Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
1 |
Campbell, Cressida
The Ebro, Gore Bay, 1987Watercolour on incised woodblock, signed lower left Cressida Campbell, 80 x 60 cm |
*** | *** | |
2 |
Oliver, Bronwyn
Unity, 2001Copper, 112 cm diameter |
*** | *** | |
3 |
Gascoigne, Rosalie Norah King
Honey Flow, 1985Painted and stencilled wood, nails on plywood backing, signed with initials, dated and inscribed with title verso: Honey Flow / 1985 R.G., 108 x 84 x 7 cm |
*** | *** | |
4 |
Balson, Ralph
Matter Painting, 1962Enamel on composition board, signed and dated lower right R. Balson 62, inscribed on old artist's label verso: No. 13 / …, 122 x 91.5 cm |
*** | *** | |
5 |
Miller, Godfrey Clive
Crucifixion, C.1961 - 64Oil, pen and ink on canvas on plywood, signed twice lower right Godfrey Miller, bears inscription upper left 149 / JH |
*** | *** | |
6 |
Audette, Yvonne
Conversation Between the Stars, 1964Oil on composition board, signed and dated lower right Audette 64, signed, dated and inscribed with title verso: Audette / 1964 / conversation between the stars, 93.5 x 130 cm |
*** | *** | |
7 |
Frank, Dale Leonard
Jeremy Hugenot, 2000Varnish on synthetic polymer paint on canvas, 200 x 200 cm |
*** | *** | |
8 |
Opie, Julian
Paisley Dress and Red Gown, 2015Silkscreen on painted wooden board, signed verso: Julian Opie, 100.5 x 72.5 cm |
*** | *** | |
9 |
Blackman, Charles Raymond
Alice on the Table, 1956Tempera and oil on composition board, signed upper right Blackman, 120.5 x 111.5 cm |
*** | *** | |
10 |
O'Brien, Justin Maurice
Two Figures in a Room, C.1990-93Oil on canvas, signed upper left O'Brien, 98.5 x 70.5 cm |
*** | *** | |
11 |
Boyd, Arthur Merric Bloomfield
The Old Mine, C.1951Oil and tempera on composition board, signed lower right Arthur Boyd, 91 x 121 cm |
*** | *** | |
12 |
Storrier, Timothy Austin (Tim)
Starlight Over the Plain (Night Coals), 2008Synthetic polymer paint on linen, signed lower right Storrier, signed, dated and inscribed with title verso 'Starlight over the Plain' / (Night Coals) / Storrier / 2008, 152 x 305 cm |
*** | *** | |
13 |
Strutt, William Thomas
Slack Times, 1883Oil on canvas, signed lower right W. Strutt. senr, bears inscription on frame verso: Slack Times by W. Strutt / Exhibited 1884 / … London Society, [including pencil study, 180744B, First Sketch From Nature, Study for Slack Times, 1883, pencil on paper, 14 x 20.5 cm, inscribed with title lower centre First Sketch from nature], 79 x 92 cm |
*** | *** | |
14 |
Heysen, Hans
The Red Gum, 1926Oil on canvas, signed and dated lower left Hans Heysen 1926, 71 x 86.5 cm |
*** | *** | |
15 |
Heysen, Hans
End of a Summer's Day, 1925Watercolour on paper, signed and dated lower left Hans Heysen. 1925, 29.5 x 39.5 cm |
*** | *** | |
16 |
Drysdale, George Russell (Russell)
The Young WaitressPen, ink and watercolour on paper, signed lower left Russell Drysdale, inscribed with title lower right The Young Waitress, inscribed on label attached verso: To Geoff and Dahl / Those two good chaps / From Tassy, 23 x 17 cm (image) |
*** | *** | |
17 |
Blackman, Charles Raymond
Three Graces, C.1962Oil on canvas, signed lower right Blackman, 152 x 135 cm |
*** | *** | |
18 |
Blackman, Charles Raymond
