Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
1 |
Quilty, Ben
Virus, 2006Oil and aerosol on canvas, signed, dated and inscribed verso: Ben Quilty / 2006 / 'Virus', 160 x 150 cm |
*** | *** | |
2 |
Morrison, James
The First Man and the Last Man, Arnhem Land, 2006Oil on ten canvas panels plus additional canvas panel and wood attachment, 41 x 50 cm each |
*** | *** | |
3 |
Zavros, Michael
Black Suit, 2007Oil on canvas, signed with initials and dated lower right: MZ07, 110 x 150 cm |
*** | *** | |
4 |
Leach, Sam
Assets, 2008Oil and resin on wood, signed and dated verso: Sam Leach / 2008-09, 25 x 19 cm |
*** | *** | |
5 |
Zavros, Michael
White Onagadori, 2007Charcoal on paper, 82 x 88 cm |
*** | *** | |
6 |
Bawden, Lionel
The Monsters (Life in Slow Motion), 2005Coloured Staedtler pencils, epoxy, pale boiled linseed oil, 40 x 84 x 55 cm |
*** | *** | |
7 |
Cattapan, Jon
Salt Line, 2003Oil on linen, signed and dated verso: Cattapan 2003. inscribed verso: John Cattapan / Saltline, 160 x 180 cm |
*** | *** | |
8 |
Sansom, Gareth Laurence
My Mother's House, 2006Oil and enamel on linen, signed and dated verso: Sansom '06. dated and inscribed on stretcher verso: My Mother's House 2006, 122 x 122 cm |
*** | *** | |
9 |
Henson, Bill
Untitled 1992/93, 1992-93Type C photograph, signed, dated and inscribed below image. edition of 5, 166 x 108.5 cm |
*** | *** | |
10 |
Bush, Stephen
Untitled in Green and Gold, 1987Oil on linen, signed, dated and inscribed verso on stretcher: 'Untitled In Green And Gold' Stephen Bush 13/11/87 - 27/11/87, 122 x 142.5 cm |
*** | *** | |
11 |
Bush, Stephen
The Promise, the Inevitable Disappointment, 1989Oil on linen, signed, dated and inscribed verso on stretcher: Stephen Bush 21/3/89 - 14/4/89 The Promise - the inevitable disappointment, 182.5 x 182.5 cm |
*** | *** | |
12 |
Brack, Cecil John (John)
Study for 'Standing Nude', 1970Conte on paper, signed and dated lower right: John Brack 70, titled on distressed paper label verso: [St]udy For Standing / Nude, 68.5 x 49.5 cm |
*** | *** | |
13 |
Brack, Cecil John (John)
Study for 'The Mertz Nude', 1965Conte on paper, signed and dated lower left: John Brack 65, 48.5 x 65 cm |
*** | *** | |
14 |
Fairweather, Ian
Portrait, 1939Oil and gouache on cardboard on plywood, signed lower left: IFairweather, 39.5 x 43 cm |
*** | *** | |
15 |
Fairweather, Ian
Sketch Head, 1941Gouache and pencil on paper on board, signed lower right: IFairweather, 24.5 x 20.5 cm |
*** | *** | |
16 |
Blackman, Charles Raymond
The Blue Dress, 1954Enamel on compressed cardboard, signed and dated lower right: Charles Blackman / 1954, 61.5 x 75 cm |
*** | *** | |
17 |
Williams, Frederick (Fred) Ronald
Eroded Hill, 1977Gouache on paper, signed and dated lower left: Fred Williams, 56 x 75 cm |
*** | *** | |
18 |
Boyd, Arthur Merric Bloomfield
Fiery Pulpit Rock, C1993Oil on canvas, signed lower right: Arthur Boyd, 91 x 122 cm |
*** | *** | |
19 |
Whiteley, Brett
To Repeat Without Repeating, 1973Oil on plywood with ink and seashell, signed and dated verso: brett whiteley 73, 88.5 x 83 cm |
*** | *** | |
20 |
Tuckson, John Anthony (Tony)
Red / Black / White No. 3, C1965Synthetic polymer paint on composition board, 153 x 122 cm |
*** | *** | |
21 |
Gascoigne, Rosalie Norah King
Rose Red City 4, 1991-93Painted and sawn timber on composition board, panel one: signed, dated and inscribed verso: Rose Red City / Rosalie Gascoigne / 1991-93. panel two: signed, dated and inscribed verso: Rose Red City / Rosalie Gascoigne / 1993, diptych: 123.5 x 179.5 cm (overall) |
*** | *** | |
22 |
Robinson, William Francis (Bill)
Birkdale Farm, 1980Oil on canvas, signed lower right: William Robinson, 131 x 193 cm |
*** | *** | |
23 |
Robinson, William Francis (Bill)
The Shell Beach, Kingscliff, 1994Oil on canvas, signed and dated lower right: William Robinson 94, 137 x 182.5 cm |
*** | *** | |
24 |
Robinson, William Francis (Bill)
Man and the Spheres, 1991Hand-painted and glazed ceramic, signed at base: William Robinson, 113 cm height |
*** | *** | |
25 |
Gleeson, James Timothy
Reef, 1983Oil on linen, signed and dated lower right: Gleeson '83. signed, dated and inscribed verso: 'Reef' 24.8.83 James Gleeson, 101.5 x 172.5 cm |
*** | *** | |
26 |
Gleeson, James Timothy
The Wharf at the End of The Street, 1990Oil on canvas, signed and dated lower left: Gleeson 90. signed and inscribed verso: 'The Wharf At The End Of The Street' / James Gleeson, 179 x 154 cm |
