Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
50 |
Streeton, Arthur Ernest
Damaged Buildings, Peronne, 1918Watercolour and pencil on paper, signed, dated and inscribed lower left Arthur Streeton / Peronne / Oct 1918 titled on label verso, 54 x 36 cm |
*** | *** | |
51 |
Streeton, Arthur Ernest
The Vegetable Workers, 1903Oil on canvas, signed and dated lower left A. Streeton '03, 33 x 55 cm |
*** | *** | |
52 |
Howitt, Samuel
A Rare Group of Four. Early Watercolours Of. Australian Birds, c1812Watercolours |
*** | *** | |
53 |
Glover, John
Crucis Abbey, Vale Of. Llangollen, 1816Watercolour on paper, inscribed with title and number 155 on label verso, 46.5 x 76 cm |
*** | *** | |
54 |
Gill, Samuel Thomas
Natives and Pastoralist, Adelaide Hills, c1845Watercolour on paper, initialled lower left S.T.G, 26.5 x 22 cm |
*** | *** | |
55 |
Gill, Samuel Thomas
Natives Returning from the Hunt, c1845Watercolour on paper, initialled lower left S.T.G, 18.5 x 17 cm |
*** | *** | |
56 |
Long, Sydney
Australian Landscape, c1940Oil on canvas, signed lower left Sydney Long bears title on label verso, 75.5 x 101 cm |
*** | *** | |
57 |
Beckett, Clarice Marjoribanks
Beaumaris, c1930Oil on board, signed lower left C Beckett, 29.5 x 42.5 cm |
*** | *** | |
58 |
Smith, Grace Cossington
The Mantlepiece, 1970Oil on composition board, signed and dated lower left G Cossington Smith 70 titled lower left The Mantlepiece 70 signed and titled on label verso, 34 x 20.5 cm |
*** | *** | |
59 |
Preston, Margaret Rose (MacPherson)
Australian Gum Blossoms, 1928Hand-coloured woodcut, signed and inscribed with title below image, 27.5 x 26.5 cm |
*** | *** | |
60 |
Proctor, Althea Mary (Thea)
Summer of Remembrance, c1916Watercolour and pencil on paper, signed lower left Thea Proctor, 30 x 30 cm |
*** | *** | |
61 |
Smith, Grace Cossington
Waratah, c1925Gouache over pencil and ink on grey paper, signed lower left G Cossington Smith, 20.5 x 18.5 cm |
*** | *** | |
62 |
Meere, Matthew Charles
Still Life, 1940Oil on wood panel, signed and dated lower left Charles Meere 1940, 40 x 29.5 cm |
*** | *** | |
63 |
Rehfisch, Alison Baily
Window PieceOil on plywood, signed lower left Rehfisch, inscribed verso Window Piece / Alison Rehfisch, 61 x 52.5 cm |
*** | *** | |
64 |
Haxton, Elaine Alys
Summertime, c1948Oil on composition board, signed lower left Elaine Haxton, inscribed verso 'Summertime.' / Oil / Elaine. Haxton, 45.5 x 53.5 cm |
*** | *** | |
65 |
Veal, Hayward
Manly, Sydney, 1948Oil on board, signed and dated lower left Veal '48, 50.5 x 60.5 cm |
*** | *** | |
66 |
Derain, Andre
Tete De Jeune Femme. (Head of a Young Woman)Oil on canvas, signed lower left A Derain, 41.5 x 34 cm |
*** | *** | |
67 |
Matisse, Henri
Nu Couche a La. Coupe De Fruits, 1926Lithograph on japon paper, signed and numbered lower left 24/50 Henri Matisse, edition: 24/50, 44 x 54.5 cm |
*** | *** | |
68 |
Matisse, Henri
Le Jour, 1922Lithograph, signed and numbered lower left Henri Matisse 36/50 initialled in plate: HM, edition: 36/50, 26 x 38 cm |
*** | *** | |
69 |
Whiteley, Brett
Bird on a Branch, 1977Sugarlift aquatint, signed and numbered below image stamped with studio stamp lower left B / W, edition: 22/60, 43 x 75 cm |
*** | *** | |
70 |
Whiteley, Brett
Kookaburra, 1983Screenprint with offset lithography, signed and numbered below image, edition: 24/50, 84.5 x 66 cm |
*** | *** | |
71 |
Whiteley, Brett
Lavender Bay in the Rain, 1987Colour screenprint, signed and numbered below image, edition: 60/75, 100.5 x 74.5 cm |
*** | *** | |
72 |
Whiteley, Brett
The Arrival, 1988Colour offset lithograph, signed in image lower left brett whiteley signed, titled and numbered below image, edition: A/P 21/22 aside from an edition of 150, 71 x 89 cm |
*** | *** | |
73 |
Arkley, Howard
Freeway Exit, 1997Synthetic polymer paint on paper, signed and dated lower left Howard Arkley 97 signed, dated and inscribed verso Howard Arkley / Freeway Exit / 1997, 74.5 x 55 cm |
*** | *** | |
74 |
Warhol, Andy
Mick Jagger, 1975Colour screenprint (from a portfolio of ten), signed lower left Andy Warhol signed lower left Mick Jagger published by Seabird Editions, London, edition: 138/250, 110.5 x 74 cm |
*** | *** | |
75 |
Arkley, Howard
Abstract, 1981Synthetic polymer paint on paper, signed and dated lower left Howard Arkley '81, 59.5 x 86 cm |
*** | *** | |
76 |
Henson, Bill