Rainforest: Guardian of the Falls I, 1984Oil on paper on board, signed lower right Charles Blackman, 174.5 x 114.5 cm |
*** | *** | |
19 |
Nolan, Sidney Robert
Wimmera Landscape, C.1965Oil on composition board, bears inscription verso: 20., 121.5 x 150 cm |
*** | *** | |
20 |
Robinson, William Francis (Bill)
Feeding the Chooks, 1994Hand painted ceramic vase, signed and dated lower centre William Robinson 94, inscribed on base: Errol Barnes, 58 cm high |
*** | *** | |
21 |
Smart, Frank Jeffrey (Jeff) Edson
St Kilda, 1959Oil on canvas on board, signed lower left Jeffrey Smart, bears inscription verso: S.T. Green, bears inscription on frame verso: 24/4/93 / … TB Green / Paiter [sic] Jeffrey Smart / St Green / …, 51 x 60.5 cm |
*** | *** | |
22 |
Nolan, Sidney Robert
The Questioning, 1954Oil on composition board, signed with initial lower right N, signed, dated and inscribed with title verso: The Questioning / (Kelly Series) / Nolan. / 10/2/54 / N, 60 x 80 cm |
*** | *** | |
23 |
Fairweather, Ian
Barbecue, 1963Synthetic polymer paint and gouache on cardboard on composition board (4 sheets), signed lower left Ian Fairweather, bears inscription verso: Barbecue, 134 x 181.5 cm |
*** | *** | |
24 |
Williams, Frederick (Fred) Ronald
Lysterfield, C.1968Gouache on paper, signed lower right Fred Williams, 57 x 75.5 cm |
*** | *** | |
25 |
Williams, Frederick (Fred) Ronald
Australian Landscape, 1969Oil on canvas, signed lower left Fred Williams, signed on stretcher verso: Fred Williams., 122 x 152.5 cm |
*** | *** | |
26 |
Brack, Cecil John (John)
Four Pairs and a Single, 1971Oil on canvas, signed and dated lower right John Brack 71, signed and inscribed with title on stretcher bar verso: 'Four Pairs And A Single' / John Brack, 96.5 x 130.5 cm |
*** | *** | |
27 |
O'Brien, Justin Maurice
The Visitation, C.1990-93Oil on canvas, signed upper right O'Brien, 48 x 39 cm |
*** | *** | |
28 |
Boyd, David
Truganini - the Drowning of Her Betrothed, 1959Oil on composition board, signed lower left David Boyd, 120 x 173 cm |
*** | *** | |
29 |
Perceval, John De Burgh
The Old Boat at Port MelbourneOil on canvas, signed lower left Perceval, signed and inscribed with title verso: The Old Boat / at / Port Melbourne / Perceval, 91.5 x 122 cm |
*** | *** | |
30 |
Dickerson, Robert Henry (Bob)
Two Men in Subway, 1963Oil on composition board, signed twice and dated lower right Dickerson / 6/8/63 / Dickerson, dated and inscribed with title verso: 'Two Men In Subway' / … / Date 8/6/63, 152.5 x 137 cm |
*** | *** | |
31 |
Friend, Donald Stuart Leslie
Balinese with Cage Birds, C.1975Ink, watercolour, gouache and gold leaf on paper on board, signed and inscribed with title upper right Balinese with cage / Birds / Donald / Friend, 62.5 x 47.5 cm |
*** | *** | |
32 |
Fairweather, Ian
Sea Anemones, 1957Gouache on cardboard, signed with monogram and dated lower right IF 57, bears inscription on frame verso: E R Cuppaidge, 95 x 71.5 cm |
*** | *** | |
33 |
Friend, Donald Stuart Leslie
The Health and Hobbies Fitness Camp, C.1963Watercolour, gouache and gold leaf on paper on board, signed and inscribed with title lower right The Health and Hobbies / Fitness Camp. / Donald Friend, bears inscription verso: 1963, 63 x 48 cm |
*** | *** | |
34 |
Klippel, Robert Edward
