Lot No. | Details | Hammer | Price incl. Premium |
|
---|---|---|---|---|
1 |
de Medici, eX
I've Been Dead, There's. Nothing There (K.p.), 2007Watercolour on paper, inscribed lower left, I've been dead.. There's nothing there. (K.P.) / IIII IIII IIII IIII, 110 x 114 cm |
*** | *** | |
2 |
Boyd, Daniel Ngarragoonda
I'm Still in Love with You, 2008Synthetic polymer paint on linen, 122 x 92 cm |
*** | *** | |
3 |
Zavros, Michael
Debaser/ Gucci, 2007Charcoal on paper, signed and dated lower right, MZ07, 122 x 86 cm |
*** | *** | |
4 |
Wolfhagen, Philip
Eighth Passage, 1994Oil and wax on linen, signed and dated lower right with artist's monogram, signed with initial and dated lower right, W. 94, inscribed verso, Philip Wolfhagen / Eighth Passage 1994 / .., 142 x 231 cm |
*** | *** | |
5 |
Oliver, Bronwyn
Volute, 2002Copper, 37.5 cm height |
*** | *** | |
6 |
Hanssen-Pigott, Gwyn
Still Life with Four Bowls, 1998Porcelain. 12 pieces (6 bottles, 4 bowls, 2 beakers), each bottle stamped with roundel on base, 100 cm length |
*** | *** | |
7 |
Gascoigne, Rosalie Norah King
Ship's Log, 1997-98Sawn wood on plywood, signed, dated and inscribed verso, Rosalie Gascoigne / 1997 - 1998 / Ships Log, 59 x 92 cm |
*** | *** | |
8 |
Oliver, Bronwyn
Insignia, 2003Copper, 291 cm length |
*** | *** | |
9 |
Taylor, Howard Hamilton
Canopy, 1965Oil on board, signed lower right, H Taylor, inscribed verso, GD.HT.4.9.99, 55.5 x 55 cm |
*** | *** | |
10 |
Taylor, Howard Hamilton
Study for Projection, C1999Oil on shaped marine plywood on board, 59 x 89.5 cm |
*** | *** | |
11 |
Henson, Bill
Untitled 1992/93, 1992-93Type C photograph, edition of 10, signed, dated and inscribed below image, 103 x 67.5 cm |
*** | *** | |
12 |
Henson, Bill
Untitled 99/2000, 1999-2000Type C photograph, edition, 2/5, signed, dated and inscribed below the image, 104.5 x 154.5 cm |
*** | *** | |
13 |
Henson, Bill
Untitled (Triptych) 1983/84, 1983-84 (3)Type C photograph, edition of 10, signed, dated and inscribed below images, 77 x 65 cm each |
*** | *** | |
14 |
Fairweather, Ian
Figure Group IV, 1970Synthetic polymer paint and. gouache on card on board, inscribed verso, Figure Group IV (1970) / NO 15, 96 x 75 cm |
*** | *** | |
15 |
Olsen, John Henry
Joie De Vivre, 1964Woven wool tapestry, edition of 6. Woven at the Portalegre tapestry workshop, Portugal. verso lower right, Clune Galleries Artist's proof, 178 x 238 cm |
*** | *** | |
16 |
Klippel, Robert Edward
No. 183, 1965Metal construction, 53 cm height |
*** | *** | |
17 |
Klippel, Robert Edward
No. 92, 1960Brazed nails, 34 cm height |
*** | *** | |
18 |
Miller, Godfrey Clive
Trees and Mountains, C1961-63Oil on canvas on composition board, 49 x 74 cm |
*** | *** | |
19 |
Rees, Lloyd Frederic
Sydney Opera House, 1978Pastel and pencil on paper on board, signed and dated lower left, Rees 78, 25.5 x 35.5 cm |
*** | *** | |
20 |
Olsen, John Henry
People Who Live in The. You Beaut Country, C1960Gouache, pastel and charcoal on paper, signed lower right, John Olsen, 75.5 x 55 cm |
*** | *** | |
21 |
Rodin, Auguste Rene Francois
Seated Female Torso (Torsé Féminin Assis), Conceived Between 1880-1899 and Cast in 1986Bronze with brown patina, edition of 8 cast by the Emile Godard Foundry, Paris, signed and numbered on left thigh, A. Rodin 5/8, inscribed on underside of right thigh, (c) by Musée Rodin 1986. stamped with foundry mark, accompanied by a certificate of authenticity, signed by Jacques Vilain, Curator. at the Musée Rodin, 1988, 34 cm height |
*** | *** | |
22 |
Rodin, Auguste Rene Francois
Spirit of Eternal Repose (Le Génie. Du Repos Éternel, Sans Tête Et Bras), C1898 and Cast in 1980Bronze with brown patina, edition of 8 cast by the Courbetin Foundry, Saint-Rémy-les-Chevreuses, signed on top of base, A. Rodin, inscribed on front of base, 7/8, inscribed on front of base, (c) by Musée Rodin, 1980. stamped with foundry mark on back of base, accompanied by a certificate of authenticity, signed by Monique Laurent, Chief Curator. at the Musée Rodin, 1985, 86 cm height |
*** | *** | |
23 |
Fox, Emanuel Phillips
Parisian Boulevard (Rue Royale), C1906Oil on wood panel, bears inscription verso, Parisian Boulevard. By Phillips Fox / Lent by Lionel Lindsay, 27 x 35.5 cm |
*** | *** | |
24 |
Ashton, Julian Rossi
Young Woman with Parasol, 1895Oil on wood panel, signed and dated lower right, JR Ashton / 95, 89 x 25 cm |
*** | *** | |
25 |
Bunny, Rupert Charles Wulsten
