By Briar Williams in Auckland, on 16-Aug-2013

Art + Object have a proven track record selling boutique collections so it was no surprise that they were given Stellar Group Art Collection and New Zealand artworks from the Peter Fay Collection to underpin their August Fine Art Sale. This sale also included important photography, another specialist area for the auction house so the sale had a large variety of works to suit the buyers.

The Art + Object sale in Auckland of the Stellar Group Art Collection and New Zealand artworks from the Peter Fay Collection realised $945,000 (IBP) and cleared 60% by lot, including this unusual Milan Mrkusich Painting 62-3 which sold for $45,000 (hammer).

The photography section started the sale and proved popular. There is a definite interest in contemporary photography at auction in New Zealand and Art + Object were rewarded for their efforts in this area by achieving $16,000 (hammer) for a suite of Anne Noble photographs (Lot 13 ) well above their $12,000 reserve.

The sale continued with the Peter Fay Collection. A portion of his Australian works had been sold at Shapiro in Sydney last week to a fairly subdued response, so no doubt Peter Fay (watching live from Sydney) would have been pleasantly surprised with the enthusiasm for his works. Highlights in this section included a photograph by Ava Seymour (Lot 34 ) selling for $8,300 (hammer) against a $3,500 reserve and Bill Culbert’s Bulb Box Reflection 1 (Lot 66 ) realising $11,000 (hammer) against a $6,000 reserve.

The Stellar Group Collection (lots 102-121) contained the right names but some examples of the artists work weren’t the most commercial, and the results for this section were up and down. A few perennial favourites achieved well above estimate such as (Lot 111 ) Paul Dibble’s Soft Geometric Model $14,000 (hammer) against a $10,000 low estimate and (Lot 117 ) Michael Parekowhai Portrait of Elmar Keith $15,500 (hammer) against a $12,000 low end.

The lots in the remainder of the sale were from mixed vendors and again results were varied. A really stunning Charles Tole, Road to the Quarry (Lot 129 ) had multiple bids to achieve $24,000 (hammer).  

The two highest prices on the night were achieved by Colin McCahon, both works on paper, (Lot 124 ) Necessary Protection achieving $55,000 (hammer) and Kauri (Lot 132 ) $50,000.

Two of the most unusual paintings in the sale coincidently came from the same vendor. Painted 80 years apart and totally different in style and subject matter, a previously ‘lost’ Girolamo Nerli, The Ascension (Lot 125 ) sold on low end to the phone for $35,000 (hammer) and a truly lovely Milan Mrkusich Painting 62-3 (Lot 135 ) realised $45,000 (hammer)

For such a large sale (164 lots), the auctioneer Ben Plumbly moved things along at a cracking pace with humour and fun and the auction had a great atmosphere. The sale realised $945,000 (IBP) and cleared 60% by lot, a solid result.

Sale Referenced:

About The Author

Briar Williams is an Art Valuer and Auctioneer who has worked in the primary and secondary markets of New Zealand and Australia for over 15 years. In Melbourne she managed a commercial gallery and was a valuer at Leonard Joel Auctioneers & Valuers before becoming Head of Art there in 2009. Most recently, she was the manager of the art department at Mossgreen-Webb's in Auckland and currently works as an art writer and consultant.

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