Menzies, Prints & Multiples Online, Sydney, 28 Aug 2024, No. of Lots: 81
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| Lot No. | Details | Hammer | Price incl. Premium |
|
|---|---|---|---|---|
| 1 |  |
Warhol, Andy
Cow (Yellow Cow on Blue Background), 1971Colour screenprint, edition size unknown, signed, 116.5 x 76 cm (sheet); 123 x 83 cm (framed) |
*** | *** |
| 2 |  |
Warhol, Andy
Cow (Brown Cow on Blue Background), 1971Colour screenprint, edition size unknown, signed and inscribed within image centre left: Andy Warhol Whitney Museum, The Estate of Andy Warhol and Andy Warhol Foundation stamps verso (cat.T.J.H375AWF.287.), printed by Bill Miller's Wallpaper Studio, New York, published by Factory Additions, New York, 116.5 x 75 cm (sheet); 123 x 82 cm (framed) |
*** | *** |
| 3 |  |
Koons, Jeff
Balloon Dog (Yellow), 2015Metallised porcelain, edition: 537/2,300, signed, dated and numbered to underside: Jeff Koons/ 0537/2,300 '15, produced by Bernardaud, Limoges, France (monogram verso), accompanied by a certificate of authenticity from Bernardaud, Limoges, France with original box and plastic stand, 26.7 x 26.7 x 12.7 cm |
*** | *** |
| 4 |  |
Hirst, Damien
The Souls IV - Imperial Purple/Cornflower Blue/Silver Gloss, 2010Foil block print, edition: 12/15, signed lower right: Damien Hirst, numbered lower left: 12/15, published by Paul Stolper and Other Criteria, London (cat.OC8040), 72 x 51 cm (sheet); 80 x 59 cm (framed) |
*** | *** |
| 5 |  |
Hirst, Damien
The Souls III - Imperial Purple/Silver Gloss/Silver Gloss, 2010Foil block print, edition: 11/15, signed lower right: Damien Hirst, numbered lower left: 11/15, published by Paul Stolper and Other Criteria, London (cat.OC7967), 72 x 51 cm (sheet); 80 x 59 cm (framed) |
*** | *** |
| 6 |  |
Hirst, Damien
The Souls II - Turquoise/Imperial Purple/Blind Impression, 2010Foil block print, edition: 11/15, signed lower right: Damien Hirst, numbered lower left: 11/15, published by Paul Stolper and Other Criteria, London (cat.OC7821), 72 x 51 cm (sheet); 80 x 59 cm (framed) |
*** | *** |
| 7 |  |
Hirst, Damien
The Souls I - Imperial Purple/Silver, 2010Foil block print, edition: 10/15, signed lower right: Damien Hirst, numbered lower left: 10/15, published by Paul Stolper and Other Criteria, London (cat.OC7782), 72 x 51 cm (sheet); 80 x 59 cm (framed) |
*** | *** |
| 8 |  |
Whiteley, Brett
Lipstick, 1981Colour lithograph, edition: 13/50, signed and titled lower centre: lipstick brett whiteley, numbered lower left: 13/50, 107 x 75 cm (sheet); 160 x 109.5 cm (framed) |
*** | *** |
| 9 |  |
Campbell, Cressida
The Verandah, 1987Colour screenprint, edition: 45/99, signed and dated lower right: Cressida Campbell '87, numbered lower left: 45/90, titled lower centre: The Verandah, 94 x 58.5 cm (image); 124.5 x 86 cm (framed) |
*** | *** |
| 10 |  |
Whiteley, Brett
(The Orange) Fruit Dove in Clark Park, 1980Colour screenprint, edition: 4/30, signed lower right: brett whiteley, numbered and titled lower left: 4/30 fruit dove in clark park, 76 x 53 cm (image); 95.5 x 75.5 cm (sheet); 106.5 x 82 cm (f |
*** | *** |
| 11 |  |
Whiteley, Brett
The Arrival, 1988Offset lithograph, edition: 88/150, signed lower right: brett whiteley, numbered and titled lower left: 88/150 'the arrival', signed within image lower left: brett whiteley, commissioned for the cover of Time Australia to mark the Australian Bicentenary in 1988, 71 x 89 cm (image); 96.5 x 112 cm (framed) |
*** | *** |
| 12 |  |
Whiteley, Brett
