Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
103 |
Nerli, Girolamo Pieri Ballati
Fishing Schooner off NaplesOil on canvas, signed lower right: G.P. Nerli, 62 x 36 cm |
*** | *** | |
104 |
Davies, David
VIllage, FranceWatercolour on paper, signed lower left: D Davies, 23 x 31 cm |
*** | *** | |
105 |
Ashton, Julian Rossi
The Smile, 1899Oil on wood panel, signed and dated lower right: J.R. Ashton / 1899, 37.5 x 31.5 cm |
*** | *** | |
106 |
Young, W. Blamire
PicnicWatercolour on linen paper, signed lower right: Blamire Young, 46 x 72 cm |
*** | *** | |
107 |
Lindsay, Norman Alfred William
Amy, c1930Pencil on paper, signed lower centre: Norman Lindsay, 40 x 36 cm |
*** | *** | |
108 |
Taylor-Ghee, Robert Eagar
Collins Street, 1904Oil on canvas, signed lower right: RE Taylor-Ghee / 04, 30.5 x 46 cm |
*** | *** | |
109 |
Heysen, Hans
Bushfire Haze, 1913Watercolour on paper, signed and dated lower left: Hans Heysen 1913, inscribed lower right: To My Wife, 29 x 41 cm |
*** | *** | |
110 |
Woodhouse, Senior, Frederick William
Falcon: Winner of the 1864 Adelaide Cup, 1865Oil on canvas on board, signed and dated lower right: Fred Woodhouse / 1865, 48.5 x 61.5 cm |
*** | *** | |
111 |
Sandeman, Henry Gordon Horsford (Harry)
Gathering for the Start of The Christmas Handicap, Burenda Races, Queensland, 26 December 1874, c1874Oil on board, signed lower left: H G H Sandeman bears inscription verso, Xmas Handicap 1874, 15 x 22.5 cm |
*** | *** | |
112 |
Gill, Samuel Thomas
Steamer Working on the BayWatercolour on paper, initialled centre and upper right: S T G, 28 cm diameter |
*** | *** | |
113 |
Glover, Henry Heath
William Baker Ashton, First Governor of Adelaide Gaol, c1849Watercolour on paper, signed lower left: H Glover, 21.5 x 15.5 cm |
*** | *** | |
114 |
School, Australian
(i) St Patrick's College, Melbourne, c1860. (ii) Malop Street, Geelong, c1860. (iii) the Provident Institute, MelbourneWatercolour on paper, each inscribed with title on mount, three sheets: 24.5 x 34 cm each |
*** | *** | |
115 |
Turner, James Alfred
Keep It Dark, 1894Oil on canvas, signed and dated lower left: J.A. Turner / 1894, 51 x 35.5 cm |
*** | *** | |
116 |
Turner, James Alfred
Cattle Dray, 1906Oil on canvas, signed and dated lower left: J.A. Turner / 1906, 25.5 x 40.5 cm |
*** | *** | |
117 |
Johnson, Robert H.
Sydney Harbour from North Head, 1935Oil on canvas on board, signed and dated lower right: Robert Johnson '35, 37 x 44 cm |
*** | *** | |
118 |
Jackson, James Ranalph
Low Tide, Lavender BayOil on canvas on board, signed lower right: James R Jackson, 23 x 28 cm |
*** | *** | |
119 |
Taylor-Ghee, Robert Eagar
Mount Juliette, Healesville, VIctoria, 1902Oil on compressed card, signed and dated lower right: RE TaylorGhee / 02, inscribed with title verso, 35 x 53 cm |
*** | *** | |
120 |
Rees, Lloyd Frederic
Hope, 1977Pastel and watercolour on paper, signed and dated lower right: L Rees / 77, 55 x 75 cm |
*** | *** | |
121 |
Rees, Lloyd Frederic
The Dismissal, 1975 - 76Pastel and watercolour on paper, initialled and dated lower right: LR / 76, 53 x 110.5 cm |
*** | *** | |
122 |
Blackman, Charles Raymond
Girl Thinking, c1962Charcoal and conte on paper, signed lower right: Blackman, 47.5 x 37 cm |
*** | *** | |
123 |
Roche, Graeme
VIctorySynthetic polymer paint on canvas, signed lower left: Roche. dated lower right: 1994 - 5, 152.5 x 152 cm |
*** | *** | |
124 |
Gleeson, James Timothy
Two Male NudesOil on composition board, signed lower right: Gleeson, 20 x 14.5 cm |
*** | *** | |
125 |
Gleeson, James Timothy
Two Male NudesOil on composition board, signed lower right: Gleeson, 20 x 14.5 cm |
*** | *** | |
126 |
Gleeson, James Timothy
Figure in PsychoscapeOil on composition board, signed lower right: Gleeson, 25 x 19 cm |
*** | *** | |
127 |
Gleeson, James Timothy
Male Nude and SpinkOil on composition board, signed lower right: Gleeson, 20 x 15 cm |
*** | *** | |
128 |
Gleeson, James Timothy
