Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
1 |
Drysdale, George Russell (Russell)
The Embrace, 1937Watercolour and ink on paper, signed and dated upper left: 'Russell Drysdale 37', 29 x 25 cm |
*** | *** | |
2 |
Rees, Lloyd Frederic
Evening at Orange, 1955Oil on canvas on board, signed and dated lower right 'L Rees / 1955'; inscribed verso: 'Evening At Orange / 35 gns'; inscribed to frame verso: 'The Canal At Werri By Lloyd Rees 35 Guineas', 34 x 40.5 cm |
*** | *** | |
3 |
Fox, Emanuel Phillips
Doges Palace, Venice, c.1907Oil on wood panel, 16 x 22 cm |
*** | *** | |
4 |
Trenerry, Horace Hurtle
Settler's Cottage, Woodside, 1928Oil on canvas on board, signed and dated lower right 'H Trenerry / 28', 23 x 24.5 cm |
*** | *** | |
5 |
Bunny, Rupert Charles Wulsten
St. Paul Du Var, c.1925Oil on canvas, signed with monogram lower left: 'RCWB'; inscribed verso with title on stretcher bar: 'St. Paul du Var'; stamped verso: 'Lucien Lefebvre-Foinet', 63.5 x 48.5 cm |
*** | *** | |
6 |
Fox, Ethel Carrick
Rose Bay, Sydney Harbour, c.1915Oil on canvas, inscribed verso with title and date on stretcher bar: 'Rose Bay, Sydney Harbour (c 1915)', 27 x 32.5 cm |
*** | *** | |
7 |
Campbell, Cressida
Interior with Daffodils, 2010Unique woodblock print on stonehenge paper, signed lower right 'Cressida Campbell', 39 x 23 cm |
*** | *** | |
8 |
Gruner, Elioth
Rolling Hills, 1934Oil on canvas on board, signed and dated lower right 'Gruner / 1934', 36.5 x 44 cm |
*** | *** | |
9 |
Streeton, Arthur Ernest
Melba's Country, 1936Oil on canvas, signed and dated lower left: 'A Streeton /36'; inscribed verso with title and date on stretcher bar; housed in the original John Thallon frame, 62 x 75 cm |
*** | *** | |
10 |
Olley, Margaret Hannah
Mallee Blue Gumnuts, 1989Oil on board, signed lower right 'Olley', 67 x 90 cm |
*** | *** | |
11 |
Feint, Adrian George
Pittwater, 1955Oil on board, signed and dated lower right 'Adrian Feint 1955', 29 x 24 cm |
*** | *** | |
12 |
Friend, Donald Stuart Leslie
The Sleepout, Hill End, c.1979Oil on canvas laid on board, signed lower right 'Donald Friend', 35 x 45 cm |
*** | *** | |
13 |
Drysdale, George Russell (Russell)
The Soldier, c.1944Ink on paper, signed lower right 'Russell Drysdale', 18.5 x 13.5 cm |
*** | *** | |
14 |
O'Brien, Justin Maurice
Procession, 1964Oil on paper on panel, signed upper right 'O Brien', 41 x 29.5 cm |
*** | *** | |
15 |
Dobell, William
Girl on a Bicycle, WangiOil on composition board, signed lower right 'W Dobell', 21 x 25 cm |
*** | *** | |
16 |
Boyd, Arthur Merric Bloomfield
Harkaway, View from the Grange, 1948Oil on canvas on board, signed lower right 'Arthur Boyd', 62.5 x 76 cm |
*** | *** | |
17 |
Smart, Frank Jeffrey (Jeff) Edson
Second Study for the Plastic Tube, 1980Oil on canvas on board, signed lower left: 'Jeffrey Smart', 43 x 71 cm |
*** | *** | |
18 |
De Maistre, LeRoy Leveson Laurent (Roy)
Figures Washing by a StreamOil on canvas on board, signed lower left: 'R. de Maistre', 31 x 39 cm |
*** | *** | |
19 |
Tucker, Albert Lee
Rosella in the BushOil on composition board, signed lower right 'Tucker', 60 x 75 cm |
*** | *** | |
20 |
Olley, Margaret Hannah
Fishing, Sepik River, 1968Oil on board, signed and dated lower left: 'Olley 68'; titled on artist's label verso, 19.5 x 29.5 cm |
*** | *** | |
21 |
Olley, Margaret Hannah
Goroka Valley, New Guinea, 1968Oil on board, signed and dated lower left: 'Olley 68', 19.5 x 37 cm |
*** | *** | |
22 |
Trenerry, Horace Hurtle
Study, Gum Trees, Woodside, 1926Oil on paper on board, titled, signed, and dated verso: 'Study, Gum Trees / Horace N Trenerry / Woodside, 26', 28.5 x 21.5 cm |
*** | *** | |
23 |
Rees, Lloyd Frederic
The Red House, 1922Oil on canvas on board, signed and dated lower left: 'Rees / 22', 18 x 22 cm |
*** | *** | |
24 |
Murch, Arthur James
Mount Liebig, 1934Oil on canvas on board, 36 x 58.5 cm |
*** | *** | |
25 |
Fox, Emanuel Phillips
