Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
1 |
Balson, Ralph
Non-Objective Painting, 1958Oil on composition board, signed and dated lower right R Balson. 58., 76 x 100.5 cm |
*** | *** | |
2 |
Williams, Frederick (Fred) Ronald
Upwey Landscape, c.1965Gouache on paper on composition board, signed lower left Fred Williams. artist's label attached verso with number, artist's name, title, medium and dimensions, 55.5 x 73 cm |
*** | *** | |
3 |
Thake, Eric Prentice Anchor
The Weekly Train Departs, the Dog Goes Back to Sleep, 1971Oil on canvas, signed and dated lower left Eric Thake 1971, inscribed with title on backing board verso: 'The weekly train departs, the dog goes back to sleep' / Grand Hotel / Kookynie. W. A, 61.5 x 36 cm |
*** | *** | |
4 |
Brack, Cecil John (John)
Through the Window, 1972Oil on canvas, signed and dated lower right John Brack 72, inscribed with title on handwritten label attached to stretcher bar verso: ‘Through The / Window', 82.5 x 116 cm |
*** | *** | |
5 |
Tanner, Edwin Russell
A Horse, A Horse, My Kingdom For A Horse (Richard III), 1977Synthetic polymer paint on canvas, signed and dated upper left Edwin Tanner, 1977 , signed and dated lower right Edwin Tanner 1977, 168 x 183 cm |
*** | *** | |
6 |
Smart, Frank Jeffrey (Jeff) Edson
The Footbridge, 1975Oil on canvas, signed lower right Jeffrey Smart, 75.5 x 90 cm |
*** | *** | |
7 |
Williams, Frederick (Fred) Ronald
Forest Pond, 1974Oil on canvas, signed lower right Fred Williams. artist's label attached verso with number, artist's name, title, medium and dimensions, 106.5 x 91.5 cm |
*** | *** | |
8 |
Kemp, Roger
Blue Dimension, 1973 (Also Known As 'Whole')Synthetic polymer paint on canvas, signed and dated verso: Roger Kemp. / Australia / 1973, signed and inscribed with title on label verso: Whole / Roger Kemp, bears inscription with title on stretcher bar verso: Whole, 171 x 175.5 cm |
*** | *** | |
9 |
Baldessin, George Joseph Victor
Three-Sided Personage, 1974, edition: 2/4Enamel paint on cast aluminium, inscribed with artist's monogram and numbered at base: gB 2/4, bears Meridian Melbourne, foundry mark at base, 102 x 31 x 33 cm |
*** | *** | |
10 |
Olsen, John Henry
Dark Void, 1976Oil on canvas, signed and dated lower right John Olsen / 76, 137 x 152 cm |
*** | *** | |
11 |
Grey-Smith, Guy Edward
Northern Tree, 1978Oil and beeswax on gauze on composition board, signed and dated lower right G Grey Smith / 78, signed and inscribed with title verso: Guy Grey–Smith / ‘Northern Tree' / NO. 2, 90.5 x 122.5 cm |
*** | *** | |
12 |
Olsen, John Henry
Small Streams Running Into a Big River, 1990Oil on canvas, signed and dated lower right John / Olsen / 90, 135.5 x 151 cm |
*** | *** | |
13 |
Arkley, Howard
Waterfall 2 1988Synthetic polymer paint on canvas, signed, dated and inscribed with title verso: Howard Arkley / Waterfall. 2. / 1988, 175.5 x 135.5 cm |
*** | *** | |
14 |
Cook, Junior, William Delafield
Mootwingee, 1990Synthetic polymer paint on linen, signed and dated lower right Delafield Cook 90, 110 x 197 cm |
*** | *** | |
15 |
Cook, Junior, William Delafield
A French Cliff, 1979Synthetic polymer paint on canvas, signed and dated verso: W. Delafield Cook / London 1979, dated and inscribed with title on label attached verso: A French / Cliff / 1978 -9, 86.5 x 305 cm |
