By Briar Williams in Auckland, on 21-Nov-2015

The final 2015 Dunbar Sloane, Fine Art auction on 18 November in Wellington was an eclectic mix of New Zealand and international artworks and some of the key pieces were sourced from the Wellesley Club, a Wellington institution which ceased operating in 2014 due to declining membership and building repair costs.  Items from this collection were traditional in nature, lots of watercolours and heavy oils, befitting the surrounds of a gentleman’s club.

The final 2015 Dunbar Sloane, Fine Art auction on 18 November in Wellington was an eclectic mix of New Zealand and international artworks and some of the key pieces were sourced from the Wellesley Club, a Wellington institution which ceased operating in 2014. A highlight from the 73 lot sale was a very strong result for C. F Goldie's, Memories, Tearara, A Chieftainess of the Arawa Tribe (above) which sold for $450,000 against a low estimate of $300,000.

Highlights from the 73 lot sale include a very strong result for C.F Goldie, Memories, Tearara, A Chieftainess of the Arawa Tribe (Lot 26 ) which sold for $450,000 against a lower estimate of $300,000.  This painting was one of three by Goldie exhibited at the Royal Academy in London in 1934 which received praise and attention. 

At the time, this painting was purchased by an English lady, Miss Carnelly and had remained in her family collection until now.  The price represented the third highest at auction in New Zealand for a work by Goldie and this sale comes follows another exceptionally strong result, the sale of  Reverie, Ena Te Papatahi, a Ngapuhi Chieftainess (Ina Te Papatahi, Nga Puhi) 1916 at Christies in London in September 2015 for £320,000 against a low estimate of £200,000.

Portraits achieved almost all the top prices on the night including the popular painting by Gottfried Lindauer, Ana Rupene and Child (Lot 20 ) from the Wellesley Club which achieved $80,000 against a low estimate of $60,000.  Although this is Lindauer’s most famous painting, it is also his most prolific with versions of it appearing at auction 19 times since the records began on AASD. It is estimated he produced approximately 30 copies of the work.

Another work to shine from the Wellesley Club was the Petrus van der Velden, Mt Rolleston and the Otira River (Lot 21 ).  A very reasonable $10,000-$15,000 estimate for a pretty dark work (even by van der Velden standards) was swept away with strong bidding to realize $24,000 on the night. 

An important work by Frances Hodgkins Methodist Chapel  (Lot 27 ) was sold subject to confirmation at $120,000 against a $150,000 estimate.  This painting is extremely significant as it was chosen as one of 40 paintings to represent British Art at the Biennial Exhibition in Venice in 1940. If it sells at $120,000 hammer, the painting will achieve the third highest auction price for a work on paper by Frances Hodgkins and is the highest price in this category since 2003.

While the remainder of the results in the evening Fine Art sale were solid, there were a few surprises in the Affordable Art section held the next day.  A variety of works of all genres and sizes well exceeded their estimates, including an interesting oil painting of St Peters, Akaroa (lot 291) by  modernist painter Frank Gross,  which sold for $3,100 against a low estimate of $400.

A fairly typical work in felt tip and watercolour by John Bevan Ford Marienplatz (lot 291) achieved $4,000 against a low estimate of $750 and a possible 1940s self portrait by the artist Ted Bracey (lot 391)  fetched $3,100 against an estimate of $500.

Overall day one of the sale achieved $917,250 and sold 72% by lot and 79% by volume.

Sale Referenced:

About The Author

Briar Williams is an Art Valuer and Auctioneer who has worked in the primary and secondary markets of New Zealand and Australia for over 15 years. In Melbourne she managed a commercial gallery and was a valuer at Leonard Joel Auctioneers & Valuers before becoming Head of Art there in 2009. Most recently, she was the manager of the art department at Mossgreen-Webb's in Auckland and currently works as an art writer and consultant.

.