Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
52 |
Boyd, Arthur Merric Bloomfield
Fallen Bride and Stream, c1963Oil on canvas, signed lower right: Arthur Boyd, 48.5 x 64 cm |
*** | *** | |
53 |
Gleeson, James Timothy
Armed Crater, 1987Oil on linen, signed and dated lower right: Gleeson '87, signed, dated and inscribed verso: 'Armed Crater' James Gleeson/ 1987, 182 x 274 cm |
*** | *** | |
54 |
Shead, Garry
Crown Land, 1997Oil on composition board, signed and dated lower left: Garry Shead 97, 91 x 122 cm |
*** | *** | |
55 |
Bunny, Rupert Charles Wulsten
A Cup of Chocolate (Also Known as at the Table), 1911Oil on canvas, signed and dated verso: 1911/ Rupert Bunny, 81.5 x 65 cm |
*** | *** | |
56 |
Conder, Charles Edward
Brighton, c1905Oil on canvas, signed lower right: Conder, 45 x 50 cm |
*** | *** | |
57 |
Lindsay, Norman Alfred William
Green BraceletOil on canvas, signed lower left: Norman Lindsay, 57.5 x 54.5 cm |
*** | *** | |
58 |
Scheltema, Jan Hendrik
Cattle Crossing, 1891Oil on canvas, signed lower right: J. H. Scheltema, 90 x 158 cm |
*** | *** | |
59 |
Prout, John Skinner
Willoughby Falls, New South Wales, c1842Oil on canvas, 91.5 x 73.5 cm |
*** | *** | |
60 |
Moyle, T. C.
The Parade Quartz G. M. C. Claim Ballarat East, March 25th, 1879Watercolour on paper, 35.5 x 52 cm |
*** | *** | |
61 |
Gill, Samuel Thomas
Untitled (Campfire)Watercolour heightened with white on paper, signed with initials lower left: S. T. G, 13 x 22 cm |
*** | *** | |
62 |
Janssen, Attributed, Jacob
View of Sydney from the Race Course, c1845Watercolour on paper, 9 x 13 cm |
*** | *** | |
63 |
Martens, Conrad
View of Sydney from the North Shore, 1849Watercolour heightened with white on paper, signed and dated lower left: C. Martens/ 1849, 29 x 44 cm |
*** | *** | |
64 |
Rae, John
Panorama of Hyde ParkWatercolour on photographic base on paper laid down on stretched linen, dated upper centre: 1842, inscribed lower centre: Hyde Park / Drawn with Camera by John Rae Town Clerk, inscribed upper left: Supreme Court/ and Watch House, St. James Anglican Church, General Hospital/ (now Mint), Hyde Park Barracks, inscribed upper centre: Campanile, Seminary, St. Mary's R.C. Cathedral, Markers Mill, Gerard's Mill, Victoria Terrace/ John Alexander, Colonel Mundy, Judge Dickinson/ Craigend Mill, inscribed upper right: The Museum, Darlinghurst Jail, Sydney College/ (now Grammar School), Hyde Park Terrace, Lyons Terrace, inscribed centre right: Prosper De Mestre/ Liverpool St., inscribed lower right: King/ The Flying Pieman, 21 x 144.5 cm |
*** | *** | |
65 |
Piguenit, William Charles
The Derwent from Brown's River Road, c1890sOil on canvas, signed lower left: W C Piguenit, 49 x 75 cm |
*** | *** | |
66 |
Gill, Samuel Thomas
First Landing Place of Captain Cook, Botany Bay, New South WalesWatercolour heightened with white and gum arabic on paper, signed with initials lower left: S. T. G, 17 x 28 cm |
*** | *** | |
67 |
School, Australian
Van Diemen's Land Company's Settlement at Circular Head, 1832Watercolour and ink on paper, dated and inscribed lower right: Van Diemen's Land Company's/ Settlement at Circular Head/ 1832, 24 x 33 cm |
*** | *** | |
68 |
Gill, Samuel Thomas
Stockmen on Camping Ground, 1854Watercolour and gum arabic on paper, signed with initials and dated lower left: S. T. G/ 54, inscribed lower right: Stockmen on Camping/ ground, 33 x 52 cm |
*** | *** | |
69 |
Lambert, George Washington
Study for 'A Bush Idyll', c1896Oil on canvas on board, 30 x 22 cm |
*** | *** | |
70 |
Dupain, Rex
Sydney Harbour Fog, 1999Silver gelatin photograph, signed, dated and numbered below image, edition: 31/35, 99 x 99 cm |
*** | *** | |
71 |
Preston, Margaret Rose (MacPherson)
KookaburrasWoodblock, signed with initial within image, edition of 50, 16.5 x 13 cm |
*** | *** | |
72 |
Williams, Frederick (Fred) Ronald
Karratha Station (Pilbara Series), c1979Gouache on paper, signed lower left: Fred Williams, 56.5 x 76.5 cm |
*** | *** | |
73 |
Schoukhaeff, Basil
Cassis, 1928Oil on canvas, signed and dated lower right: B. Schoukhaeff Paris 1928, label attached verso with artist and artwork details, 71 x 123.5 cm |
*** | *** | |
74 |
Kelly, John
Quattro Landscape, 1998Oil on linen, signed and dated lower right: Klly [sic] 98. dated and inscribed verso: 'Quottro [sic]/ Landscapes'/ April 1998, 122 x 137 cm |
*** | *** | |
75 |
Nolan, Sidney Robert
Ayers Rock, 1984Oil on canvas, signed lower right: nolan, signed, dated and inscribed verso: Ayers Rock/ 13 Oct 84/ Nolan, Sidney Nolan Estate No. 231, 160 x 259.5 cm |
