Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
1 |
Dupain, Maxwell Spencer (Max)
Sunbaker, 1937Printed 1970s, silver gelatin photograph, signed and dated in image lower right – Max Dupain '37 –, signed, dated and inscribed with title verso: Sunbaker 1937 / – Max Dupain –, 36.5 x 43 cm (sight) |
*** | *** | |
2 |
Quilty, Ben
Paul's Falcon, 2008Oil on linen, signed and inscribed verso: XA Ben Quilty, signed, dated and inscribed verso: XA / 2008 / Ben Quilty, 183 x 214 cm |
*** | *** | |
3 |
Onus, Lin
Dawn at Numerili, 1993Synthetic polymer paint on canvas, signed lower right Lin Onus, 91 x 121.5 cm |
*** | *** | |
4 |
Arkley, Howard
Eastern Suburbs Pink Home, 1991Synthetic polymer paint on canvas, signed, dated and inscribed verso: Name Howard Arkley / Title Eastern Suburbs Pink Home / Date 1991 / Size 630 mm x 630 [sic.] mm / Medium Acryic [sic.] on Canvas, 163 x 163 cm |
*** | *** | |
5 |
Gascoigne, Rosalie Norah King
Ledger, 1992Split soft drink crates on plywood, signed, dated and inscribed with title verso: Rosalie Gascoigne / 1992 / LEDGER, 81 x 43 cm |
*** | *** | |
6 |
Upward, Peter
January Seventh, 1961Oil and synthetic polymer paint on composition board, signed and dated lower right Upward 61 bears inscription verso: U Blake Prize 1961 label attached verso [not entered], 190.5 x 136.5 cm |
*** | *** | |
7 |
Fairweather, Ian
Figure Group V, 1968 – 69Synthetic polymer paint and gouache on cardboard on board, 96.5 x 75 cm |
*** | *** | |
8 |
Williams, Frederick (Fred) Ronald
Hillside at Lysterfield II, 1967Oil on canvas, signed lower centre: Fred Williams, 137.5 x 153 cm |
*** | *** | |
9 |
Von Guerard, Johann Joseph Eugen
Die Berge Von St Tenadio Im Neapolitanischen, 1847 (The Mountains of St Tenadio in the Naples Region)Oil on canvas, signed and dated lower left Eugen v. Guerard / D. 1847, 108.5 x 146.5 cm |
*** | *** | |
10 |
Streeton, Arthur Ernest
Blue Lagoon, Fringed Round with Palaces, c.1908Oil on canvas, signed lower right A. Streeton bears inscription with title verso: Blue Lagoon, 54.5 x 85.5 cm |
*** | *** | |
11 |
Beckett, Clarice Marjoribanks
Out Walking, c.1928 – 29Oil on canvas on board, signed lower right C. Beckett, 29 x 34.5 cm |
*** | *** | |
12 |
Drysdale, George Russell (Russell)
Going to the Pictures, 1941Oil on canvas, signed lower right Russell Drysdale inscribed with title on stretcher verso: GOING TO THE PICTURES/ Russell Drysdale 1941 inscribed on stretcher verso: RUSSELL DRYSDALE, 44 RUE DAGUERRE, PARIS 1938, 46 x 55 cm |
*** | *** | |
13 |
Fairweather, Ian
Lads Boxing, 1939Oil and gouache on cardboard, signed lower left I Fairweather, 48 x 44.5 cm |
*** | *** | |
14 |
Passmore, John Richard
Bathers, 1952Oil on composition board, signed and dated lower right JP 52, signed verso: J Passmore, 56 x 90 cm |
*** | *** | |
15 |
Balson, Ralph
Untitled (Non-Objective Painting), 1954Oil on composition board, signed and dated lower right R Balson 54, 91 x 69.5 cm |
*** | *** | |
16 |
Audette, Yvonne
Cantata No. 14, 1963 – 64Oil on composition board (diptych), signed and dated lower right YA 64, signed, dated and inscribed with title verso: Cantata No 14/ Y Audette/ 1963/64, 120 x 184 cm overall |
*** | *** | |
17 |
Olsen, John Henry
