Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
7 |
Forrest, James Haughton (Haughton)
Government House, TasmaniaOil on board, signed in red 'HForrest' lower left, C.H Saunders of Hobart framing label verso, 11 x 30 cm |
*** | *** | |
16 |
Forrest, James Haughton (Haughton)
Untitled (Lake Scene with Boat)Oil on board, initialled 'HF' lower left, 17 x 29.5 cm |
*** | *** | |
24 |
Korovin, Konstantin A.
UntitledTheatre Design for Aida (noted by owner) (1910?) gouache on artist board, signed and dated lower left, pencil inscription verso and Cyrillic label translates to 'Museum Fund//30', 46 x 60 cm |
*** | *** | |
36 |
Balande, Gaston
Untitled, Moroccan LandscapeOil on board, signed lower left, 57 x 70 cm |
*** | *** | |
37 |
Jerichau-Baumann, Attributed, Elisabeth
Agneta Laessøe (nee Jerichau), 1870Oil on canvas, unsigned, bears inscription verso, 55 x 41.5 cm |
*** | *** | |
55 |
De Lempicka, After, Tamara
Adam and EveAcrylic on canvas, signed 'Sawicka' lower right, 151 x 121 cm |
*** | *** | |
56 |
De Lempicka, After, Tamara
Portrait of Madame BoucardAcrylic on canvas, signed 'Sawicka' lower right, 151 x 121 cm |
*** | *** | |
81 |
Gangooly, Jamini Prakash
Portrait of The Nawab of MurshidabadOil on canvas, signed lower right, 73 x 54 cm |
*** | *** | |
82 |
Lindsay, Norman Alfred William
Too Terrible (Illustration from The Bulletin)Ink on paper, signed to upper margin, dialogue annotation label verso, 28 x 19.5 cm |
*** | *** | |
83 |
Lindsay, Norman Alfred William
Mixed Feelings (Illustration from The Bulletin)Ink on paper, signed to upper margin, 26.5 x 19.5 cm |
*** | *** | |
84 |
Lindsay, Norman Alfred William
A Bad Lookout (Illustration from The Bulletin)Ink on paper, signed lower right, dialogue annotation label verso, 30 x 22 cm |
*** | *** | |
85 |
Heysen, Hans
Country Landscape, 1933Pencil and wash on paper, signed, titled (indistinctly) and dated lower right, 12 x 19.5 cm |
*** | *** | |
86 |
Heysen, Hans
Hahndorf Cottage and Bake-OvenEtching 26/50 editioned, titled and signed to lower margin, signed by David Heysen verso, 14 x 20.5 cm (block) |
*** | *** | |
123 |
Jerichau-Baumann, Attributed, Elisabeth
Italian Fisher Boy, 1870Oil on canvas, unsigned, bears inscription verso, 56 x 44.5 cm |
*** | *** | |
124 |
Forrest, James Haughton (Haughton)
Sunset on LakeOil on board, unsigned, 9.5 x 20 cm |
*** | *** | |
125 |
Forrest, James Haughton (Haughton)
Lake and Mountain SceneOil on board, unsigned, 10.5 x 14.5 cm |
*** | *** | |
126 |
Forrest, James Haughton (Haughton)
Shepherds Cottage, Central TasmaniaOil on board, signed H Forrest lower right, titled verso, 17 x 23 cm |
*** | *** | |
154 |
Best, Kevin John
Misty Morn'Oil on canvas on board, signed 'Kevin Best' lower right, titled to artist's label verso, 59.5 x 90 cm |
*** | *** | |
155 |
Best, Kevin John
Quiet Corner, Upper HunterOil on canvas on board, signed lower right, artist's label verso, 59 x 120.5 cm |
*** | *** | |
156 |
Best, Kevin John
Late Afternoon, McDonald RiverOil on canvas lined board, signed lower right, artist's label verso, 39.5 x 49.5 cm |
*** | *** | |
157 |
Mannix, Max
Nose-InOil on canvas on board, signed and titled lower right, 39.5 x 49.5 cm |
*** | *** | |
158 |
Officer, Edward Cairns
The Dandenongs, Towards LilydaleOil on canvas, signed in red 'E.Officer' lower left, 83 x 83 cm |
*** | *** | |
159 |
Lindsay, Norman Alfred William
Rita, 1938Glazed terracotta, incised to inner base 'Rita/Norman Linsday/Springwood 1938/NSW' |
*** | *** | |
160 |
Gruner, Attributed, Elioth
Tree on a HillsideOil on canvas board, unsigned, 10 x 16.5 cm |