*** | *** | |
76 |
Brack, Cecil John (John)
Strapper and Horse, 1956Etching, numbered, signed and dated below image, edition: 12/21, 17 x 27 cm |
*** | *** | |
77 |
Kentridge, William
Man with Three Megaphones, 1998Etching and aquatint with hand colouring on paper, numbered and signed below image, edition: 59/70, co-published by Kunstverein, Munich and the artist, 25 x 38 cm |
*** | *** | |
78 |
Kentridge, William
Man with Megaphone, 1998Etching and aquatint with hand colouring on paper, numbered and signed below image, edition: 59/70, co-published by Kunstverein, Munich and the artist, 25 x 38 cm |
*** | *** | |
79 |
Amor, Rick
Study for 'The Window', 2000Oil on canvas, signed and dated lower left: Rick Amor 00. dated and inscribed verso: NOV 00/ STUDY FOR/ THE WINDOW/ 55 x 66, 55 x 66 cm |
*** | *** | |
80 |
Whiteley, Brett
Nude Study, Girl Brushing Her HairInk on rice paper, signed with the artist's monogram lower left: B.W, 86 x 62 cm |
*** | *** | |
81 |
Boyd, Guy Martin A'Beckett
African DancerBronze, signed and editioned on base: Guy Boyd 5/12, edition: 5/12, 71 cm height |
*** | *** | |
82 |
Booth, Peter
Painting (Head with Cloth Wrap), 1989-2002Oil on canvas, signed and dated verso: Booth 1989-2002, 40.5 x 71 cm |
*** | *** | |
83 |
Dupain, Maxwell Spencer (Max)
Stiff Nor' Easter, Bondi, 1940sSilver gelatin photograph, printed 1970s, signed and dated in image, 29.5 x 37.5 cm |
*** | *** | |
84 |
Dupain, Maxwell Spencer (Max)
Meat Queue, Sydney, 1946Silver gelatin photograph, printed 1970s, signed and dated in image, 35 x 50 cm |
*** | *** | |
85 |
Dupain, Maxwell Spencer (Max)
Little Girl in a Thunderstorm, 1949Silver gelatin photograph, printed 1970s, signed and dated in image, 40 x 40 cm |
*** | *** | |
86 |
Bergner, Vladimir Josif (Yosl)
The Clown, 1971Oil on canvas, signed and dated lower right: Y. Bergner 1971 Yosl Bergner (Hebrew), inscribed verso: 61/ Yosl Bergner/ 'The Clown', 225 x 130 cm |
*** | *** | |
87 |
Dunlop, Richard
Rainforest, 2008Oil on linen, signed and dated lower right: Dunlop '08, signed, dated and inscribed verso: 'Rainforest'/ Richard Dunlop 2008/ oil on Belgian linen, 229 x 183 cm |
*** | *** | |
88 |
Wilson, Regina Pilawuk
Message Sticks, 2005Synthetic polymer paint on canvas, 147 x 245 cm |
*** | *** | |
89 |
Dickerson, Robert Henry (Bob)
WaitingPastel on paper, signed lower right: Dickerson, 64 x 49 cm |
*** | *** | |
90 |
Perceval, John De Burgh
Pink Angel, 1946-67Oil on canvas on board, signed lower right: Perceval. dated lower left: 46-67, 56.5 x 45 cm |
*** | *** | |
91 |
Arkley, Howard
Icon Head, 1997Synthetic polymer paint on paper, signed, dated and inscribed verso: Cat 113/ 'The Icon Head'/ 1997/ Acrylic on Paper/ Howard Arkley, 76 x 56 cm |
*** | *** | |
92 |
Whiteley, Brett
Night Owl, 1979Ink on paper, signed lower right: brett whiteley, stamped with artist's monogram lower right, 75 x 52.5 cm |
*** | *** | |
93 |
Storrier, Timothy Austin (Tim)
Desert Studio, c1975Synthetic polymer paint on canvas, signed lower right: Storrier, 110.5 x 153 cm |
*** | *** | |
94 |
Robertson-Swann, Ronald Charles (Ron)
Mithuna, 1976Steel, 34 x 98 x 71 cm |
*** | *** | |
95 |
Dickerson, Robert Henry (Bob)
Approaching Storm, 2002Synthetic polymer paint on canvas, signed lower right: Dickerson, 55 x 75 cm |
*** | *** | |
96 |
Olsen, John Henry
When the River Didn't Run - Quiet Music for Sunday, 1989Mixed media on paper, inscribed lower right: When the River didn't run/ Quiet Music for Sunday, inscribed verso: When the River/ Didn't Run, 152 x 102 cm |
*** | *** | |
97 |
Dickerson, Robert Henry (Bob)
Shifting Rocks, CambewarraSynthetic polymer paint on canvas, signed lower right: Dickerson, 120 x 150 cm |
*** | *** | |
98 |
Boyd, Arthur Merric Bloomfield
Abbotsford Convent, 1939Oil on composition board, signed and dated lower right: Arthur Boyd 39, 64.5 x 70 cm |
*** | *** | |
99 |
Streeton, Arthur Ernest
Pozzuoli, Near Naples, Italy, 1897Watercolour on paper, signed, dated and inscribed lower right: from Pozzuoli/ A Streeton./ 97, 23.5 x 43 cm |
*** | *** | |
100 |
Nolan, Sidney Robert
Greece, 1958Oil on paper on board, dated and inscribed verso: Nolan/ June 1958, 25.5 x 30.5 cm |
*** | *** | |
101 |
Nolan, Sidney Robert
The JourneySpray enamel and oil on canvas, signed with initial lower right: n, signed and inscribed verso: The Journey Nolan, Sidney Nolan Estate No. 210, 122.5 x 153.5 cm |
*** | *** |