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Norman Alfred William Lindsay Australia, 1879-1969
Number of Works: 9,426, Results Page: 1
Virtue
facsimile etching, Odana Editions 482/550, certificate of Authenticity verso, blind stamp lower right, 31.5 x 26 cm plate
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Arab Boy, Port Said 1909
Pencil on paper, signed and titled lower right. Bloomfield Galleries label verso signed by Lin Bloomfield, 28 x 22.5 cm
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Oenothea, 1909
Pencil on paper, unsigned, Bloomfield Galleries label verso, signed by Lin Bloomfield, 24 x 16 cm
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Lands of Afternoon
Etching and stipple, no. 40/55, printed in black ink from one copper plate, signed, dated 1923 and titled below image, 35.5 x 28.8 cm.
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Tryst in Arcadia 1930
Etching and stipple, ed. 34/55, signed lower right: Norman Lindsay, titled lower centre, editioned lower left, 33 x 27 cm (image)
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Argument 1923
Etching, engraving and stipple, ed. 11/55, signed and dated lower right: Norman Lindsay 1923, titled lower centre, editioned lower left, 21 x 23.5 cm (image)
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Little Witch 1937
Etching, engraving and stipple, ed. 3/40, signed lower right: Norman Lindsay., titled lower centre, editioned lower left, 26.5 x 23 cm (image)
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Beethoven 1921
Etching, engraving and stipple, ed. 47/50, signed and dated lower right: Norman Lindsay 1921, titled lower centre, editioned lower left, 32 x 29.5 cm (image)
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Fortune's Fool 1934
Aquatint and etching, ed. 6/40, signed lower right: Norman Lindsay, titled lower centre, editioned lower left, 24.5 x 25 cm (image)
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Beauty's Fortune 1920
Etching, engraving, aquatint and stipple, ed. 34/50, signed and dated lower right: Norman Lindsay 1920, titled lower centre, editioned lower left, 32 x 26 cm (image)
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Our Earth 1936
Etching and engraving, ed. of 225, signed lower right: Norman Lindsay, 15.5 x 12 cm (image)
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Virginity 1921
Etching, engraving, soft ground and stipple, ed. 24/50, signed and dated lower right: Norman Lindsay 1921, titled lower centre, editioned lower left, 39 x 29 cm (image)
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The Dance of Innocence 1918
Etching, engraving and stipple, ed. 45/120, signed lower right: Norman Lindsay, editioned lower centre, 21 x 16 cm (image)
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The Happy Barge 1922
Etching and stipple, ed. 52/55, signed and dated lower right: Norman Lindsay 1922, titled lower centre, editioned lower left, 32.5 x 26 cm (image)
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Love on Earth 1925
Etching, engraving and stipple, ed. 24/55, signed and dated lower right: Norman Lindsay 1925, titled lower centre, editioned lower left, 35 x 29 cm (image)
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The Festival 1923
Etching, engraving and stipple, ed. 47/55, signed and dated lower right: Norman Lindsay 1923, titled lower centre, editioned lower left, 20 x 22.5 cm (image)
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The Curtain 1919
Soft ground etching and engraving, ed. 22/40, signed and dated lower right: Norman Lindsay 1919, titled lower centre, editioned lower left, 31 x 26 cm (image)
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Night's Garden
etching and aquatint, ed. 45/45, signed and numbered below image: no 45 45 Norman Lindsay, 35 x 27 cm
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Print, facsimile signature lower left, 46 x 38.5 cm
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Print, facsimile signature lower left, 52 x 36 cm
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Which Mask
Etching, signed and numbered in pencil to margin, 15 cm square plate size
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(Two Dancers)
Watercolour on paper, signed lower left: Norman Lindsay, 29 x 23.5 cm
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(The Pirates)
Watercolour on paper, signed lower right: Norman/ Lindsay, 31 x 32.5 cm
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The Rehearsal
Watercolour, signed lower right. Accompanied by certificate of authenticity signed by Helen Glad, 36 x 28 cm (sight)
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Antony and Cleopatra, 1896
Pen & ink, signed lower left, 19 x 20 cm
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What the Deer Said, 1920
Etching, engraving & stipple 10/133, signed in pencil lower right and numbered 10. From Hugh McRae, Idyllia; p.6, 22.9 x 21.2 cm (plate)
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The Glade, 1934
Aquatint & etching 21/40, pencil signature, title and numbering have been reinforced by a later hand. Certificate of authenticity from The Bloomfield Galleries attached verso, signed by Jane Lindsay, 15.1 x 12 cm (plate)
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O Man! Take Heed, 1922
Etching, engraving stipple & roulette 12/55, signed lower right. Ref: Bloomfield, No. 229, p.133, 32.4 x 29.1 cm (upper plate) 4.9 x 12.3 cm (lower plate)
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In Vain the Christian, c.1927
Engraving, signed lower right. Published by The Chiswick Press, London, from an original pen and ink drawing by Norman Lindsay dated 1923, 54 x 70 cm (image)
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Ink drawings for the Bulletin
Ink on paper, signed lower right, 48.5 x 32 cm
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Nude
Bronze with lead paint patina, with letter of authenticity, 30 x 8 cm
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Untitled (Babylonian Scene)
Watercolour, signed and dated upper left (date indistinct), 43.5 x 39 cm
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Untitled (Seated Nude)
Oil on canvas on board, signed lower right, 49.5 x 33.5 cm
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Sirens
Watercolour (AF), signed lower left, 41.5 x 34 cm
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Untitled (Flute Player)
Watercolour, signed lower left, 25.5 x 17 cm
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Armoured
Etching, ed. 22/55, signed lower right, 35 x 27 cm
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Who Follows?, 1920s
Etching, ed. 14/55, signed and dated lower right, 28 x 20 cm
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A Sentimental Interlude, 1928
Etching, ed. 19/55, signed and dated lower right, 20 x 26 cm
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The Voice is Jacob's Voice but the hands are that of Esau
Charcoal, wash and pencil on paper, signed lower left, 40 x 19.5 cm
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Untitled (Unknown Seas variation)
Etching, ed. 42/55, signed lower right, 35 x 26 cm
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Fawns & Ladies, 1923
Etching, ed. of 18, signed lower right, 9.5 x 8 cm
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Dryad
Etching, signed lower right, titled dryad, numbered 23, 12 x 10 cm Plate Size
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The Glance
Oil on canvas, signed with initials nl lower right, 29 x 24 cm
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Graceful Encounter
Oil on board, signed with initials nl lower right, 52 x 41 cm
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In Vain the Christian, 1927-28
Collotype, signed lower right: Norman Lindsay, titled lower centre: in Vain The Christian, printed by The Cheswick Press, London, 53 x 69 cm (image); 94.5 x 107 cm (framed)
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'Enter the Magicians,' 1927
Etching, engraving, aquatint, soft ground & stipple 52/55, signed lower right, 30.3 x 35.6 cm (plate)
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'Hyperborea,' 1923
Etching, engraving & stipple 4/45 (55), signed lower right, 34.3 x 29.6 cm (plate)
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'Beethoven,' 1921
Etching, engraving & stipple 5/50, signed lower right, 33 x 28.8 cm (plate)
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