Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
1 |
Whiteley, Brett
Self Portrait, 1977Oil and hair on canvas, signed lower right brett whiteley, 30.5 x 25.5 cm |
*** | *** | |
2 |
Smart, Frank Jeffrey (Jeff) Edson
Portrait of Germaine Greer, 1984Oil and synthetic polymer paint on canvas, signed lower left Jeffrey Smart, 96 x 120 cm |
*** | *** | |
3 |
Williams, Frederick (Fred) Ronald
Lysterfield Landscape, 1968 – 69Oil on canvas, signed lower right Fred Williams., 182.5 x 152.5 cm |
*** | *** | |
4 |
Brack, Cecil John (John)
Posies, 1990Oil on canvas, signed and dated lower right John Brack / 1990, inscribed with title on artist's label verso: Posies, 137 x 106.5 cm |
*** | *** | |
5 |
Fairweather, Ian
Gamelan, 1958Synthetic polymer paint and gouache on four sheets of cardboard on hardboard, signed with artist's monogram lower right IF?, inscribed with title lower right Gamelan, 126.5 x 189.5 cm |
*** | *** | |
6 |
Brack, Cecil John (John)
Elastic Stockings, 1965Oil on canvas, signed and dated lower right John Brack 65, 130 x 96 cm |
*** | *** | |
7 |
Gascoigne, Rosalie Norah King
Autumn, 1989Painted and stencilled sawn wood from discarded soft drink crates on plywood backing, signed, dated and inscribed with title verso: Autumn 1989 / Rosalie Gascoigne, 92 x 83.5 cm |
*** | *** | |
8 |
Boyd, Arthur Merric Bloomfield
Cleft Riverbank With Bush and Fern, 1976Oil on copper, signed lower right Arthur Boyd, 31 x 24 cm |
*** | *** | |
9 |
Whiteley, Brett
The Frenchman, 1987Oil in canvas, signed lower right brett W, signed, dated and inscribed with title verso: The Frenchman / brett whiteley 1987, 83 x 83 cm |
*** | *** | |
10 |
Smart, Frank Jeffrey (Jeff) Edson
Study For Evening on the Esplanade, 1988Oil on canvas on composition board, signed lower left Jeffrey Smart, bears inscription on gallery label verso: Study for Evening on / the Esplanade, 1988, 25 x 48 cm |
*** | *** | |
11 |
Robinson, William Francis (Bill)
Mist in the Afternoon Light, 2002Oil on linen, signed and dated lower right William Robinson 2002, inscribed twice with title verso: Mist In Afternoon Sunlight, 122 x 183 cm |
*** | *** | |
12 |
Quilty, Ben
Pat, 2004Oil on canvas, signed, dated and inscribed with title verso: 'Pat' / 04 / Ben Quilty, 130 x 100 cm |
*** | *** | |
13 |
Gill, Samuel Thomas
Port Adelaide, 1848Watercolour on paper, signed with initials and dated lower left S.T.G. / 1848, 28 x 49 cm |
*** | *** | |
14 |
Von Guerard, Johann Joseph Eugen
Mount Arapiles Towards the Grampians, 1870Oil on academy board, signed with initials and dated lower right edge: E. V. G. / 29.1.70., bears inscription on frame verso: left Hand side of Arapiles / … / A View From Mount Arapiles / Wimmera District / Victoria Australia / ? 1868, 18.5 x 30.5 cm |
*** | *** | |
15 |
Earle, Augustus
Pedro Rima Condor. A Peruvian, and Regular Descendant, of the Once Illustrious Family of the Incas, 1820Pencil and watercolour on paper on the artist's washed paper mount, inscribed with title and date on artist's paper mount Pedro Rima Condor. / a Peruvian, and regular descendant, of the once Illustrious Family / of the Incas. at present a Servant in the House of Sr Abadia Lima. Drawn from / nature. / 1820., 31 x 21 cm (sheet) |
*** | *** | |
16 |
Rae, John
Panorama of Hyde Park, c.1893Watercolour on photographs on paper on stretched linen, inscribed upper centre 1842, 21 x 144.5 cm |
*** | *** | |
17 |
Buvelot, Abram Louis (Louis)
