Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
1 |
Perceval, John De Burgh
Acrobat Angel, C.1958Glazed earthenware, signed on base: Perceval, 38 cm height |
*** | *** | |
2 |
Tucker, Albert Lee
Image of Modern Evil, 1943Watercolour and ink on paper, signed and dated lower right Tucker '43, 20 x 25 cm |
*** | *** | |
3 |
Nolan, Sidney Robert
Charles Hotham, Governor of Victoria, 1853-1855, 1949Ink and enamel paint on glass, signed with initial and dated lower right N / 49., signed, dated and inscribed with title verso: Sir Charles Hotham / Governor of Victoria / 54 / Sidney Nolan / May 92, 25.5 x 30.5 cm |
*** | *** | |
4 |
Nolan, Sidney Robert
Picnic, 1949Ink and enamel paint on glass, signed with initial and dated lower left 49. N, inscribed with title verso: Picnic / 33, 25.5 x 30.5 cm |
*** | *** | |
5 |
Perceval, John De Burgh
The Hull, Williamstown, 1956Oil on composition board, signed lower left Perceval, 61 x 71 cm |
*** | *** | |
6 |
Perceval, John De Burgh
Fisherman's Sights, Williamstown, 1956Oil on composition board, signed and dated lower left Perceval 1956, 91.5 x 121 cm |
*** | *** | |
7 |
Blackman, Charles Raymond
The Friends, 1953Tempera and enamel paint on pulpboard on composition board, signed and dated upper right Blackman Feb 53, inscribed with title verso: The Friends / 14, 57 x 75.5 cm |
*** | *** | |
8 |
Blackman, Charles Raymond
Divided Painting, C.1962Oil and enamel paint on composition board, signed upper left Blackman, 167.5 x 160 cm |
*** | *** | |
9 |
Nolan, Sidney Robert
Ned Kelly - Outlaw, 1955Oil and enamel paint on composition board, signed with initial lower right N -, signed, dated and inscribed with title verso: 20 / 1 / 55 / Nolan / Ned Kelly / Outlaw /, inscribed verso: N.F.S. / To Kym Bonython, 91 x 71 cm |
*** | *** | |
10 |
Nolan, Sidney Robert
Burke Lay Dying, 1950Oil and enamel paint on composition board, signed and dated lower left Nolan / July 50, 91.5 x 122 cm |
*** | *** | |
11 |
Nolan, Sidney Robert
Hartz Range, 1950Oil and enamel paint on composition board, signed and dated lower right 11-1-50 / Nolan, 78 x 121.5 cm |
*** | *** | |
12 |
Nolan, Sidney Robert
Leda and Swan, 1960Synthetic polymer paint on composition board, signed with initial lower right N, inscribed with title and date verso: Leda + Swan / 1960 / No … 59 / To Newcastle 59 / Folkstone, 91.5 x 122 cm |
*** | *** | |
13 |
Boyd, Arthur Merric Bloomfield
Wimmera Landscape with Cockatoos, C.1965Tempera and oil on composition board, signed lower right Arthur Boyd, bears inscription verso: Chairman's / Room, 86 x 122 cm |
*** | *** | |
14 |
Dobell, William
Helen Blaxland and Tonia, 1941Oil on wood panel, signed lower right William Dobell, dated and inscribed verso: Mr Gregory Blaxland / 11 Wallaroy Road / Woollahra/ Painted / 1941, 44.5 x 53.5 cm |
*** | *** | |
15 |
Dobell, William
David Chambers, 1946Oil on composition board, signed and dated lower left William Dobell 46, 48 x 43.5 cm |
*** | *** | |
16 |
O'Brien, Justin Maurice
The Net Menders, 1965Oil on canvas, signed upper right O'Brien, bears inscription verso: National Gallery Melbourne, 70 x 49.5 cm |
*** | *** | |
17 |
Whiteley, Brett
Galah, 1988Oil, collage and wire on canvas, signed lower right with artist's studio stamp, inscribed lower right [Chinese character, translation in English:] / 1 strange, uncanny, occult, / rare / 2 wonderful / 3 to feel strange about; to wonder, signed and inscribed with title verso: Brett Whiteley / 'Galah' / oil on canvas + chicken wire, 121 x 121 cm |