Male NudeOil on composition board, signed lower right: Gleeson, 12 x 9.5 cm |
*** | *** | |
129 |
Gleeson, James Timothy
Nude in PsychoscapeOil on composition board, signed lower right: Gleeson, 12.5 x 11.5 cm |
*** | *** | |
130 |
Gleeson, James Timothy
Danae II, 1979Pastel on paper, signed and dated lower right: Gleeson 31.12.79, James Gleeson, inscribed lower left: Danae II, 49 x 69 cm |
*** | *** | |
131 |
Gleeson, James Timothy
Ganymede I, 1979Pastel, charcoal and watercolour on paper, signed and dated lower right: Gleeson / 22.12.79 / James Gleeson, titled lower left: Ganymede I, 70 x 50 cm |
*** | *** | |
132 |
Gleeson, James Timothy
Apollinaire, 1976Ink, charcoal and collage on paper, signed and dated centre: Gleeson '76, 51 x 70 cm |
*** | *** | |
133 |
Whiteley, Brett
Cockatoo, 1980Etching, edition: 15/80, signed and numbered below image, 24.5 x 20 cm |
*** | *** | |
134 |
Olsen, John Henry
Sticking Your Neck Out, 1992Colour lithograph, edition: 87/99, signed, titled, dated and numbered below image, 41 x 37 cm |
*** | *** | |
135 |
Olsen, John Henry
Albert Tucker, 1973Lithograph, edition: 4/10, signed, titled, dated and numbered below image, 54 x 48 cm |
*** | *** | |
136 |
Williams, Frederick (Fred) Ronald
Seated WomanPen and ink on paper, signed lower left: Fred Williams, 33 x 26.5 cm |
*** | *** | |
137 |
Dupain, Maxwell Spencer (Max)
Mother and Child in Dunes, 1937Vintage print, printed 1970s silver gelatin photograph, signed lower right: Max Dupain, 30 x 36.5 cm |
*** | *** | |
138 |
Dupain, Maxwell Spencer (Max)
Nude in Sunlight, 1937Vintage print, printed 1970s silver gelatin photograph, signed and dated lower right: Max Dupain '37, 45 x 40 cm |
*** | *** | |
139 |
Dupain, Maxwell Spencer (Max)
The Bride, 1936Vintage print silver gelatin photograph, signed, dated and titled below image, 45.5 x 32 cm |
*** | *** | |
140 |
Dupain, Rex
In the Pool, Bronte, 1997Silver gelatin photograph, edition: 9/35, signed, dated and numbered below image, 109 x 109 cm |
*** | *** | |
141 |
Fry, Anthony
Nude in LandscapeOil and mixed media on linen, signed lower right: Fry, 91 x 101.5 cm |
*** | *** | |
142 |
Daws, Lawrence M.
Spirit in Search of Cognisance, 1960Oil on board, signed lower right: Lawrence M. Daws, signed, titled and dated verso, Sprits in Search / of / Cognisance / Daws £40 / 1960, 89 x 135 cm |
*** | *** | |
143 |
Sawrey, Hugh David
The Eulo QueenOil on canvas, signed lower right: Sawrey, signed, titled and inscribed verso, Exhibition No 1 / 'The Eulo Queen' / Hugh Sawrey, 101.5 x 76 cm |
*** | *** | |
144 |
Dunlop, Brian James
Study for Her Majesty the Queen Elizabeth II, 1984Oil on canvas on composition board, signed and dated lower left: Dunlop 84, 79 x 68.5 cm |
*** | *** | |
145 |
Hart, Kevin Charles (Pro)
Trafalgar SeriesOil on composition board, signed lower centre: Pro.Hart, 52 x 59 cm |
*** | *** | |
146 |
Hart, Kevin Charles (Pro)
Flowerscape, 1988Oil on canvas, titled lower centre: 'Flowerscape' dated lower left: 1988, 122 x 91 cm |
*** | *** | |
147 |
Hart, Kevin Charles (Pro)
Trees in LandscapeOil on composition board, signed lower center: Pro.Hart, 27 x 27 cm |
*** | *** | |
148 |
Sawrey, Hugh David
Mounting Yard on the Outer Barcoo, QueenslandOil on canvas, signed lower right: Sawrey, inscribed verso, 'On The Outer Barcoo' W.Qld / Hugh Sawrey, 50 x 60.5 cm |
*** | *** | |
149 |
Boyd, David
Children and TreeOil on composition board, signed lower left: David Boyd, 67 x 56 cm |
*** | *** | |
150 |
School, Australian
Children in the Bush, Late 19th CenturyOil on canvas, 51 x 86 cm |
*** | *** | |
151 |
Bevan, Edward
Washdirt, Panning Out the Gold, 1895Watercolour on paper, signed and dated lower left: E Bevan / 1895, inscribed verso, 'Washdirt' / 'Panning out the Gold', 56 x 98 cm |
*** | *** | |
152 |
Gregory, George Frederick
Ships in Port Phillip BayWatercolour on paper, signed lower left: G.F. Gregory, 51 x 83 cm |
*** | *** |