In her first publication, arts writer and editor of the AFR magazine Katrina Strickland tells the fascinating story of how artists’ spouses (mostly widows) handle legacies and often large estates, and how in the process can emerge the most successful artists – think Brack, Gascoigne, Tucker, Williams or Whiteley.
However, it is clear that there is not one sure-fire way to build an artist’s profile and enduring success. Mistakes are often made and there is no quick fix when opportunities are passed up. One case in point may be the fate of George Baldessin’s estate. On the other hand, Lyn Williams’ story shows that there is no job description for ‘artist’s widow’ - however she may have set the gold standard for it.
Looking after an artist’s estate is a long-term project that doesn’t necessarily come with guaranteed monetary returns. However, the combination of copyright fees and resale royalties offering (in some cases) substantial passive income, could make it something worth fighting for. As it is, it is mostly the female spouses taking up the baton (which makes me wonder whether some of the harsh criticism they face in the course of action may be due to gender stereotypes).
Considering the difficulties authors of artist’s biographies can face, it is testament to Strickland’s skills that the protagonists agreed to speak with her at all, and so frankly at that.
Not only the spouses, but also many art industry insiders talk shop with the author, from dealers to auctioneers, curators and collectors. This may be one of the publications where you’ll want to check out the index first – you won’t be disappointed. You’ll also get thrown in an observer’s account of what happened in the Australian auction industry during the last ten years which have certainly been quite turbulent, to say the least.
This book is as gripping a yarn as any bodice ripper, a must-read for anybody interested in the Australian art world, and in particular the secondary market.
Katrina Strickland, Affairs of the Art – Love, Loss and Power in the Art World,
Melbourne University Press, 2013, paperback $34.99; ebook $19.99
This book review was first published in CANVASS, the new quarterly e-magazine of the Art Consulting Association of Australia, and is republished with the permission of the authors. http://www.acaa.org.au/canvass.php