Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
1 |
Gill, Samuel Thomas
Sunday Camp Meeting, Forest Creek, 1852Watercolour on paper, signed with initials lower left: S.T.G, titled and dated lower right: Sunday Camp Meeting / Forest Creek / 1852, 20 x 26.5 cm |
*** | *** | |
2 |
Feint, Adrian George
Hunter in a Tropical Forest, c1930Oil on canvas, signed lower right: Adrian Feint, 76 x 71 cm |
*** | *** | |
3 |
Beckett, Clarice Marjoribanks
Rainy Morning, c1930Oil on canvas on board, signed lower right: C. Beckett, signed verso: Clarice Beckett, signed and titled verso: 'Rainy Morning' / Clarice Beckett / Waxed, inscribed on paper label verso: Rainy Morning / C Beckett, 38 x 46.5 cm |
*** | *** | |
4 |
Stokes, Constance
Green Gum Nuts, c1933Oil on canvas, signed with artist's maiden name lower right: Constance Parkin, 50.5 x 40.5 cm |
*** | *** | |
5 |
Rees, Lloyd Frederic
Hills of Bathurst, c1944Oil on canvas, signed lower left: L Rees, 46 x 76.5 cm |
*** | *** | |
6 |
Passmore, John Richard
Boys Looking for Bait, c1954Oil on composition board, signed with initials lower right: JP, signed and titled verso: Boys looking for bait / J. Passmore, 33 x 84 cm |
*** | *** | |
7 |
Olsen, John Henry
All Around the Harbour, 1963Oil on canvas on composition board, signed and dated lower left: John Olsen 63, 122 x 151 cm |
*** | *** | |
8 |
Tanner, Edwin Russell
Lightning Conductors, 1961Oil on composition board, signed and dated lower left: Edwin Tanner 1961, titled verso: Lightning Conductors No. 1, 122 x 183 cm |
*** | *** | |
9 |
Williams, Frederick (Fred) Ronald
Turritable Falls I, 1979Oil on canvas, signed upper left: Fred Williams, 86 x 96.5 cm |
*** | *** | |
10 |
Kemp, Roger
Experience, c1964–66Synthetic polymer paint on paper on composition board, signed lower right: Roger Kemp, 108 x 147 cm |
*** | *** | |
11 |
French, Leonard William
Rainbow Celebration, c1977Enamel and hessian on composition board, signed lower right: French, 121 x 120.5 cm |
*** | *** | |
12 |
Boyd, Arthur Merric Bloomfield
Suffolk Landscape, Ramsholt, c1973Oil on canvas, signed lower right: Arthur Boyd, 44.5 x 109 cm |
*** | *** | |
13 |
Storrier, Timothy Austin (Tim)
Saddle with Bones, 1983Mixed media on board, signed lower right: Storrier / 1983, 151.5 x 151 cm |
*** | *** | |
14 |
Fullbrook, Samuel Sydney (Sam)
Sundown Near Warrawagine, c1960–64Oil on canvas, signed lower left: Fullbrook, 52.5 x 70 cm |
*** | *** | |
15 |
Olley, Margaret Hannah
Spanish Bottles and Chinese Screen, c1985Oil on composition board, signed lower right: Olley, 90.5 x 122 cm |
*** | *** | |
16 |
Amor, Rick
Visitor by the Southern Seas, 2000Oil on linen, signed and dated lower right: Rick Amor '00, titled and dated verso: Visitor By The / Southern Seas / Aug 00 / Sep, 97 x 130 cm |
*** | *** | |
17 |
Tucker, Albert Lee
After the Bushfire, 1973Synthetic polymer paint on composition board, signed and dated lower left: Tucker 73, signed and titled verso: Albert Tucker / After The Bushfire, 61 x 76 cm |
*** | *** | |
18 |
Tucker, Albert Lee
The Bush, 1966Synthetic polymer paint on composition board, signed and dated lower right: Tucker 66, 90.5 x 121 cm |
*** | *** | |
19 |
Tucker, Albert Lee
Parrot in the Bush, 1965Synthetic polymer paint on composition board, signed and dated lower right: Tucker 65, 75.5 x 100.5 cm |
*** | *** | |
20 |
Blackman, Charles Raymond
Daffodils in a White Vase, c1985Oil on canvas, signed upper right: Blackman, 100.5 x 75 cm |
*** | *** | |
21 |
Trenerry, Horace Hurtle
Still Life, c1933Oil on canvas, 36.5 x 39.5 cm |
*** | *** | |
22 |
Heysen, Hans
Pastoral Scene, 1930Crayon, wash and tempera on paper, signed lower right: Hans Heysen. dated lower left: 1930, 32 x 40 cm |
*** | *** | |
23 |
Turner, James Alfred
Harvesting, 1893Oil on canvas on composition board, signed and dated lower left: J.A. Turner 1893, 28.5 x 89 cm |
*** | *** | |
24 |
Boyd, Arthur Merric Bloomfield
Figures on Foreshore at Low Tide, c1938Oil on canvas on board, signed lower left: Arthur M Boyd, 28 x 36 cm |
*** | *** | |
25 |
Drysdale, George Russell (Russell)
Western Landscape, 1945Oil on composition board, signed lower right: Russell Drysdale, 30.5 x 40.5 cm |
*** | *** | |
26A |