Paris Opera Project, 1990- 91C-Type photograph, signed, dated and numbered below image, edition: 5, 123 x 123 cm |
*** | *** | |
77 |
Harris, Brent
Appalling Moment-Small. Study for No. 3, 1994Synthetic polymer paint on canvas, signed, dated and inscribed verso 'Appalling Moment' / Small Study For (No. 3) / 1994 / Brent Harris, 91.5 x 71.5 cm |
*** | *** | |
78 |
Wei, Guan
Police Pursue Ned Kelly, 2004Ink on rice paper on scroll, signed, dated, inscribed and stamped upper left to upper, Police pursue Ned Kelly to another domain, they are all amazed. Then / they become friends / Guan Wei / 2004 / (artist's stamps), 177 x 67 cm |
*** | *** | |
79 |
Hughes, Sara
Crash 4, 2006Synthetic polymer paint on linen, signed verso Sara Hughes stamped verso Crash 4, 2006, Acrylic on Linen, 90.5 x 185 cm |
*** | *** | |
80 |
Owen, Robert George
Spectrum Analysis #10, 2004From the series 'The Text of Light' synthetic polymer paint on canvas, signed, dated and inscribed verso Spectrum Analysis #10 / From The Series: 'The Text Of Light' / Robert Owen / 2004, 122 x 122 cm |
*** | *** | |
81 |
Barton, Del Kathryn
Dawn, 2009Synthetic polymer paint, gouache, watercolour and pen and ink on canvas, signed and dated centre, del kathryn barton 2009, 85.5 x 63.5 cm |
*** | *** | |
82 |
Harding, Nicholas
Newtown Station, 1996Oil on board, signed, dated and titled verso Newtown Station / 1996 / Nicholas Harding, 108 x 78 cm |
*** | *** | |
83 |
Griggs, David
Who Really Gives a Shit?, 2006Synthetic polymer paint on canvas, signed and dated verso David Griggs 2006 titled on label verso Who really gives a shit?. Race, surf, fuck heads and cars. All for the people / who have a right to vote, 152.5 x 183 cm |
*** | *** | |
84 |
Morton, Callum
New Canaan, Connecticut, 2001From the series 'Local +/or General' digital print, signed, dated, titled and numbered on label verso, edition: 16/30, 76 x 150 cm |
*** | *** | |
85 |
Silver, Tim
(What If I Drive?) 1963. Chrysler Turbine, 2005Crayola crayon, edition: 10, 7.5 x 28 x 10 cm |
*** | *** | |
86 |
Silver, Tim
(What If I Drive?). Datsun, 2005Crayola crayon, 7 x 24 x 9 cm |
*** | *** | |
87 |
Gladwell, Shaun
Guide to Recent Architecture: Fountains (Excerpt), 2000-07Digital video on USB flash drive, skateboard wheel, pelican case. DV Quicktime 4:3, 4:00 minutes, stereo, edition: 27/30, accompanied by a certificate of authenticity signed by the artist |
*** | *** | |
88 |
Gladwell, Shaun
Pataphysical Man, 2005Video still, signed, dated and numbered below image, edition: 2/7, 31 x 48 cm |
*** | *** | |
89 |
Johnson, Matthew Franklin
Dusk, 2001Oil on linen, signed and dated verso Matthew Johnson '01, 151 x 170 cm |
*** | *** | |
90 |
Brennan, Angela
Yellow Painting With. White Squares, 2003Oil on linen, signed, dated and inscribed verso Angela Brennan / 'Yellow painting with white / squares' / 2003, oil on linen, 150.5 x 125 cm |
*** | *** | |
91 |
Parekowhai, Michael
The Bosom of Abraham-KatahiLight-box, screenprinted vinyl on. Italian fluorescent light housing, 130 cm height |
*** | *** | |
92 |
Wiebke, Karl-Wilhelm (Karl)
Lakes and Bridges 12, 1989Enamel on wood, signed, dated and inscribed verso 'Lakes and Bridges 12' / … 1989 / Karl-Wilhelm Wiebke, 46 x 29 cm |
*** | *** | |
93 |
Spremberg, Alexander
Slope, 1990Enamel and string on plywood, signed, dated and inscribed verso -Slope-/ … Alexander / Spremberg / 1990, 58 x 58 cm |
*** | *** | |
94 |
Watkins, Richard John (Dick)
Sketch for a Half-Hearted. Homage to Henri Matisse, 1979- 82Synthetic polymer paint on canvas, signed, dated and inscribed verso R. Watkins / 'Sketch for a Half-hearted / Homage to Henri Matisse 1979/82', 108.5 x 80.5 cm |
*** | *** | |
95 |
Harding, Nicholas
Wooli Watertower, 1996Ink on paper, signed, dated and titled verso Wooli Watertower / 1996 / Nicholas Harding, 99 x 76.5 cm |
*** | *** | |
96 |
Last, Clifford Frank
Symbology Two, 1969Bronze on stone plinth, edition: 1/4 titled, dated and numbered on label on base, 29.5 x 18.5 x 14 cm |
*** | *** | |
97 |
Harris, Brent
After Drift, 1998Etching, signed, dated, titled and numbered below image, edition: 9/18, 22.5 x 15.5 cm |
*** | *** | |
98 |
Shead, Garry
Royal Suite, 1997Nine etching and aquatint prints, each signed, titled and numbered below image |
*** | *** | |
99 |
Dupain, Maxwell Spencer (Max)
Circular Quay from The. Sydney Harbour Bridge, 1938Printed later silver gelatin photograph, signed and dated lower left Max Dupain - 38, 44 x 59 cm |
*** | *** |