Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
1 |
Von Guerard, Johann Joseph Eugen
On the Americkan Creek Near Wollongong, C.1859 – 61Oil on academy board, signed lower right Guerard, inscribed with title verso: On the Americkan Creek near Woolongong [sic.]/ N. S. W., bears framers’ label verso: Reeves & Sons, London, bears inscription on frame verso: Bought by Lady Clarke / 1970 from / Hans Heysen Collection / Malvern Town Hall …, 18 x 23 cm |
*** | *** | |
2 |
Von Guerard, Johann Joseph Eugen
West Brook, June 29, 1831, C.1860Oil on academy board, signed with initials lower right E. v. G., inscribed with title lower centre West brook. June 29. 1831.,,, 28 x 35 cm |
*** | *** | |
3 |
Martens, Conrad
Tahlee, Port Stephens, NSW, 1841 or 1842Oil on canvas, signed lower right C Martens, inscribed verso: for Phillip P. King/ Sep 1849, 33.5 x 48 cm |
*** | *** | |
4 |
Gill, Samuel Thomas
View of Adelaide from Belair Road, C.1860Watercolour on paper, signed with initials lower left S.T.G, bears inscription on old label verso: Mrs E.M. Vidura / 20 Devonshire St / Hawthorn / Watercolour / Adelaide Plains from Mt Lofty / Ranges / by S. T. Gill., 36.5 x 69 cm (sight) |
*** | *** | |
5 |
Piguenit, William Charles
'When the Glow Is in the West', Lane Cove from Above the Bridge, 1893Oil on canvas, signed and dated lower right W.C. Piguenit/ 1893, 76 x 127 cm |
*** | *** | |
6 |
Piguenit, William Charles
Mt Wellington from New Town Bay, C.1898Oil on canvas, signed lower left W C Piguenit, bears inscription on label verso: William Charles Piguenit / Mount Wellington From / New Town Bay / c. 1898, 30.5 x 45 cm |
*** | *** | |
7 |
McCubbin, Frederick
The Hillside, Macedon, 1904Oil on canvas, signed and dated lower left F McCubbin. / 1904, bears inscription with title on backing verso: Hillside, Macedon Cat No 12, 51 x 76.5 cm |
*** | *** | |
8 |
Streeton, Arthur Ernest
Balmain & Leichhardt, from Holtermann’s Tower, C.1921Oil on wood panel, signed lower right A Streeton., inscribed verso: Outhwaite / … / Dec 1 / No 1, 16.5 x 66 cm |
*** | *** | |
9 |
Roberts, Thomas (Tom) William
Portrait of a Young Girl, 1909Oil on canvas, signed and dated lower left Tom Roberts. / 9., 50.5 x 38 cm |
*** | *** | |
10 |
Davies, David
Moonrise, C.1894Oil on academy board, inscribed indistinctly verso: … VIE …, 24 x 45.5 cm |
*** | *** | |
11 |
Bunny, Rupert Charles Wulsten
Study for Endormies, C.1904Oil on canvas, signed lower right Rupert C W Bunny, 46 x 76.5 cm |
*** | *** | |
12 |
Tucker, Tudor St. George
Our Tent at Swanage, Dorsetshire, C.1903Oil on canvas, bears inscription on old label verso: Our Tent At Swanage … /For Dr Wilkinson/In Remembrance Of/Tudor St G. Tucker, 50.5 x 76.5 cm |
*** | *** | |
13 |
Fox, Emanuel Phillips
Repos, C.1909 – 11Oil on canvas, signed lower left E Phillips Fox, signed and inscribed with title on artist’s label verso: R [illeg.] E. Phillips Fox/ £ 20, bears inscription verso: Charles Bush / coll / Bush, 98.5 x 71 cm |
*** | *** | |
14 |
Gruner, Elioth
Rolling Hills, Yass, 1929Oil on canvas, signed, dated and inscribed lower left To Mr. & Mrs. Wallace/an appreciation/from Elioth Gruner/1929, 41 x 46.5 cm |
*** | *** | |
15 |
Gruner, Elioth
Field, 1917Oil on canvas on compressed card, signed and dated lower left E Gruner / 1917, 28.5 x 37 cm |
*** | *** | |
16 |
Boyd, Theodore Penleigh
