Number of Works: 3,501, Results Page: 32

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Lavender Bay Gardens 1978

Pen and ink on paper, signed and dated lower right: Brett Whiteley 78, inscribed on backing verso: Lavender Bay Gardens, 53 x 75.5 cm
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Garden in Sanur, Bali

Colour lithograph, ed: 31/100, editioned in pencil lower left '31/100', titled in lithograph lower right 'Garden in Sanur-Bali' and signed in pencil lower right 'Brett Whiteley', 60 x 78 cm
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Swinging Monkey I, 1965

Screenprint, ed: 17/70, editioned in pen lower left '17/70', titled lower left 'Swinging Monkey 1' and signed in pen lower right 'Brett Whiteley', 76 x 56 cm
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Western Mouse, 1992

Watercolour and ink on paper, signed and dated lower right: Brett Whiteley 92, signed with artist's monogram lower right: B/ W, inscribed lower right: 3/ Western Mouse/ SIZE: 100mm and 53 gms in weight/ Habitat: sandy areas with nature [sic.] vegetation/ varying from scrubland to woodland to mallee/ Status: common within the wheatbelt of W.A./ restricted areas./ Threats: Habitat destruction, possibly introduced/ predators., studio stamp upper right, 97 x 63 cm
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Rain

Oil on composition board, signed and inscribed with title lower right, 107 x 92 cm
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Watego Bay

Gouache, watercolour and collage on compressed card, signed, dated 6/2/89 and stamped with studio stamp lower right, 54.7 x 73.4 cm
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The Cat

Lithograph, artist's proof, signed lower right and bears the artist's studio stamp; numbered and inscribed with 'sunlight on the cat' lower left, 81.5 x 83.5 cm
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Study for Kingfisher, 1978

Oil and collage on composition board, signed with monogram lower left; signed and dated '78 brett whiteley' lower right, 101.2 x 65.5 cm
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Woman in Bath 1979

Ink, signed and dated 'brett whiteley 79' lower right, 65 x 50 cm
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Towards Sculpture - 1975

Ink and charcoal on paper, signed and dated 75 lower left with artist studio stamp and descriptive notes of the sculpture numbered 1-5, 92 x 74 cm
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The Turquoise Prince

Oil on board and collage, signed brett whitely 79 with Japanese character lower right and inscribed; 'I. don't see him often but the turquoise prince on his occasion fishlessly flows past my garden', 82 x 103 cm
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Feeding the Doves, Lavender Bay, 1979

Pen and ink on paper, signed and dated lower right: 28/8/79/ brett whiteley/ study for/ 6ft x 8 ft painting/ stamped BW within circle/titled and signed to verso, 49 x 64 cm
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Place De La Concorde

Etching, signed Brett Whiteley and Numbered 10/10 in pencil to margin, 14.5 x 20 cm
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After the American Dream 1969

Limited edition offset prints (18), boxed set ed: 150/500, certificate of authenticity signed by Wendy Whiteley, each: 67 x 32 cm
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After the American Dream, Panels 13, 14 and 15

Offset limited edition print, 67 x 32 cm
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Untitled Nude

Etching, edition 6/60, signed and editioned below image, 62 x 46 cm
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Torajaland (Celebs) 1974

Screenprint, edition 12/50, signed, titled, dated and editioned with artists stamp below image, 68.5 x 57 cm
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Still Life 1977

Lithograph, edition 57/75, signed, dated and editioned below image, 75 x 55 cm
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Sydney Harbour Bridge

Etching 10/60, 60.5 x 45 cm
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Study for Untitled White Painting c. 1961

Charcoal on paper, signed upper right: Whiteley, 55.5 x 77 cm
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Poem for a Lover 1988

Screenprint, edition: 7/80, signed, titled and numbered below image, 79 x 76.5 cm
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Hullo (Cockatoo) 1980

Etching, edition: Artist's proof, signed lower right: brett whiteley, 24.5 x 20 cm
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Lindfield Gardens 1978

