Number of Works: 3,501, Results Page: 8

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Fruit Dove

Linocut, signed and inscribed in margin, 33 x 30 cm
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Poem for a Lover 1988

Screenprint, ed. 36/80, signed lower right below image: brett whiteley, titled and editioned lower left below image, 77.5 x 79.5 cm (image)
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The Lovers, 1975

Screen print, ed. 16/70, signed and edition lower right below plate in pencil, 50 x 63 cm
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'The American Dream,' 1969

Offset lithograph -/500 (unnumbered), 67 x 32 cm
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Figure on Orange Background, 1961

Screenprint 38/75, 68 x 52 cm
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Henri's Armchair 1974-75

Oil, ink and charcoal on canvas, signed, dated and inscribed verso: "Henri's Armchair"/ (Sept-Oct-Nov-Dec) 1974/ Oil On Canvas/ brett whiteley/ To Clive Evatt/ 12/March/75, Hogarth Galleries, Sydney, label attached verso., 195 x 302 cm
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Untitled Painting III, 1961

Oil, tempera and collage on composition board, signed lower right: 'Whiteley', signed and inscribed verso: ''Untitled Painting 3' / brett whiteley', 123 x 122 cm
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Back View 1975

Etching, edition: 24/60,, signed and numbered below image, Gould Galleries label attached verso, 79.5 x 58.5 cm
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Towards Sculpture 4, 1977

Lithograph, edition: 23/50, numbered and signed below image ’23/50, Brett Whiteley’ artist’s stamp upper right, 90 x 63 cm
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Self Portrait, One of a Dozen Glimpses (From Another Way Of Looking at Vincent Van Gogh 1888-1889), 1983

Etching and aquatint, edition: Artist's Proof (edition of 100), numbered and signed below image., accompanied by a signed copy of: Capon, E., Another Way of Looking at Vincent Van Gogh 1888 - 1889 by Brett Whiteley 1968-1983 , Richard Griffin Press, Melbourne, 1983, no.87/,500, 26.5 x 20.5 cm
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Vincent (An Essay in Opposites), 1982

Coloured etching, screenprint and collage, edition: Artist's Proof V (edition of 30), signed and numbered below image., artist's studio stamp upper right, 211 x 91.5 cm (sheet)
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Lindfield Gardens, 1978

Colour screenprint with offset lithography, edition: Artist's Proof (edition of 80), numbered and signed below image, artist's studio stamp lower left, 92 x 116 cm (sheet)
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Garden in Rome, 1982

Coloured etching, aquatint and collage, edition: 21/30, signed and numbered below image, artist's studio stamp upper right, 211 x 91.5 cm (sheet)
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Woman Under the Shower, 1976

Etching, edition: 75/100, numbered and signed below image, 40 x 48.5 cm
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Tony at 50 (Portrait of Tony White), 1992

Etching, edition: Artist's Proof 2/8 (edition of 35), numbered and signed below image, 14.5 x 10 cm
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Monstera Deliciosa, 1978

Etching, edition: 8/40, numbered and signed below image, 50.5 x 70.5 cm
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Hullo (Cockatoo), 1980

Etching, edition: Artist's Proof (edition of 80), numbered and signed below image, 24.5 x 20 cm
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The Sunrise - Japanese: 'Good Morning!', 1988

Oil and collage on board with electric light, signed and dated lower left brett whiteley 88, inscribed with calligraphy characters upper left. sketch of beach scene on verso, 244 x 204.5 cm
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Garden in Rome 1982

Coloured etching, aquatint and collage A/P, editioned and signed below image, 109 x 79 cm
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Poem for a Lover 1988

Screenprint with hand colouring A/P, editioned and signed below image, 76 x 80 cm
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Swingin Monkey II (Regent's Park Series) 1965

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Wategos Beach, Holiday Suite 7 (1989)

Pencil on paper, signed and inscribed 'b / w [monogram] / brett whiteley 7' lower right, 55 x 73 cm
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Fruit Dove (1980)

Linocut on paper, edition 9 of 25 with artist proofs, inscribed '9/25' and stamped with monogram lower left, signed 'brett whiteley' lower right, 30 x 29.7 cm (image), 36.5 x 32.5 cm (sheet)
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A Day at Bondi, 1984

