Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
101 |
Gladwell, Shaun
Self Titled (Foucault/ Magritte), 1996–99Oil and synthetic polymer paint with cut vinyl on canvas, inscribed verso: artist's name and date, 91 x 61 cm |
*** | *** | |
102 |
Cordeiro/Healy, Sean/Claire
Deceased Estate, 2004Lambda print. photographed by Christian Schnur, edition: 4/10, 110 x 141 cm |
*** | *** | |
103 |
Barton, Del Kathryn
Engine That Raised Groan of Rejoicing (13), 2010From the series 'engine that raised groan of rejoicing'. pen, ink and watercolour on paper, signed and dated lower right: del kathryn barton 2010, titled lower centre: engine that raised groan of rejoicing, 42 x 59.5 cm |
*** | *** | |
104 |
Barton, Del Kathryn
Luminescence Within Impermanence, 1998Pencil and wax crayon on paper, titled, signed and dated centre left: luminescence / within / impermanence / del kathryn 98, 39 x 29 cm |
*** | *** | |
105 |
Ah Kee, Vernon
Unwritten, 2008Charcoal on paper, signed and dated verso: Vernon A. 2008, 76 x 56 cm |
*** | *** | |
106 |
Ah Kee, Vernon
Unwritten, 2008Charcoal on paper, signed and dated verso: Vernon A. 2008, 76 x 56 cm |
*** | *** | |
107 |
McKenna, Noel Vincent Joseph
Brick House, Burwood, 2005Oil on canvas, signed and dated verso: N. McKenna 05, 60 x 70 cm |
*** | *** | |
108 |
McMonagle, Tim
Totem, 2005/07Oil on canvas, 112 x 112 cm |
*** | *** | |
109 |
Mellor, Danie
Trailblazer, 2003Slipcast and glazed white earthenware, signed, dated and titled on base: Trailblazer / Danie / Mellor / 2003, 71.5 cm height |
*** | *** | |
110 |
Mellor, Danie
The Blue Collector, 2007Steel, porcelain, plaster, kangaroo fur and paws, with woven grass fibre dilly bag containing painted gumnuts and shells, signed, dated and titled on base: Danie / Mellor / 2007 / The Blue Collector, 98 x 120 x 40 cm |
*** | *** | |
111 |
Tuckson, John Anthony (Tony)
Untitled Tp506, c1956–59Oil on card, bears inscription verso: Tuckson / TP. 506, 38 x 29 cm |
*** | *** | |
112 |
Larter, Richard Charles
Julie 208, 2003Synthetic polymer paint on canvas, signed with initials, titled and dated lower left: Julie # 208 / R.L. NOV. 2003., signed, dated, titled and inscribed with medium verso, 70 x 50 cm |
*** | *** | |
113 |
Sansom, Gareth Laurence
Divining Rod, 2007Oil and enamel on linen, signed, dated and titled verso: Divining Rod Gareth Sansom 2007, 122 x 122 cm |
*** | *** | |
114 |
Dargie, William Alexander
Jean, 1935Oil on canvas on composition board, signed upper right: Dargie inscribed verso: 'Jean' / by / W.A. Dargie / 1935, 59.5 x 48.5 cm |
*** | *** | |
115 |
Vike, Harald Hansen Gallis
Stoker Johansen, 1958Oil on canvas on plywood, signed lower right: H Vike, titled verso: Stoker Johansen, 60 x 36 cm |
*** | *** | |
116 |
Bryans, Lina
Street Scene, FitzroyOil on canvas on composition board, signed lower right: Lina, 45 x 42 cm |
*** | *** | |
117 |
Pugh, Clifton Ernest
The Shriek of a Cockatoo, 1971Synthetic polymer paint on composition board, signed and dated lower left: Clifton / '71 / Mar., inscribed verso: 'The Shriek Of / A Cockatoo' / Clifton Pugh, 91.5 x 122 cm |
*** | *** | |
118 |
Boissevain, William
Landscape, 1974Oil on composition board, signed and dated lower right: W. Boissevain '74, 91 x 122 cm |
*** | *** | |
119 |
Daws, Lawrence M.