Cremorne Point, c.1913Oil on wood panel, signed lower left: 'E Phillips Fox', 16 x 21 cm |
*** | *** | |
26 |
Wakelin, Roland Shakespeare
The Bridge from North Sydney, 1939Oil on board, signed and dated lower left: 'R. Wakelin 1939'; housed in original S.A Parker frame, 75 x 62.5 cm |
*** | *** | |
27 |
Nolan, Sidney Robert
Theseus and Minotaur, 1956Oil on paper, signed and dated lower right '13-2-56. / Nolan. ', 14.5 x 12.5 cm |
*** | *** | |
28 |
Nolan, Sidney Robert
Mythological Scene, 1956Ripolin on paper, initialled and dated verso: '13-2-56 / N', 13 x 12 cm |
*** | *** | |
29 |
Robinson, William Francis (Bill)
Gums in Afternoon Light, 1992Oil on canvas, signed and dated lower right 'William Robinson 92'; inscribed verso with title: 'Gums In Afternoon Light', 37.5 x 42 cm |
*** | *** | |
30 |
Smith, Grace Cossington
Door to the Garden, 1966Oil on composition board, signed and dated lower left: 'G. Cossington Smith, 66'; artist's name, title and medium on remnants of old label attached verso, 34 x 25 cm |
*** | *** | |
31 |
De Maistre, LeRoy Leveson Laurent (Roy)
Studio InteriorOil on pulp board, signed lower right 'R de Maistre'; inscribed verso: 'Ecleston St', 111 x 65.5 cm |
*** | *** | |
32 |
Haxton, Elaine Alys
MonkeysOil on board, signed lower centre right 'Elaine Haxton'; titled and signed verso: 'Monkeys / Haxton', 39 x 39.5 cm |
*** | *** | |
33 |
Whiteley, Brett
Monkey, 1971Ink on paper, stamped lower left with artist's monogram, 26.5 x 25 cm |
*** | *** | |
34 |
Boyd, Theodore Penleigh
Across the Grazing Country, 1913Oil on board, signed and dated lower left: 'T Penleigh Boyd / 1913', 16.5 x 22.5 cm |
*** | *** | |
35 |
Wakelin, Roland Shakespeare
South Coast Landscape, c.1960Oil on board, 30.5 x 36.5 cm |
*** | *** | |
36 |
Withers, Walter Herbert
In August, 1914Oil on canvas, signed and dated lower right 'Walter Withers / 14', 41 x 51 cm |
*** | *** | |
37 |
Boyd, Arthur Merric Bloomfield
Shoalhaven Riverside and Swan, c.1984Oil on composition board, signed lower left: 'Arthur Boyd', 30 x 20 cm |
*** | *** | |
38 |
Gleeson, James Timothy
Figures in PsychoscapeOil on composition board, signed lower right 'Gleeson', 19.5 x 14.5 cm |
*** | *** | |
39 |
Roberts, Thomas (Tom) William
Potato Pickers, c.1929Oil on cedar panel, signed lower right 'Tom Roberts', 10 x 19.5 cm |
*** | *** | |
40 |
Mungatopi, Deaf Tommy
Untitled (Coral Design), 1977Natural earth pigments on eucalyptus bark, 81 x 51.5 cm |
*** | *** | |
41 |
Aboriginal Artist Unknown,
Untitled (Hunting Scene)Natural earth pigments on eucalyptus bark, 28 x 51 cm |
*** | *** | |
42 |
Aboriginal Artist Unknown,
Untitled (Flying Fox and Birds)Natural earth pigments on eucalyptus bark, 58 x 40.5 cm |
*** | *** | |
43 |
Aboriginal Artist Unknown,
SpiderNatural earth pigments on eucalyptus bark, 71 x 38 cm |
*** | *** | |
44 |
Aboriginal Artist Unknown,
A Large Fighting Boomerang, Lake Eyre Region, South Australia, 19th CenturyCarved and engraved wood, length: 114 cm |
*** | *** | |
45 |
Aboriginal Artist Unknown,
A Fighting Boomerang, Lake Eyre Region, South Australia, 19th CenturyCarved and engraved hardwood, traces of natural earth pigments, length: 114 cm |
*** | *** | |
46 |
Aboriginal Artist Unknown,
A Large Boomerang, North Eastern Queensland, 19th CenturyCarved and engraved wood, length: 98 cm |
*** | *** | |
47 |
Aboriginal Artist Unknown,
A Crescent-Shaped Boomerang, Southern Queensland/North Eastern New South Wales Region, 19th CenturyCarved wood, length: 63 cm |
*** | *** | |
48 |
Aboriginal Artist Unknown,
A Large Ceremonial Shield, Central DesertNatural earth pigments and down feathers on carved and engraved wood, length: 74.5 cm |
*** | *** | |
49 |
Aboriginal Artist Unknown,
A Wunda Shield, Western AustraliaNatural earth pigments on carved and engraved wood, length: 77.5 cm |
*** | *** | |
50 |
Moffatt, Tracey
'Scarred for Life I, 1994'Colour photolithographs, each image with printed signature below plate |
*** | *** |