*** | *** | |
18 |
Gascoigne, Rosalie Norah King
Ledger, 1992Split soft drink crates on plywood, signed, dated and inscribed with title verso: Rosalie Gascoigne / 1992 / Ledger, 81 x 43 cm |
*** | *** | |
19 |
Gascoigne, Rosalie Norah King
Jim's Picnic, 1975Printed cut-out cardboard shapes (Arnott's logos), glass bottles, dried (rye) grass, wire netting, weathered timber, signed with initials and dated at base: R.G. '76, 44 x 75 x 22 cm |
*** | *** | |
20 |
Olsen, John Henry
River and Wattle, 1982Oil on canvas, signed and dated lower right John Olsen 82, inscribed with title verso: River & Wattle, inscribed verso: Send To Mr & Mrs H. Collins 35 Larbert Str / Nth Balwyn., 152 x 167.5 cm |
*** | *** | |
21 |
Olsen, John Henry
Cottles Bridge, 1970Oil on canvas, signed and dated lower right John / Olsen 70, 91.5 x 68.5 cm |
*** | *** | |
22 |
Pugh, Clifton Ernest
Europa and the Bull, 1959Oil on composition board, signed and dated lower right Clifton/ July 59, inscribed with title on stretcher verso: THE Rape Of Europa, bears inscription verso: Mr Mitchelson [sic] / Arts Council / Clifton Pugh / Cottles Bridge Vic, 122 x 170 cm |
*** | *** | |
23 |
Blackman, Charles Raymond
Girl with Flowers, C.1958Oil on composition board, signed upper left Blackman, bears Australian Galleries cat. verso: AG413, 122 x 91 cm |
*** | *** | |
24 |
Tucker, Albert Lee
Intruder and Parrots, 1964 - 68Synthetic polymer paint on composition board, signed and dated lower left Tucker 64 - 68, bears inscription verso: “Intruder Attacked / By Parrots” / Albert Tucker, bears inscription verso: From / Australian Galleries / Melbourne / To / Clune Galleries / Sydney, 122 x 152 cm |
*** | *** | |
25 |
Tucker, Albert Lee
Wounded Man, 1958Synthetic polymer paint and cement on composition board, signed and dated lower right Tucker '58, bears inscription with title verso: Wounded Man / 200 gns / Albert Tucker / 4 Craven Hill / London W2, 91.5 x 122 cm |
*** | *** | |
26 |
Olsen, John Henry
Mallee Road to Nhill I, 1981Oil on canvas, signed and dated lower right John Olsen 81, inscribed with title verso: Mallee Road to Nhill 1, 152 x 136 cm |
*** | *** | |
27 |
Brack, Cecil John (John)
Mounting, 1956Etching and drypoint, edition: 11/16, signed, dated and numbered below image: 11/16 John Brack 56, 27 x 14.5 cm |
*** | *** | |
28 |
Brack, Cecil John (John)
The Drawing Table, 1970Conté on paper, signed and dated lower right John Brack 70, 71 x 38 cm |
*** | *** | |
29 |
Chapman/Chapman, Jake/Dinos
Untitled (Skull Panel), 2003Fiberglass and resin relief panel, 120 x 243.5 cm |
*** | *** | |
30 |
Freud, Lucian
Portrait Head, 2001Etching on Somerset textured white paper, edition: 33/46, signed with initials and numbered below image: 33/46 L.F., proofed and printed by Marc Balakjian at Studio Prints, London, published by Matthew Marks Gallery, New York, 59.5 x 46.5 cm |
*** | *** | |
31 |
Baldessari, John
Noses & Ears, Etc.: Profile with Ear and Nose (Color), 2006, from 'The Gemini Series'Colour screen print collage mounted on foamcore with hand painting, edition: 42/45, signed, dated, and numbered within image: 42/45 Baldessari 06, published and printed by Gemini G.E.L., Los Angeles, California, U.S.A., 76 x 69 cm |
*** | *** | |
32 |
De Jong, Marc