Towards Sculpture 2 1977Lithograph, edition: 45/50, signed lower right: brett whiteley, titled and numbered lower left: 2. 45/50, stamped lower right with artist's monogram, printed by Curwen Studio, London, published by Ganymed Original Editions, London, 76 x 49 cm (image); 116 x 92.5 cm (framed) |
*** | *** |
| 13 |  |
Olsen, John Henry
Untitled (Leaping Frog), 2004-05Bronze, edition: 11/14, signed and numbered to base: John Olsen/ 11/14, 51 x 22 x 13.5 cm |
*** | *** |
| 14 |  |
Armstrong, Bruce
The CricketerBronze with white patina on timber base, edition: 1/4, signed with initials, dated and numbered to base: Ba 1/4 '21, Perrin Sculpture Foundry, Melbourne stamp to base, 83 x 21 x 12 cm (bronze) |
*** | *** |
| 15 |  |
Kelly, John
Three Cows in a Pile, 2001Painted bronze, edition: Artist's Proof (edition of 9), signed and numbered to underside: Klly [sic] A/P, 24 x 32 x 9 cm |
*** | *** |
| 16 |  |
Dupain, Maxwell Spencer (Max)
The Sunbaker, 1937; printed c1981Gelatin silver print, signed and dated lower right: - Max Dupain '37 -, inscribed verso: 'Sunbaker', 38.5 x 43 cm (image); 54.5 x 61 cm (framed) |
*** | *** |
| 17 |  |
Mayo, Eileen Rosemary
Children with Umbrellas, 1962Linocut, edition: Artist's Proof 4/10, signed lower right: Eileen Mayo, numbered lower centre: Artist's Proof 4/10, titled lower left: Children with Umbrellas, 39.5 x 19.5 cm (image); 42.5 x 22 cm (sheet); 47 x 26 cm (fr |
*** | *** |
| 18 |  |
Luling, Peter
Persephone, 1929Colour linocut, edition: 7/50, signed lower right: Peter Luling, numbered lower left: 7/50, 16.5 x 20 cm (image); 22.5 x 27 cm (sheet); 58 x 43 cm (fram |
*** | *** |
| 19 |  |
Lindsay, Norman Alfred William
In Vain the Christian, 1927-28Collotype, signed lower right: Norman Lindsay, titled lower centre: in Vain The Christian, printed by The Cheswick Press, London, 53 x 69 cm (image); 94.5 x 107 cm (framed) |
*** | *** |
| 20 |  |
Traill, Jessie Constance Alicia
Collins Street, Melbourne, 1911; printed 1912Etching and aquatint, edition size unknown, signed and dated lower right: Jca Traill 1912., titled lower left: Collins St Melbourne, 28 x 37.5 cm (image); 45 x 53.5 cm (framed) |
*** | *** |
| 21 |  |
Traill, Jessie Constance Alicia
Melbourne from Richmond Paddocks, 1911; printed 1912Etching and aquatint, edition: 18/25, signed and dated lower right: J.C.A. Traill. 1912., titled, inscribed and numbered lower left: Melbourne from Richmond Paddocks - (aquatint) 18/25, 20 x 33 cm (image); 28 x 38 cm (sheet); 37.5 x 48 cm (framed |
*** | *** |
| 22 |  |
Campbell, Cressida
At Clareville, 1978Etching, edition: 2/3, signed and dated lower right: Cressida Campbell '78, numbered lower left: 2/3, titled lower centre: At Clareville, 30.5 x 24 cm (image); 54 x 45.5 cm (framed) |
*** | *** |
| 23 |  |
Preston, Margaret Rose (MacPherson)
Calabash Bay, Berowra, c1939Woodcut, signed lower left: Margaret Preston, inscribed lower right: 22 Killarney St. Mosman, NSW Australia, 19.5 x 19 cm (image); 25.5 x 23.5 cm (sheet); (unframed) |
*** | *** |
| 24 |  |
Williams, Frederick (Fred) Ronald
You Yangs Landscape No.2, 1963-66Etching, engraving and drypoint, edition: 26/30; state: IV/V, signed lower right: Fred Williams, numbered lower left: 26-30, 27 x 20 cm (image); 32 x 25 cm (sheet); 48 x 40.5 cm (framed |
*** | *** |
| 25 |  |
Williams, Frederick (Fred) Ronald
Circle Landscape, Upwey, 1965-66Etching, engraving, drypoint and mezzotint, edition: 21/40; state: IV/V, signed and numbered lower right: Fred Williams. 21-40., 28.5 cm diameter (image); 54 x 52 cm (framed) |
*** | *** |
| 26 |  |
Williams, Frederick (Fred) Ronald
