Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
52 |
Bale, Alice Marian Ellen
Native GroupOil on canvas, accompanied by a letter of authenticity from Leonard Joel , Melbourne, 59 x 44 cm |
*** | *** | |
53 |
Roberts, Thomas (Tom) William
Portrait of Mrs Cakebread, the Artist's Grandmother-In-lawOil on canvas, 61 x 51 cm |
*** | *** | |
54 |
Dickerson, Robert Henry (Bob)
GeishaPastel on paper, signed lower right Dickerson, 55.5 x 37 cm |
*** | *** | |
55 |
Dickerson, Robert Henry (Bob)
Untitled (Girl Reading)Charcoal on paper, signed lower right Dickerson, 74.5 x 53.5 cm |
*** | *** | |
56 |
Blackman, Charles Raymond
Man in Night Landscape, 1955Oil on paper on board, signed and dated lower left 55 Blackman, 95.5 x 131 cm |
*** | *** | |
57 |
Bourgeois, Louise
The Song of the Blacks and The Blues, 1989-96Hand-coloured lithograph and woodcut, edition 16/40., signed and numbered within image, 54.5 x 244 cm |
*** | *** | |
58 |
Paauwe, Deborah
Prom Night, 2002C type photograph, edition of 5, 119 x 119 cm |
*** | *** | |
59 |
Moffatt, Tracey
Something More #7 (Something More Series), 1989Cibachrome photograph, edition 14/30, signed, dated and numbered verso, 98 x 127 cm |
*** | *** | |
60 |
Arkley, Howard
Tulips - Still Life, 1997Synthetic polymer paint on paper, signed and dated lower right Howard Arkley 97, signed, dated and inscribed verso Name Howard Arkley/ Title Tulips - Stilfre [sic]/ Date 1997/ Size 760 X 570, 70 x 55 cm |
*** | *** | |
61 |
Quilty, Ben
Insignia 4, 2007Oil on canvas, signed, dated and inscribed verso 'Insignia' - Ben Quilty 07, 140 x 190 cm |
*** | *** | |
62 |
Nolan, Sidney Robert
Bathers (Mrs Fraser Series), 1958Ripolin on paper, signed lower left Nolan, signed, dated and inscribed verso Nolan/ -/ 8th. Oct. 1958./ New York./ Bathers./ Mrs Fraser series., 24.5 x 29.5 cm |
*** | *** | |
63 |
Nolan, Sidney Robert
Fuji and Swan, 1957Ripolin and pastel on paper, signed with initial, dated and inscribed verso Fuji and Swan./ Hakone Lake./ 30th.Jan.57./ N-, 30.5 x 25 cm (sheet) |
*** | *** | |
64 |
Nolan, Sidney Robert
The Swimmer, 1962Ripolin on paper, signed with initial lower left N, signed and dated verso 21 - 2 - 62/ Nolan, 46.5 x 62 cm |
*** | *** | |
65 |
Nolan, Sidney Robert
Central Australia, 1968Ripolin on paper, signed, dated and inscribed verso Central Australia/ 25 Jan 68/ Nolan/ 1-9, Eva Breuer Art Dealer, Sydney label attached verso. certificate of authenticity signed by Lady Mary Nolan attached verso, 50.5 x 74.5 cm |
*** | *** | |
66 |
Boyd, David
Europa Bathing, 1995Oil on board, signed and dated lower left David Boyd 1995, 49.5 x 49.5 cm |
*** | *** | |
67 |
Boyd, David
Playing Near the WaterholeOil on board, signed lower left David Boyd, 81 x 71 cm |
*** | *** | |
68 |
Hart, Kevin Charles (Pro)
Study for the South Mine, 1996Oil on board, signed lower right Pro/ Hart, dated lower left 96, dated and inscribed verso 1044 96/ Study For/ 'The South Mine', framer's painting record signed by the artist attached verso, 91.5 x 122 cm |
*** | *** | |
69 |
Perceval, Celia
House Boats at Pin-MillOil on canvas, signed lower left Celia Perceval, inscribed verso 25. 'House Boats At Pin-Mill' (East Coast Eng.), 84 x 100.5 cm |
*** | *** | |
70 |
Boyd, Arthur Merric Bloomfield
Figure by a Creek, 1972Oil on canvas, signed lower right Arthur Boyd, 103.5 x 109 cm |
*** | *** | |
71 |
Amor, Rick
Ray and Boorree in a Waterhole on the Coopers, 1987Oil on canvas, signed and dated lower right Rick Amor '87, dated and inscribed verso Ray and Boorree in a Waterhole on the Coopers/Oct 1987, 76 x 106.5 cm |
*** | *** | |
72 |
Pugh, Clifton Ernest
Ray in a Waterhole, 1987Oil on canvas, signed and dated lower right Clifton/ 10/10/87, 90 x 125.5 cm |
*** | *** | |
73 |
Pugh, Clifton Ernest
Flying Foxes, 1969Oil on board, signed and dated lower right Clifton/ JUL '69, 180 x 139 cm |
*** | *** | |
74 |
Rooney, Robert
Tall Tower, Trees and Snaking Path, 2000Synthetic polymer paint on canvas, signed, dated and inscribed verso Robert Rooney/ The Kovalensky Paintings/ Tall Tower Tree And Snaking Paths/ June 2000, 122 x 195.5 cm |
*** | *** | |
75 |
Kelly, John
Fragment, 2000Oil on canvas, signed and dated lower right KLLY [sic] 2k, 40 x 60 cm |
*** | *** | |
76 |
Fullbrook, Samuel Sydney (Sam)
Koala, c. 1984Oil on canvas-board, signed with initials lower right SF, 28.5 x 14.5 cm |
*** | *** | |
77 |