*** | *** | |
27 |
Shead, Garry
The Reflexion (Rembrandt), 2000Oil on plywood, signed and dated lower right: Garry Shead / 2000. signed, dated and inscribed verso: The Reflexion (Rembrandt) 2000 / Garry Shead, 89 x 121 cm |
*** | *** | |
28 |
Shead, Garry
Envoy I, 1992. (D.h. Lawrence Series)Oil on composition board, signed and dated lower right: Garry Shead / 92, inscribed verso with title: Envoy, 91 x 122 cm |
*** | *** | |
29 |
Johnson, Joseph Colin Francis
Euchre in the Bush, C1870sOil on canvas on board, inscribed lower centre: 'Euchre In The Bush', 42 x 52 cm |
*** | *** | |
30 |
Bunny, Rupert Charles Wulsten
Cherries, C1908Oil on canvas, signed lower right: Rupert C. W. Bunny, 79.5 x 52 cm |
*** | *** | |
31 |
Drysdale, George Russell (Russell)
Men Mixing Concrete, 1937Oil on composition board, signed and dated lower right: Drysdale / 1937, 50.5 x 61 cm |
*** | *** | |
32 |
Wilson, Eric
The Inmate, 1944Oil on board, signed and dated lower left: Eric Wilson / 44, 47 x 31 cm |
*** | *** | |
33 |
Wakelin, Roland Shakespeare
Manly, 1964Oil on canvas on board, signed and dated lower right: R. Wakelin / '64, 102 x 86.5 cm |
*** | *** | |
34 |
Kentridge, William
Walking Man, 2000Linocut on paper, signed and numbered below image. edition: 11/25, 251 x 101 cm |
*** | *** | |
35 |
Freud, Lucian
Girl Sitting, 1987Etching, signed with initials and numbered below image. Proofed and printed by Marc Balakjian at Studio Prints, London, published by James Kirkman, London and Brooke Alexander, New York. edition: 27/50, 52.5 x 70 cm |
*** | *** | |
36 |
Freud, Lucian
Ib, 1984Etching on paper, signed with initials and numbered below image. printed by Terry Wilson at Palm Tree Studios, London. published by James Kirkman, London and Brooke Alexander, New York. edition: 31/50, 57 x 53 cm (sheet); 29.5 x 29.5 cm (imag |
*** | *** | |
37 |
Rees, Lloyd Frederic
The Hillside, 1953Oil on canvas on board, signed and dated lower left: L Rees 53. inscribed verso: No 8 The Hillside, 31.5 x 39.5 cm |
*** | *** | |
38 |
Rees, Lloyd Frederic
Evening No. 1, 1982/83Oil on canvas on board, signed and dated lower left: L. Rees / 83, 50 x 60 cm |
*** | *** | |
39 |
Gleeson, James Timothy
Impromptu No. 3 - Summer, 1996Oil on canvas, signed and dated lower left: Gleeson '96. inscribed verso: Impromptu No 3 Summer, 64.5 x 81 cm |
*** | *** | |
40 |
Shead, Garry
On the South Coast, 1995. (D.h. Lawrence Series)Oil on canvas-board, signed and dated lower right: Garry Shead 95. inscribed verso: ... / 'On The South Coast' / D H Lawrence / Series, 50.5 x 61 cm |
*** | *** | |
41 |
Meadmore, Clement
Scronch, 1994Bronze, signed, dated and numbered at base: Meadmore 94, 2/8. edition: 2/8, 23 x 28 x 28 cm |
*** | *** | |
42 |
Meadmore, Clement
Rune, 1995Bronze, signed, dated and numbered at base: Meadmore 1995 7/8. signed, numbered and inscribed on base: Rune 7/8 / A.R.T.. edition: 7/8, 20 x 34 x 19.5 cm |
*** | *** | |
43 |
Richmond, Oliffe
Mother and Child, C1949Serpentine marble on a stone base, 19.5 cm height (including base) |
*** | *** | |
44 |
Murch, Arthur James
Reclining NudeOil on composition board, signed lower left: Murch, 59 x 92 cm |
*** | *** | |
45 |
Audette, Yvonne
Summer Morning, 1975-76Oil on composition board, signed and dated lower right: Audette / 1976. signed, dated and inscribed verso: Y. Audette / Summer Morning / 1975/76 / A174, 76 x 63 cm |
*** | *** | |
46 |
Lindsay, Norman Alfred William
The ChallengeWatercolour and graphite on paper, signed lower right: Norman Lindsay, certificate of authenticity verso signed by Jane Lindsay, 58 x 46 cm |
*** | *** | |
47 |
Lindsay, Norman Alfred William
The Dream, 1923Watercolour on paper, signed and dated lower left: Norman Lindsay / 1923, 46.5 x 48.5 cm |
*** | *** | |
48 |
Trenerry, Horace Hurtle
Cottage, Port Willunga, C1935Oil on canvas-board, signed and inscribed lower right: From Trenerry. inscribed lower left: [illeg.] Willunga, 24.5 x 29 cm |
*** | *** | |
49 |
Trenerry, Horace Hurtle
Landscape with Sea (Coorong), C1928Oil on canvas, 26.5 x 37 cm |
*** | *** | |
50 |
Trenerry, Horace Hurtle
Northern Landscape (Flinders Ranges Landscape with Rain Approaching), C1930Oil on canvas-board, signed lower left under mount: H. Trenerry, 22 x 29.5 cm |
*** | *** |