Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
51 |
Crooke, Ray Austin
Island AfternoonOil on canvas, signed lower left R Crooke, 90 x 120 cm |
*** | *** | |
52 |
Blackman, Charles Raymond
Queensland Town, c.1952Enamel on board, signed lower left Charles Blackman, inscribed verso: Q'Land Town, accompanied by a letter dated 8 August 1975 from the artist to the present owner, 63 x 76 cm |
*** | *** | |
53 |
Namatjira, Albert
Central Australian LandscapeGouache on woomera, signed lower right Albert Namatjira, inscribed verso: Aboriginal Handicraft/ Hermannsburg/ Central Australia, 49 x 16 cm (image only) |
*** | *** | |
55 |
Namatjira, Albert
Mount ConnorWatercolour on paper, signed lower right Albert Namatjira, 25 x 36 cm |
*** | *** | |
56 |
Namatjira, Albert
Central Australian LandscapeWatercolour on paper, signed lower right Albert Namatjira, 21 x 30.5 cm |
*** | *** | |
57 |
Namatjira, Albert
Landscape with Eucalypt TreeWatercolour on paper, signed twice lower right Albert Namatjira/ Albert Namatjira, 34 x 24.5 cm |
*** | *** | |
58 |
Woodhouse, Senior, Frederick William
MaluaOil on board, 33 x 45 cm |
*** | *** | |
59 |
Heysen, Hans
Frosty Morning, 1921Watercolour on paper, signed and dated lower right Hans Heysen 1921. dated and inscribed on backing verso: No 13 Frosty Morning. 1921/ No 4 [illeg] 15 1/2 x 12 1/2, 32.5 x 39.5 cm |
*** | *** | |
60 |
Lindsay, Norman Alfred William
Forest EncounterWatercolour on paper, signed lower left Norman/ Lindsay, 29 x 24.5 cm |
*** | *** | |
61 |
Mackennal, Edgar Bertram
Circe, 1893 (Cast 1997-98)Handcast bonded bronze powder and polymer resin, edition: 30/100, inscribed to base: B. Mackennal AGNSW KIP KH, 57 cm height |
*** | *** | |
62 |
Dowling, Robert Hawker
After the Duel, The ConsultationOil on canvas, signed lower right Dowling, signed and inscribed verso: After the duel,/ The Consultation/ R Dowling/ 71 Islington Rd [illeg], 92 x 71 cm |
*** | *** | |
63 |
Lindsay, Norman Alfred William
Emma, c.1940Oil on canvas on board, accompanied by a certificate of authenticity from Bloomfield Galleries, New South Wales, 48.5 x 38 cm (oval) |
*** | *** | |
64 |
Tucker, Albert Lee
Ibis and Forest, 1964Oil on composition board, signed and dated lower right Tucker 64, 24.5 x 32.5 cm |
*** | *** | |
65 |
Nolan, Sidney Robert
Bird in Landscape, 1982Ripolin on composition board, signed lower right Nolan, signed, dated and inscribed verso: 29 Jan 82/ Nolan/ Bird, 90 x 120.5 cm |
*** | *** | |
66 |
Coburn, John
Living Desert Sydney, 1980Oil on canvas on board, signed lower right Coburn, signed, dated and inscribed verso: Living Desert/ John Coburn/ Sydney 1980, 50 x 59 cm |
*** | *** | |
67 |
Coburn, John
Field, 1998Oil on canvas, signed lower right Coburn, signed, dated and inscribed verso: John Coburn/ Field/ Oil 1998, 120 x 120 cm |
*** | *** | |
68 |
Edwards, McLean
A Sauce for the Goose, 2007Oil on canvas, signed, dated and inscribed verso: 'A Sauce for the Goose'/ McLean/ Sydney/ 2007, 138 x 152.5 cm |
*** | *** | |
69 |
Piccinini, Patricia
Mare Serenitas (Sea of Serenity), 2007ABS plastic and automotive paint, 150 x 200 x 10 cm |
*** | *** | |
70 |
Harris, Brent
Appalling Moment (Oceania No. 2), 1995Oil on linen, signed with initials, dated and inscribed verso: Appalling Moment (Oceania No. 2) 1995/ Oil On Linen/ Signed On The Back/ BH 95, 152 x 121 cm |
*** | *** | |
71 |