Quiet Evening II, (A Cosy Evening), C1908Oil on canvas, signed lower right, Rupert C. W. Bunny, 81 x 65 cm |
*** | *** | |
26 |
Lindsay, Norman Alfred William
To the Elect, 1928Watercolour on paper, signed and dated lower centre, Norman Lindsay / 1928, inscribed verso, To Rose / Norman Lindsay / 1928, 69 x 60.5 cm |
*** | *** | |
27 |
Lindsay, Norman Alfred William
Pierrot and Harlequin, C1928Oil on canvas, signed lower right, Norman Lindsay, handwritten label attached verso, Jane Glad / 'Pierrot and Harlequin' / signed LR / circa 1928, 66 x 51 cm |
*** | *** | |
28 |
De Maistre, LeRoy Leveson Laurent (Roy)
Arrested Movement from a Trio, 1935Oil on board, signed and dated lower right, R. de Maistre 1935, 71.5 x 98 cm |
*** | *** | |
29 |
De Maistre, LeRoy Leveson Laurent (Roy)
The Great Stone, 1932Oil on canvas, signed lower right, R de Maistre, 71 x 92.5 cm |
*** | *** | |
30 |
De Maistre, LeRoy Leveson Laurent (Roy)
Portrait of Francis Bacon, 1935Oil on board, signed lower right, R de Maistre, 64.5 x 41.5 cm |
*** | *** | |
31 |
De Maistre, LeRoy Leveson Laurent (Roy)
Annunciation, C1934Oil on panel, signed lower right, R. de Maistre, 66.5 x 55.5 cm |
*** | *** | |
32 |
Smith, Grace Cossington
Wildflowers in a Glass, C1943Oil on pulpboard, signed lower left, G Cossington Smith, signed and inscribed verso, 'Wildflowers. in a Glass' / Grace Cossington Smith, 61 x 50.5 cm |
*** | *** | |
33 |
Smith, Grace Cossington
Foxgloves Growing, C1931Oil on pulp board, signed and dated lower right, G. Cossington Smith 1929, signed and inscribed with title on label verso, Foxgloves Growing / Foxgloves Growing / Grace Cossington Smith, 46.5 x 36.5 cm |
*** | *** | |
34 |
Blackman, Charles Raymond
The Girls, 1961Oil on composition board, signed and dated upper left, Blackman 61, 121 x 90.5 cm |
*** | *** | |
35 |
Blackman, Charles Raymond
The Bouquet, C1970Oil on canvas, signed lower right, Blackman, 84 x 84 cm |
*** | *** | |
36 |
Coburn, John
Tower of Babel, 1973Synthetic polymer paint on canvas, signed lower right, Coburn, inscribed verso, John Coburn / 'Tower of Babel' / Sydney 1973, 120.5 x 120.5 cm |
*** | *** | |
37 |
Rees, Lloyd Frederic
Summer in the Suburbs, 1964Oil on canvas, signed and dated lower right, L Rees / 64, 92 x 106.5 cm |
*** | *** | |
38 |
Smart, Frank Jeffrey (Jeff) Edson
Third Study for The. Dividing Line, 1977-78Oil on canvas on board, signed lower left, Jeffrey Smart, 49.5 x 25.5 cm |
*** | *** | |
39 |
Cook, Junior, William Delafield
Columns, 1973Synthetic polymer paint on canvas, signed and dated lower right, W Delafield Cook 73, 101.5 x 152 cm |
*** | *** | |
40 |
Brack, Cecil John (John)
Promenade, 1978Oil on canvas, signed and dated lower right, John Brack 1978, inscribed verso, Promenade, 130 x 97 cm |
*** | *** | |
41 |
Friend, Donald Stuart Leslie
Australian Fantasy, 1964Oil and gold leaf on composition board, signed lower right, Donald Friend, 60 x 88 cm |
*** | *** | |
42 |
Smart, Frank Jeffrey (Jeff) Edson
Feeding the Seagulls, 1955Oil on canvas on board, signed lower left, Jeffrey Smart, 29.5 x 36.5 cm |
*** | *** | |
43 |
Blackman, Charles Raymond
Girl in a Lane, 1952Oil on pulpboard, signed indistinctly lower right, Blackman, 76 x 63.5 cm |
*** | *** | |
44 |
Blackman, Charles Raymond
Alice, 1956Oil on cardboard, signed, dated and inscribed lower left, Blackman 1956 / Alice, signed and dated indistinctly. lower right, Blackman 1956, 98 x 72 cm |
*** | *** | |
45 |
Perceval, John De Burgh
Angel, C1958Glazed earthenware, 27.5 cm height |
*** | *** | |
46 |
Perceval, John De Burgh
Adam and Eve with Garlic Plant, 1952-55Tempera and resin with enamels on composition board, signed and dated lower left, Perceval 55, inscribed verso, Adam + Eve 1955, 72.5 x 91 cm |
*** | *** | |
47 |
Perceval, John De Burgh
The Family (Breakfast. with Neil Douglas), 1959Oil on composition board, signed upper left, Perceval, inscribed verso, Family ... JP Oct 70 / for duration. onl / of S.Y.G Exhibition / 23rd / Oct / '70, 61 x 46 cm |
*** | *** | |
48 |
Gleeson, James Timothy
The Fighting Atoms, 1938Oil on board, signed lower left, Gleeson, inscribed verso, The Fighting Atoms - Painted In Gosford 1938, 79 x 64 cm |
*** | *** | |
49 |
Herman, Sali Yakubowitsch (Sali)
Street Scene Paddington, 1952Oil on canvas, signed and dated lower left, S. Herman. 52, 64 x 89.5 cm |
*** | *** | |
50 |
Williams, Frederick (Fred) Ronald
Trees, C1958-59Oil on board, signed lower right, Fred Williams, 45 x 60.5 cm |
*** | *** |