Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
1 |
Dunlop, Brian James
Still Life, 1980. Study for 'Old Physics Building,' which was awarded 1980 Sulman Art Prize - that work is illustrated for reference purposes onlyOil on canvas on board, signed lower left, 53.5 x 47.5 cm |
*** | *** | |
2 |
Copes, Dixon
Bradleys Head Light and Ferry, from MosmanOil on ply, signed lower right, 14 x 39.5 cm |
*** | *** | |
3 |
Campbell, Cressida
'Strelitzia (Bird of Paradise)' 1978Coloured pencil, initialled lower right. Inscribed verso The 1st drawing sold by Cressida Campbell 1978, 39.5 x 29 cm |
*** | *** | |
4 |
Campbell, Cressida
Gum Blossom, 1986/7Woodblock 5/10, 34.5 x 38 cm (image) |
*** | *** | |
5 |
Streeton, Arthur Ernest
'Melon Patch,' 1896Oil on panel, signed and dated lower right 'A Streeton '96'. Other Notes: onstructed as a vertical tableau, this work is typical of Streeton's 1890s Sydney compositions, revealing an interest in Japanese forms such as the pillar print. Other works were realised in the horizontal, most famously Sydney Harbour and Sirius Cove views. 'Melon Patch,' 1896 is an expression of the fertility of nature, and our interaction with it through farming. Sheets of rain fall from a distant cloud burst, transmogrify through the middle ground, and resolve into propitious fruits on the vine - the natural cycle renews continuously. The scene is likely a region of the Hawkesbury River at the foot of Sydney's Blue Mountains, 59.5 x 27 cm (sight) |
*** | *** | |
6 |
Streeton, Arthur Ernest
'The Indigo Hill,' c.1905Oil on canvas board, initialled 'AS' lower left. . Other Notes: Copy of letter of authenticity affixed verso from Oliver Streeton, 23rd August 1977, locating the scene as Kent about 1905, 24.5 x 29.5 cm |
*** | *** | |
7 |
Streeton, Arthur Ernest
'An English Lane,' 1897Oil on canvas on board, signed 'Arthur Streeton' lower left; inscribed in pencil verso (faintly) with title and date, 34 x 24 cm |
*** | *** | |
8 |
Nolan, Sidney Robert
Burke and CamelRipolin, no signature apparent, 51.5 x 63 cm |
*** | *** | |
9 |
Rees, Lloyd Frederic
'The Quarry,' 1919Pen & ink with ochre wash, signed lower right, 29.5 x 35.5 cm |
*** | *** | |
10 |
Lindsay, Norman Alfred William
RitaOil on canvas, signed upper right. An unfinished work painted to the board verso. Auctioneer's note: Rita's daughter has confirmed the subject to be her mother, 41 x 32 cm |
*** | *** | |
11 |
Lindsay, Norman Alfred William
'Romance'Oil on canvas, signed lower right, 44.5 x 64.5 cm |
*** | *** | |
12 |
Gleeson, James Timothy
Drawing for 'Soiree Apocalyptica,' 1984Charcoal, 57 x 76.5 cm |
*** | *** | |
13 |
Shead, Garry
'Jibbon,' 1991Oil on linen, signed lower right, titled verso, 91 x 106 cm |
*** | *** | |
14 |
Aspden, David
UntitledAcrylic on paper, monogrammed lower right, 30 x 23 cm (image) 37 x 27 cm (sheet) |
*** | *** | |
15 |
Tucker, Albert Lee
Parrot in Gum, c.1980sOil on canvas board, signed lower left, 35 x 45 cm |
*** | *** | |
16 |
Pugh, Clifton Ernest
'A Crucifixion on the Salt Pans,' 1959Oil on board, signed lower right, 68.5 x 91.5 cm |
*** | *** | |
17 |
Ball, Sydney
'Madrigals on Winter Days,' 1977Collage & mixed media on paper, signed lower right and to label verso, 57 x 77 cm (sheet) |
*** | *** | |
18 |
Drysdale, George Russell (Russell)
Outback Scene with Man on VerandahInk & wash, signed lower left, 26 x 36 cm |
*** | *** | |
19 |
Heysen, Hans
Camel Train [Flinders Ranges], 1934Watercolour, signed and dated lower left, 30 x 39 cm |
*** | *** | |
20 |
Perceval, Celia
Black Cockatoos and Burrawong Ferns in Spotted Gum ForestOil on canvas, signed lower right, 101.5 x 123 cm |
*** | *** | |
21 |
Proctor, Althea Mary (Thea)
'The Fountain,' 1925Woodcut, 19.5 x 19.5 cm |
