Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
1 |
Beckett, Clarice Marjoribanks
Boats At Sunset, 1930Oil on canvas on board, signed lower left: C. Beckett, bears inscription verso: Eventide / by / Clarice Beckett / 23 / Waxed original John Thallon frame, Melbourne, 31 x 41 cm |
*** | *** | |
2 |
Fox, Emanuel Phillips
Vanity, c.1912Oil on canvas, signed lower right: E. Phillips Fox, bears inscription on label verso: Vanity original John Thallon frame, Melbourne, 81 x 100 cm |
*** | *** | |
3 |
Bunny, Rupert Charles Wulsten
The Telegram, c.1908Oil on canvas, signed lower right: Rupert C W Bunny., bears inscription on label verso: no. 155 / The Telegram original Paris frame, 81 x 54 cm |
*** | *** | |
4 |
Mackennal, Edgar Bertram
Circe, c.1902 – 04Bronze, signed at base: B. Mackennal inscribed at base: Kip Kh original black marble base, 57 cm height |
*** | *** | |
5 |
Mackennal, Edgar Bertram
Truth, 1894Bronze, signed at base: Mackennal dated and inscribed with title at base: June 12 - 1894 London / Truth, 61 cm height |
*** | *** | |
6 |
Mackennal, Edgar Bertram
Salome, 1897Bronze, signed at base: B. Mackennal inscribed with title at base: Salome original black marble base, 29 cm height |
*** | *** | |
7 |
McCubbin, Frederick
Rainbow Over Burnley, 1910Oil on wood panel, bears inscription verso: Burnley Quarry / by F McCubbin / 1910 letter of authenticity attached verso, signed by Louis McCubbin, dated 29 June 1949, 25 x 35.5 cm |
*** | *** | |
8 |
Bunny, Rupert Charles Wulsten
The Swing, c.1913Oil on canvas, signed lower right: Rupert C W Bunny, 80.5 x 54 cm |
*** | *** | |
9 |
Whiteley, Brett
The Dead Rabbit, 1979Oil, Liquitex etc., signed, stamped with initials, dated and inscribed with title lower right: 12 / Aug / 79 / 'the dead rabbit' / (on the Bathurst Road west of Oberon, N.S.W.) / brett Whiteley / Bw, 132 x 74.5 cm |
*** | *** | |
10 |
Whiteley, Brett
The Willow, 1979Brush and ink on paper on composition board, signed, dated and inscribed with title lower right: brett whiteley 79 'the willow' stamped lower left with artist's monogram, bears inscription verso: 27 original Brett Lichtenstein frame, Sydney, 153.5 x 101 cm |
*** | *** | |
11 |
Campbell, Cressida
Lilies and Parrot Shawl, 2006Unique colour woodblock print, signed lower right: Cressida Campbell signed below image lower left: Cressida Campbell, 119.5 x 25 cm (image) |
*** | *** | |
12 |
Oliver, Bronwyn
Clasp, 2006Copper, 215 x 20 x 20 cm |
*** | *** | |
13 |
Oliver, Bronwyn
Flow, 2002Copper, 80 cm diameter |
*** | *** | |
14 |
Gascoigne, Rosalie Norah King
Plaza, 1988Sawn retroreflective plywood road signs on plywood, signed, dated and inscribed verso: 'Plaza' / 1988 / Rosalie Gascoigne, 148 x 84.5 cm |
*** | *** | |
15 |
Scott, William
New Still Life Study, 1983Oil on canvas, signed and dated verso: W Scott 83 original Robert Sielle frame, 167.5 x 172.5 cm |
*** | *** | |
16 |
Bleckner, Ross
Molecular Basis, 1998Oil on canvas, signed, dated and inscribed with title verso: Ross Bleckner / Ross Bleckner / 1998 / Molecular / Basis, 213 x 152 cm |
*** | *** | |
17 |
