Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
1 |
Amor, Rick
Garden in the City 1990Colour screenprint, signed, dated, titled and editioned on margin: Rick Amor '90 Garden in the City 23/60, 67 x 102 cm |
*** | *** | |
2 |
Leach-Jones, Alun
UntitledColour screenprint, signed and editioned on margin: Alun Leach-Jones 30/40, 86 x 64 cm |
*** | *** | |
3 |
Boyd, Hermia Sappho
SwimmerLithograph, signed and editioned on margin: Hermia Boyd 6/50, 51 x 68.5 cm |
*** | *** | |
4 |
Hague, Robert
Trojan Hammer 2013Lithograph, signed, dated, titled and editioned on margin: Hague 2013 Trojan Hammer A/P, 51 x 39.5 cm |
*** | *** | |
5 |
Storrier, Timothy Austin (Tim)
The Flag, Camp at Relay 1977Etching and textile collage, signed, dated, titled and editioned on margin: Tim Storrier 77 'the flag. Camp at Relay' 51/75, 49 x 53 cm |
*** | *** | |
6 |
Rose, David George
Road and Hillside (Somersby) 1982Screenprint, signed, dated, titled and editioned on margin: david rose 1982 road and hillside (Somersby) 21/70, 76 x 57 cm |
*** | *** | |
7 |
Cassab, Judy
LoversInk on paper, signed lower left Cassab, 35 x 26 cm |
*** | *** | |
8 |
Friend, Donald Stuart Leslie
Bali BoyLithograph, signed and editioned in image lower right Donald Friend 36/200, 58.5 x 47.5 cm |
*** | *** | |
9 |
Blackman, Charles Raymond
TouchingEtching, signed, titled and editioned on margin: Charles Blackman 'Touching' 35/50, 19.5 x 15 cm |
*** | *** | |
10 |
Blackman, Charles Raymond
Jack's BeanstalkEtching, signed with initials, titled and editioned on margin: CB Jack's Beanstalk A/P, 19.5 x 14.5 cm |
*** | *** | |
11 |
Blackman, Charles Raymond
Petit DejeneurEtching, signed, titled and editioned on margin: Blackman Petit Dejeneur T/P, 15 x 19.5 cm |
*** | *** | |
12 |
Nolan, Sidney Robert
Leda and the SwanColour screenprint, signed and editioned on margin: Nolan 32/70, 61 x 83 cm |
*** | *** | |
13 |
Head, Pen B.
Native Arrangement 1993Woodcut, signed, dated and editioned on margin: Pen B. Head 93 8/10, 42 x 30 cm |
*** | *** | |
14 |
Connor, Kevin Leslie
Figures on the Expressway Bridge 1988Screenprint, signed, dated, titled and editioned on margin: Connor 88 Figures on the Expressway Bridge 6/25, 56 x 85 cm |
*** | *** | |
15 |
Majzner, Victor
First Light 1991Screenprint, signed, dated, titled and editioned on margin: V. Majzner First Light 1991 A/P, 66.5 x 48 cm |
*** | *** | |
16 |
Blackman, Charles Raymond
Titania as BrideLithograph, signed, titled and editioned on margin: Charles Blackman Titania As Bride 50/150, 43.5 x 29.5 cm |
*** | *** | |
17 |
Perceval, John De Burgh
Portrait 1976Ink on paper, signed with initials and dated upper and lower left JP Ap. 15 76, 24 x 20 cm |
*** | *** | |
18 |
Jack, Kenneth William David
Richmond Bridge, Tasmania, 1964Screenprint, signed and titled on margin: Kenneth Jack Richmond Bridge, Tasmania, 31 x 45.5 cm |
*** | *** | |
19 |
O'Connor, Victor George (Vic)
In the CathedralLinocut, signed and editioned on margin: V. G. O'Connor 84/200 and with printed text on margin, 27 x 9.5 cm |
*** | *** | |
20 |
Rankin, David G.