Spanish Encounter 2, 1960Oil on composition board (diptych), signed and dated upper right John Olsen 60, signed and inscribed with title verso: John / Olsen / “Spanish” / “Encounter 2”, 182.5 x 242.5 cm overall |
*** | *** | |
18 |
Williams, Frederick (Fred) Ronald
Upwey, 1965Oil on canvas, signed lower left Fred Williams bears inscription on backing verso: 1050, 86 x 70.5 cm |
*** | *** | |
19 |
Smart, Frank Jeffrey (Jeff) Edson
The Traffic Island, 2009Oil on canvas, signed twice lower left Jeffrey Smart, 82 x 104.5 cm |
*** | *** | |
20 |
Boyd, Arthur Merric Bloomfield
Nebuchadnezzar Fallen in a Forest with A Lion (No.2), c.1968Oil on canvas, signed lower right Arthur Boyd bears inscription verso: 48 / owner / Bill [indistinct] bears inscription on frame verso: APRIL 69 DE MARCO GALLERY [ind.] ION A. BOYD, 174.5 x 181 cm |
*** | *** | |
21 |
Black, Dorothea (Dorrit) Foster
The Pot Plant, 1933Colour linocut on paper, edition: 12/ 50, signed in image with artist's monogram, signed, numbered and inscribed with title below image: The Pot-plant 12 X 30 [sic.] Dorrit Black, 30.5 x 19 cm (image) |
*** | *** | |
22 |
Vaughan, Keith
Baptism, 1963Oil on canvas, signed, dated and inscribed with title verso: Baptism / 1963 / Keith Vaughan (inverted) inscribed on stretcher bar verso: commenced Jan 10/ 63 G B Vaughan (inverted) label attached to frame verso: James Bourlet & Sons, Ltd London, 127 x 101.5 cm |
*** | *** | |
23 |
Fairweather, Ian
Musician, 1951Gouache on paper on composition board, signed and dated lower right (in Chinese characters): IF 1951, 47.5 x 67.5 cm |
*** | *** | |
24 |
Fairweather, Ian
Indian Roadside, 1949Ink and gouache on paper, signed with initials (as Chinese character) lower right IF, 18.5 x 22.5 cm |
*** | *** | |
25 |
Fairweather, Ian
Head of a Girl, 1949Ink and gouache on paper, signed with initials (as Chinese character) lower right IF, 23.5 x 17 cm |
*** | *** | |
26 |
Audette, Yvonne
Cantata No. 17, 1968 – 69Oil on composition board, signed and dated Iower right Audette/69, signed, dated, and inscribed with title verso: Audette / 1968-69 / Cantata No. 17 /… Audette, 102 x 86 cm |
*** | *** | |
27 |
Kemp, Roger
Structural Concept, c.1972 – 74Synthetic polymer paint on paper on hardboard, signed lower right Roger Kemp, signed on artist's label attached verso with title, date, medium, dimensions and artist's name, 152.5 x 182.5 cm |
*** | *** | |
28 |
Gascoigne, Rosalie Norah King
Gold Rush, 1996Sawn retroreflective plywood road signs and painted wood from soft drink boxes on board, signed, dated and inscribed with title verso: Rosalie Gascoigne / 1996 / Gold Rush, 77 x 60 cm |
*** | *** | |
29 |
Tillers, Imants Alfred
Outback: C, 2005Synthetic polymer paint on 54 canvas boards, each panel numbered sequentially with stencil verso: 76222 – 76275, 228 x 213 cm overall |
*** | *** | |
30 |
Cook, Michael
Civilised, 2012Suite of fourteen inkjet prints, each signed and bears artist's thumbprint, inscribed with title and numbered on artist's stamped label verso., 160 x 140 cm each |
*** | *** | |
31 |
Hanssen-Pigott, Gwyn
Still Life with Four Bowls, 1998Glazed Limoges porcelain, 12 pieces (6 bottles, 4 bowls, 2 beakers), each stamped with roundel on base, 100 cm length |
*** | *** | |
32 |
Young, Chun Kwang