Minter, Marilyn
Quail's Egg, 2003Enamel on metal, signed, dated and inscribed with title verso: "Quails Egg" / M. Minter 2003, 213 x 122 cm |
*** | *** | |
18 |
Boyd, Arthur Merric Bloomfield
River-Bush Homage to Pollock, 1976Oil on canvas, signed lower right: Arthur Boyd, 152.5 x 122 cm |
*** | *** | |
19 |
Williams, Frederick (Fred) Ronald
Werribee Gorge No. 8, 1977 – 78Oil on canvas, signed upper right: Fred Williams, bears inscription on stretcher bar verso: 1978.2, 106.5 x 101 cm |
*** | *** | |
20 |
Baldessin, George Joseph Victor
Trapeze, 1965Bronze and synthetic polymer paint, stamped and numbered on base: Victorian College of the Arts Foundry 1/4, 178 x 63.5 x 63 cm |
*** | *** | |
21 |
Meadmore, Clement
Riff, 1996Bronze, signed, dated and numbered at base: Meadmore 1996 2/4 dated, numbered and inscribed with title on base: Riff / 1996 2/4 / A. R. T, 41 x 100 x 43 cm |
*** | *** | |
22 |
King, Inge
Black Sun, 1974Enamel paint on steel, 62 x 60 x 22 cm |
*** | *** | |
23 |
Olsen, John Henry
Australian Landscape, 1962Oil on composition board, signed with initials lower right: J O, 87 x 91 cm |
*** | *** | |
24 |
Tuckson, John Anthony (Tony)
Untitled, c.1962Synthetic polymer paint on composition board, bears inscription on frame verso: T. Tuckson / Cat 9, 121 x 121 cm |
*** | *** | |
25 |
Balcombe, Thomas Tyrwhitt
Aboriginal Encampment, 1847Oil on canvas, signed and dated lower left: T. Balcombe / 1847, 33 x 45.5 cm |
*** | *** | |
26 |
Heysen, Hans
Morning Light, 1938Watercolour on paper, signed and dated lower left: Hans Heysen 1938, 50 x 65 cm |
*** | *** | |
27 |
Namatjira, Albert
Ranges 10 Miles North From Alice Springs, c.1954Watercolour on paper, signed lower right: Albert Namatjira signed and inscribed with title verso: Ranges 10 Miles North from Alice Springs / Albert Namatjira, 26 x 37 cm |
*** | *** | |
28 |
Brack, Cecil John (John)
Three Jockeys, 1956Ink and watercolour on paper, signed and dated upper left: John Brack 56, 34 x 52 cm |
*** | *** | |
29 |
Blackman, Charles Raymond
Suite, 1961Oil on composition board, signed and dated upper right: Blackman 61, 129 x 122 cm |
*** | *** | |
30 |
Boyd, Arthur Merric Bloomfield
Wimmera Landscape With Thicket, c.1985Oil on composition board, signed lower right: Arthur Boyd, 91.5 x 122 cm |
*** | *** | |
31 |
Williams, Frederick (Fred) Ronald
Trees, 1958 – 59Oil on composition board, signed lower right: Fred Williams, 51 x 68 cm |
*** | *** | |
32 |
Balson, Ralph
Non-Objective Painting, 1956Oil on composition board, signed and dated lower right: R. Balson. / 56, bears inscription verso: No 12, 70.5 x 107 cm |
*** | *** | |
33 |
Last, Clifford Frank
Bird Form, 1953Almond wood, signed with initial in base: L, 88 cm height |
*** | *** | |
34 |
Olsen, John Henry
Tuscan Kitchen, 2004Oil on linen, signed and dated lower right: John Olsen 04 signed, dated and inscribed with title on frame verso: John Olsen 04 "Tuscan Kitchen", 122 x 152 cm |
*** | *** | |
35 |
Olsen, John Henry
Inscape Broome, 1999Watercolour, gouache and pastel on paper, signed, dated and inscribed with title lower left: "Inscape - Broome" / John Olsen 99, 159 x 121 cm |