Inequality, 2010Oil on canvas, signed, dated and inscribed with title verso: Inequality / Marcsta / 2010, 127 x 162.5 cm |
*** | *** | |
33 |
de Medici, eX
Helmet's Skull, 2005Watercolour on paper, signed and dated verso: eX de Medici/ November 2005, inscribed lower left TAKEN (something crawled in) / IIII IIII II, 107 x 114 cm |
*** | *** | |
34 |
Robinson, William Francis (Bill)
The Ball Game, 1995Hand painted and glazed ceramic, signed and dated at base: William Robinson / 95, inscribed on base: Errol Barnes, 60 cm height |
*** | *** | |
35 |
Smith/Whiteley, Derek/Brett
Madam Lash, 1975Ceramic vase, signed on base: Brett / Whiteley, 34 cm height |
*** | *** | |
36 |
Meadmore, Clement
Hunch, 1971Polyester resin, edition: 52/75, signed, dated, numbered and inscribed with title on base: Hunch / 52/75 / Meadmore / 1971, 21 x 35.5 x 39 cm |
*** | *** | |
37 |
Klippel, Robert Edward
No. 549, 1985Wood assemblage, signed with initials, dated and numbered on side: RK. 1985. 549., 71 cm height |
*** | *** | |
38 |
Rees, Lloyd Frederic
Duramana Landscape, 1977Pencil and watercolour on paper, signed and dated lower left L Rees / 77, inscribed verso: No. 3 Morning Sun […], 34 x 44 cm |
*** | *** | |
39 |
Boyd, Arthur Merric Bloomfield
Shoalhaven River at Bundanon, C.1980Oil on board, signed lower right Arthur Boyd, 21 x 14.5 cm |
*** | *** | |
40 |
Olsen, John Henry
Young Miner, 1985Oil on canvas, signed and dated lower left John / Olsen '85, inscribed with title on stretcher bar verso: Young Miner, 91.5 x 76 cm |
*** | *** | |
41 |
Nolan, Sidney Robert
Girl on Horse, 1940Enamel paint on canvas, inscribed lower right 19, dated and inscribed with title verso on stretcher bar: Girl on Horse 1940 / Newcastle No 7, 35.5 x 30.5 cm |
*** | *** | |
42 |
Nolan, Sidney Robert
Landscape, 1969Oil on composition board, signed and dated lower right Nolan. / 6 Oct 69, signed and inscribed with title verso: Nolan / Landscape, bears inscription verso: Geoff Ryan / original / Dec 99, bears inscription verso: Public Flow Space., 91.5 x 91.5 cm |
*** | *** | |
43 |
Hester, Joy St. Clair
Woman in the Shower, C.1945Brush and ink on paper, inscribed lower right with estate stamp, 49.5 x 40 cm sight |
*** | *** | |
44 |
Hester, Joy St. Clair
House, C.1944 - 45Brush and ink on paper, signed lower right with estate stamp, 32 x 49 cm sight |
*** | *** | |
45 |
Blackman, Charles Raymond
The Crossing, 1951Enamel paint on composition board, signed lower left Blackman, 50.5 x 76 cm |
*** | *** | |
46 |
Vassilieff, Danila Ivanovich
Two Women, 1955Oil on composition board, signed lower left Vassilieff, bears inscription verso: SR188, 55.5 x 31.5 cm |
*** | *** | |
47 |
Vassilieff, Danila Ivanovich
Dancing Women, C. 1955Gouache on paper, bears inscription verso: U (P) 85 / No 2, 29 x 39.5 cm |
*** | *** | |
48 |
Vassilieff, Danila Ivanovich
Swan Hill, 1956Oil on canvas, signed upper left Vassilieff, inscribed with title on label verso: Swan Hill, bears inscription verso: SR73, 58 x 70 cm |
*** | *** | |
49 |
Friend, Donald Stuart Leslie
Three Shy Nudes, BaliInk and watercolour on paper, signed and inscribed with title lower right Three Shy Nudes. / Donald Friend / Bali, 74 x 54 cm sight |
*** | *** | |
50 |
Friend, Donald Stuart Leslie
Nude Studies, BaliWatercolour and ink on paper, signed and inscribed with title lower right Nudes Studies, / Donald Friend, / Bali, 74 x 54 cm |
*** | *** |