Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
1 |
Warhol, Andy
The Nun (from Ingrid Bergman) 1983Colour screenprint on Lenox Museum board , edition: Printer's Proof 4/5 (edition of 250), signed and numbered lower right PP 4/5 Andy Warhol, printed by Rupert Jasen Smith, New York (blindstamp lower left), 96.5 x 96.5 cm (sheet) |
*** | *** | |
2 |
Blake, Peter
Marilyn, 2010Colour screenprint with diamond dust, edition: Artist's Proof (edition of 150), signed lower right Peter Blake, numbered lower left AP, published by Paul Stolper, London, 76.5 x 59.5 cm (image) |
*** | *** | |
3 |
Blake, Peter
Elvis in Paris, 2019Lenticular digital print on PETG plastic, edition: 5/100, signed lower right Peter Blake, numbered lower left 5/100, published by Paul Stolper, London, 67 x 39 cm (sheet) |
*** | *** | |
4 |
Invader (aka Space Invader),
Rubik Kubrick Clockwork Orange (Alex), 2006Colour screenprint, edition: 60/300, numbered lower right 60/300 , published by Pictures on Walls, London (blindstamp lower right), 45 x 66.5 cm (image) |
*** | *** | |
5 |
Invader (aka Space Invader),
Binary Code (Red), 2008Colour screenprint, edition: 28/50, signed and dated lower right Invader 2008 , numbered lower left 28/50, accompanied by a certificate of authenticity from Outre Gallery, Melbourne, 34.5 x 50 cm (image) |
*** | *** | |
6 |
Hirst, Damien
For the Love of God, Believe, 2007Screenprint with glazes, edition: 1366/1,700, signed lower right Damien Hirst, numbered lower left 1366/1,700, 31.5 x 23.5 cm (sheet) |
*** | *** | |
7 |
Hirst, Damien
The Souls III - Imperial Purple/Silver Gloss/Silver Gloss, 2010Foil block print, edition: 7/15, signed lower right Damien Hirst, numbered lower left 7/15, published by Paul Stolper and Other Criteria, London (cat.OC7967/660-70), 72 x 51 cm (sheet) |
*** | *** | |
8 |
Bacon, Francis
Masque Mortuaire de William Blake, 1991Colour lithograph, edition: 8/60, signed lower right Francis Bacon, numbered lower left 8/60, published by Michel Archimbaud for the Librairie Seguier, Paris, 60 x 50 cm (image) |
*** | *** | |
9 |
Bacon, Francis
Seated Figure, 1992Aquatint, edition: 66/90, stamp signed lower right Francis Bacon, numbered lower left 66/90, artist's estate blindstamp lower right, published by Marlborough Graphics, London and 2RC Editions, Rome, 133.5 x 98 cm (image) |
*** | *** | |
10 |
Whiteley, Brett
Towards Sculpture 7, 1977Lithograph, edition: 16/50, signed lower right brett whiteley, titled and numbered lower left 7. 16/50, stamped upper right with artist's monogram, 89.5 x 63 cm (sheet) |
*** | *** | |
11 |
Whiteley, Brett
Vincent (An Essay in Opposites), 1982Etching, screenprint and collage, edition: 2/30, signed lower right brett whiteley, numbered lower left 2/30, stamped upper right with artist's monogram, 211 x 91.5 cm (sheet) |
*** | *** | |
12 |
Arkley/Davila, Howard/Juan
Interior with Built-in Bar, 1991-92Screenprint (diptych), edition: Artist's Proof 2/3 (edition of 6), numbered and signed upper left, 163 x 216 cm (sheet, overall) |
*** | *** | |
13 |
Hockney, David
Gregory Evans (from Friends), 1976Lithograph, edition: 76/90, signed, dated and numbered lower right 76/90 David Hockney 76, published by Gemini G.E.L. Los Angeles (blindstamp lower right), 105.5 x 74.5 cm (sheet) |
*** | *** | |
14 |
Hockney, David
Joe McDonald (from Friends), 1976Lithograph, edition: 84/99, signed, dated and numbered lower left 84/99 David Hockney 76, published by Gemini G.E.L. Los Angeles (blindstamp lower right), 105.5 x 75.5 cm (sheet) |
*** | *** | |
15 |
Warhol, Andy
Mick Jagger, 1975Colour screenprint, edition: 209/250, signed lower right Andy Warhol, signed lower left M. Jagger, numbered lower left 209/250, printed by Alexander Heinrici, New York, published by Seabird Editions, London, 110.5 x 73.5 cm (sheet) |
*** | *** | |
16 |
Moffatt, Tracey
Body Remembers, 2017Complete set of digital pigment prints (10),, each signed and dated on label attached verso: Tracey Moffatt 2017, 152 x 227 cm (each, image) |