*** | *** | |
36 |
Williams, Frederick (Fred) Ronald
Untitled Landscape I, c.1966Gouache on paper, signed lower left: Fred Williams, 75 x 57 cm |
*** | *** | |
37 |
Williams, Frederick (Fred) Ronald
Early Morning River Reflections, 1971Gouache on paper, signed lower left: Fred Williams, 55 x 76 cm |
*** | *** | |
38 |
Balson, Ralph
Non-Objective Painting, 1964Oil and synthetic enamel on composition board, 98.5 x 137.5 cm |
*** | *** | |
39 |
Audette, Yvonne
Construction in Colour, 1960Synthetic polymer paint on cardboard on composition board, signed and dated lower right: Audette 1960 signed, dated and inscribed with title verso: Audette 1960 / 'Construction in Colour', 100.5 x 70 cm |
*** | *** | |
40 |
O'Brien, Justin Maurice
Resurrection, c.1956Oil on canvas, signed upper right: O'Brien inscribed with title verso: The Resurrection, bears artist's name and title on metal plaque: Resurrection / Justin O'Brien, 77.5 x 57 cm |
*** | *** | |
41 |
De Maistre, LeRoy Leveson Laurent (Roy)
Triptych, 1959Oil, gouache, ink and pencil on paper, centre panel signed lower right: R. de Maistre right panel initialled lower right: M, 30.5 x 48.5 cm, triptych - framed overall |
*** | *** | |
42 |
Friend, Donald Stuart Leslie
Hill End, c.1942Oil on board, signed lower left: Donald signed upper left: Donald Friend. inscribed with title verso: Hill End, 18.5 x 24 cm |
*** | *** | |
43 |
Whisson, Kenneth (Ken) Ronald
From Here and From There, 2001Oil on linen, signed, dated and inscribed with title verso: Artist: Ken Whisson / Title: "From Here and from / There" / Painted: 1/4/2001 + 23/12/01 / + 25 + 27/12/2001, 119.5 x 100 cm |
*** | *** | |
44 |
Gascoigne, Rosalie Norah King
On A Clear Day, 1988Weathered, sawn plywood on weathered galvanized iron on plywood, signed, dated and inscribed with title verso: "On A Clear Day" / 1988 / Rosalie Gascoigne, 132 x 91 cm |
*** | *** | |
45 |
Tillers, Imants Alfred
Ornamental Despair, 1989Synthetic polymer paint and gouache on 54 canvas boards, each panel numbered sequentially with stencil verso: 19918 - 19971, 227 x 229 cm (overall) |
*** | *** | |
46 |
Kelly, John
Painted Labyrinth, 1996Oil on linen, signed and dated lower right: Klly [sic] 96 dated and inscribed with title verso: Painted Labyrinth / 1996, 91.5 x 137 cm |
*** | *** | |
47 |
Olsen, John Henry
Wet SeasonWatercolour and pastel on paper, signed and inscribed with title lower right: Wet Season / John Olsen, 98.5 x 95 cm |
*** | *** | |
48 |
Olsen, John Henry
Frog Spawn, 1996Watercolour, pastel and gouache on paper, signed, dated and inscribed with title lower right: Frog Spawn / John Olsen '96, 100 x 89.5 cm |
*** | *** | |
49 |
Smith, Grace Cossington
Gum Blossom, c.1928 – 32Oil on board, signed upper left: G Cossington Smith, bears inscription verso: Gum Blossom, 33 x 27 cm |
*** | *** | |
50 |
Gruner, Elioth
A Mountain Castle, Italy, c.1924Oil on wood panel, signed lower right: Gruner inscribed with title verso: A Mountain Castle, Italy, bears inscription verso: 18986 / E Gruner / Capri 1924, 37.5 x 46 cm |
*** | *** |