Fullbrook, Samuel Sydney (Sam)
Lady with CatPastel on paper, 30 x 42 cm |
*** | *** | |
78 |
Fullbrook, Samuel Sydney (Sam)
Nude with CakePastel on paper, 30.5 x 45.5 cm |
*** | *** | |
79 |
Fullbrook, Samuel Sydney (Sam)
Untitled (Man and Dog in Landscape), c. 1962Oil on canvas, signed lower left Fullbrook, 59.5 x 90.5 cm |
*** | *** | |
80 |
Parr, Mike
Self Portrait, 1989Monotype, edition 1/1, signed, dated and numbered verso, 99 x 70 cm |
*** | *** | |
81 |
Fox, Belinda
Gentle Persuasion II, 2006Indian ink and mixed media on paper, signed and dated lower right B. Fox 06 , inscribed lower centre: 'Gentle Persuasion II', 160 x 130 cm |
*** | *** | |
82 |
Tillers, Imants Alfred
FarawayOil on canvas-board (18 panels), 212 x 75 cm (overall) |
*** | *** | |
83 |
Larter, Richard Charles
How Come, 1995Synthetic polymer paint and gesso on canvas, signed with initials and dated lower right R.L/ 16.3.95, signed, dated and inscribed verso Richard Larter/ 'How Come'/ 16th March 1995./ Richard Larter/ Yass/ Chroma Acrylic Paint + Gesso/ + Jo Sonja iridescent, 182 x 108 cm |
*** | *** | |
84 |
Shaw, James
Homestead, 1865Oil on board, signed and dated lower left J Shaw/ 1865, 35.5 x 46 cm |
*** | *** | |
85 |
Davies, David
A Dieppe Street SceneOil on board, signed lower right D Davies, 22.5 x 31.5 cm |
*** | *** | |
86 |
Edkins, Cathleen Elizabeth
Mill Weighing 25 Tons Being Transported from Port Adelaide to the Marino Works of Brighton Cement Co, 1972Oil on canvas, signed lower right C. E. Edkins, signed, dated and inscribed verso Mill Weighing 25 Tons Being Transported From Port Adelaide To The Marino Works Of Brighton Cement Co About 1926-27/ Painting by Cathleen E. Edkins of O.B. Flat, Near Mount Gambier, S.A. from an original photograph./ painted February 1972., 95.5 x 153 cm |
*** | *** | |
87 |
Boyd, Senior, Arthur Merric
Boats at Brighton, 1920Watercolour on paper, signed and dated lower left Arthur Boyd/ 1920, signed and inscribed on label attached verso no 4. Boats at Brighton/ Arthur Boyd/ E 4.4/ [illeg.], 26 x 36 cm |
*** | *** | |
88 |
Young, W. Blamire
The BanquetWatercolour on paper, signed lower right Blamire Young, 22 x 31 cm |
*** | *** | |
89 |
Colquhoun, Amalie Sara
Lorne BeachOil on canvas-board, signed lower right Amalie Colquhoun, 44 x 39.5 cm |
*** | *** | |
90 |
Fox, Emanuel Phillips
Blue GumsOil on canvas, signed lower left E. Phillips Fox, 45 x 35 cm |
*** | *** | |
91 |
Gruner, Elioth
The Red BarnOil on board, signed lower left GRUNER, 28 x 34.5 cm |
*** | *** | |
92 |
Heysen, Hans
Onkaparinga Valley, 1950Watercolour on paper, signed and dated lower left Hans Heysen '50, 24.5 x 40.5 cm |
*** | *** | |
93 |
Drysdale, George Russell (Russell)
Landscape with Boab, 1966Watercolour, pen and ink on paper, signed lower centre: Russell Drysdale, 27 x 37 cm |
*** | *** | |
94 |
Shead, Garry
Artist and ModelOil and collage on paper, signed upper left Garry Shead, 28 x 22 cm |
*** | *** | |
95 |
Shead, Garry
Degas' MuseOil and collage on paper, signed lower right Garry Shead, 27 x 19.5 cm |
*** | *** | |
96 |
Blackman, Charles Raymond
Two Nudes Bathing, c. 1975Charcoal and pastel on paper, signed lower right Blackman, 123 x 238.5 cm |
*** | *** | |
97 |
Miro, Joan
La Triple Roue I, 1981Lithograph, edition 79/100, numbered and signed below image, accompanied by a certificate of authenticity from CCA Galleries, London, 45 x 59 cm |
*** | *** | |
98 |
Tobiasse, Theo
L'Homme Assis Retourne Vers Son Passe, 1970Oil on canvas, signed centre right theo tobiasse, dated and inscribed lower centre: 70/ l'homme assis retourne vers son passe, 81.5 x 101 cm |
*** | *** | |
99 |
Picasso, Pablo
Tete D'Homme Au Maillot Raye, 1964Aquatint and soft ground etching, edition 42/50, numbered and signed below image, dated within image, accompanied by a certificate of authenticity from Les Art International, Johannesburg, 41 x 31 cm |
*** | *** | |
100 |
Hockney, David
Pretty Tulips, 1970Lithograph, edition 61/200, numbered, titled, signed and dated below image, accompanied by a certificate of authenticity from Les Art International, Johannesburg, 48 x 49.5 cm |
*** | *** | |
101 |
Moore, Henry
Two Reclining Figures, 1973Lithograph, edition 6/20, inscribed, numbered, signed and dated below image, accompanied by a certificate of authenticity from Les Art International, Johannesburg, 42.5 x 33 cm |
*** | *** |