*** | *** | |
17 |
Kelly, John
Three Cows Stacked, 2001Painted bronze on steel base, edition: 9/9, signed, dated and numbered to base: klly 01 9/9, stamped with Fundere Fine Art Foundry mark to base, 169 x 140 x 41 cm |
*** | *** | |
18 |
Archipenko, Alexander
Lying Horizontal Figure, 1957Polychrome bronze, edition: 3/6, signed and numbered to base of figure: Archipenko 3, 17 x 36 x 10 cm |
*** | *** | |
19 |
Weight, Greg
Brett Whiteley, 1976, printed laterDigital pigment print, edition: 5/15, signed with initials lower right GW, numbered lower left 5/15, signed, dated, numbered and titled verso: 5/15 Brett Whiteley 1976/ (c) Greg Weight 1976, 51.5 x 76 cm (image) |
*** | *** | |
20 |
Weight, Greg
Brett Whiteley with Smoke, 1971, printed 2014Inkjet print on board, edition: 3/8, signed, dated, numbered and titled verso: 3/8 Brett Whiteley with Smoke 2014/ Greg Weight 1971, artist's monogram within image lower right, 61 x 40.5 cm (board) |
*** | *** | |
21 |
Whiteley, Brett
Lavender Bay in the Rain, 1987Screenprint, edition: Artist's Proof (edition of 75), signed lower right brett whiteley, numbered lower left A/P, Harvey Galleries, Sydney, label attached verso, 101 x 75 cm (image) |
*** | *** | |
22 |
Whiteley, Brett
Kookaburra, 1983Screenprint with offset lithography, edition: 36/50, signed lower right brett whiteley, numbered lower left 36/50, stamped lower right with artist's monogram, 84.5 x 66 cm (image) |
*** | *** | |
23 |
Deacon, Destiny
Oz Series, 1998, printed 2003Set of lightjet prints from Polaroid originals (5), each signed and numbered lower right Destiny 4/15, each titled and dated lower left [title], 1998/2003 |
*** | *** | |
24 |
Banksy,
Have a Nice Day, 2003Screenprint, edition: 312/,500, signed within image lower right Banksy, numbered lower right 312/500, titled within image lower centre Have A Nice Day, published by Pictures on Walls, London, 35 x 98.5 cm (sheet) |
*** | *** | |
25 |
Pettibon/Ruscha, Raymond/Ed
Amen, 2009Lithograph with hand-painted text, edition: Trial Proof 1, signed, dated and numbered lower left T.P.1 Ed Ruscha 09, signed lower right Raymond Pettibon, published by Hamilton Press, Los Angeles (blindstamp lower left), 75 x 57 cm (sheet) |
*** | *** | |
26 |
Invader (aka Space Invader),
Invasion Kit #6: Runner, 2007Tile mosaic, edition: 62/150, titled and numbered verso: IK #6: Runner 62/150, assembly instructions attached verso, published by Space Shop, accompanied by a certificate of authenticity from Outre Gallery, Melbourne, 17.5 x 19.5 cm |
*** | *** | |
27 |
Invader (aka Space Invader),
Invasion Kit #4: Rubik Space, 2005Tile mosaic, edition: 89/150, numbered verso: 89/150, presented in original packaging with assembly instructions, published by Space Shop, 14 x 18 cm |
*** | *** | |
28 |
Funaki, Mari
Container, 1997Heat-coloured mild steel, unique, 19.5 x 27.5 x 7 cm |
*** | *** | |
29 |
Miro, Joan
Le Dandy, 1969Etching, aquatint and carborundum, edition: Hors Commerce (edition of 75), signed lower right Miro, numbered lower left HC, published by Maeght, Paris, 41 x 43.5 cm (image) |
*** | *** | |
30 |
Miro, Joan
Demi-mondaine a sa Fenetre, 1975Etching and aquatint with colour wash, edition: 42/50, signed lower right Miro, numbered lower left 42/50, published by Maeght, Paris (blindstamp centre right), 91.5 x 63 cm (sheet) |
*** | *** | |
31 |
Diebenkorn, Richard
Untitled (July 25-26), 1961Lithograph, edition: 1/15, signed and dated lower right Diebenkorn 61, numbered lower left 1/15, printed by Bohuslav Horak, Los Angeles (blindstamp lower right), published by Tamarind Lithography Workshop, Los Angeles (blindstamp lower left), 48 x 33.5 cm (image, irreg.) |
*** | *** | |
32 |
Picasso, Pablo
Jeune Femme Surprenant le Reflet d'une Hirondelle dans son Miroir, 1936Softground etching, edition of 4, 34.5 x 24.5 cm (image) |
*** | *** | |
33 |
Grosz, George
