Number of Works: 1,662, Results Page: 1

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The Berry Pickers, 1947

Oil on hardboard, signed lower left corner 'Dobell', 30.5 x 40 cm
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(Study of Figures), 1943

Ink on paper, signed and dated lower right: 'Dobell 43', 10 x 14 cm
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(Elizabeth Bay), c.1936

Oil on board, 16.5 x 15 cm
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The Chamber Maid (1937)

Oil on wood, signed 'William Dobell / William Dobell' lower centre, 29 x 35 cm
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Interior of the Artist's Home

Watercolour & gouache, no signature apparent, 13.5 x 23.5 cm
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Ngo Dinh Diem (1901-1963), First President of South Vietnam, study for the Time Magazine cover of 1961

Gouache, no signature apparent, 26 x 23 cm (sight)
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Study for 'Beach Carnival, Bondi,' c.1960-61

Biro, unsigned. With accompanying notes, 11.5 x 17.5 cm (sheet)
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Stand of Trees by Water, and Stockman

Gouache, no signature apparent, 18.5 x 13 cm
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Plant in Landscape

Gouache, unsigned, 16.5 x 11.5 cm
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Three Abstract Studies on Christmas and Gallery Cards

Biro on card (3), one Christmas card inscribed; the gallery card for 'Sculpture,' Gerald Lewers at Terry Clune Galleries, Kings Cross, Sydney, 1960, 20.5 x 11.5 cm (sheet, largest)
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Kilted Scotsman

Gouache on buff paper, unsigned, 29 x 23 cm (sheet)
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Abstract Landscape

Gouache, no signature apparent, 19 x 17.5 cm
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Circus and Figure Sketches

Pen & ink (3), unsigned. Tightrope cyclist, clown etc; also mother & child, and woman applying makeup, 20.5 x 16.5 cm
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Sir Robert Menzies

Pencil, unsigned, 32 x 27 cm (sheet)
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Study of a Bearded Man

Pencil, no signature apparent, 29.5 x 24 cm
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The Artist's Cocker Spaniel

Pen & ink, no signature apparent, 18.5 x 24 cm (sight)
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Character Studies

Biro (4), unsigned, 12.5 x 20 cm each (sheet)
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An important Mid 1930s London Sketch Book

Pencil, pen & ink, "Artist's name and address on inside cover. 31 Gloucester St at front, 47 Harrowby St at back; one sketch dated 16 July, 1936. Subjects include 'Macaroni Penguin,' in ink; numerous other pencil & ink studies of animals from London Zoo (oryx, pelicans, zebra bull, camel, antelopes etc). London characters and street scenes incl. lorry unloading, bobbies, woman under umbrella in the rain, flower sellers, street urchins, 'Guy Fawkes Street Collecting,' interiors, and studies of models - too many to list. Auctioneer's note: full record of images available on request.", 22.5 x 18 cm (sheets)
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The Artist's Paint Box and Brushes

Photograph, materials booklet and uncompleted sketch pad, 27 x 22 cm
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Volcano Erupting, New Guinea

Gouache, no signature apparent, 12 x 24 cm
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'Grumia [?], Government House, Moresby, Russell Islander,' c.1950

Pencil, "No signature apparent. Study for the oil, 'Boy in White Lap Lap,' 1952.", 16 x 11 cm (sight)
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'Crossing a Torrent,' c.1952

Gouache, "Signed lower left and titled verso. Related work, 'The Torrent,' 1952, ref James Gleeson 'William Dobell,' Thames & Hudson, London, pub. 1964. Gleeson states ""this is one of the most original and captivating of [Dobell's] New Guinea landscapes with figures"" - see image.", 12 x 19.5 cm
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Artist's Sketch Book with Four Studies

Gouache, 14.5 x 24.5 cm (sheets)
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'Sir Garfield Barwick'

Biro, 17.5 x 14 cm (sheet)
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Temporary Bridge over Thames, 1936

Oil on canvas on board, signed lower left W Dobell, 40.5 x 50.5 cm
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Study for Gentleman Conversing with a Prawn, The Wangi Pub 1970

Oil on board, inscribed & titled verso, 25 x 17 cm
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Nude under Lamplight

Oil on board, signed upper left: W Dobell, 19 x 24 cm
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Study for Camille Gheysens, 1957

Pencil, signed lower right: 'Bill Dobell', 24 x 18 cm
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Study of an Unknown Woman, London Period, c.1930s

Ink & wash, no signature apparent but accompanied by certificate of authenticity from the Sir William Dobell Art Foundation (signed by James Gleeson), 22 x 17 cm
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Greetings from Wangi Wangi

Watercolour, titled and signed 'W. Dobell' in lower margin,?, 7 x 9.5 cm
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Nude, 1933

Oil on composition board, signed and dated upper right: Dobell / 33 bears inscription with artist's name and title on partial label verso, 21 x 24.5 cm (sight)
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The Charlady (1936)

Oil and gouache on wood, signed 'W Dobell' lower left, 20.5 x 15 cm
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Studies for The Beer Drinkers, c.1970

Blue ballpoint pen (5) pencil (2), unsigned, but with authentication from Sir William Dobell Art Foundation - ex artist's estate, 11.5 x 19 cm each (sight)
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Standing Nude

Pencil on paper, signed lower right corner 'Bill Dobell', 52 x 28 cm
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Self Portrait, c.1966 - 68

Oil on composition board, 19.5 x 40.5 cm
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Temporary Bridge over Thames (1936)

Oil on canvas on board, signed 'W Dobell' lower left, 40.6 x 50.6 cm
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Seated Woman, c.1941

Oil on composition board, 40 x 36 cm
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Untitled - Papua New Guinea Series

Oil on card, signed lower left, 10 x 14.5 cm
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Six Wangi Wangi Christmas Cards, c.1962-63

Watercolour & gouache (6), three inscribed (two signed), 4 x 7.5 cm, (largest)
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Studies for The Beer Drinkers, c.1970

Blue ballpoint pen (5) pencil (2), unsigned, but with authentication from Sir William Dobell Art Foundation - Ex artist's estate, 11.5 x 19 cm, each (sight)
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Baby Sucking After Renoir

Pen on paper, 34 x 27 cm (sight)
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Campers At Lake Macquarie, Wangi Wangi, NSW

Gouache on paper, 12 x 18.5 cm
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Untitled (Nude Studies) 1943

Ink on paper, signed & dated 1943, 24.5 x 36 cm
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Two figure studies (2)

Pencil on paper, 29 x 23 cm
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Six Wangi Wangi Christmas Cards, c.1962-63

Watercolour & gouache (6), three inscribed (two signed), 4 x 7.5 cm (largest)
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Apples on a Cloth, 1932

Oil on composition board, signed lower right Dobell, 29 x 36 cm
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Untitled (Nude Studies) 1943

Ink on paper, signed & dated 1943, 24.5 x 36 cm
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Study for Suzanne and Goldfish, 1948

Watercolour and gouache on paper, signed and inscribed lower left W Dobell/ sketch for Susan [sic] & Gold/ fish, bears inscription verso: Susan [sic] and goldfish - verandah Wangi Wangi home. Dobell, 15 x 22.5 cm
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