Bacchus Marsh Pasture, 1876Oil on canvas, signed and dated lower left Ls Buvelot. 1876, bears inscription on frame verso: L Buvelot. N1, framer's label attached verso: Isaac Whitehead Carver & Gilder, 58 x 86.5 cm |
*** | *** | |
18 |
Carabain, Jacques Francois
King William St, Adelaide, 1907Oil on canvas, signed and dated lower left Jacqs - Carabain / 1907, signed and inscribed on artist's label verso: The Main Road a Adelaide Western Australia/ original / Jacques / Carabain, 95 x 125 cm |
*** | *** | |
19 |
Streeton, Arthur Ernest
Melbourne From Sassafras, 1921Oil on canvas, signed lower right A. Streeton, 64 x 101 cm |
*** | *** | |
20 |
Streeton, Arthur Ernest
Boronia Peak and Stawell, 1920Oil on canvas, signed lower right A. Streeton, bears inscription on stretcher bar verso: Stawell from Boronia Peak / The Grampians / Victoria / 7, 51.5 x 76.5 cm |
*** | *** | |
21 |
McCubbin, Frederick
Kensington Road, South Yarra, c.1908Oil on canvas on board, signed lower right F McCubbin, letter of authenticity attached verso, signed by Louis McCubbin, dated 1 March 1946, 25.5 x 35.5 cm |
*** | *** | |
22 |
Roberts, Thomas (Tom) William
Portrait of Caleb Roberts, c.1898Oil on canvas, signed lower right Tom Roberts, 42 x 33.5 cm |
*** | *** | |
23 |
Bunny, Rupert Charles Wulsten
Bacchanale (Bacchanal), c.1910Oil on canvas on composition board, signed lower left Rupert C W Bunny, 113 x 149.5 cm |
*** | *** | |
24 |
Gruner, Elioth
Mitchell River, Victoria, Also Known As Gippsland Lakes, c.1930Oil on canvas, signed lower right Gruner, 65 x 79 cm |
*** | *** | |
25 |
Long, Sydney
Sydney Harbour From Cremorne Point, 1909 – 10Oil on canvas, signed lower right Sid Long, bears inscription verso: Sydney Harbour By Sydney Long / Property of Geoffrey Phillip, 79 Werrington Crescent W9, 30 x 60 cm |
*** | *** | |
26 |
Beckett, Clarice Marjoribanks
Bathing Boxes, Beaumaris, 1928 - 30Oil on canvas on compressed card, signed lower left C Beckett, bears inscription verso: 29, framer's label attached verso: John Thallon, Melbourne, 47 x 67 cm |
*** | *** | |
27 |
Hawkins, Harold Frederick (Weaver)(Raokin)
Concrete Mixers, 1946Oil on composition board, signed and dated lower left Raokin 46, 60 x 77.5 cm |
*** | *** | |
28 |
Crooke, Ray Austin
From the Island (Thursday Island), 1965Oil on canvas on composition board, signed lower left R Crooke, inscribed verso: From The / Island / Y32, accompanied by a photograph of the work signed and dated by the artist, 61 x 91 cm |
*** | *** | |
29 |
Herman, Sali Yakubowitsch (Sali)
Backyards Paddington, 1952Oil on canvas, signed and dated lower left S. Herman, 52, 46 x 56 cm |
*** | *** | |
30 |
Olsen, John Henry
Child's Seventh Birthday, 1962Oil on composition board, signed and dated lower right John Olsen 62, bears inscription with title verso: Childs / Seventh / Birthday / 3 / To Clunes / By Transport / John Olsen / Clune Galleries / Sydney, 122 x 92 cm |
*** | *** | |
31 |
Olley, Margaret Hannah
Kitchen Cupboard and Christmas Bells, c.1981Oil on composition board, signed lower left Olley, bears inscription with title on frame verso: Kitchen Cupboard And Christmas Bells / 12, 76 x 101.5 cm |
*** | *** | |
32 |
Olley, Margaret Hannah
Bush Fuschias, c.1990Oil on composition board, signed lower right Olley, bears inscription on gallery label verso: Bush Fuchsias, 62 x 76.5 cm |
*** | *** | |
33 |
Whiteley, Brett