*** | *** | |
161 |
Graf, Attributed, Paul Edmund
Study for Bathing Boy, Skagen Beach (1892)Oil on canvas, 49.5 x 58.5 cm |
*** | *** | |
162 |
Gianni, Girolamo
Market Sellers Giza, CairoOil on cardboard, 11 x 13.5 cm (oval) |
*** | *** | |
163 |
Payne, Circle of, Edgar
Boats at ChioggiaOil on plywood panel, titled 'Chioggia' lower left, 11.5 x 15 cm |
*** | *** | |
164 |
School, Venetian
Cappriccio With Figures Adorning a Fountain (circa 1740)Oil on canvas, unsigned, paper label verso (see more below), 25.5 x 32.5 cm |
*** | *** | |
313 |
Crooke, Ray Austin
Island Woman Weaving, 1977Etching 46/75, signed and dated lower right, editioned lower left, 34.5 x 25 cm |
*** | *** | |
314 |
Long, Sydney
The LakeAquatint, etching 6/60, editioned, titled and signed to lower margin, 26.5 x 36.5 cm |
*** | *** | |
315 |
Pekel, Herman
Untitled (Cafe Interior Scene)Watercolour, signed 'Pekel' lower left, 42 x 59.5 cm |
*** | *** | |
316 |
Brown, John
Untitled (Landscape with Windmill)Oil on board, signed lower left, 20.5 x 25.5 cm |
*** | *** | |
318 |
Laroon, The Younger, Marcellus
Character Studies, 1762Pen and brown ink over graphite on laid paper, signed and dated lower right, 30 x 24.5 cm |
*** | *** | |
320 |
Ashton, John William (Will)
Gay DayOil on board, signed lower right, 21.5 x 30 cm |
*** | *** | |
321 |
Grieve, Alan Robert Colquhoun
Untitled - SeascapeOil on board, signed lower left, 49.5 x 59.5 cm |
*** | *** | |
322 |
Lindsay, Norman Alfred William
Untitled (Pencil Composition)Pencil on paper, unsigned, certificate of authenticity label verso, signed by Jane Lindsay and Lin Bloomfield, 25 x 20.5 cm |
*** | *** | |
323 |
Lindsay, Norman Alfred William
A Waking Dream (5:30AM) - Illustration From The BulletinInk on paper, signed upper right, dialogue annotation label verso, 26 x 19.5 cm |
*** | *** | |
324 |
Lindsay, Norman Alfred William
A Business He Knew (Illustration from The Bulletin)Ink on paper, signed upper right, dialogue annotation label verso, 29.5 x 20 cm a/f (light foxing) |
*** | *** | |
325 |
Best, Kevin John
Down by The SnowyOil on canvas on board, signed lower left, artist's label verso, 49.5 x 60 cm |
*** | *** | |
326 |
Best, Kevin John
James & KellyOil on board on canvas, signed lower right, artist's label verso, 50 x 39.5 cm |
*** | *** | |
327 |
Best, Kevin John
St Columbia Falls, TasmaniaOil on canvas on board, signed lower right, artist's label verso, 44.5 x 90.5 cm |
*** | *** | |
381 |
Ashton, John William (Will)
Untitled, SeascapeOil on board, signed lower left, 24 x 34 cm |
*** | *** | |
382 |
Bussab, Jorge Rachid
Untitled, Path, Houses and Trees, 1975Oil on board, signed lower right, 49 x 33 cm |
*** | *** | |
384 |
Johnson, Robert H.
Late Afternoon, Capertee ValleyOil on board, signed lower right, 14 x 22.5 cm |
*** | *** | |
385 |
School, Tasmanian
Sorell Creek, Near HobartOil on card, titled in pencil verso, 11 x 19 cm |
*** | *** | |
386 |
Bates, Frederic
Untitled, Botany BayOil on board, signed lower left, 53.5 x 75 cm |
*** | *** | |
387 |
Wilson, Robert J.
First Snow, Collector NSWOil on canvas lined board, signed lower left, titled and signed verso, 29 x 60 cm |
*** | *** | |
388 |
Minchin, Eric John
Spring Hills, 1984Oil on canvas, signed and dated lower right, titled and signed verso, 21.5 x 29 cm |
*** | *** | |
389 |
Duffy, Melvin
Tumbling Water, Mann RiverOil on canvas on board, signed lower left, titled verso, 44.5 x 60 cm |
*** | *** | |
390 |
Jarvis, Arnold Henry
Untitled (Landscape with Gums)Watercolour, signed lower left, 17 x 22 cm |
*** | *** |