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Julie Dowling Australia (Aboriginal), 1969-.
Number of Works: 97, Results Page: 2
'Nowhere Elsie' May 2000
Acrylic, red ochre and glitter on canvas, signed and dated May 2000, verso, 45 x 35 cm
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Yorga; Set of 5 Artworks
Ochre and acrylic on canvas, each signed, titled and dated June 2002 verso, 120 x 30 cm (each)
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The Maid, 2002
Synthetic polymer paint, red ochre and plastic on canvas, bears artist's name, title, date 'September 2002' and medium on the reverse, 60 x 50 cm
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Burning Joanie Black 1999
Mixed media and collage on paper, signed and dated 'Julie Dowling 99' lower right, 38 x 28 cm
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The Narcissist, 2006
Synthetic polymer paint on canvas, 60 x 40 cm
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The Contrary, 2006
Synthetic polymer paint on canvas, 60 x 40 cm
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'Jenny' September 2005
Acrylic and red ochre on canvas, titled, dated and signed verso, 18.5 x 18.5 cm
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The Coolaroo Club
Synthetic polymer and ochre on canvas, 120 x 150 cm
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Pemulwuy 2006
Acrylic, red ochre on canvas, signed, dated and inscribed 'Pemulwuy' / by / Julie Dowling / May 2006' on verso, 120 x 100 cm
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Windradyne 2006
Acrylic, red ochre and plastic on canvas, signed, dated and inscribed 'Windradyne / by / Julie Dowling / May 2006' on verso, 92 x 71.5 cm
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Grant and Richard
Acrylic on canvas, 75 x 85 cm
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'Jenny” September 2005
Acrylic and red ochre on canvas, titled, dated and signed, verso, 18.5 x 18.5 cm
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Melba, 2002
Oil and synthetic polymer paint on canvas, signed verso, Julie Dowling inscribed verso, title, date, medium, 40 x 30 cm
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Untitled, 2002
Oil, synthetic polymer paint, natural earth pigments and plastic on canvas, signed verso, Julie Dowling, 40 x 30 cm
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Theda, 2002
Oil, synthetic polymer paint and plastic on canvas, signed verso, Julie Dowling inscribed verso, title, date, medium, 40 x 30 cm
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Self Portrait: Budjarri (Pregnant), 2005
Synthetic polymer paint, oil and plastic on canvas, signed verso, Julie Dowling, inscribed verso, title, date and medium, 120 x 100 cm
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Dawnie, January 1996
Acrylic on canvas, signed, dated and titled verso, 38 x 25.5 cm
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‘Jenny’, September 2005
Acrylic and red ochre on canvas, titled, signed and dated verso, 18.7 x 18.7 cm
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‘Dawnie’, January 1996
Acrylic and blood on canvas, signed, dated and titled verso, 38 x 25.5 cm
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‘Mother and Child’ January 1993
Acrylic on canvas, signed, dated and titled verso, 79 x 78 cm
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Nyining (Ancient Tree)
Synthetic polymer paint on linen, signed and bears title and another painting by the artist on the reverse, 134 x 58 cm
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Self Portrait; Chains, 2000
Oil, acrylic, plastic and red ochre on canvas, verso, signed, titled, dated September 2000, and inscribed, 'Mental chains, I feel racism just like my great great uncles and fathers .... in chains', 50 x 40 cm
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Forrest 1991
Mixed media, titled, signed and dated, verso, 10.5 x 15 cm
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Portrait
Pastel, signed and dated '06, lower right, 65 x 46 cm
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The Navigator 2003
Synthetic polymer paint, earth pigments and plastic on canvas, signed, dated and inscribed verso: 'The Navigator'/ by Julie Dowling/ March 2003, 120.5 x 100 cm
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Snowie 2002
Synthetic polymer paint, earth pigments and plastic on canvas, signed, dated and inscribed verso: 'Snowie'/ by Julie Dowling/ September 2002, 61 x 50.5 cm
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Piccaninny 2002
Synthetic polymer paint and earth pigments on canvas, signed, dated and inscribed verso: 'Picanini' [sic]/ by Julie Dowling/ September 2002, 61 x 50.5 cm
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Nyungar Steve
Mixed media, 45 x 34.5 cm
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The Dance
Acrylic, red ochre and gold on canvas, signed, titled and dated 2000 verso, 100 x 120 cm
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Queenie, 2002
Synthetic polymer paint and red ochre on canvas, signed and dated and inscribed with title verso, 61 x 50.5 cm
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Three Portraits
Pastel, signed and dated '06, lower right, 46 x 66 cm
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Untitled
Oil on canvas, 88 x 127 cm
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The Promise, 1995
Synthetic polymer paint and natural earth pigments on canvas, signed, dated and inscribed verso: The Promise/Julie Dowling/1995, 143 x 270 cm
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Sunday Best, 2001
Synthetic polymer paint and red ochre on canvas, 100 x 75 cm
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New Day
Oil and collage, signed and inscribed verso, 36 x 30 cm
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Muckinpudin Gorge
Mixed media on canvas, signed and inscribed verso, 44 x 80 cm
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Sunday Best, 2001
Synthetic polymer paint and red ochre on canvas, 100 x 75 cm
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The Tourist 1999
Synthetic polymer paint and red ochre on canvas, signed, dated and inscribed verso: 'The Tourist'/ Julie Dowling/ November 1999, 100 x 120 cm
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Sunday Best 2001
Synthetic polymer paint and earth pigments on canvas, signed, dated and inscribed verso: 'Sunday Best'/ Julie Dowling/ June 2001/ Many members of my family/ received second hand cloths [sic] by/ the catholic church. . They were/ always used on Sundays at church. / we always sat at the doorways!, 100 x 75 cm
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Icon to a Stolen Child, Fear of Water and Crossroads
Oil on canvas, signed inscribed and dated 1998 verso, 28 x 40 cm each
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Icon to a Stolen Child, Faith and Nature
Oil on canvas, signed, inscribed and dated 1998 verso, 28 x 40 cm each
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Granny's Smile, 2002
Synthetic polymer paint and natural earth pigment on canvas, 51 x 45.5 cm
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Story Time, 2001
Synthetic polymer paint, red ochre and plastic on canvas, 29 x 29 cm
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The Runaway 2001
Oil, synthetic polymer paint and ochre on canvas, signed, dated and inscribed verso: 'The Runaway'/ Julie Dowling/ May 2001/ 'This is a picture of/ a kid who ran away/ from a family who had/ adopted her. . . this is/ based on a true story', 120.5 x 100 cm
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Sunday Best 2001
Synthetic polymer paint and red ochre on canvas, signed, titled, dated and inscribed with explanatory notes on the reverse, 100 x 75 cm
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Stolen 1998 (4)
Synthetic polymer paint on four canvas panels, 35.5 x 28 cm (each)
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Warru (Fire) 1999
Synthetic polymer paint, ochre and gold on canvas, signed, dated and inscribed verso: 'Warru (Fire)'/ Julie Dowling/ June 1999, 120 x 100 cm
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Tracking Our Future (For the Republic of Australia)
Acrylic, red ochre, gold and plastic on canvas, 121 x 100 cm
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