Jamison Valley, Blue Mountains, 1922Oil on canvas, signed and dated lower left Penleigh Boyd / 22, 31 x 56 cm |
*** | *** | |
17 |
Lambert, George Washington
The Dead Tree, Coldstream, 1926Oil on wood panel, signed and dated lower right G W Lambert / (1926), signed and inscribed with title verso: 'The Dead Tree'/ (sketch) / Painted at Dame Nellies / Place – Combe [sic.] – Coldstream / G W Lambert, 34 x 42 cm |
*** | *** | |
18 |
Heysen, Hans
White Gums, 1926Watercolour on paper on compressed card, signed and dated lower right Hans Heysen / 1926, signed, dated and inscribed with title verso:, 'White Gums'/ Hans Heysen – / Ambleside / Sth Aust. 1926, 33 x 40.5 cm |
*** | *** | |
19 |
Hall, Lindsay Bernard (Bernard)
In the Studio, C.1924Oil on canvas, signed lower right B. Hall, signed and inscribed with title on label verso: In the Studio/ L. Bernard Hall. / Melbourne, bears inscription on plaque: ‘In The Studio’, framer's label attached verso: John Thallon, Melbourne, 105.5 x 81 cm |
*** | *** | |
20 |
Preston, Margaret Rose (MacPherson)
Flowers in Jug, C.1929Hand-coloured woodcut, signed lower right below image: Margaret Preston, edition of 125, 28 x 20.5 cm (image), 33.3 x 24.8 cm (sheet) |
*** | *** | |
21 |
Preston, Margaret Rose (MacPherson)
Coastal Gums, Also Known as Australian Gum Blossom, 1929Oil on canvas, signed and dated lower left Margaret Preston/ 1929, inscribed with title on stretcher bar verso: australian gum blossom, 46.5 x 46 cm |
*** | *** | |
22 |
Beckett, Clarice Marjoribanks
Beach Scene, C.1932 – 33Oil on canvas, signed lower left C. Beckett, 35 x 45 cm |
*** | *** | |
23 |
Syme, Eveline W.
Tuscan Landscape (Verso: Siena), C.1920sOil on canvas, signed lower left E. W Syme, 52 x 66.5 cm |
*** | *** | |
24 |
Black, Dorothea (Dorrit) Foster
Farmhouse, Mt Torrens, C.1945Oil on canvas on compressed card, signed lower left Dorrit Black., 24.5 x 24.5 cm |
*** | *** | |
25 |
Robertshaw, Freda Rhoda
Purple Still Life, C.1940Oil on composition board, signed lower left F Robertshaw, bears inscription on tape verso: Purple Still Life / c.1940 / $8000 / Freda Robertshaw, 53 x 45.5 cm |
*** | *** | |
26 |
Dobell, William
The Cart, C.1936Oil on wood panel, bears inscription on plaque attached verso: 'The Cart' / William Dobell, bears inscription with title on frame verso: The Cart, 29.5 x 35.5 cm |
*** | *** | |
27 |
De Maistre, LeRoy Leveson Laurent (Roy)
Still Life Study in Grey Green, 1952Oil on cardboard, signed lower right R de Maistre, bears inscription on label verso: 4, 53.5 x 63.5 cm |
*** | *** | |
28 |
Drysdale, George Russell (Russell)
The Fossicker, 1949Oil on canvas, signed and dated lower right Russell Drysdale 49, 40.5 x 56 cm |
*** | *** | |
29 |
Rees, Lloyd Frederic
Spring Afternoon, Werri Beach, C.1948Oil on canvas on board, signed lower left L Rees, bears inscription verso: Spring Afternoon Werri / Beach Lloyd Rees, 30 x 44 cm |
*** | *** | |
30 |
Miller, Godfrey Clive
Trees in Quarry, C.1952 – 56Oil, pen and ink on canvas, signed lower right Godfrey Miller, 44 x 59.5 cm |
*** | *** | |
31 |
Nolan, Sidney Robert
Crossing the River, 1964Oil on composition board, signed with initial lower right N, signed and dated lower left 30 oct 1964 / nolan, signed and inscribed verso: nolan / Not for Sale / Private Collection / to Sydney, 122 x 152.5 cm |
*** | *** | |
32 |
Nolan, Sidney Robert