Colour lithograph, edition: Artist's proof, numbered lower left in image: A/P, signed below image, artist's stamp lower left, 77.5 x 115 cm
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Miniatures 1958

Oil on paper, signed, dated and inscribed below image: brett whiteley 58/ from Lat[illeg.], 30.5 x 43.5 cm variable
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For a Beauty Best Seen 1967

Pencil on paper, signed, dated and inscribed lower centre: For a 'beauty best seen' Brett 14/8/67, 24 x 19.5 cm
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Tony at 50 (Portrait of Tony White)

Etching, edition: 6/35, numbered and signed below image, 14.5 x 9.5 cm
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View of the Garden

Lithograph, edition: 30/75, numbered and signed below image, 67 x 47 cm
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Orange Fiji Fruit Dove c. 1983

Oil on canvas, signed lower right: Brett Whiteley, 184 x 202.5 cm
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The Arrival 1988

Offset lithograph, edition: 147/150, numbered, titled and signed below image, 70.5 x 88.5 cm
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Back 2 1981

Lithograph, edition: 26/30, numbered, titled and signed below image, 96.5 x 63.5 cm
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Sigean Landscape

Oil, gouache and pencil on paper on card, 53 x 41.5 cm
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Bonsai 1977

Ink on paper, signed, dated and inscribed lower right: 'bonsai' brett whiteley 77, artist stamp upper left, 74.5 x 51 cm
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Glasshouse Mountains, Queensland

Pen, ink and wash on paper, signed and inscribed below image: glasshouse mountains Queensland/ brett whiteley, 72 x 96 cm
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Flowers on the Table

Lithograph, edition: 18/75, numbered and signed below image, 71 x 51 cm
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Anna - Woman on a Bed, 1977

Etching, artist proof, signed lower right 'Brett Whiteley' and edititioned lower left 'A/P', 29.5 x 30 cm
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Vincent, 1968

Oil, ink, mirror and razor on board, signed and dated lower right: Brett 68 inscribed upper left: The departure of Gauguin from Arles, December 1888..…, 221.5 x 167.5 cm
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Mother and Child, 1977

Etching, signed and numbered below image, 60.5 x 44.7 cm edition: 35/60
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Another Way of Looking at Vincent Van Gogh 1888 - 1889, 1983 Suite Of 3

Etchings, edition 32/100, all signed
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Summer's Bay, c. 1962

Oil, tempera and collage on composition board, signed lower right: Whiteley signed and inscribed verso: Summer's Bay/ Brett Whiteley, 90 x 76 cm
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Head of Joel Elenberg, 1980

Ink on paper, signed and dated lower right: brett whiteley Feb 6/ 80 artist's stamp lower left, 98 x 72.5 cm
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The Most Beautiful Mountain

Pen, ink and wash on paper, signed and inscribed '(money)' lower left and further inscribed '+ the most beautiful mountain/ on globe green earth/ slithering wet/ inpenetratable [sic]/ like truth!', 56.5 x 51 cm
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Poem for a Lover, 1988

Screenprint, hand coloured ed: 10/80, signed lower right; inscribed with title and numbered lower left, 77.5 x 80 cm
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Startled (Owl)

Sugarlift aquatint, ed: 23/30, signed lower right; numbered lower left, 50 x 50 cm
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Palm Tree 4

Screenprint, ed: 19/50, signed lower right; numbered and with the artist's studio stamp lower left, 81.5 x 60 cm
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10 Rillington Place W11, 1964 (Still from a Proposed 16mm Film)

Silkscreen, ed: 56/70, signed and numbered lower right and inscribed with title lower left, 59.5 x 56 cm
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The Fish River and Boulders, Oberon 1979

Etching, ed: A/P/20, signed lower right and numbered lower left, 21 x 19.8 cm
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Southerly Coming

Watercolour on paper, signed and inscribed with title lower right; the artist's studio stamp lower left, 41.5 x 57 cm
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San Gimignano

Oil and collage on canvas on plywood, signed lower centre; inscribed with title 'San Gimignano/Tuscany' and dated 1989/90 on the reverse, 120 x 120 cm
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