Vollkommene Menschen, 1920Lithograph, edition of 125, signed lower right Grosz, published by Euphorion-Verlag, Berlin, inscribed Die Schaffenden blindstamp lower left, 27 x 22 cm (image) |
*** | *** | |
34 |
Grosz, George
Standchen, 1922Lithograph, edition size unknown, signed lower right Grosz, signed and inscribed lower left [illeg.]/ von George Grosz/ CK1. 24., 63 x 48 cm (sheet) |
*** | *** | |
35 |
Dix, Otto
Louis und Vohse, 1923Lithograph, edition: 13/25, signed and dated lower right DIX 23, numbered lower left 13/25, published by Karl Nierendorf, Berlin, 55 x 42 cm (image) |
*** | *** | |
36 |
Katz, Alex
Caroline, 1977Colour lithograph, edition: 21/60, signed and numbered lower left Alex Katz 21/60, printed by Siena Studio, New York, published by Brooke Alexander, New York and Marlborough Graphics, New York, 68.5 x 53 cm (sheet) |
*** | *** | |
37 |
Calder, Alexander
Stars and Stripes (from Flying Colours), 1975Colour lithograph, edition: 100/100, signed lower right Calder, numbered lower left 100/100, commissioned by Braniff Airways, Dallas, published by Mourlot, Paris, 63.5 x 90.5 cm (sheet) |
*** | *** | |
38 |
Hanssen-Pigott, Gwyn
Yellow Trail, 2005Translucent porcelain (5 beakers, 4 bowls, 1 cup), unique, each stamped with artist's roundel to base, 15 x 70 x 20 cm (overall) |
*** | *** | |
39 |
Campbell, Cressida
Music in the Kitchen, 1994Colour screenprint, edition: 68/75, signed lower right Cressida Campbell, numbered lower left 68/75, titled lower centre Music in the Kitchen, 46 x 57 cm (image) |
*** | *** | |
40 |
Burton, Jane
White Stain #1, 2011Digital pigment print, edition: 1/5, signed, dated, numbered and titled verso: 'White Stain', 2011/ Edition 1/5/ J Burton, 110 x 110 cm (sheet) |
*** | *** | |
41 |
Burton, Jane
Wormwood #9, 2006-07Type C photograph, edition: 2/5, signed and numbered lower right J Burton 2/5, titled and dated lower left 'Wormwood', 2006-07, 109.5 x 109.5 cm (image) |
*** | *** | |
42 |
Henson, Bill
Untitled 2005/06, 2005-06Type C photograph, edition: 4/5, signed, dated and titled lower right 'Uuntitled 2005/06' Bill Henson, numbered lower left O SH 118 N 29 4/5, 104 x 154 cm (image) |
*** | *** | |
43 |
Nolan, Will
Slinky, 2018Pigment print, edition: 1/3, signed and dated verso: Will Nolan. 1/3/ 2018, 90 x 72 cm (sheet) |
*** | *** | |
44 |
Nolan, Will
Flesh, 2018Chromogenic print, edition: 3/3, signed and dated verso: Will Nolan/ 2018, 90 x 71 cm (sheet) |
*** | *** | |
45 |
Boyd, Arthur Merric Bloomfield
Starry Night, White Dog, 1968-69Wool and cotton tapestry, edition: 1/4, signed lower right Arthur Boyd, numbered on label attached verso: 1/4, woven by the Manufactura Tapecarias de Portalegre, Portugal (monogram lower right, label attached verso, stock no.138616), 194.5 x 208 cm |
*** | *** | |
46 |
Williams, Frederick (Fred) Ronald
Little Man, 1955-56Etching, aquatint, engraving and drypoint, edition: 8/16, signed lower right Fred Williams. numbered lower left 8-16, inscribed within image lower right AT, 23 x 12.5 cm (image) |
*** | *** | |
47 |
Smart, Frank Jeffrey (Jeff) Edson
The Last Train, 1989Lithograph, edition: Artist's Proof (coloured edition of 65), signed and dated lower right Jeffrey Smart '89, numbered lower left A/P, titled lower centre The Last Train, 47.5 x 49 cm (image) |
*** | *** | |
48 |
Smart, Frank Jeffrey (Jeff) Edson
The Dome, 1978-79Colour aquatint with gouache highlights, edition: Trial Proof (edition of 100), bears inscription lower left Ultima Prova, 44.5 x 43.5 cm (image) |
*** | *** | |
49 |
Smart, Frank Jeffrey (Jeff) Edson
Containers at Pisa Airport, 1998Etching, edition: 30/40, signed lower right Jeffrey Smart, numbered lower left 30/40, titled lower centre Containers at Pisa Airport, 16 x 23.5 cm (image) |
*** | *** | |
50 |
Smart, Frank Jeffrey (Jeff) Edson
The Cable Coils, 2001Etching and aquatint, edition: 74/80, signed and dated lower right Jeffrey Smart '01, numbered lower left 74/80, titled lower centre The Cable Coils, 40 x 63.5 cm (image) |
*** | *** |