Dancing Figures, 1954-55Etching, aquatint, engraving, drypoint and mezzotint, edition: 15/25; state: IV/IV, signed lower right: Fred Williams., numbered lower left: 15.25, 20 x 20 cm (image); 22 x 22 cm (sheet); 50.5 x 48 cm (framed |
*** | *** |
| 27 |  |
Williams, Frederick (Fred) Ronald
Rocks in the Forest, Mittagong, 1958Etching, edition: 8/15, signed lower right: Fred Williams., numbered lower left: 8.15, 16 x 15.5 cm (image); 22 x 22 cm (sheet); 38.5 x 37.5 cm (fr |
*** | *** |
| 28 |  |
Williams, Frederick (Fred) Ronald
Forest of Gum Trees, 1965-66Etching, flat biting and mezzotint, edition: 17/35, signed lower right: Fred Williams., numbered lower left: 17/35, 34.5 x 27.5 (image); 60 x 49 cm (framed) |
*** | *** |
| 29 |  |
Williams, Frederick (Fred) Ronald
Dry Creek Bed, Werribee Gorge, 1976-78Lithograph, edition: 39/50, signed lower right: Fred Williams, numbered lower left: 39/50, titled lower centre: Dry Creek Bed W. G, 75.5 x 57 cm (sheet); 90.5 x 70 cm (framed) |
*** | *** |
| 30 |  |
Smart, Frank Jeffrey (Jeff) Edson
Containers at Pisa Airport, 1998Colour etching, edition: 15/40, signed lower right: Jeffrey Smart, numbered lower left: 15/40, titled lower centre: Containers at Pisa Airport, 16.5 x 23.5 cm (image); 42 x 41.5 cm (sheet); 47.5 x 47 cm ( |
*** | *** |
| 31 |  |
Smart, Frank Jeffrey (Jeff) Edson
The '04 Adelaide Ring, 2004Etching, edition: 25/200, signed lower right: Jeffrey Smart, numbered and titled lower left: The '04 Adelaide Ring, commissioned by the Adelaide Festival, Adelaide, 2004, 25.5 x 18 cm (image); 38 x 28 cm (sheet); (unframed) |
*** | *** |
| 32 |  |
Olley, Margaret Hannah
Still Life with Flowers, Plums and Oranges, 1998Colour lithograph, edition: 9/50, signed and dated lower right: Margaret Olley 98, numbered lower left: 9/50, titled lower centre: Still Life with Flowers, Plums and Oranges, printed by Paul Smith, Sydney (blindstamp lower right), 66 x 89 cm (image); 77 cm x 105 cm (sheet); (unframed) |
*** | *** |
| 33 |  |
Olley, Margaret Hannah
Basket of Oranges, Lemons and Jug, 2011Giclee, edition: 6/150, signed and dated lower right: Margaret Olley 11, numbered lower left: 6/150, titled lower centre: Basket of Oranges, Lemons and Jug, printed by Berkeley Editions, Sydney (blindstamp lower right), 59.5 x 79 cm (image); 74.5 x91 cm (sheet); (unframed) |
*** | *** |
| 34 |  |
Whiteley, Brett
Straight Head of Franny, 1971Screenprint, edition: 7/10, signed, dated, numbered and titled lower right: Straight head of Franny 7/10 Brett Whiteley 6/9/71, stamped lower right with artist's monogram, 50.5 x 34 cm (image); 93 x 62.5 cm (sheet); 133 x 90.5 cm (f |
*** | *** |
| 35 |  |
Whiteley, Brett
Lovers, 1975Screenprint, edition: 16/70, signed and numbered lower right: Brett Whiteley 16/70, 50 x 63 cm (image); 76 x 85.5 cm (framed) |
*** | *** |
| 36 |  |
Bacon, Francis
Figure at a Washbasin (from Requiem pour la Fin des Temps), 1977-78Etching and aquatint, edition: Artist's Proof 18/20 (edition of 100), signed lower right: Francis Bacon, numbered lower left: ea 18/20, published by Georges Visat, Paris, 46.5 x 36 cm (image); 88.5 x 84 cm (framed) |
*** | *** |
| 37 |  |
Johns, Jasper
Untitled (American Flag), 1967-69Etching, edition: 20/40, signed and dated lower right: J. Johns/ '67 - 69, numbered lower left: 20/40, published by Ulae, New York (blindstamp lower left), 8 x 11 cm (image); 65 x 50 cm (sheet); 86 x 69 cm (framed) |
*** | *** |
| 38 |  |
Hockney, David