Spencil I, 1989Charcoal on paper, signed lower right brett whiteley, bears artist's studio stamp lower right, 65 x 94 cm |
*** | *** | |
34 |
Whiteley, Brett
Park From the Window, Lavender Bay Also Known As Clark Park, Lavender Bay, c.1975 - 76Pen and ink, charcoal, pencil and gouache on paper, signed lower left brett whiteley, 76 x 102 cm |
*** | *** | |
35 |
Whiteley, Brett
Footbridge and Pont Neuf, 1989Brush and ink on rice paper, dated lower right 9/ 6/ 89, bears artist's stamp lower right, 56 x 77 cm |
*** | *** | |
36 |
Picasso, Pablo
Tete, 1967Felt tipped pen and pastel on paper, signed and dated upper left 14.8.67 / Picasso, accompanied by a certificate of authenticity from the artist's son, signed and dated by Claude Ruiz Picasso, 1 April 2014, 29.5 x 20 cm (sight) |
*** | *** | |
37 |
Miro, Joan
Sans Titre, 1963Wax crayon on paper, signed and dated lower left Miro / 22 /II/63, accompanied by a certificate of authenticity from the Association pour la Defense de l'œuvre de Joan Miro (ADOM), signed and dated by Ariane Mainaud, 2 October 2013, 25 x 24.5 cm |
*** | *** | |
38 |
Hester, Joy St. Clair
Mother and Child, c.1950sWatercolour, ink and gouache on card, signed upper right Joy Hester, 51 x 41 cm |
*** | *** | |
39 |
Tucker, Albert Lee
Faun Attacked By Parrot, 1966Synthetic polymer paint on cardboard, signed and dated lower right Tucker 66, 38 x 50 cm |
*** | *** | |
40 |
Boyd, Arthur Merric Bloomfield
Lovers and Crows, c.1966Oil on composition board, signed lower right Arthur Boyd, 50.5 x 63.5 cm |
*** | *** | |
41 |
Coburn, John
Mexico II, 1968Oil on canvas, signed lower left Coburn, signed, dated and inscribed with title verso: John Coburn /, Mexico II, / 12/68, 106.5 x 99 cm |
*** | *** | |
42 |
Coburn, John
Spirit of Fire II, 1982Oil on canvas on composition board, signed lower right Coburn, 75.5 x 60 cm |
*** | *** | |
43 |
Olsen, John Henry
Rookery, 1989Watercolour, gouache, pastel and pencil on paper, signed and dated lower right John Olsen 89, inscribed with title lower left Rookery, 152 x 102 cm |
*** | *** | |
44 |
Robinson, William Francis (Bill)
Sunset Encounter, c.1988Oil on canvas, signed lower right William Robinson, inscribed with title verso: Sunset Encounter, 48.5 x 55.5 cm |
*** | *** | |
45 |
Kelly, John
Dobell's Cow – Painted, 1992Oil on board, signed and dated lower right Klly 92, inscribed with title verso: Dobell's Cow – Painted, 60 x 120.5 cm |
*** | *** | |
46 |
Quilty, Ben
Skull Rm, 2005Oil on linen, signed, dated and inscribed with title verso: 'Skull RM'/ oil on linen / 2005 / Ben Quilty, 60 x 50 cm |
*** | *** | |
47 |
Armstrong, Bruce
Bunjil, 2009Cast and painted bronze, edition: 1/9, signed, dated and numbered at base: 1/9 '09 BA, stamped with Perrin Sculpture foundry mark at base, 97 cm height |
*** | *** | |
48 |
Storrier, Timothy Austin (Tim)
The Evening Lament (Yarras), 2001Synthetic polymer paint on linen, signed lower right Storrier, signed, dated and inscribed with title on stretcher bar verso: The Evening Lament (Yarras) / Storrier/ 2001, 137 x 183 cm |
*** | *** | |
49 |
Tomescu, Aida
Marea Neagra #1, 2002Oil on canvas, signed, dated, and inscribed with title verso: Aida Tomescu / 'Marea Neagra I' (I) / 2002 / oil on canvas / 183 x 152, 183 x 152 cm |
*** | *** | |
50 |
Niesche, Jonny
Sweet Emily (Sml), 2020Voile, acrylic and wood, signed, dated and inscribed with title verso:, Sweet Emily (Sml), / Niesche / 2020., 75.5 x 60.5 x 6 cm |
*** | *** |