Central Australia, 1956Oil and enamel on composition board, signed lower right N., signed and dated lower left Nolan. / 1956, signed, dated and inscribed with title verso: Nolan/ 1956 / Central Australia, 91.5 x 122 cm |
*** | *** | |
33 |
Vassilieff, Danila Ivanovich
East Melbourne Hillside, Steep Street, C.1930sOil on canvas, signed lower left Vassilieff, 35 x 49 cm |
*** | *** | |
34 |
Hester, Joy St. Clair
Faces, C.1948From the LOVER series, ink and pastel on paper, signed with estate stamp lower left Joy Hester, 47.5 x 34.5 cm (sheet) |
*** | *** | |
35 |
Blackman, Charles Raymond
Barbara, C.1960Oil on cardboard, signed lower left Blackman, 75 x 62.5 cm |
*** | *** | |
36 |
Tucker, Albert Lee
Antipodean Head (Intruder), 1962Oil on composition board, signed and dated upper right Tucker 62, bears inscription on gallery label verso: 'Antipodean Head (Intruder), 1960', 38 x 28 cm |
*** | *** | |
37 |
Tucker, Albert Lee
Parrots in Bush, C.1962Oil on board, signed lower left Tucker, 60.5 x 76 cm |
*** | *** | |
38 |
Boyd, Arthur Merric Bloomfield
Shoalhaven Riverbanks and Large Stones, 1981Oil on canvas, signed lower right Arthur Boyd, 152.5 x 123 cm |
*** | *** | |
39 |
Olsen, John Henry
Landscape Hanging on to an Edge, 1987Oil on canvas, signed and dated lower left John Olsen 87, signed, dated and inscribed with title on stretcher bar verso: ‘Landscape Hanging on To an Edge’ John Olsen 87, 152.5 x 167 cm |
*** | *** | |
40 |
Williams, Frederick (Fred) Ronald
Sapling Forest, C.1960 – 62Oil on composition board, signed lower centre Fred Williams, bears inscription verso: 3 [LW003], 121 x 89 cm |
*** | *** | |
41 |
Williams, Frederick (Fred) Ronald
Echuca Landscape, C.1960 – 62Oil on composition board, signed lower centre Fred Williams., 89 x 72 cm |
*** | *** | |
42 |
Williams, Frederick (Fred) Ronald
Sapling Panel V, 1966Oil on canvas, signed upper left Fred Williams., 40.5 x 56 cm |
*** | *** | |
43 |
Williams, Frederick (Fred) Ronald
Lysterfield Landscape, C.1968Gouache and watercolour on paper, signed lower centre Fred Williams., 53.5 x 74 cm |
*** | *** | |
44 |
Cook, Junior, William Delafield
Hillside, Ellerston, 1990Synthetic polymer paint on linen, signed and dated lower right Delafield Cook 90, 74 x 196 cm |
*** | *** | |
45 |
Rees, Lloyd Frederic
Morning Vision (Lane Cove River), 1982Oil on canvas, signed and dated lower right L. Rees 82, inscribed with title verso: Morning Vision (Lane Cove River), 102 x 137 cm |
*** | *** | |
46 |
Smart, Frank Jeffrey (Jeff) Edson
Study for Man with Bouquet, 1981Oil on canvas on board, signed lower right Jeffrey Smart, 45 x 35 cm |
*** | *** | |
47 |
Smart, Frank Jeffrey (Jeff) Edson
Children Playing, 1965Oil on canvas, signed and dated lower right Jeffrey Smart 65, inscribed with title on stretcher bar verso: Children Playing, 40.5 x 70.5 cm |
*** | *** | |
48 |
Olley, Margaret Hannah
Still Life with Marigolds and Oranges, C.1973Oil on composition board, signed lower left Olley, 61 x 76 cm |
*** | *** | |
49 |
Tanner, Edwin Russell
Self Portrait of the Artist Stunting, 1958Oil on composition board, signed upper right Edwin Tanner, signed and dated lower left Edwin Tanner. 1958 [inverted], 122 x 141.5 cm |
*** | *** | |
50 |
Brack, Cecil John (John)
Three Egyptian Women, 1975Oil on canvas, signed and dated lower right John Brack 1975, inscribed with title on artist’s label verso: Three Egyptian Women, bears inscription verso: 9, 91.5 x 71 cm |
*** | *** |