Kovacs, Ildiko
Aotearoa, 2005Oil and enamel on plywood, signed, dated and inscribed verso: Ildiko Kovacs/ Aotearoa/ Oil & Enamel On Ply/ 153 x 183 cm/ 2005, 153 x 183 cm |
*** | *** | |
72 |
Timms, Freddie
Devil Devil Spring, 1999Natural earth pigments and synthetic binder on linen, inscribed verso with artist's name, title and Jirrawun cat. no.: FT599.76, 135 x 122 cm |
*** | *** | |
73 |
McKenzie, Queenie Nakarra
Limestone Hills, Texas, 1995Natural earth pigments and synthetic binder on canvas, signed with initials, dated and inscribed verso: Queenie Mckenzie/ Warmun/ Limestone Hills/ Texas/ 1995/ QM, 91 x 91.5 cm |
*** | *** | |
74 |
Bennett, Gordon
Bloodlines 2, 1993Synthetic polymer paint on canvas over plywood with synthetic polymer paint stained rope, signed, dated and inscribed verso: Bloodlines II/ 12-11-93/ G Bennett/ Acrylic on cotton duck/ + rope on wood/ 100 x 100 cms, 100 x 100 cm |
*** | *** | |
75 |
Tillers, Imants Alfred
Nature Speaks, 2005Synthetic polymer paint on canvas-board (16), each panel sequentially numbered verso: 076484 - 076499, 102 x 142 cm (overall) |
*** | *** | |
76 |
Kelly, John
The Unpainted Cows in a Pile, 1995Painted bronze on steel base, signed and dated to base: Klly [sic] 95, 129 x 15 x 40 cm (including base) |
*** | *** | |
77 |
Piperides, Phillip
Stepping BatherBronze, edition: 5/11, signed and numbered to base: P. Piperides/ 5/11, 171 x 57 x 64 cm |
*** | *** | |
78 |
Moore, David
Migrants Arriving in Sydney, 1966Silver gelatin photograph, signed within image. Note: this is the only larger format example of this photograph known to bear the artist's original signature, 68 x 98 cm |
*** | *** | |
79 |
Spowers, Ethel Louise
The Gust of Wind, 1931Colour linocut on thin ivory laid tissue, edition: 4/50, titled, numbered, signed and dated below image, 22 x 16.5 cm |
*** | *** | |
80 |
Dobell, William
Storm Over WangiWatercolour on paper, signed lower right W Dobell, 12.5 x 17 cm |
*** | *** | |
81 |
Hester, Joy St. Clair
The Accepted Life of Birds, c.1945Ink and wash on paper, inscribed centre left The accepted life of birds. stamped lower left with estate signature, 24.5 x 19.5 cm |
*** | *** | |
82 |
Whiteley, Brett
MonkInk on paper, signed lower right Brett Whiteley. stamped upper right with artist monogram, 41 x 39.5 cm |
*** | *** | |
83 |
Whiteley, Brett
EagleMixed media on paper, signed and inscribed lower right see Derek Smith.../ large blue + white porcelain eagle/ about 2ft or 2' 6 high/ brett whiteley, 20 x 45 cm |
*** | *** | |
84 |
Bale, Alice Marian Ellen
Portrait of ClaraOil on canvas on board, 48 x 37 cm |
*** | *** | |
85 |
Heysen, Nora
A Few RosesOil on board, signed lower left Nora Heysen, signed and inscribed verso: A Few Roses/ Nora Heysen, 56.5 x 45.5 cm |
*** | *** | |
86 |
McCubbin, Frederick
Towards Melbourne from South Yarra, c.1910Oil on canvas-board, signed lower left F McCubbin, statement of authenticity from Louis McCubbin attached verso, 15.5 x 24 cm |
*** | *** | |
87 |
Sawrey, Hugh David
The Night-Hawk with Charlie Peacock on Night WatchOil on canvas, signed lower right Sawrey, signed and inscribed verso: The Night Hawk/ Charlie Peacock On Night-Watch/ With Bullocks From Homeboine To Cubbie. Stns/ S.W. Qld./ Hugh Sawrey/ Of Interest One of the few Times A/ Grey Horse Used On Night Watch, 79.5 x 100.5 cm |
*** | *** | |
88 |
Doyle, D'Arcy W.
