Number of Works: 3,512, Results Page: 60

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Sydney Harbour Bridge, 1977

Open bite etching with drypoint, signed 'Brett Whiteley' and numbered 54/60 in pencil on margin, 61 x 45 cm
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Swinging Monkey 2

Lithograph, signed 'Brett Whiteley' and numbered 62/70 in pencil on margin, 76 x 54.5 cm
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Hotel Majestic, Tangier

Ink and collage on paper, dated and inscribed with title '23/6/67 Hotel Majestic Tangier' lower left, 56 x 76.5 cm
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Beach

Ink and acrylic on paper, signed and dated 'Brett Whiteley 70' and stamped with initials lower right, 75.5 x 108 cm
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Nobby's Head and the Entrance to Newcastle

Oil on canvas, signed, dated and inscribed with title lower left, 86 x 93 cm
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Interior with 'Bull-bull Egg Sculpture'

Oil and collaged egg on canvas, signed and dated 'Brett Whiteley 80' lower right, inscribed with title 'Interior with 'Bull-Bull Egg Sculpture'/Lavender Bay Sydney' lower left, 93.5 x 91 cm
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Garden in Rome 1982

Three colour etching, collage, signed with artists stamp upper right, 211 x 91.5 cm
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Vincent (An Essay in Opposites)

Colour etching, silkscreen, collage, artists stamp upper right, 211 x 91.5 cm
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Vanessa 1985

Mixed media on canvas, signed, dated 28/11/85; with the artist's studio stamp and inscribed with title lower right, 206.5 x 156 cm
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Wandering Up to Montmartre in the Rain 1991

Oil, collage and mixed media on plywood panel, signed, dated and inscribed with title lower right; signed and inscribed with title on the reverse, 62.5 x 65.5 cm
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Expandingness, Glasshouse Mountains 1983

Ink and wash on paper, signed, dated and inscribed lower right, 'Expandingness' the feeling of the Glass House Mountains and how they were created. (Disintegration?)', 75 x 102 cm
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Just One of Those Mornings, Camp Cove 1986

Oil and charcoal on canvas on board, signed, dated and inscribed with title lower right, 72 x 72 cm
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The Vine 1979

Oil on paper on board, signed, dated and inscribed with title upper right; the artist's studio stamp upper right and lower right, 149 x 153.5 cm
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Wategos Beach, Byron Bay (Summary) 1990

Oil, charcoal and enamel on plywood, signed and inscribed with title lower right; bears title and date on label on the reverse, 205 x 243 cm
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Harbour Bridge

Watercolour and ink on paper, signed and with the artist's studio stamp lower right; bears title on label on the reverse, 31 x 41 cm
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Oriental Face

Ink on Japanese paper, bears the artist's studio stamp lower left, 59 x 62 cm
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Flowers on the Table 1977

Lithograph, ed: 21/75, signed lower right; numbered lower left, 76.5 x 57.5 cm
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View of the Garden 1977

Lithograph, ed: 29/75, signed lower right; numbered lower left, 76.5 x 57.5 cm
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Drawing Board with Tree 1970

Ink and collage on paper, signed and dated on the reverse, 56 x 76 cm
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Two Hearts of Australia

Oil and collage on artist board, signed lower right, 81 x 68 cm
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Sydney Harbour

Ink on paper, signed lower right and with artist's stamp, 23 x 34.5 cm
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Japanese Sunrise 1988

Oil on composition board and electric lamp, signed and dated lower left; inscribed with characters upper left, 207 x 246.5 cm
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Two Poplars

Oil on cardboard, signed and inscribed with title lower left; the artist's studio stamp lower left, 102 x 76.5 cm
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Platypus

Screenprint, signed, 75 x 50 cm
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Swinging Monkey II

Screenprint, signed, 76.5 x 54.5 cm
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The Back

Etching, signed and numbered in margin 1/60, 60 x 44 cm
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Vincent (An Essay in Opposites)

Colour etching, silkscreen, collage, artists stamp upper right, 211 x 91.5 cm
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Four Posters and Lithographs

Lithographs, some signed, 76 x 50.7 cm
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Garden in Rome

Three-colour etching, collage, 1982, signed in pencil and numbered 3/30, 211 x 91.5 cm
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Kerry

Etching, 1984, signed in pencil and numbered 3/30, 63 x 47.5 cm
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Working Sketches

Pencil drawing, signed 'Whiteley' lower right and left, 11.5 x 22.5 cm
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Torajaland

Two colour silkscreen, signed 'Brett Whiteley' dated '74 and numbered 6/50 in pencil on margin, 69 x 57 cm
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Moreton Bay Fig 1979

Etching, signed 'Brett Whiteley' lower right and numbered 182/200 in pencil on margin, 60 x 50 cm
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Swinging Monkey 3 (1965)

Five colour silkscreen, signed 'Brett Whiteley' and numbered 23/70 in ink on margin also printed 'Swinging Monkey 3', 76 x 56 cm
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Still Life

Ink and ink wash on paper, signed and dated lower right, 'Brett Whiteley '76', 72 x 91 cm
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Cynical Dancer, Bali

Pen, brush and ink, signed, dated and titled 'Brett Whiteley 80', and stamped lower right 'BW', 77.5 x 55 cm
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The Orange Fiji Fruit Dove

Oil on canvas, painted in 1980s, signed lower right 'Brett Whiteley', 184 x 202.5 cm
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Watt Park, Lavender Bay

Pen and ink and Japanese brush on silk mounted on board, artist's stamp and inscribed with poem 'one brush/one ink/no wash, no water/20 minutes/Watt Park, Lavender Bay', lower left, 82.5 x 103 cm
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Sofala, Hill End

Oil on board, signed, dated and inscribed with title on the backing board, 'Brett Whitely/1958 or 59/'Sofala', with exhibition label affixed to the reverse of the frame, 53.5 x 71.5 cm
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Regality 1979

Ink on paper, signed and dated lower right, 104.5 x 70 cm
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Willows at Carcoar 1978

Oil on plywood panel, signed and dated lower left; signed, dated and inscribed with title on the reverse, 122 x 122 cm
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The Bridge from Lavender Bay

Oil on canvas, signed lower right, 45.5 x 55.5 cm
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Reclining Nude

Ink and wash on paper, signed and dated lower right, 127 x 226.5 cm
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Five Sculpture Studies 1975

Ink and charcoal on paper, dated and with the artist's studio stamp lower left, 93 x 74 cm
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Portrait of Joel Elenberg

Ink on paper, the artist's studio stamp lower left, 49 x 43.5 cm
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Patrick White's Writing Desk with Mirror

Ink and collage on paper, the artist's studio stamp lower right, inscribed with title lower left, 40.5 x 42.5 cm
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10 Rillington Place WII (Still from a Proposed 6 Millimetre Film) 1964

Colour screenprint, printed in four colours, ed: 44/70, signed and numbered in ink lower right; inscribed with title lower left, 59.5 x 56 cm
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Swinging Monkey 2 1965

Screenprint printed in three colours, ed: 70, signed in ink lower right; numbered lower left, 76 x 56 cm
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