Man Ray (from Homage to Man Ray), 1975Colour lithograph, edition: 42/100, signed lower right: David Hockney, numbered lower left: 42/100, printed by Atelier Desjobert, Turin (blindstamp lower right), published by Galleria Il Fauno, Turin, 52.5 x 37.5 cm (sheet); 54 x 39.5 cm (framed) |
*** | *** |
| 39 |  |
Picasso, Pablo
Grosse Courtisane Saluée par Trois Gentilshommes Linéaires (pl.183 from Series 347), 1968Etching, edition: 7/50, signed lower right: Picasso, numbered lower left: 7/50, dated within image upper right: 25.6.68.I, published by Galerie Louise Leiris, Paris, 1969, 21 x 14.5 cm (image); 53 x 46.5 cm (framed) |
*** | *** |
| 40 |  |
,
La Triple Roue I (from Allegro Vivace), 1981Colour lithograph, edition: 79/100, signed lower right: Miró., numbered lower left: 79/100, printed by Atelier Lelong, Paris, 45 x 59 cm (image); 60 x 90 cm (sheet); 107.5 x 134.5 cm (fr |
*** | *** |
| 41 |  |
Chagall, Marc
Sujet Biblique, 1984Lithograph, edition: 20/50, signed lower right: Marc Chagall, numbered lower left: 20/50, 21 x 15.5 cm (image); 34 x 27 cm (sheet); 62.5 x 53 cm (fram |
*** | *** |
| 42 |  |
Chagall, Marc
La Bénédiction de Jacob, 1979Colour lithograph, edition: 2/50, signed lower right: Marc Chagall, numbered lower right: 2/50, titled verso: La benediction de Jacob, bears inscription on backing verso: Le Benediction De Jacob/ By Marc Chagall, printed and published by Galerie Maeght, Paris, 38 x 32 cm (image); 55 x 45.5 cm (sheet); 61 x 52 cm (framed |
*** | *** |
| 43 |  |
Dali, Salvador
The Twelve Tribes of Israel, 1973Complete set of drypoint etchings with pochoir colouring (13), edition: 158/195, each signed lower right |
*** | *** |
| 44 |  |
Moore, Henry
Sculptures, Dark Interiors, 1973Lithograph, edition: 74/75, signed lower right: Moore, numbered lower left: 74/75, 25.5 x 34 cm (image); 43 x 51.5 cm (sheet); 50.5 x 57.5 cm ( |
*** | *** |
| 45 |  |
Moore, Henry
Mother and Child XVII, 1983Etching, edition: 45/65, signed lower right: Moore, numbered lower left: Plvxii 45/65, signed within image lower left: Moore, printed by James Collyer and James Crossley, London, published by Raymond Spencer Company, for the Henry Moore Foundation, United Kingdom, 21 x 20.5 cm (image); 52 x 44 cm (sheet); 58.5 x 50.5 cm (fr |
*** | *** |
| 46 |  |
Moore, Henry
Six Stone Figures, 1973Lithograph, edition: 42/75, signed lower right: Moore, dated and titled verso: Six Stone Figures 1973, printed by Curwen Prints, London, published by Fischer Fine Art, London, 36 x 25 cm (image); 65 x 505 cm (sheet); 70.5 x 55 (framed) |
*** | *** |
| 47 |  |
Moore, Henry
Three Sisters, 1981, printed 1983Lithograph, edition: 25/50, signed lower right: Moore, bears inscription verso: 6/ 4356/ c621/ 3 Sisters 132-52, printed by J.E. Wolfensberger, Zurich, published by Raymond Spencer Company, for the Henry Moore Foundation, United Kingdom, 35.5 x 25 cm (image); 56 x 45 cm (sheet); 70.5 x 55 cm (fram |
*** | *** |
| 48 |  |
Moore, Henry
Reclining Figure: Idea for Metal Sculpture, 1982Lithograph, edition: 23/50, signed lower right: Moore, numbered lower left: 23/50, bears inscription verso: 132-79/ Reclining Figure for Idea for Metal Sculpture/ 4/ 4353/ C653, printed by J. E. Wolfensberger, Zurich, published by Raymond Spencer Company, for the Henry Moore Foundation, United Kingdom, 23.5 x 30.5 cm (image); 45.5 x 56.5 cm (sheet); 52.5 x 63 cm |
*** | *** |
| 49 |  |
Cullen, Adam
Yowie, 2011Bronze, edition: 1/3, signed and numbered to rear: A Cullen/ 1/3, 75 x 34 x 28 cm |
*** | *** |
| 50 |  |
Cullen, Adam
Razorback, 2012Bronze, edition: 1/3, signed and numbered to front leg: A. Cullen/ 1/3, 75 x 105 x 46 cm |
*** | *** |