After School PlayOil on canvas on board, signed lower right D'Arcy. W. Doyle, 61 x 91.5 cm |
*** | *** | |
89 |
Boyd, David
Untitled, 1968Sfumato on board, signed and dated upper left David Boyd/ 1968, 285.5 x 83 cm |
*** | *** | |
90 |
Perceval, John De Burgh
Watching Hayley's Comet, 1989Oil on canvas, signed lower right Perceval/ 89, signed, dated and inscribed verso: Perceval/ Watching/ Hayleys/ Comet. / 1989, 95 x 74.5 cm |
*** | *** | |
91 |
Lister, Anthony
He's Mine, Bitch, 2008Mixed media on canvas, signed lower left edge: Lister, signed, dated and inscribed verso: Anthony Lister/ Lister (c) 2008/ 'He's Mine Bitch', 97.5 x 173 cm |
*** | *** | |
92 |
Cullen, Adam
Super Organism on Wheels, 2004Synthetic polymer paint on canvas, signed, dated and inscribed verso: Super Organism On Wheels Adam Cullen 04/ Adam Cullen 2004 Provenance: Michael Reid, Sydney, 2005 (label attached verso). Private collection, Melbourne, 183 x 152.5 cm |
*** | *** | |
93 |
Starkey, Lawrence
Epona's Child (Celtic God of Horses)Oil on canvas, signed lower left Lawrence Starkey, signed and inscribed verso: Epona's Child by Lawrence Starkey. artist's studio stamp verso, 125 x 170 cm |
*** | *** | |
94 |
Starkey, Lawrence
In Search of Pegasus (Pinto Jumping)Oil on canvas, signed lower right Lawrence Starkey, signed and inscribed verso: In Search of Pegasus (Pinto Jumping) by Lawrence Starkey, 105.5 x 190 cm |
*** | *** | |
95 |
Ford, Juan
Saints & Sinners, 2002Oil on aluminium (diptych), 120.5 x 240 cm (overall) |
*** | *** | |
96 |
Ciccarone, Julia
Timing Progress, 1995Oil on canvas, 81 x 111.5 cm |
*** | *** | |
97 |
Ralph, David
Planet Health, 2003Oil on canvas, 152 x 152 cm |
*** | *** | |
98 |
Wallace, Anne
Ghost Town, 2002Oil on canvas, signed and dated verso: Anne Wallace 2002, 189 x 140 cm |
*** | *** | |
99 |
Martin, Jeff
Studio 13, 2007Oil on linen, signed and dated centre left Martin 07, dated and inscribed verso: Studio 13/ Appleton Street/ 2007, 98.5 x 102.5 cm |
*** | *** | |
100 |
Knight, Jasper
The Burning of St Barnabas, 2009Enamel, masonite and perspex on board (diptych), each signed, dated and inscribed verso: Jasper Knight/ The Burning Of St. Barnabas 2009/ JK09, 120 x 240 cm (overall) |
*** | *** | |
101 |
MacLeod, Euan
Study, Speak No Evil, 2006Oil on canvas, signed, dated and inscribed verso: Study/ Speak No Evil/ Euan MacLeod/ 2006, 110 x 75 cm |
*** | *** |