Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
1 |
Quilty, Ben
One Big One, 2005Oil on linen, signed, dated and inscribed verso: Australian Landscape / [..] / Ben Quilty 2005, 160.5 x 170 cm |
*** | *** | |
2 |
Seton, Alexander (Alex)
Soloist, 2012Bronze, edition: 1/3, signed, dated, inscribed and numbered at base: Alexander Seton / 'Soloist' 2012 / Ed. 1/3, 95 x 75 x 70 cm |
*** | *** | |
3 |
Jinks, Sam
Untitled, 2012 - 14Silicone, pigment, resin and human hair on a painted wooden base, edition of 3, signed and dated on base: SamJinks / 2014, 36 x 36 x 18 cm |
*** | *** | |
4 |
Wei, Guan
The Last Supper, 1995Synthetic polymer paint on thirteen canvases, each signed with initials lower right G.W.. each numbered verso, 87 x 46 cm each. 87 x 598 cm overall |
*** | *** | |
5 |
Smith, Grace Cossington
Drapery in the Studio, 1960Oil on board, signed and dated lower right G Cossington Smith 1960. artist's label verso inscribed with title, 46 x 27 cm |
*** | *** | |
6 |
Black, Dorothea (Dorrit) Foster
Air Travel: Pineapple Plantation, c.1949Colour linocut, edition of 50, signed upper right in image with artist's monogram, 18.5 x 22 cm |
*** | *** | |
7 |
Smith, Grace Cossington
Bulli Landscape, c.1930Coloured pencil on paper, signed lower left G. Cossington Smith, inscribed on original backing verso: Nell / Bulli Landscape / with love / Grace. bears inscription on original backing verso: MRS. Nell B.J, 25 x 30.5 cm |
*** | *** | |
8 |
Campbell, Cressida
Ceramics with Coral Flower, 1996Hand-painted woodblock print, signed lower right Cressida Campbell, 62 x 45.5 cm |
*** | *** | |
9 |
Brack, Cecil John (John)
Sketch for Backs and Fronts, 1969Conte on paper, signed and dated lower left John Brack 69, 44.5 x 65.5 cm |
*** | *** | |
10 |
Brack, Cecil John (John)
Study for the Red Carpet, 1970Conte on paper, signed and dated lower right John Brack / 70, 78 x 58 cm |
*** | *** | |
11 |
De Maistre, LeRoy Leveson Laurent (Roy)
The Farm Cart, c.1930Oil on canvas, signed lower left R. de Mestre. inscribed verso: De Cher / SLD / 1758 / 65 Chester Place. label attached to stretcher verso: James Bourlet & Sons, Ltd London, 61 x 51 cm |
*** | *** | |
12 |
Vassilieff, Danila Ivanovich
Yankee with Girls, Aussies Without, 1942Oil on muslin on board, inscribed verso: 'Soldiers and Sailors' 1942, 26 x 68.5 cm |
*** | *** | |
13 |
Drysdale, George Russell (Russell)
Split Rocks, c.1952Oil on canvas, signed lower right Russell Drysdale, signed and inscribed verso: Russell Drysdale / Split Rocks, 40.5 x 51 cm |
*** | *** | |
14 |
Rees, Lloyd Frederic
Sunset on the Omega Hills, 1948Oil on canvas, signed lower right L. Rees, inscribed with title verso, 67.5 x 101 cm |
*** | *** | |
15 |
Smart, Frank Jeffrey (Jeff) Edson
Paringa, 1951Oil on canvas, signed and dated lower right Jeff Smart 51, 51.5 x 81.5 cm |
*** | *** | |
16 |
Williams, Frederick (Fred) Ronald
Acacia Saplings, c.1974Oil on canvas, signed lower left Fred Williams, 105.5 x 101.5 cm |
*** | *** | |
17 |
Whiteley, Brett