*** | *** | |
22 |
Dickerson, Robert Henry (Bob)
Exiled Child, 1992Oil on board, 121 x 90.5 cm |
*** | *** | |
23 |
Dickerson, Robert Henry (Bob)
Pregnant Woman with CatPastel, personal gift inscription from the artist verso dated 1997, 74 x 54.5 cm |
*** | *** | |
24 |
Dickerson, Robert Henry (Bob)
'The Secret'Charcoal, 74 x 55 cm |
*** | *** | |
25 |
Hawkins, Harold Frederick (Weaver)(Raokin)
'Surrey Canal,' 1924Oil on canvas, initialled and dated lower right. Original label verso. The subject is Canal Bridge, Old Kent Road, London. The artist also produced an aquatint of this subject (illus.), 49 x 60 cm |
*** | *** | |
26 |
Crooke, Ray Austin
'Normanton [Qld]'Oil on board, signed lower left; titled verso, 44.5 x 60 cm |
*** | *** | |
27 |
Boyd, David
Picnic, c.1980Oil on board, 55 x 50 cm |
*** | *** | |
28 |
Boyd, David
'The Escape,' 1972Oil on canvas, 48 x 63 cm |
*** | *** | |
29 |
Boyd, David
'A Naked Saint Admiring the Aura of a Bird'Oil on board, 39.5 x 44.5 cm |
*** | *** | |
30 |
Boyd, David
'Finding a Hoop of Gold'Oil on board, 34.5 x 39.5 cm |
*** | *** | |
31 |
Davies, David
Village Street with FiguresWatercolour, signed lower left, 29.5 x 21 cm |
*** | *** | |
32 |
Rubbo, Anthony Dattilo
Coastal Rocks (likely Sydney)Oil on winsor & newton panel, 22 x 30 cm |
*** | *** | |
33 |
Banks, John D.
Eastern MarketOil on board, signed lower left, 33 x 28 cm |
*** | *** | |
34 |
Sawrey, Hugh David
'Yarning Awhile in the Wool Room W[estern] Q[ueensland]Oil on canvas on board, 49 x 59 cm |
*** | *** | |
35 |
Waddell, Craig
'The Painter (After Titian)' 2012Oil on canvas, 133 x 119 cm |
*** | *** | |
36 |
McHaffie, Robert
Untitled (fish downpipe), and Untitled (Medee furieuse), 2007Watercolour, pencil & gouache (2), 28 x 19 cm (sheet) |
*** | *** | |
37 |
Artist Unknown,
Exhibition PosterOffset lithograph, signed, 78 x 59 cm |
*** | *** | |
38 |
Dupain, Maxwell Spencer (Max)
'Late Afternoon, Hyde Park, Sydney,' 1937Silver gelatin photograph, signed and dated lower right. Titled on inner mount, 24 x 34 cm (sight) 25 x 35 cm (photo) |
*** | *** | |
39 |
Frazer, Neil
'Space Inverter,' 2000Oil on canvas (diptych), both panels signed verso. Ex Michael Carr Art Dealer, Sydney (label verso), 112 x 224 cm (overall) |
*** | *** | |
40 |
Hodgkinson, Frank George
'Bungle Bungle Wet,' 2000Oil on canvas, signed and dated lower right, 111 x 126.5 cm |
*** | *** | |
41 |
Ryan, Paul
'Still Life and Concrete Dog in Thirroul [NSW]' 1992Oil on board, signed and inscribed verso, 86 x 119 cm |
*** | *** | |
42 |
Ryan, Paul
'Stanwell Park, Looking North,' 2002Oil on board, signed lower right and verso. Additional painting verso, 46 x 47 cm (sight) 74 x 75 cm (frame) |
*** | *** | |
43 |
Cassab, Judy
'Below Quai de L'Hotel de Ville [Paris]' 1991Oil & paint stick on canvas, 50 x 80 cm |
*** | *** | |
44 |
Cassab, Judy
'Before Time 2,' 2003Watercolour, gouache & charcoal, 75 x 102 cm |
*** | *** | |
45 |
Benjamin, Jason
'We Could Feel Everything,' 2000Oil on canvas, signed and inscribed verso, 122 x 122 cm |
*** | *** | |
46 |
Boyd, Arthur Merric Bloomfield
'Jamison Valley [NSW]' c.1930sOil on board, signed Arthur M Boyd lower right. Titled verso, 39.5 x 48.5 cm |
*** | *** | |
47 |
Boyd, Senior, Arthur Merric
Fishing Boats, 1894Watercolour, 29.5 x 48 cm |
*** | *** | |
48 |
Boyd, Senior, Arthur Merric
'Mill at La Tourbie, Nice [France]'Watercolour, signed lower left, concealed by mat. Titled verso, 28.5 x 23.5 cm |
*** | *** | |
49 |
Boyd, Senior, Arthur Merric
Moored Rowing Boat on BeachWatercolour, signed lower right, 22 x 28 cm |
*** | *** | |
50 |
Ragless, Maxwell Christopher Richard (Max)
'Hills of Rotorua'Oil on board, signed lower left, with artist's label verso, 60 x 75.5 cm |
*** | *** |