Aggregation 02 – D106, 2002Korean mulberry paper, polystyrene foam and string on board, signed, dated and inscribed with title in Hanja and English verso: Chun, Kwang-Young / AGGREGATION 02 – D106 … / – 02 KY Chun, 46.5 x 66 cm |
*** | *** | |
33 |
Gonschior, Kuno
Weiss, 2003 – 04Synthetic polymer paint on canvas, signed twice, dated and inscribed with title verso: Kuno / Kuno Gonschior Weiss 2003/4 inscribed on stretcher verso: NR. 11.14, 120 x 100 cm |
*** | *** | |
34 |
Conder, Charles Edward
Randwick, 1888Watercolour on paper, signed, dated and inscribed with title lower right C. Conder / Randwick / Sep / 88, 17.5 x 21.5 cm (sight) |
*** | *** | |
35 |
Streeton, Arthur Ernest
Fire Begins, 1930-31Oil on canvas, signed lower left A. Streeton, 51.5 x 66 cm |
*** | *** | |
36 |
Heysen, Hans
Primroses and Porcelain, 1925Oil on canvas, signed and dated lower left Hans Heysen 1925, signed and inscribed verso: No 4 Primroses and Porcelain Hans Heysen / Ambleside / Sth Aus, 53 x 56.5 cm |
*** | *** | |
37 |
Davidson, Bessie Ellen
Interieur, c.1938Oil on board, signed lower left Bessie Davidson, signed and inscribed verso: Bessie Davidson / No. 2 / 3, 81 x 64.5 cm |
*** | *** | |
38 |
Fox, Ethel Carrick
Fish Market in Nice, c.1930Oil on canvas, signed lower left Carrick Fox, artist's label attached verso with title, 49.5 x 60 cm |
*** | *** | |
39 |
Fox, Emanuel Phillips
The Creek at Stanwell Park, 1914Oil on canvas, signed lower left E. Phillips Fox, 38 x 46 cm |
*** | *** | |
40 |
Heysen, Hans
Winter Sunshine, 1953Watercolour on paper, signed and dated lower right Hans Heysen 1953, 31.5 x 38 cm |
*** | *** | |
41 |
Rees, Lloyd Frederic
Sydney Harbour, 1918Pen and ink on paper, signed and dated lower right Lloyd Rees 1918, 16.5 x 20 cm |
*** | *** | |
42 |
Beckett, Clarice Marjoribanks
Rose and Grey, c.1928 – 29Oil on pulpboard, signed lower right C. Beckett bears inscription with title verso: B / Grey + Rose, 27.5 x 37.5 cm |
*** | *** | |
43 |
Beckett, Clarice Marjoribanks
Sunset Glow, 1928Oil on pulpboard, bears inscription verso: B / Indefinite / 48 Sunset Glow, bears label verso with statement of authenticity signed by the artist's sister Mrs Hilda Mangan, 24.5 x 34.5 cm |
*** | *** | |
44 |
Boyd, Arthur Merric Bloomfield
Shoalhaven Hillside, C. 1974 – 76Oil on composition board, signed lower right Arthur Boyd, 96.5 x 89 cm |
*** | *** | |
45 |
Boyd, Arthur Merric Bloomfield
Waterhole Near Canberra, c.1971Oil on composition board, signed lower right Arthur Boyd, 44.5 x 60 cm |
*** | *** | |
46 |
Nolan, Sidney Robert
Bird in Landscape, c.1977 – 78Oil and enamel on composition board, signed lower right Nolan, 91.5 x 122 cm |
*** | *** | |
47 |
Williams, Frederick (Fred) Ronald
Upwey I, 1965Gouache on paper, signed lower right Fred Williams, 52 x 70 cm |
*** | *** | |
48 |
Williams, Frederick (Fred) Ronald
The Bluff, Walkerville, 1971Gouache on paper, signed lower right Fred Williams, 34 x 77 cm |
*** | *** | |
49 |
Boyd, Arthur Merric Bloomfield
Lovers in Forest with Blackbirds and Beast, c.1966Oil on canvas, signed lower left Arthur Boyd, 109 x 114.5 cm |
*** | *** | |
50 |
Olsen, John Henry
Spanish Lunch, 1992Oil on composition board, signed lower right John Olsen, signed, dated and inscribed with title verso: Spanish / Lunch / John Olsen 92, 92 x 122 cm |
*** | *** |