Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
1 |
Nolan, Sidney Robert
Police Trooper, 1947Ripolin enamel on pulpboard, signed and dated lower right Nolan / 1947, 75 x 63 cm |
*** | *** | |
2 |
Olsen, John Henry
Self Portrait. Travelling West, 1990-92Oil on canvas, signed and dated lower right John Olsen / '90-'92, signed, dated and inscribed verso on stretcher bar: 'Self Portrait' Travelling West' - John Olsen. 90 [illeg.], 152.5 x 122 cm |
*** | *** | |
3 |
Olsen, John Henry
Kitchen, Influenced by FlowersWatercolour and pastel on paper, signed and inscribed lower left Kitchen Influenced by Flowers / John Olsen, 95 x 100 cm |
*** | *** | |
4 |
Wolfhagen, Philip
Summer Flood I, 2004Oil and beeswax on linen, signed with initial, dated and inscribed lower right W / July / 2004 / 'Summer / Flood I', artist's stamp lower right, signed, dated and inscribed verso Philip Wolfhagen / 'Summer flood I' 2004 / ['], 200 x 210 cm |
*** | *** | |
5 |
Bennett, Gordon
Notes to Basquiat: (Ab) Original, 1999Synthetic polymer paint on linen, signed, dated and inscribed verso G Bennett 3-9-1999 / 'Notes To Basquiat: (ab) original' / ['], 182.5 x 182.5 cm |
*** | *** | |
6 |
Rees, Lloyd Frederic
Autumn at Orange No. 2, 1958Oil on board, signed with initials and dated lower left LR / 58, inscribed verso Autumn at Orange / No 2, 19 x 38 cm |
*** | *** | |
7 |
Herman, Sali Yakubowitsch (Sali)
Paddington Street Scene, 1952Oil on canvas, signed and dated lower left S. Herman. 52, 51.5 x 61.5 cm |
*** | *** | |
8 |
Boyd, Arthur Merric Bloomfield
Protection, 1957 - 58Glazed ceramic tile, signed lower right Arthur Boyd, 45.5 x 61 cm |
*** | *** | |
9 |
Boyd, Arthur Merric Bloomfield
Wimmera Landscape with Waterhole, Birds and Shelter, c.1950Oil and tempera on composition board, signed lower left Arthur Boyd, 87 x 121 cm |
*** | *** | |
10 |
Perceval, John De Burgh
The Pottery, 1948Oil, resin and tempera on canvas, signed and dated lower left Perceval / 48, inscribed verso Mrs Wann / Benalla / Victoria, 81 x 91.5 cm |
*** | *** | |
11 |
O'Brien, Justin Maurice
Interior with Figure on a Sofa, c.1986Oil on canvas, signed upper right O'Brien, 94 x 66.5 cm |
*** | *** | |
12 |
Hawkins, Sheila
Gypsy Mother, c.1939Oil on linen, signed lower right Hawkins, 60 x 49 cm |
*** | *** | |
13 |
Hawkins, Sheila
Catalan Market, c.1939Oil on canvas, signed lower right Sheila Hawkins, inscribed on label verso No. 1 / Oil / Catalan Market / Sheila Hawkins / 35 Haymarket 8WI, 70 x 94 cm |
*** | *** | |
14 |
Stokes, Constance
Woman and Her Children on a Tram, c.1946Oil on canvas, signed lower right Constance Stokes, 71 x 54.5 cm |
*** | *** | |
15 |
Sumner, Alan Robert Melbourne
Hill Train Terminus Ferntree Gully, 1948Oil on canvas, signed lower left Alan Sumner, 63 x 76 cm |
*** | *** | |
16 |
Sumner, Alan Robert Melbourne
River Anchorage, c.1947Oil on board, signed lower right Alan Sumner, 50.5 x 61 cm |
*** | *** | |
17 |
Beckett, Clarice Marjoribanks
Evening on the YarraOil on board, signed lower right C Beckett, 35 x 39.5 cm |
*** | *** | |
18 |
Smith, Grace Cossington