*** | *** | |
16 |
Streeton, Arthur Ernest
Blue Vista From the Sundial, 1920Oil on canvas, signed lower left A Streeton., 64 x 102.5 cm |
*** | *** | |
17 |
McCubbin, Frederick
Williamstown Landscape, 1909Oil on canvas, signed and dated lower left F McCubbin / 1909, 61 x 91.5 cm |
*** | *** | |
18 |
Gruner, Elioth
Windsor Landscape, 1929Oil on canvas, signed and dated lower right Gruner / 1929, inscribed with title on gallery label attached verso: Windsor Landscape, bears inscription on stretcher bar verso: Winter Landscape, 51 x 61 cm |
*** | *** | |
19 |
Gruner, Elioth
The White Road, Mt Lofty, S.A., 1926Oil on canvas, signed and dated lower right Gruner / 1926, 51.5 x 61.5 cm |
*** | *** | |
20 |
Boyd, Theodore Penleigh
Grey Day, Sydney Harbour (View of North Head, Rose Bay), 1922Oil on canvas, signed and dated lower left Penleigh Boyd 22, 71 x 81 cm |
*** | *** | |
21 |
Nolan, Sidney Robert
Camels in the Desert, 1951Ripolin enamel and red ochre oil paint on composition board, signed and dated lower right Sidney Nolan / 1951, 60 x 90.5 cm |
*** | *** | |
22 |
Blackman, Charles Raymond
Suite of Paintings, 1959 - 60Oil on hardboard, signed lower right Blackman, 103.5 x 119 cm |
*** | *** | |
23 |
Blackman, Charles Raymond
Three Faces, 1964Oil on canvas on composition board, signed and dated lower left Blackman 1964, 100.5 x 90 cm |
*** | *** | |
24 |
Tucker, Albert Lee
The Card Players, 1961 - 73Oil on composition board, signed and dated lower right Tucker / 61 – 73, inscribed verso: Ibis In Flight, 75 x 100 cm |
*** | *** | |
25 |
French, Leonard William
Before the Fire, 1974 - 78Synthetic polymer paint and enamel on hessian on board, signed lower right French, inscribed with title and date on label verso: Fire And Rain Series 1974 – 78 / Before the Fire, 122 x 137 cm |
*** | *** | |
26 |
Boyd, Arthur Merric Bloomfield
Shoalhaven Cliff and River, 1994Oil on canvas, signed lower right arthur Boyd, inscribed with title and date on gallery label attached verso, 152.5 x 122 cm |
*** | *** | |
27 |
Boyd, Arthur Merric Bloomfield
Suffolk Landscape, Figure and Book, 1973Oil on canvas, signed lower right Arthur Boyd, 151.5 x 121.5 cm |
*** | *** | |
28 |
Rees, Lloyd Frederic
Sydney Harbour, Lane Cove, 1978 - 79Oil on canvas on composition board, signed and dated lower left L Rees / 78 – 79, 78 x 93.5 cm |
*** | *** | |
29 |
Perceval, John De Burgh
Haystacks, 1972Oil on canvas, signed and dated lower right '72 / Perceval, bears inscription verso: Haystacks, 96 x 119 cm |
*** | *** | |
30 |
Pugh, Clifton Ernest
Territorial Imperative, 1979Oil and enamel on composition board, signed lower right Clifton, signed, dated and inscribed with title verso: 'Territorial Imperative' 79 / Clifton Pugh / Hurstbridge, 91.5 x 122.5 cm |
*** | *** | |
31 |
Pugh, Clifton Ernest
Emus and Anthills, 1964Oil and enamel on composition board, signed and dated lower right Clifton / ‘64, inscribed with title verso: Emus & Ant Hills / WA, 91 x 122 cm |
*** | *** | |
32 |
Crooke, Ray Austin
Fijian Village, c.1970Oil on composition board, signed lower left R Crooke, 76.5 x 101.5 cm |
*** | *** | |
33 |
Whisson, Kenneth (Ken) Ronald
