Number of Works: 9,406, Results Page: 36

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Debut

Etching no. 45/50, signed and editioned below image, 21.5 x 17 cm
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Death of Pierrot 1919

Etching 18/40, 26 x 28.5 cm
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Light Lyrics 1926

Etching 9/45, 30.5 x 25 cm
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Micomicon 1921

Etching no 19, editioned lower left, signed lower right Norman Lindsay 1921, titled lower centre, 33 x 26 cm
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Study of a Model, C1935

Pencil on paper, accompanied by a certificate of authenticity from Bloomfield Galleries, New South Wales, 34 x 19 cm
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East Meets West, 1950

Pencil on paper, signed with initials lower centre: N.L. accompanied by a certificate of authenticity from Helen Glad, Sydney, 52.5 x 68.5 cm
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Study for an Oil Portrait, 1940

Charcoal on paper, 72.5 x 53.5 cm
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The Lute Player, C.1924

Oil on canvas, signed lower left Norman Lindsay, 91.5 x 100 cm
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The Curtain, 1921

Watercolour on paper, signed lower left Norman Lindsay, 65.5 x 51.5 cm
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Set of Three Oil Paintings, C.1920s

Left , oil on canvas on board, 29.5 x 21.5 cm (oval) , centre: , oil on wood panel, provenance: Estate of the artist, Faulconbridge, New South Wales. Thence by descent. Private collection, Sydney. Literature: Bloomfield, L., Norman Lindsay: Oil Paintings 1889 - 1969, Odana Editions, Bungendore, New South Wales, 2006, p.271 (illus.). Related Works: The Yellow Lady, 1920, etching and engraving, 13 x 12.5 cm, illus. in Bloomfield, L., Norman Lindsay: Oil Paintings 1889 - 1969, Odana Editions, Bungendore, New South Wales, 2006, p.271. 'This set of three oval paintings was originally intended as a furniture decoration but as the three hung so well together, the outer pair splendidly complementing the central piece, Norman decided to keep them as a separate statement. The centrepiece bears some resemblance to the etching, The Yellow Lady.', 43.5 x 34.5 cm (oval)
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The Mirror

Etching No. 14, signed lower right corner 'Norman Lindsay', dated lower left corner 'No. 14', 12.5 x 12 cm
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Three Women Bathing, 1919

Watercolour, signed and dated lower left, 38 x 33.5 cm
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March of the Gypsies 1950

Watercolour on paper, signed and dated 'Norman Lindsay / 50' lower left, 43.5 x 52.5 cm
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The Duke's Pageant 1952

Watercolour on paper, signed and dated 'Norman Lindsay / 1952' lower left, 52 x 56 cm
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(Four Nudes) 1937

Watercolour on paper, signed and dated 'Norman / Lindsay. / 1937' lower left, 30 x 25.5 cm
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(Promenade)

Watercolour on paper, signed 'Norman Lindsay' lower left, 41.5 x 40 cm
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Decoy

Etching, signed lower right, dated 1924, numbered 16/30, 32.5 x 33.5 cm
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Light Lyrics

Etching, numbered 13/45 lower left, signed lower right, dated 1926, 32.5 x 33.5 cm
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Death's Mask

Etching, numbered 5/35 lower left, signed lower right, 32.5 x 33.5 cm
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Young Witch

Etching, numbered 24/40 lower left, signed lower right, 32.5 x 33.5 cm
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Ambush

Etching, signed, numbered, titled and dated 1940 in margin below, 28 x 18 cm
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'In Vain the Christian.'

Engraving, hand signed in pencil lower right. Pub. The Chiswick Press, London, 55 x 71 cm
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'The Valley of Desire,' 1918

Etching 61/120, 20 x 15 cm
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'The Grey-Eyed Girl,' 1918

Etching 61/120, 24.5 x 18.5 cm
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'Joseph Conrad and Pilot Ship.'

Watercolour, certificate of authenticity from Helen Glad available, 26 x 24.5 cm
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Study for 'Spring's Delight.'

Pencil, initialled NL, & titled in sepia ink lower left. certificate of authenticity from Schubert Galleries available, 39 x 41 cm
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'Disdain,' C1945

Pencil, bloomfield Galleries certificate of authenticity verso, 29 x 33 cm
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Don't Do as I Do - Do As I Say

Pencil and ink, signed lower right (The Bloomfield Galleries certificate of authenticity verso), 39 x 31 cm
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Difficult Anyway You Look at It

Pencil and ink on paper, signed upper left (The Bloomfield Galleries certificate of authenticity verso), 24.6 x 19.3 cm
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Flight, 1933

Etching, ed. 3/55, signed lower right (The Bloomfield Galleries certificate of authenticity verso), 27.9 x 25.1 cm
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The Windmill, 1924

Etching, ed. 36/55, signed lower right (The Bloomfield Galleries certificate of authenticity verso), 31.5 x 26 cm
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Conversation, C1937

Pencil on paper, unsigned (The Bloomfield Galleries certificate of authenticity verso), 40 x 28 cm
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Young Lady with Golden Locks

Oil on canvas on board, unsigned, letter of certification, 47.5 x 40.5 cm
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Untitled

Graphite on paper, initialled lower right, 28 x 20 cm
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'A Summer Day Andante'

Facsimile etching numbered 539/550, with certificate of authenticity signed by Jane Bloomfield, 33 x 38 cm
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'The Ragged Poet'

Facsimile etching numbered 448/550, with certificate of authenticity signed by Lin Bloomfield, 35 x 27 cm
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'Armoured'

Facsimile etching numbered 412/550, with certificate of authenticity signed by Lin Bloomfield, 34 x 27 cm
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'Charles'

Facsimile etching numbered 94/550, with certificate of authenticity signed by Jane Bloomfield, 26 x 31 cm
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'Eternity's Avatar'

Facsimile etching numbered 315/550, with certificate of authenticity signed by Lin Bloomfield, 35 x 30 cm
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'Life in the Temple'

Facsimile etching, numbered 410/550, 29.5 x 35 cm
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'Virginity'

Facsimile etching numbered 466/550, with certificate of authenticity signed by Jane Bloomfield, 39 x 29 cm
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'Sea Magic'

Facsimile etching numbered 409/550, with certificate of authenticity signed by Lin Bloomfield, 29.5 x 25 cm
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'Feminity'

Etching 24/30, signed and dated lower right 1918, 24 x 18.5 cm
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The Mantilla, 1925

Etching, ed. 29/35, signed lower right (The Bloomfield Galleries certificate on verso), 17 x 14 cm
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Young Lady with Pearl Necklace

Oil on canvas on board, unsigned, letter of certification, 47.5 x 40.5 cm
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Young Lady with Golden Locks

Oil on canvas on board, unsigned, letter of certification, 47.5 x 40.5 cm
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Virtue

Facsimile etching, limited edition 494/550, signed in pencil & with impressed seal lower right, 32 x 26 cm
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'Trio'

Facsimile print limited edition, 242/550, 17.5 x 12.8 cm
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