Evening Landscape at Pentecost, c.1930sOil on board, signed lower right G. Cossington Smith, inscribed verso To be framed for Mrs Burgess / Evening Landscape / G. Cossington Smith, inscribed on backing: To Mrs Burgess / with best wishes & affection / Grace Cossington Smith /. August 1975 / 'Evening Landscape / At Penticost' [sic], 27.5 x 32 cm |
*** | *** | |
19 |
Beckett, Clarice Marjoribanks
Church Street Bridge, RichmondOil on board, signed lower left C. Beckett, 28.5 x 38 cm |
*** | *** | |
20 |
Rees, Lloyd Frederic
Lake Parramatta, 1936Pencil on paper, signed and dated lower left L. Rees 1936, bears inscription on backing: The Lake 4 guineas No / 3 1. further inscription on reverse of backing: No 1 Lake Parramatta 4 guineas, 16 x 21.5 cm |
*** | *** | |
21 |
Rees, Lloyd Frederic
Balls Head, c.1931Pencil on paper, signed lower right Lloyd Rees, 15 x 25 cm |
*** | *** | |
22 |
Nicholas, Emily Hilda (nee Rix)
Through the Gum Trees, Toongabbie, c.1920Oil on canvas, signed lower right E H Rix Nicholas, partial label attached to stretcher frame verso Lucien Lefebvre-Foinet, Paris. label attached to stretcher frame verso Nicholson Institute, Leek, Staffordshire, 65 x 81 cm |
*** | *** | |
23 |
Lewin, John William
Five Botanical Studies, c.1805Pencil and watercolour on paper |
*** | *** | |
24 |
Earle, Augustus
Sketch of Mr Prout N. S. Wales, c.1828Watercolour on paper, inscribed on label attached verso Sketch of Mr Prout at Sydey [sic] N.S. Wales, / Mr Hewett / with Mr Earles compliments, bears inscription: Sketch of Mr Prout at Sydey [sic] NS. Wales / with Mr Earles compliments, 17 x 14.5 cm |
*** | *** | |
25 |
Hart, Attributed, Conway
A Pair of Portraits Of Samuel and Rosetta Moses with Children, Hobart Town, c.1855-1856 (2)Oil on canvas, 165 x 124.5 cm each |
*** | *** | |
26 |
Fox, Emanuel Phillips
Figure Study for the Arbour, c.1909 - 10Oil on canvas, signed lower left E P[h]illips Fox, 74 x 40.5 cm |
*** | *** | |
27 |
Streeton, Arthur Ernest
Sassafras, 1926Oil on canvas, signed lower left A Streeton, bears inscription verso 275 / RMC / R. M. Clark esq, 62 x 74 cm |
*** | *** | |
28 |
Streeton, Arthur Ernest
Glass, 1929Oil on canvas on composition board, signed lower left A Streeton, 61 x 51 cm |
*** | *** | |
29 |
Bennett, Portia Mary
June (Perth Town Hall), 1951Watercolour on paper, signed, dated and inscribed lower left Portia M Bennett / June 1951, 81 x 61 cm |
*** | *** | |
30 |
Gunn, Herbert
Reclining NudeOil on canvas on board, signed upper left H James Gunn, 34 x 44.5 cm |
*** | *** | |
31 |
Davidson, Bessie Ellen
Still Life with Flowers and PearsOil on cardboard, signed lower right Bessie Davidson, signed and inscribed verso Bessie Davidson / Fleurs, 61 x 46 cm |
*** | *** | |
32 |
Olley, Margaret Hannah
Bush RoseOil on composition board, signed lower right Olley, inscribed verso Margaret Olley Bush Rose, 70 x 92 cm |
*** | *** | |
33 |
Smart, Frank Jeffrey (Jeff) Edson
Truck and Driver, 2000-2001Oil on canvas, signed lower right Jeffrey Smart, 80 x 100 cm |
*** | *** | |
34 |
Smart, Frank Jeffrey (Jeff) Edson
First Oil Study for Ring - a - Rosy, 1986Oil on canvas, signed lower right Jeffrey Smart, 32.5 x 52 cm |
*** | *** | |
35 |
Nolan, Sidney Robert
Mine, c.1972Oil and synthetic polymer paint on composition board, signed lower right Nolan, inscribed verso Mine / Nolan, 151.5 x 121 cm |
