 |
Gruner, Elioth
Scene at Maidenhead, New England, 1921Oil on canvas on board, signed and dated lower right E. Gruner / 1921, 28.5 x 36 cm |
*** | *** | |
60 |
Gruner, Elioth
The Blue Gate, c.1926Oil on canvas on board, signed lower right Gruner, 37 x 45 cm |
*** | *** | |
61 |
Gruner, Elioth
Unploughed Field, 1916Oil on canvas on board, signed and dated lower right E. Gruner / 1916, 19.5 x 29 cm |
*** | *** | |
62 |
Bennett, William Rubery
Wollondilly River, c.1955Oil on canvas, signed lower left Rubery Bennett, 61 x 76.5 cm |
*** | *** | |
63 |
Bennett, William Rubery
The Grand Burragorang ValleyOil on canvas, signed lower left Rubery Bennett, inscribed with title on stretcher verso The Grand Burragorang Valley, 51 x 61 cm |
*** | *** | |
64 |
Lindsay, Norman Alfred William
Sea Magic, 1934Etching and aquatint, edition: 7/40, signed, numbered and inscribed with title below image, 30 x 24.5 cm |
*** | *** | |
65 |
Lindsay, Norman Alfred William
Virtue, 1922Etching, edition:27/55, signed, numbered and inscribed below image, 32 x 26 cm |
*** | *** | |
66 |
Lindsay, Norman Alfred William
Threat, 1937Etched copper plate, 26 x 19 cm |
*** | *** | |
67 |
Wakelin, Roland Shakespeare
The Skillion, Terrigal, 1926Oil on canvas on composition board, 55 x 65 cm |
*** | *** | |
68 |
Wakelin, Roland Shakespeare
Woolloomooloo and Potts Point, 1940Oil on two wood panels, 41 x 43.5 cm image, each |
*** | *** | |
69 |
Wakelin, Roland Shakespeare
Richmond Bridge, Tasmania, 1935Oil on composition board, 42.5 x 56 cm |
*** | *** | |
70 |
Wakelin, Roland Shakespeare
Self Portrait, London, 1923Oil on canvas on board, signed and dated lower left R. Wakelin 1923, 35 x 27 cm |
*** | *** | |
71 |
Smith, Grace Cossington
Wild Grasses, c.1936Oil on board, signed lower right G. Cossington Smith, signed and inscribed verso Wild Grasses / Grace Cossington Smith, 29 x 23 cm |
*** | *** | |
72 |
Friend, Donald Stuart Leslie
Lucky Digger Hotel, Hill End, 1953Oil on canvas, signed lower right (ind.): Donald Friend, 40.5 x 51 cm |
*** | *** | |
73 |
Fairweather, Ian
Warrior, c.1955Gouache on cardboard, signed with initials upper left I F (inverted), 52 x 37 cm |
*** | *** | |
74 |
Olley, Margaret Hannah
Still Life with Flowers and Plums, c.1978Oil on composition board, signed lower right Olley, 75 x 100 cm |
*** | *** | |
75 |
Storrier, Timothy Austin (Tim)
The Irish Red BonnetSynthetic polymer paint on plywood, signed lower right Storrier, 40 x 50 cm |
*** | *** | |
76 |
Storrier, Timothy Austin (Tim)
The White Cup, 2009Synthetic polymer paint on linen, signed lower right Storrier, signed, dated and inscribed verso Mythic Savant / Storrier 2009, 91.5 x 53 cm |
*** | *** | |
77 |
Herman, Sali Yakubowitsch (Sali)
(The Horse's Pen), 1951Oil on canvas, signed and dated lower right S. Herman 51, 46 x 61 cm |
*** | *** | |
78 |
Rees, Lloyd Frederic
Spring Vision Northwood, 1976Pastel and watercolour on paper, signed and dated lower left Lloyd Rees / 1976, 32.5 x 50.5 cm |
*** | *** | |
79 |
Tuckson, John Anthony (Tony)
Still Life, c.1948Oil on canvas, bears inscription verso TP421, 56.5 x 76 cm |
*** | *** | |
80 |
Whiteley, Brett
Nude, Bath, 1976Pencil on paper, signed lower right with artist's studio stamp, 36 x 27 cm |
*** | *** | |
81 |
Whiteley, Brett
Lake Kintamani, Bali, c.1980Ink on paper, signed upper right with artist's studio stamp, signed and inscribed verso Brett whiteley Bali, 56 x 75.5 cm |