Drummer, c.1973Oil on composition board, signed, dated and inscribed with title on handwritten label verso: Ken Whisson / 'Drummer' / ABOUT 1973 , inscribed verso: Drummer About 1973 / Cherelle / Hutchinson / 66 St Andrews St / Brighton , inscribed with title on frame verso: Drummer, 85 x 108.5 cm |
*** | *** | |
34 |
Olsen, John Henry
Approaching Storm, 1980Oil on canvas, signed lower right John Olsen ‘80, inscribed with title and date on label verso: Approaching Storm (1980), 116.5 x 122 cm |
*** | *** | |
35 |
Juniper, Robert Litchfield (Bob)
Greenmount Hill, 1969Oil on canvas, signed and dated lower right Juniper / ‘69, inscribed with title verso: 'Greenmount Hill', 150.5 x 167 cm |
*** | *** | |
36 |
Watkins, Richard John (Dick)
Anthropology, 1973Synthetic polymer paint on canvas, signed, dated and inscribed with title verso: Anthropology Dick Watkins 1973, 122 x 165.5 cm |
*** | *** | |
37 |
Ball, Sydney
Manassas Blue, 1973Synthetic polymer paint on canvas, signed, dated and inscribed with title verso: ‘Manassas Blue' / Sydney Ball 1973, 198 x 244.5 cm |
*** | *** | |
38 |
Booth, Peter
Painting, 1975Oil on linen, signed verso: Peter Booth, 76 x 61 cm |
*** | *** | |
39 |
Partos, Paul
Painting, 1978Oil, string and pins on canvas, signed and dated verso: P Partos 78, 137 x 111.5 cm |
*** | *** | |
40 |
Johnson, Michael
Madder, 1979, 1979Synthetic polymer paint on canvas, signed and dated verso: Michael Johnson 1979, 169.5 x 183 cm |
*** | *** | |
41 |
Coburn, John
Fruits of Summer, 1973Synthetic polymer paint on linen, signed lower right Coburn, signed, dated and inscribed with title verso: Fruits Of Summer / John Coburn / Sydney 1973, 130 x 195 cm |
*** | *** | |
42 |
Dumbrell, Lesley
Chinook, 1975Synthetic polymer paint on canvas, signed and dated verso: L. Dumbrell 75. bears inscription on stretcher bar verso: Chinook, 175 x 260 cm |
*** | *** | |
43 |
Stannage, Miriam
News From Dublin, 1974 (Also Known As 'Irish Song')Felt-tipped pen and lead pencil on synthetic polymer on canvas, signed and dated verso: Stannage 74, inscribed with title verso: 'News from Dublin', 148 x 229 cm |
*** | *** | |
44 |
Dawson, Janet
Last Foxy Night, 1979Synthetic polymer paint on canvas, signed, dated and inscribed with title verso: Janet Dawson / Last Foxy Night / 5/79, 183.5 x 121.5 cm |
*** | *** | |
45 |
King, Inge
Planet, 2009Stainless steel, signed with initials at base: IK, 73 x 82 x 65 cm |
*** | *** | |
46 |
Arkley, Howard
Stroke, 1975Synthetic polymer paint on canvas, 184.5 x 163.5 cm |
*** | *** | |
47 |
Ramette, Don
Untitled in Blue, 1976Synthetic polymer paint on canvas, signed and dated verso: Ramette 76, 152.5 x 112 cm |
*** | *** | |
48 |
Leach-Jones, Alun
Cream Over Red, c.1976Synthetic polymer paint on canvas, signed on stretcher bar verso: Alun Leach–Jones, inscribed with title on stretcher bar verso: ‘Cream Over Red', bears inscription on stretcher verso: Cat No 7, 152.5 x 152.5 cm |
*** | *** | |
49 |
Larter, Richard Charles
Shift, 1978Synthetic polymer paint on canvas, signed and dated lower right R. Larter / 3. 10. 1978. signed, dated and inscribed with title on stretcher bar verso: Richard Larter 'Shift' 1978, 185.5 x 142 cm |
*** | *** | |
50 |
Peart, John
Paradise Point, 1976Synthetic polymer paint on canvas, signed, dated and inscribed with title verso: 'Paradise Point' / 1976 / John Peart, 170.5 x 231 cm |
*** | *** |