*** | *** | |
36 |
Boyd, Arthur Merric Bloomfield
Shoalhaven; Hillside with Rocks and Man in BoatOil on composition board, signed lower right Arthur Boyd, 122 x 91 cm |
*** | *** | |
37 |
Smart, Frank Jeffrey (Jeff) Edson
The Park, 1960Oil on plywood, signed lower left Jeffrey Smart, signed and inscribed verso Mc.Caughey Prize / 'Park' 75gns / Jeffrey Smart, 59 x 76 cm |
*** | *** | |
38 |
Robinson, William Francis (Bill)
Farmyard, 1978Oil on canvas, signed lower right William Robinson, 99.5 x 134.5 cm |
*** | *** | |
39 |
Whisson, Kenneth (Ken) Ronald
Farmyard with White Livorno, 2001 - 2002Oil on linen, signed, dated and inscribed verso Ken Whisson / 'Farmyard with White Livorno' / Painted 21/7/01, 20/1/02 and 11/3/02 / [...], 90 x 120 cm |
*** | *** | |
40 |
Grey-Smith, Guy Edward
Mt Vernon, 1962Oil and beeswax emulsion on gauze on composition board, signed and dated lower right G. Grey Smith / 62, 120 x 180 cm |
*** | *** | |
41 |
Taylor, Howard Hamilton
Untitled, 1962-63Oil and synthetic polymer paint on composition board, signed and dated lower left H Taylor 62, signed and dated lower right H Taylor 63, 50.5 x 118 cm |
*** | *** | |
42 |
McCahon, Colin John
Dance of the Gannets, c.1976 - 1978Synthetic polymer paint on unstretched canvas, inscribed lower centre right 'Dance Of The Gannets', further inscribed: '[illeg.]hy throne O God is for / ever and ever, and the /sceptre of justice is the / sceptre of His Kingdom', 79.5 x 122 cm |
*** | *** | |
43 |
McCahon, Colin John
Gannets Leaving Muriwai, c.1976 - 1978Synthetic polymer paint on unstretched canvas, inscribed upper right 'Gannets Leaving Muriwai', further inscribed: 'he who makes his / angels winds, / and his minister / a fiery flame', 79.5 x 122 cm |
*** | *** | |
44 |
Gascoigne, Rosalie Norah King
Compound, 1994Painted wood, composition board and plywood on composition board, signed, dated and inscribed verso Rosalie Gascoigne / 1994 / 'Compound', 102.5 x 92.5 cm |
*** | *** | |
45 |
Meadmore, Clement
Whirly Bird, 1997Bronze, edition: 1/4, signed, dated and numbered at base: Meadmore 1997 1/4, inscribed with title and initialled on base Whirly Bird Art, 46 x 84 x 50 cm |
*** | *** | |
46 |
Frink, Elisabeth
Winged Figures, 1964Bronze, edition: 6/6, signed and numbered on base: Frink 6/6, 46.5 x 35.5 x 25.5 cm |
*** | *** | |
47 |
Kossoff, Leon
Head of Heinz III, 1998Oil on board, bears inscription verso LK0030, 63.5 x 51 cm |
*** | *** | |
48 |
Freud, Lucian
Head of Ali, 1999Etching on Somerset textured white paper, edition: 11/46, signed with initials and numbered below image, proofed and printed by Marc Balakjian at Studio Prints, London. published by Matthew Marks Gallery, New York, 59.5 x 43 cm (image), 76 x 57.5 cm (sheet) |
*** | *** | |
49 |
Freud, Lucian
Portrait Head, 2001Etching on Somerset textured white paper, edition: 17/46, signed with initials and numbered below image, proofed and printed by Marc Balakjian at Studio Prints, London. Published by Matthew Marks Gallery, New York, 59.5 x 46.5 cm (image), 72.5 x 57 cm (sheet) |
*** | *** | |
50 |
Kentridge, William
Walking Man, 2000Linocut on paper, edition: 20/25, signed, dated and inscribed below image, 251 x 101 cm |
*** | *** |