Number of Works: 3,512, Results Page: 53

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The Back of the Asylum, St Remy

Etching, 1983, signed in pencil and numbered 27/100, 20.5 x 37 cm
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Sons of the Sun

Etching, 1983, signed in pencil and numbered 27/100, 26.5 x 20 cm
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Towards Sculpture 8

Lithograph, 1977, signed in pencil and inscribed with number 5/50, 90 x 63 cm
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Moreton Bay Fig

Etching, 1979, signed in pencil and numbered 55/200, 60 x 49.5 cm
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Self Portrait, One of a Dozen Glimpses

Etching and acquatint, 1983, signed in pencil and numbered 27/100, 26.5 x 20.5 cm
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Title Page (From Regent's Park, Zoo Series)

Colour screenprint, 1965, 98.5 x 68 cm
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Towards Sculpture 4

Lithograph, 1977, signed in pencil and inscribed with number 46/50, 90 x 63 cm
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Lindfield Gardens

Colour screenprint, 1978, signed in felt-tipped pen and inscribed with number 49/80, 89 x 115 cm
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Strange Tree and Rock Formation Near Palm Beach, Sydney

Ink, with studio stamp and titled lower right and further titled and dated on gallery label affixed to the reverse, 33 x 40 cm
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Figure on an Ochre Background, 1961

Silkscreen ed: 14/75, signed lower right 'Brett Whiteley', 68 x 52 cm
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Ravello 1991

Silkscreen ed: 8/60, signed lower right 'Brett Whiteley', 77.5 x 112 cm
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The Garden in Sanur (Bali) 1980

Silkscreen with photo-mechanical colour printing, signed lower right 'Brett Whiteley', 105.5 x 75.5 cm
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10 Rillington Place

Still from a proposed 16 millimetre film 1964, titled, numbered 5/79 and signed 'Brett Whiteley' in the margin, 63 x 58 cm
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Nude Study, Girl Brushing her Hair

Ink on rice paper, signed with the artist's monogram 'B. W' lower right, 86 x 62 cm
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Preliminary Sketch for Large Wood Carving in Mangrove Wood, 1975

Ink and charcoal, signed 'Brett Whiteley', titled, dated 9/7/75 and monogrammed upper right, 33 x 41 cm
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Nude Study

Charcoal on paper, signed 'Brett Whiteley' and monogrammed 'B. W.' lower right, 36.5 x 28.5 cm
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The Black Sun, Bathurst 1957

Oil on board, signed 'Brett Whiteley', dated and titled verso, 39 x 58.5 cm
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The Intimidation of Onward Coming Camera

Ink and collage on paper, signed 'Brett Whiteley', dated1973 and inscribed 'For Dale and the Intimidation of Onward Coming Camera', also signed with the artist's studio stamp lower right, 38 x 27 cm
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Wild Baboon

Lithograph, signed in pencil and numbered 31/60 lower right, 51 x 50 cm
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Towards Sculpture 4

Lithograph, signed, 90 x 63 cm
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Towards Sculpture 2

Lithograph, signed, 90 x 63 cm
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Towards Sculpture No. 6

Lithograph, signed, 90 x 63 cm
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Almost Gone

Acrylic, watercolour and charcoal on paper, signed and dated 'Brett Whiteley 92', twice stamped with artist's monogram lower right and inscribed with title centre, 98 x 63.5 cm
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Lord Howe Island Wood Hen

Oil, watercolour and ink on paper, signed and dated 'Brett Whiteley 92 and twice stamped with artist's monogram lower right, 98 x 63.5 cm
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A Day at Bondi

A suite of 10 etchings, 1984, each signed in pencil and numbered 25/30, 20 x 18 cm
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Northern Hopping Mouse

Charcoal, signed and dated 'Brett Whiteley 92', twice stamped with artist's monogram and inscribed 'Northern Hopping Mouse/size, up to 112 mm to 40 gms/habitat, ....' lower right, 98 x 63.5 cm
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Lindfield Garden

Colour screenprint, 1978, signed in felt-tipped pen and inscribed with number 20/80, 82 x 112.5 cm
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Backview

Brown conte, signed and dated 'Brett Whiteley 83 and stamped with monogram lower right, 51.5 x 36 cm
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Lovers

Screenprint, 1975, signed in pencil and inscribed with number 14/70, 49.5 x 63 cm
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Towards Sculpture I

Lithograph, 1977, signed in pencil and inscribed with number 6/50, 83.2 x 56.5 cm
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The Back

Etching, 1977, signed in pencil and inscribed with number 22/60, 60.5 x 45 cm
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Back I

Lithograph, 1981, signed in pencil and inscribed with number 23/35, 97 x 63 cm
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10 Rillington Place WII (Still from a Proposed 16 mm Film)

Colour screenprint, 1962, signed in ink, inscribed with title and numbered 8/70, 59.2 x 55.3 cm
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Towards Sculpture 2

Lithograph, 1977, signed in pencil and inscribed with number 45/50, 86.5 x 60.5 cm
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Lindfield Gardens

Colour screenprint, 1978, signed in felt-tipped pen and inscribed with number A/P, 91.5 x 116 cm
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The Arrival

Offset lithograph, 1988, signed in pencil, inscribed with title and numbered A/P 14/22, 70.4 x 87.5 cm
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Sounds, Paintings, Sculpture

Screenprint, 1970, signed in texta 'For Remy Brett Whiteley/9.9.71' lower right, 44 x 48.5 cm
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Summer's Bay

Oil and collage on board, signed 'Whiteley' lower right and further signed and inscribed with title on the reverse, 89.5 x 75.5 cm
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From 'A. Day at Bondi

Etching, 1984, signed in pencil and numbered 30/30, 20 x 17.5 cm
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10 Rillington Place WII (Still from a Proposed 16mm Film)

Colour screenprint, 1964, signed in ink and inscribed with title and numbered 47/70, 63 x 58 cm
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Plum Leaves Like Blood That's Learnt Something Vicious Wisdom

Ink and oil on parchment-toned paper, stamped with artist's monogram and inscribed with title upper right, 98.5 x 75 cm
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Lipstick 1981

Colour lithograph, collage and nailpolish, edition 41/50, signed and inscribed lower centre in pencil, lipstick/brett whiteley, numbered lower left, 41/50, 107 x 75.5 cm
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Seagull

Sugar-lift aquatint, signed below image lower right, numbered below image 2/10 lower left, 51 x 49 cm
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Silver Eye

Colour screenprint, signed below image lower right, inscribed T. & A/P below image lower left, 78 x 73 cm
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Evening in Tuscany

Oil on canvas, signed and dated 'July 77 Tuscany' lower right, 50 x 40 cm
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Divided Unity

Lithograph, signed lower right, numbered 8/70, dated 1974 and inscribed with title lower left, 70 x 97.5 cm
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The River

Oil and mixed media on woven paper on board, signed and dated 29 September 1975 lower right, 102 x 76.5 cm
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Sun Showers

Mixed media on paper, signed with artist's studio stamp upper right, signed on the reverse, 68 x 51.5 cm
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