Washing the Salt off III, 1985Oil on canvas on composition board, signed, dated and inscribed with title verso: Brett Whiteley / 'Washing the salt off 3' / 1985, 92 x 61 cm |
*** | *** | |
18 |
Whiteley, Brett
Blue and Green Paddock, 1979Oil, collage and mixed media on canvas board, signed lower right whiteley, 90.5 x 60.5 cm |
*** | *** | |
19 |
Smart, Frank Jeffrey (Jeff) Edson
Second Study for Morning, Yarragon Siding, 1983Oil and synthetic polymer paint on card on composition board, signed lower right Jeffrey Smart, signed lower left Jeffrey Smart, 40 x 63 cm |
*** | *** | |
20 |
Smart, Frank Jeffrey (Jeff) Edson
First Study for Ostia, 1969 – 70Oil on canvas on composition board, signed lower left Jeffrey Smart, 31 x 46 cm |
*** | *** | |
21 |
Robinson, William Francis (Bill)
Morning Tallanbanna, 1998Oil on linen, inscribed with title verso: Morning Tallanbanna, 137 x 183 cm |
*** | *** | |
22 |
Nolan, Sidney Robert
Leda and the Swan, 1945Ripolin enamel on composition board, signed, dated and inscribed verso: 1945 / 44 Marl / on loan not for sale/. Leda + Swan / No 44 / To Newcastle / Nolan, 60.5 x 91.5 cm |
*** | *** | |
23 |
Boyd, Arthur Merric Bloomfield
Bride in Landscape, c.1967Oil on canvas, signed lower right Arthur Boyd, 106.5 x 112 cm |
*** | *** | |
24 |
Blackman, Charles Raymond
Schoolgirl and Buildings, c.1952 – 53Oil on composition board, signed lower left Blackman, 75 x 62 cm |
*** | *** | |
25 |
Blackman, Charles Raymond
Herself Forgiven: Figure from a Drama, 1963. (From 'Figures From A Drama: Six Characters in Search of an Author')Oil on composition board, signed lower right Blackman, 121.5 x 91.5 cm |
*** | *** | |
26 |
Storrier, Timothy Austin (Tim)
The Night (Chrome Tap), 2008Synthetic polymer paint on linen, signed lower right Storrier, signed, dated and inscribed with title on stretcher verso: The Night (chrome tap) / Storrier / 2008, 100 x 210 cm |
*** | *** | |
27 |
Shead, Garry
Morning, 1994 (From 'D. H. Lawrence' Series)Oil on canvas, signed and dated lower right Garry Shead 94, signed, dated and inscribed with title verso: Oil. 'Morning' '94 Garry Shead, 90.5 x 121 cm |
*** | *** | |
28 |
Amor, Rick
Still Life (Interior), 1991 – 98Oil on linen, signed and dated lower left Rick Amor '91-98, inscribed and dated verso: Interior / [..] / Jan 91 / Mar 98, 81.5 x 101.5 cm |
*** | *** | |
29 |
Zavros, Michael
Winning Is Easy, 2009Bronze, edition: 2/18, signed with initials and numbered on base: MZ / 2/18, 50 x 22 x 33.5 cm |
*** | *** | |
30 |
Quilty, Ben
Skull, 2009Oil on canvas, signed, dated and inscribed verso: Ben Quilty / firstdraft / Skull / 2009, 36 x 28 cm |
*** | *** | |
31 |
Harding, Nicholas
In the Swell (Lilo and Snorkel), 2005Oil on canvas, signed, dated and inscribed with title verso: In The Swell / (Lilo / And / Snorkel) / 2005 / Nicholas Harding, 112 x 107 cm |
*** | *** | |
32 |
Booth, Peter
Painting (Figure in Olive Jumper), 2005Oil on canvas, signed and dated verso: Booth 2005, 76.5 x 158 cm |
*** | *** | |
33 |
Whisson, Kenneth (Ken) Ronald