Evening Ochre 1986Screenprint, signed, dated, titled and editioned on margin: Rankin 86 Evening Ochre 57/70, 82 x 58 cm |
*** | *** | |
21 |
Boyd, Jamie
ShoalhavenLithograph, signed and editioned on margin: Jamie Boyd 66/75, 65 x 44.5 cm |
*** | *** | |
22 |
French, Leonard William
The Inferno 1970Colour screenprint, signed, dated, titled and editioned on margin: Leonard French 1970 The Inferno 14/25, 123 x 83 cm |
*** | *** | |
23 |
Boyd, Arthur Merric Bloomfield
The DreamLithograph, signed and editioned right and left on margin: Arthur Boyd 16/25, 48 x 55.5 cm |
*** | *** | |
24 |
Boyd, Arthur Merric Bloomfield
AwakeningLithograph, signed and editioned right and left on margin: Arthur Boyd 16/25, 48 x 55.5 cm |
*** | *** | |
25 |
Nolan, Sidney Robert
Leda and the SwanTwo lithographs, signed and dated on margin lower right Nolan 16/9/61, 41 x 53 cm (each) |
*** | *** | |
26 |
Nolan, Sidney Robert
Burke and CamelColour screenprint, signed in margin: Nolan, 65 x 75 cm |
*** | *** | |
27 |
Nolan, Sidney Robert
Inferno I. 1967A suite of three colour screenprints, signed lower right on margin: Nolan, 75.5 x 61 cm (each) |
*** | *** | |
28 |
Nolan, Sidney Robert
Inferno I. 1967A suite of three colour screenprints, signed lower right on margin: Nolan, 75.5 x 61 cm (each) |
*** | *** | |
29 |
Nolan, Sidney Robert
Burke and CamelColour etching, signed and editioned on margin: Nolan AP, 45 x 55.5 cm |
*** | *** | |
30 |
Nolan, Sidney Robert
The Miner and His DogColour screenprint, signed in margin: Nolan, 76.5 x 76.5 cm |
*** | *** | |
31 |
Coleman, William (Bill) Stephen
Seated NudeMonoprint, signed lower right Bill Coleman, 40.5 x 27 cm |
*** | *** | |
32 |
Ludner, Kate
Cardboard Etch 1980Colour etching, signed, dated, titled and editioned on margin: Kate Ludner 1980 Cardboard etch 1/3, 30.5 x 38 cm |
*** | *** | |
33 |
Jacques, J.
MaypoleLinocut, signed, titled and editioned on margin: J. Jacques Maypole A/P, 30.5 x 29.5 cm |
*** | *** | |
34 |
Picasso, Pablo
Dove of PeaceLithographic reproduction, signed and dated in printed text on image, 49.5 x 64.5 cm |
*** | *** | |
35 |
Martin, Mandy
No Voice But the Silence Sank Like Music on my HeartLithograph and collograph, signed, titled and editioned on image: Many Martin No voice but the silence sank like music on my heart 27/75, 56 x 75.5 cm |
*** | *** | |
36 |
Pierre, Jean
PoissonScreenprint, signed, titled and editioned on image: Jean Pierre Poisson 71/500, 29.5 x 39.5 cm |
*** | *** | |
37 |
Del Mace, Jill
The Knife ThrowerLimited edition print, signed, titled and editioned verso Del Mace 'The Knife Thrower' A/P, 137 x 92 cm |
*** | *** | |
38 |
Redman, Joy
Keep RiverColour etching, signed, titled and editioned on margin: Joy Redman Keep River 15/50, 45.5 x 50.5 cm |
*** | *** | |
39 |
Hohaus, Hermann
Mother and ChildCeramic, 22.5 cm high, 5.5 cm wide, 8 cm deep |
*** | *** | |
40 |
Hohaus, Hermann
Seated NudeBronze mounted on stone base, signed, Hohaus, 16.5 cm high, 7 cm wide, 8 cm deep |
*** | *** | |
41 |
Victoria, Heidi
I. have everything I. need, Where to Next? seriesPhotograph, signed lower right Heidi Victoria, 48.5 x 39 cm |
*** | *** | |
42 |
Victoria, Heidi
Los Fotingos Cubanos, Where to Next? seriesPhotograph, signed lower right on margin: Heidi Victoria, 39.5 x 59.5 cm |
*** | *** | |
43 |
Victoria, Heidi
Waiting to go on – China, Where to Next? seriesPhotograph, signed lower right on margin: Heidi Victoria, 59.5 x 40 cm |
*** | *** | |
44 |
Victoria, Heidi
The Louvre, Where to Next? seriesPhotograph, signed lower right on mount Heidi Victoria, 49 x 39 cm |
*** | *** | |
45 |
Victoria, Heidi
It's Crowded up here! New York, Where to Next? seriesPhotograph, signed lower right on margin: Heidi Victoria, 39.5 x 58 cm |
*** | *** | |
46 |
Victoria, Heidi
Cuban Onion Seller, Where to Next? seriesPhotograph, signed lower right on margin: Heidi Victoria, 39.5 x 59.5 cm |
*** | *** | |
47 |
Timms, Freddie
Owl Dreaming 1998Synthetic polymer paint and ochre on canvas, signed and dated verso F. Timms 1998, cat no. FT140, Our Land Gallery certificate of authenticity accompanies this work, 41 x 70 cm |
*** | *** | |
48 |
Pwerle, Minnie
UntitledSynthetic polymer paint on canvas, 86.5 x 61.5 cm |
*** | *** | |
49 |
Timms, Freddie
Kurrirr Kurrirr circa 2006Synthetic polymer paint and ochre on board, signed verso TIMMS, cat no. OLG10670/06, 49 x 69 cm |
*** | *** | |
50 |
Artist Unknown,
Mimi Figure, Kangaroos and SnakesNatural earth pigments on eucalyptus bark, 44 x 25 cm |
*** | *** |