Olley, Margaret Hannah
Hawkesbury Wildflowers with Lemons, 1971Oil on composition board, signed and dated lower right: Olley 71, inscribed with title verso, 101.5 x 83.5 cm |
*** | *** | |
26 |
Herman, Sali Yakubowitsch (Sali)
The Women of Paddington, 1950Oil on canvas, signed and dated lower left: S. Herman, 50, 45.5 x 61 cm |
*** | *** | |
27 |
Balson, Ralph
Non-Objective Painting, 1958Oil on composition board, signed and dated lower right: R Balson. / '58, 137 x 152.5 cm |
*** | *** | |
28 |
Grey-Smith, Guy Edward
The Bay, 1973Oil and beeswax emulsion on gauze on composition board, signed and dated lower right: G Grey Smith / (illeg.), 121 x 180.5 cm |
*** | *** | |
29 |
Tucker, Albert Lee
Flirtation, 1954Oil on composition board, titled and dated verso: Flirtation / 1955, 62.5 x 81 cm |
*** | *** | |
30 |
Williams, Frederick (Fred) Ronald
Upwey Landscape V, 1965Gouache on paper, signed lower left: Fred Williams, 50.5 x 72.5 cm |
*** | *** | |
31 |
Williams, Frederick (Fred) Ronald
Australian Landscape, 1969Gouache on paper, signed lower right: Fred Williams, 56.5 x 76.5 cm |
*** | *** | |
32 |
Brack, Cecil John (John)
The Tumblers, 1992Watercolour, pen and ink on paper, signed and dated lower right: John Brack '92, 65 x 99.5 cm |
*** | *** | |
33 |
Brack, Cecil John (John)
Never, 1989–90Oil on canvas, signed and dated lower right: John Brack 89/90, 106 x 182.5 cm |
*** | *** | |
34 |
Wolfhagen, Philip
Vanishing Point No. 6, 1995Oil and beeswax on linen, signed with initial, dated and inscribed lower right: W '95 / Sept. / 'Vanishing Point / No. 6', 169 x 208.5 cm |
*** | *** | |
35 |
Barton, Del Kathryn
To Anymore ..., 2008–09Watercolour, gouache, ink and silk with embroidery thread on paper, signed and dated upper centre: del kathryn barton 2008-2009, titled upper left: to anymore .., 255 x 122 cm |
*** | *** | |
36 |
Maguire, Timothy (Tim)
Untitled 99d39, 1999Oil on canvas, signed, dated and titled verso: Maguire '99 / Untitled 99D39, 146 x 120 cm |
*** | *** | |
37 |
Gleeson, James Timothy
Parnassus Interchange, 1996Oil on canvas, signed and dated lower left: Gleeson 96, signed and titled verso: 'Parnassus Interchange' James Gleeson, 132 x 177 cm |
*** | *** | |
38 |
Chun, Kwang-Young
Aggregation 03-Au136, 2003Mixed media with Korean mulberry paper, signed, titled and dated verso: (Korean characters) / Chun, Kwang Young / Aggregation (Korean characters) 03-AU136 / ... / -03 K.Ychun, 202 x 202 cm |
*** | *** | |
39 |
Ushio, Keizo
Oushio Zokei Tensei Transfiguration, 2005Carved Portuguese white granite, 54 x 50 x 37 cm |
*** | *** | |
40 |
Matisse, Henri
Hindoue a La Jupe De Tulle, 1929Lithograph, edition: 5/50, signed and numbered below image, 28.5 x 38 cm |
*** | *** | |
41 |
Backler, Attributed, Joseph
A Naval Officer and His Wife, c1845–50Oil on canvas, framer's label attached to frame verso: Lawrence Cetta, George Street, opp. The Royal Hotel, Sydney, 35.5 x 30.5 cm each |
*** | *** | |
42 |
Fox, Emanuel Phillips
On the Balcony, c1912Oil on canvas, signed lower right: E. Phillips Fox, 96.5 x 64.5 cm |
*** | *** | |
43 |
Fox, Ethel Carrick
Papier Mâché, Red Cross Auxiliary in Sydney, c1944Oil on canvas, signed lower left: Carrick, 57 x 73 cm |
*** | *** | |
44 |
Streeton, Arthur Ernest
Roses, La France, c1933Oil on canvas, signed lower right: A Streeton, 58.5 x 48.5 cm |
*** | *** | |
45 |
Bunny, Rupert Charles Wulsten
The Lily Pond, c1932Oil on canvas, signed lower right with artist's monogram: RCWB, 43.5 x 58.5 cm |
*** | *** | |
46 |
Fox, Ethel Carrick
Colonnades of Canberra's Civic CentreOil on canvas board, signed lower left: Carrick Fox, 25 x 35 cm |
*** | *** | |
47 |
Roberts, Thomas (Tom) William
Portrait of Adrian Buckland, 1896Oil on canvas, titled upper right: Adrian Buckland, signed and dated centre left: Tom Roberts / Dec 1896, 41 x 36 cm |
*** | *** | |
48 |
McCubbin, Frederick
Vale of Conway, Wales, 1907Oil on canvas on board, signed lower right: F McCubbin, inscribed indistinctly verso: [Va]le of Conway / [by] ... McCubbin / (obscured by old adhesive) ... 1907, 21 x 27 cm |
*** | *** | |
49 |
Namatjira, Albert
Ghost Gum, Central AustraliaWatercolour on paper, signed lower right: Albert Namatjira, 26 x 36.5 cm |
*** | *** |