Number of Works: 3,501, Results Page: 34

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The Cow c. 1979

Oil, mixed media and collage on board, signed with mongram lower left; inscribed 'on the road from Bathurst to Goulbourne (sic) stop the car looking down on paddock Sept. 2nd / make twenty minute sketch instead of talking / polaroid intend to make 4 in one day fresh quick' lower left; signed 'whiteley' lower left Frame: original, Brett Lichtenstein, Sydney, 60.5 x 68.5 cm
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The Fruit Dove in Clark Park 1980

Lithograph, edition A/P., signed lower right, artists stamp and title lower left, 78.5 x 57 cm
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Study for Wood Sculpture c. 1975

Pencil on paper, signed lower right, 75 x 49 cm
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Towards Sculpture IV, 1977

Lithograph, edition 4-13/50, signed and lower right, 88 x 62 cm
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Still Life

Etching, artists proof, artist stamp lower right, 27 x 20 cm
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Swinging Monkey

Screenprint, numbered 23/70, signed lower right, 75 x 57 cm
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Sigean Drawing

Charcoal on paper, signed lower centre, 68.5 x 48.5 cm
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Landscape

Lithograph, artist's proof, signed lower right, 21 x 20 cm
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Study for 'Bondi Beach'

Brown ink and pencil on paper, signed and dated 1983/85 and with artist's studio stamp lower right, inscribed lower left 'Bondi 1983 preliminary study for tryptych coll. peter young Perth', 56 x 69 cm
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Nude c. 1975

Glazed earthenware, 30.5 cm height
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Towards Sculpture 7 1977

Lithograph, edition: 3/50, titled, numbered and signed below image, artist stamp upper right, 78 x 46 cm
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Lindfield Gardens 1978

Colour lithograph, edition: Artist's proof (edition of 80), numbered and signed below image, 77.5 x 114 cm
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The Arrival 1988

Offset lithograph, edition: 6/150, numbered, titled and signed below image, 70.5 x 88.5 cm
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Nectar (Addiction), Portrait of Paul Verlaine 1979

Etching, edition: 9/75, numbered and signed below image, 60.5 x 45.5 cm
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View from the Sitting Room Window, Lavender Bay, 1991

Oil, mixed media and collage on board, signed and dated lower centre: brett whiteley 91, 122 x 198 cm
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Sketch of a White Baboon, 1965

Oil on board, signed lower left: brett whiteley 65, signed and inscribed verso: Sketch of A. White Baboon/ 1965/ london/ brett whiteley, 122 x 106 cm
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Bathroom Series 1964

Oil and gouache on card on board, signed lower right: Brett Whiteley, dated and inscribed lower right: Bathroom/ Series/ 1964, 56 x 76.5 cm
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Towards Sculpture 2

Lithograph, ed: 5/20, signed in pencil below image with artist's stamp, 90 x 63 cm
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Study for Autumn (Near Bathurst) - Japanese Autumn, 1987 - 88

Oil and mixed media on canvas on board, 86 x 86 cm
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Festival of Perth, 1971

Lithograph, edition 9/20, titled, dated and signed below image, 74.5 x 50 cm
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The Arrival 1988

Offset lithograph, edition: Artist's proof 6/22, numbered, titled and signed below image, 70.5 x 88.5 cm
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Divided Unity 1974

Colour screenprint, edition: 8/70, numbered, titled, dated and signed below image, 66.5 x 94 cm
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(The Orange) Fruit Dove in Clark Park 1980

Colour screenprint, edition: Artist's proof (edition: 30), numbered, titled and signed below image, 74.5 x 52 cm
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Water Lilies 1981

Ink on paper, signed and dated lower right: Brett Whiteley '81, artist's stamp upper right, 84 x 47 cm
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Lovers 1984

Etching, edition: 12/20, numbered and signed below image, 18 x 20 cm
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Mother and Child 1977

Etching, edition: 19/60, numbered and signed below image, 61 x 45 cm
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Torajaland (Celebes) 1974

Screenprint, edition: 12/50, numbered, signed and dated below image, artist's stamp lower left, 68.5 x 57 cm
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Ravello 1991

Screenprint, edition: 18/60, numbered and signed below image, 40 x 76.5 cm
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Sydney Harbour by Night 1981

Linocut, edition: 16/20, numbered and signed below image, 30 x 30 cm
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Bird and Wave 1974

Colour screenprint and lithograph, edition: Artist's proof (edition: 60), numbered and signed below image, 66 x 67.5 cm
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Lindfield Gardens 1978

Colour lithograph, edition: 70/80, numbered and signed below image, artist's stamp lower left, 77.5 x 114 cm
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The Meeting Place 1981

Oil, stones and collage on board, signed and dated lower centre: brett whiteley/ 4/ 81, 183 x 119.5 cm
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Chelsea Flower Show c. 1970

Oil on canvas, statement of authenticity attached verso signed by Beryl Whiteley, the artist's mother, 76.5 x 63.5 cm
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Back 2, 1981

Lithograph 13/16, signed 'Brett Whiteley' lower right handArt Galleries Schubert label verso, 96 x 63 cm
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The Window - Lavender Bay

Oil on canvas, signed 'Whiteley' lower left, 40 x 50 cm
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Towards Sculpture 7

Lithograph 47/50, signed 'Brett Whiteley' lower right, 87 x 59.5 cm
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Portrait of the Artist Rollin Schlicht 1977

Indian ink on rice paper, signed verso, Brett Whiteley, acompanied by a letter of authenticity signed by Wendy Whiteley, the artist's widow and trustee, 60 x 45 cm
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Vase with Harbour Scene

Ink on paper, 34.5 x 24 cm
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Monkey

Watercolour on paper, 21.5 x 19 cm
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Still Life with Flowers

Pencil on paper, inscribed with various titles for a catalogue on the reverse, 38 x 27.5 cm
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Portrait Head

Ink on paper, 14.5 x 9.2 cm
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Palm Tree 1

Screenprint, ed: 15/50, signed lower right; numbered and with the artist's studio stamp lower left, 81.5 x 59.5 cm
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Palm Tree 2

Screenprint, ed: 15/50, signed lower right; numbered and with the artist's studio stamp lower left, 81.5 x 60 cm
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Palm Tree 3

Screenprint, ed: 19/50, signed lower right; numbered and with the artist's studio stamp lower left, 81.5 x 60 cm
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Palm Tree 4

Screenprint, ed: 19/50, signed lower right; numbered and with the artist's studio stamp lower left, 81.5 x 60 cm
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Waves on the Harbour

Screenprint edition 27/60, signed lower rights and numbered lower left, 111 x 84 cm
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Glasshouse Mountains

Ink on paper, signed lower left; the artist's studio stamp lower right; bears artist's name, title and date 1977 on label on the reverse, 73 x 99 cm
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Fatima - The Lime Seller on The Outskirts of Harar, Ethiopia

Ink on paper, signed and dated 21/May/1974 and with the artist's studio stamp lower right; inscribed with title lower right and lower left; bears title twice on the reverse, 99.5 x 68 cm
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