Collage, 1993Pastel, synthetic polymer paint and collage on paper, signed and dated lower right Robert Klippel - 1993 -, 110 x 145.5 cm |
*** | *** | |
35 |
Klippel, Robert Edward
No. 459, Painted Wood Construction, 1985Wood assemblage, 150 cm high |
*** | *** | |
36 |
Johnstone, Henry James
Wooed and Won, 1874, (Also Known as 'A Bush Romance')Oil on canvas, signed and dated lower left H. J. Johnstone 1874, signed and inscribed verso: H. J. Johnstone / No. 2, 54 x 42 cm |
*** | *** | |
37 |
Fox, Emanuel Phillips
Autumn Hillside, Heidelberg, C.1900Oil on canvas, signed lower right E. Phillips Fox, 51 x 40.5 cm |
*** | *** | |
38 |
Fox, Ethel Carrick
Flower Market, Nice, C.1926Oil on board, signed lower left Carrick Fox, bears inscription on old label verso: Flower Market, 24 x 32.5 cm |
*** | *** | |
39 |
Russell, John Peter
Rocher Au Chien, Clos Marion, Belle-Ile, 1897Oil on canvas, signed, dated and inscribed lower left To - Friend - LTC - J.P. Russell - '97, 63.5 x 81 cm |
*** | *** | |
40 |
Nicholas, Emily Hilda (nee Rix)
Spring Afternoon, Knockalong, 1933Oil on canvas, signed lower left E.H. Rix Nicholas, bears inscription on Macquarie Galleries label verso:..34. Spring Afternoon Knockalong / 1933 (Mrs. Cavanagh and Rix)..., 80.5 x 99 cm |
*** | *** | |
41 |
Gruner, Elioth
The Path to the Town, Canberra, 1937Oil on canvas, signed and dated lower right: Gruner / 1937, bears inscription verso: Path To The Town, Canberra, 41 x 51 cm |
*** | *** | |
42 |
Heysen, Hans
Autumn Flowers and Fruit, 1927, (Also Known as 'Souvenir')Oil on canvas, signed, dated and inscribed on backing board verso: 'Autumn Flowers and Fruit' / Hans Heysen / Ambleside / 1927 - 1929, inscribed on backing board verso: No 1263 / AUTUMN FLOWERS + FRUIT / HANS HEYSEN, 68.5 x 81 cm |
*** | *** | |
43 |
Beckett, Clarice Marjoribanks
The Yarra, Sunset, C.1930Oil on board, signed lower right: C Beckett, inscribed with title verso: The Yarra, Sunset, 30.5 x 35.5 cm |
*** | *** | |
44 |
Beckett, Clarice Marjoribanks
Ricketts Point, Beaumaris, C.1920Oil on canvas, signed lower left: C. Beckett, bears inscription verso: Beckett / …, 36 x 45.5 cm |
*** | *** | |
45 |
Amorsolo, Fernando
Gathering Mangoes, 1965Oil on canvas, signed and dated lower right F Amorsolo 1965, 61 x 86.5 cm |
*** | *** | |
46 |
Aboriginal Artist Unknown,
A Pair of Rainforest Sword Clubs, North East Queensland, Late 19th - Early 20th CenturyCarved and shaped hardwood, each with leaf like form tapering to a handle encrusted with black resin on the grip |
*** | *** | |
47 |
Aboriginal Artist Unknown,
A Rainforest Shield, North East Queensland, Late 19th - Early 20th CenturyCarved wood, 81 cm length |
*** | *** | |
48 |
Bedford, Paddy Nyunkuny
Mad Gap, 2004Ochres and pigments with acrylic binder on composition board, signed with initials verso: PB, bears inscription verso: Jirrawun Arts cat. PB CB 6-2004-31 and WM 2005, 80 x 100 cm |
*** | *** | |
49 |
Thomas, Rover (Julama)
Untitled, C.1993 - 94Natural earth pigments and synthetic binders on canvas, bears inscription verso: artist's name, size, and Waringarri Arts cat. AP3730 and S.3973, 80.5 x 100.5 cm |
*** | *** | |
50 |
Mawurndjul, John
Milmilngkan, 2007Natural earth pigments on eucalyptus bark, 112.5 x 47 cm (irregular) |
*** | *** |