Bathers and Bright Pavilions, 1996Oil on canvas, signed, dated and inscribed with title verso: Ken Whisson / Painted: / Perugia. 4/3/96/+ 17/7/96 + 4/9/96/ + 28/11/96 / 'Seaside 5. Bathers / and Bright Pavilions', 99 x 119 cm |
*** | *** | |
34 |
Freud, Lucian
Blond Girl, 1985Etching on Somerset White wove paper, edition: state proof aside from an edition of 50, signed with initials and inscribed S.P. below image. printed by Terry Wilson at Palm Tree Studios, London. published in 1986 by James Kirkman, London and Brooke Alexander, New York, 69.5 x 54.5 cm |
*** | *** | |
35 |
Storrier, Timothy Austin (Tim)
The Night Sky, 1993Synthetic polymer paint on canvas, signed lower right Storrier, 104 x 230 cm |
*** | *** | |
36 |
Blackman, Charles Raymond
The Garden, 1972Oil on canvas, signed upper right Charles Blackman, 159 x 422.5 cm |
*** | *** | |
37 |
Shead, Garry
The Secret II, 1992 (From 'D. H. Lawrence' Series)Oil on board, signed and dated lower right Garry Shead 92, inscribed verso: Garry Shead. The Secret II Nov. 1992, 60 x 58.5 cm |
*** | *** | |
38 |
Shead, Garry
Artist and Muse, c.2003Oil on composition board, signed lower right Garry Shead, 76 x 60.5 cm |
*** | *** | |
39 |
Herman, Sali Yakubowitsch (Sali)
The White House, Paddington, 1964Oil on board, signed lower right S. Herman, 64, 50 x 60 cm |
*** | *** | |
40 |
Herman, Sali Yakubowitsch (Sali)
Terrace Houses Balmain, 1966Oil on canvas, signed and dated lower right S. Herman, 66, 82 x 106.5 cm |
*** | *** | |
41 |
Wakelin, Roland Shakespeare
St James' Church, Sydney, 1949Oil on board, signed and dated lower left R. Wakelin '49, 68 x 51.5 cm |
*** | *** | |
42 |
Rees, Lloyd Frederic
Sydney, 1974Pencil and watercolour on paper, signed and dated lower right L Rees / 1974, 40.5 x 59.5 cm |
*** | *** | |
43 |
Russell, John Peter
Monastery at Portofino, 1920Pencil and watercolour on paper, signed and dated lower left John Russell / 20, 26 x 35.5 cm |
*** | *** | |
44 |
Trenerry, Horace Hurtle
The Barn, c.1924Oil on canvas, signed indistinctly lower left H Trennery, 31 x 37 cm |
*** | *** | |
45 |
Gruner, Elioth
Spring Morning, c.1917Oil on canvas, signed lower right Gruner, 44.5 x 39 cm |
*** | *** | |
46 |
Strutt, William Thomas
Spring Cleaning, 1892Oil on canvas, signed lower left William Strutt, 66.5 x 102.5 cm |
*** | *** | |
47 |
Glover, John
View at Matlock, DerbyshireOil on canvas, 74.5 x 110.5 cm |
*** | *** | |
48 |
Boyd, Arthur Merric Bloomfield
St Francis with the Wolf I, c.1964 – 65Pastel on paper, signed lower right Arthur Boyd, 48 x 63 cm |
*** | *** | |
49 |
Blackman, Charles Raymond
Night Flight Over Paris, 1973Oil on canvas on board, signed lower right Blackman, 40 x 55.5 cm |
*** | *** | |
50 |
Nolan, Sidney Robert
Ern Malley, 1969 – 73Oil and mixed media on three sheets of paper, i) signed and dated verso: 3 July 69 / Nolan. ii) signed and dated verso: 3 July 69 / Nolan. iii) signed, dated and inscribed with title verso: 18 July /1973 / Nolan / Ern Malley/ 'He the dark hero', 30.5 x 25 cm (each) |
*** | *** |