Waterlilies, 1983Oil on composition board, signed lower right: Daws, 97 x 118 cm |
*** | *** | |
120 |
Johnson, Michael
Baugin Cattai, 1982Synthetic polymer paint on canvas, signed, dated and titled verso on stretcher: Michael Johnson 1982 'Baugin / Cattai', 213 x 153 cm |
*** | *** | |
121 |
Harris, Brent
Mint, 1990Oil on linen, signed, dated and titled verso: B. Harris 90 / 'Mint', 152 x 152 cm |
*** | *** | |
122 |
Senbergs, Jan
People Above the City, c1965Oil on board, signed lower right: J. Senbergs, 121 x 90 cm |
*** | *** | |
123 |
Christmann, Gunter Sylvester
Untitled, 1975Synthetic polymer paint on canvas, signed and dated verso: G.S. Christmann '75 / ..., 80 x 80 cm |
*** | *** | |
124 |
Crooke, Ray Austin
Island SceneOil on canvas on composition board, signed lower left: R. Crooke, 45.5 x 61 cm |
*** | *** | |
126 |
Crooke, Ray Austin
Kimberley Landscape IOil on composition board, signed lower left: R. Crooke, signed and inscribed verso: kimberly [sic] Landscape I / Ray Crooke, 61 x 91.5 cm |
*** | *** | |
127 |
Crooke, Ray Austin
Normanton, North Queensland, c1975Oil on board, signed lower right: R. Crooke, inscribed verso: Normanton Qld, inscribed on paper label verso: Ray Crooke, 60 x 90.5 cm |
*** | *** | |
128 |
Friend, Donald Stuart Leslie
The Lute on a Kitchen Table, 1985Watercolour and ink on paper, signed, dated and titled lower right: The Lute on a Kitchen Table / Donald Friend '85, 49.5 x 63 cm |
*** | *** | |
129 |
Frater, William Jock
Still Life with Red Apples, 1970Oil on composition board, signed and dated lower right: William Frater / 70, 71 x 69 cm |
*** | *** | |
130 |
Dunlop, Brian James
Still Life, 1980Oil on canvas on composition board, signed upper left: Dunlop, 47.5 x 54.5 cm |
*** | *** | |
131 |
Bergner, Vladimir Josif (Yosl)
The Trial (Franz Kafka), 1988Oil on canvas, signed and dated lower left: Y. Bergner 88 inscribed lower left to lower right: 'This door was intended only for / you. I am now going to shut it.', signed and inscribed verso: 73 x 50 cm / Yosl Bergner / painting to / Franz Kafka's / 'The Trial' / 'This door was intended / only for you. I am now / going to / shut it', 73 x 50.5 cm |
*** | *** | |
132 |
Lawrence, George Feather
Narrow Street, Surry Hills, 1948Oil on board, signed and dated lower right: G F Lawrence 48, titled on paper label verso, 50 x 60 cm |
*** | *** | |
133 |
Ashton, John William (Will)
Early Morning, Sydney HarbourOil on canvas on board, signed lower right: Will Ashton, 31 x 43.5 cm |
*** | *** | |
134 |
Fullwood, Albert Henry
Feeding the Ducks, 1910Watercolour on paper, signed with monogram and dated lower right: AHF / 10, 24.5 x 34.5 cm |
*** | *** | |
135 |
McInnes, William Beckwith
Landscape, 1918Oil on wood panel, signed and dated lower right: McInnes 18, 23 x 58 cm |
*** | *** | |
136 |
McInnes, William Beckwith
Landscape, c1925Oil on wood panel, signed lower right: McInnes, 17.5 x 61 cm |
*** | *** | |
137 |
Longstaff, John Campbell
Portrait of Miss Hendrie, c1933–34Oil on canvas, signed upper right: Longstaff, signed and inscribed verso: 'Miss Hendrie' Sir J Longstaff, 86.5 x 71 cm |
*** | *** | |
138 |
Woodhouse, Herbert J.
Figures on Beach, 1923Watercolour on paper, signed and dated lower left: Herbert Woodhouse 1923, 26 x 42 cm |
*** | *** | |
139 |
Scheltema, Jan Hendrik
In the Morning Sun, Blackwood, VictoriaOil on canvas, signed lower right: J.H Scheltema, titled verso: In the Morning Sun, Blackwood, 41.5 x 56 cm |
*** | *** | |
140 |
Johnson, Robert H.
The Hills Near Gundagai, NSWOil on canvas on composition board, signed lower right: Robert Johnson, inscribed verso: The Hills near Gundagi [sic] N.S.W., 45 x 55 cm |
*** | *** | |
141 |
Bennett, William Rubery
In Wonderland, c1950Oil on canvas on board, signed lower right: Rubery Bennett, titled verso: In Wonderland, 24 x 29.5 cm |
*** | *** | |
142 |
Forrest, James Haughton (Haughton)
Mount Roland, TasmaniaOil on board, signed with initials lower right: H.F., 15 x 30 cm |
*** | *** | |
143 |
Dowling, Robert Hawker
Portrait of a Woman (London), 1863Oil on canvas, signed and dated verso: Robert Dowling London 1863, 46.5 x 37 cm |
*** | *** | |
144 |
Angas, George French
South Shore of Lake Eyre, c1863–65Pencil and grey wash on paper, signed lower right: Angas (in reverse), inscribed with title lower centre, 10 x 15.5 cm |
*** | *** | |
145 |
Gill, Samuel Thomas
North Head Bondi Bay, North Sydney, c1856Watercolour on paper, signed with initials lower left: STG, 18.5 x 20 cm (oval) |
*** | *** | |
146 |
Lindsay, Perceval (Percy) Charles
Evening, Berry's BayOil on canvas on board, signed lower left: Percy Lindsay, 21 x 30 cm |
*** | *** | |
147 |
Ashton, John William (Will)
Morning Glitter, Berry's Bay, 1947Oil on canvas on card, signed and dated lower right: Will Ashton 1947, signed and titled verso, 37 x 46 cm |
*** | *** | |
148 |
Bunny, Rupert Charles Wulsten
Cote d'Or, South of FranceOil on board, inscribed verso with authentication signed by Daryl Lindsay: Cor d Or / South of France-By Rupert Bunny / These small sketches have been used as / the basis of larger paintings / Daryl Lindsay, 20 x 23 cm |
*** | *** | |
149 |
Colquhoun, Alexander Douglas
Steps at Studley ParkOil on canvas, signed lower right: A. Colquhoun, 46 x 35.5 cm |
*** | *** | |
150 |
Power, Harold Septimus
Hauling the Logs, 1943Oil on canvas on composition board, signed and dated lower right: H. S. Power / 1943, 74 x 100 cm |
*** | *** | |
151 |
Power, Harold Septimus
Cattle at the BridgeOil on canvas on composition board, signed lower left: H. S. Power, 62 x 74 cm |
*** | *** |