Etching and collage on paper, suite of ten etchings plus title page and collaged flag, each signed and numbered below image, 20 x 18 cm (image, each)
24 x 22 cm (sheet, each)
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Strange Tree and Rock Formation Near Palm Beach, Sydney, 1976

Ink on paper, inscribed with title lower right strange tree and rock formation near/ Palm Beach Sydney, bears artist's studio stamp lower right, 33 x 40.5 cm
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The Arrival – a Glimpse in the Botanical Gardens 1984

Oil, collage and charcoal on canvas, signed 'brett whiteley' lower right; signed, dated and inscribed '“The arrival – a glimpse in the Botanical Gardens” / 1984 / brett whiteley' verso, 106 x 90.6 cm
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Bonsai, 1971

Charcoal on paper, dated centre right: 21/7/71, 101 x 76 cm
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Self Portrait, One of a Dozen Glimpses

Etching on paper, edition: 19/100, numbered and signed below image ' 19/100, Brett', 26.5 x 21 cm
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The Back of the Asylum, St Remy

Etching on paper, edition: 19/100, numbered and signed below image ' 19/100, Brett Whiteley', 20.8 x 36.6 cm
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Bird on a Branch, 1977

Sugarlift aquatint on paper, edition: A/P, numbered and signed below image 'A/P', Brett Whiteley', 43 x 75 cm
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Towards Sculpture 1, 1977

Lithograph on paper, edition: 11/50, numbered and signed below image, '11/50, Brett Whiteley', 90 x 63 cm
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View of the Garden, 1977

Lithograph on paper, edition: 18/75, numbered and signed below the image '18/75, Brett Whiteley', 67 x 46 cm
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White Corella 1987

Oil on canvas, signed, dated and inscribed '23/12/87 / corrella [sic] bathing in a / water-hole on top of Ayres / Rock / (looked like a milk bottle / exploding) / Brett Whiteley' lower right, inscribed ''Explosive Sound' / "Iksplouzon" Japanese' verso, 106.3 x 91.1 cm
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Portrait of Vanessa, c.1985

Charcoal on tinted paper, stamped lower right with artist's monogram, 33 x 23 cm
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'Palm Tree 3,' 1975.

Screenprint 47/50, 82.5 x 59.5 cm
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Lindfield Gardens, 1978

Screenprint with offset lithography, ed. A/P, signed lower right, studio stamped and editioned lower left, 82 x 112.5 cm
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The Fish River, 1979

Synthetic polymer paint, gouache and ink on paper on paper, inscribed with title and dated lower right the fish river/ July 19/79, stamped lower right with artist's monogram, bears inscription verso: Abell / Steinhoff Nov 80, 23.5 x 13.5 cm (sight)
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Self Portrait After a Haircut at 36, 1976

Pen and ink and hair on paper, signed and inscribed with title lower right brett whiteley / self-portrait after a haircut at 36, 100 x 75 cm
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Towards Sculpture 5, 1977

Lithograph, edition: 35/50, signed and numbered below image, artist's stamp in image upper right, 90 x 63 cm (sheet)
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Torajaland (Celebes), 1974

Screenprint, edition: 8/50, numbered, stamped, signed and dated below image, 68.5 x 57 cm
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Kurrajong, 1981

Oil, gouache, collage and branch on board, signed lower centre: brett whiteley. dated and inscribed lower right 81/ Kurrajong., 183 x 120 cm
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The Owl 1983

Ink and collage on paper, signed and dated 'B/W [monogram] / 83' lower right, 76.5 x 55.5 cm
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Poem for a Lover

Screenprint, signed, titled and numbered in margin, 77 x 79 cm
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Vincent (An Essay in Opposites) 1982

Etching, screenprint and collage, signed lower right, 211 x 91.5 cm
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Towards Sculpture I

Lithograph, signed lower right, artist stamp upper right, 90 x 63 cm
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Towards Sculpture 1, 1977

Lithograph on paper, edition: 27/50, numbered and signed below image, '27/50, Brett Whiteley', 90 x 63 cm
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Lovers, 1984

Etching on paper, edition: 4/20, numbered and signed below image, '4/20, Brett Whiteley', 17.5 x 20 cm
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Lipstick, 1981

Lithograph in three colours, collage and nail polish, edition: 39/50, signed, inscribed with title and numbered in image, 107 x 75.5 cm
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