*** | *** | |
82 |
Nolan, Sidney Robert
The River Bend Series, 1981A suite of nine colour offset lithographs, edition: 76/99, signed and numbered below image, 71.5 x 57 cm |
*** | *** | |
83 |
Ashton, Julian Rossi
Eliza Ashton, c.1890sOil on canvas board, signed lower right J.R. Ashton, 22 x 15 cm |
*** | *** | |
84 |
Long, Sydney
Parramatta River, DrummoyneOil on canvas, signed lower right Sydney Long, 61 x 92 cm |
*** | *** | |
85 |
Bunny, Rupert Charles Wulsten
Still LifeOil on canvas, signed with monogram lower right RCWB, 38.5 x 47 cm |
*** | *** | |
86 |
School, Australian
[No Title Given]Oil on cardboard, inscribed lower right Bank of N.S.Wales Sydney, bears inscription below image in margin: Bank of N.S.Wales Syd, 15 x 20 cm sight |
*** | *** | |
87 |
Taylor-Ghee, Robert Eagar
Collins StreetOil on canvas, signed lower centre R E Taylor-Ghee, 47 cm diameter |
*** | *** | |
88 |
Lewin, John William
Botanical Study, c.1805Pencil and watercolour on paper, 27 x 12.5 cm |
*** | *** | |
89 |
Beckett, Clarice Marjoribanks
After Sunset, c.1929Oil on canvas on board, signed lower right C. Beckett, 26 x 29 cm |
*** | *** | |
90 |
Ramsay, Hugh
(Nude Study – Male Model with Moustache, Half-Draped, Front View)Oil on canvas on board, 76 x 55 cm |
*** | *** | |
91 |
Preston, Margaret Rose (MacPherson)
Basket of Australian Flowers, 1925Hand-coloured woodcut, edition of 50, signed with initials in image lower left M.P, signed and inscribed below image, 13 x 13 cm |
*** | *** | |
92 |
Preston, Margaret Rose (MacPherson)
Kookaburras, c.1923Woodblock print, edition of 50, signed in image with artist's monogram lower right, 16.5 x 13 cm |
*** | *** | |
93 |
Badham, Herbert Edward
Port SaidOil on canvas board, dated and inscribed verso Port Said / Novr 1954, 38 x 30.5 cm |
*** | *** | |
94 |
Badham, Herbert Edward
Circular Quay, 1954Oil on canvas board, dated and inscribed verso Sydney Hbr / Circular Quay / January 1954, bears inscription verso 'Circular Quay' / Herbert Badham, 30.5 x 36.5 cm |
*** | *** | |
95 |
Paterson, John Ford
Victorian Landscape with Cattle, 1877Oil on canvas on board, signed and dated lower left John F. Paterson / 1877, 48.5 x 68 cm |
*** | *** | |
96 |
Forrest, James Haughton (Haughton)
Queen of the South, off Bruny Island, TasmaniaOil on board, signed lower right Forrest, inscribed with title verso Queen of the South – / – off Bruny island, 23.5 x 30.5 cm |
*** | *** | |
97 |
Ashton, John William (Will)
Landscape at Bangalow, 1934Oil on canvas board, signed and dated lower left Will Ashton 1934, inscribed with title verso Landscape at Bangalow / 25 18 guineas, 32 x 44 cm |
*** | *** | |
98 |
McInnes, William Beckwith
The SettlersOil on board, signed with initials lower left McI, inscribed verso T[he] Animal [illeg.], bears inscription verso Painted by / McInnes / for / Mr D Weaver, 60 x 51 cm |
*** | *** | |
99 |
Allcot, John Charles
TorrensOil on canvas board, signed lower left John Allcot, inscribed with title lower right 'Torrens', 50 x 60 cm |
*** | *** | |
100 |
Allcot, John Charles
Clipper Ship, SobraonOil on canvas board, signed lower left John Allcot, inscribed with title verso Clipper Ship 'Sobraon', 40 x 51 cm |
*** | *** | |
101 |
Bennett, William Rubery
Central Australian LandscapeOil on canvas on board, signed lower left Rubery Bennett, 35 x 37 cm |
*** | *** |