Number of Works: 1,081, Results Page: 1

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Turn off to Dandenong, 1986

Archival pigment print, ed. 29/499, facsimile signature lower right; certificate verso, 75.5 x 89 cm
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Cable Coils, 2001

Etching and aquatint, edition: Artist's Proof (edition of 80), stamped lower right with facsimile signature: Jeffrey Smart. artist's estate stamp lower left. Provenance: Philip Bacon Galleries, Brisbane. Private collection, New South Wales. Exhibited: Jeffrey Smart - Recent Paintings, Philip Bacon Galleries, Brisbane, 4 September - 6 October 2001, cat.34 (illus. exhibition catalogue, another example), 40.5 x 64 cm (image)
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The Cable Coils, 2000-01

Oil on linen, signed lower right: Jeffrey Smart, 80 x 125 cm
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The Cable Coils 2001

Etching and aquatint, ed. A/P II/IV, signed and dated lower right: Jeffrey Smart '01., titled lower centre, editioned lower left, 40 x 63.5 cm (image)
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Corrugated Gioconda, 1976

archival pigment print, ed. 62/499, facsimile signature lower right; certificate verso, 70.5 x 98 cm
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The Ascent, 1998

archival pigment print, ed. 52/499 (unframed/cellophane wrapped with corflute backing), facsimile signature lower right; certificate verso, 73 x 81 cm
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Study II for Bus Terminus 1972-73

Synthetic polymer paint and oil on canvasboard, signed lower left: Jeffrey Smart, 60 x 50 cm
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Study of Ermes de Zan - Drawing for Portici, 1987; Sketch for The Long Shadow, 2000 (double-sided)

Sepia ink on paper, pen on paper (unframed), signed lower right with dedication: "For dear Janet", with accompanying letter, 18 x 24 cm; 7.5 x 21 cm
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The Cleaners, 2004

Archival pigment print, ed. 24/499 (unframed/cellophane wrapped with corflute backing), facsimile signature lower right; certificate verso, 62 x 91 cm
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The Traveller, 1973

Archival pigment print, ed. 36/499 (unframed/cellophane wrapped with corflute backing), facsimile signature lower right; certificate verso, 78 x 89 cm (sheet)
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Containers at Pisa Airport, 1998

Colour etching, edition: 15/40, signed lower right: Jeffrey Smart, numbered lower left: 15/40, titled lower centre: Containers at Pisa Airport, 16.5 x 23.5 cm (image); 42 x 41.5 cm (sheet); 47.5 x 47 cm (
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The '04 Adelaide Ring, 2004

Etching, edition: 25/200, signed lower right: Jeffrey Smart, numbered and titled lower left: The '04 Adelaide Ring, commissioned by the Adelaide Festival, Adelaide, 2004, 25.5 x 18 cm (image); 38 x 28 cm (sheet); (unframed)
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Seine, 1949

Ink and wash, signed, titled and dated lower right corner 'Jeff Smart, '49', 25 x 32 cm
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The Guiding Spheres II (Homage to Cezanne)

Archival pigment print, facsimile signature and editioned on margin: Jeffrey Smart / A/P, numbered verso: 2010105, 68 x 81.5 cm
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The Guiding Spheres II (Homage to Cezanne)

Archival pigment print, facsimile signature and editioned on margin: Jeffrey Smart / A/P, numbered verso: 201079, 46.9 x 56 cm
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The Melbourne Gate, 2002

Archival pigment print, ed. A2/499 (unframed/cellophane wrapped with corflute backing), facsimile signature lower right; certificate verso, 67 x 94 cm
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The Traveller, 1973

Archival pigment print, ed. 36/499 (unframed/cellophane wrapped with corflute backing), facsimile signature lower right; certificate verso, 78 x 89 cm
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Man with Bouquet, 1982

Aquatint, edition: 66/100, signed lower right Jeffrey Smart. titled and numbered lower left Man with Bouquet 66/100, 24 x 19 cm (image)
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Autobahn in the Black Forest II, 1979 - 1980

Archival pigment print, ed. 29/499 (unframed/cellophane wrapped with corflute backing), facsimile signature lower right; certificate of authenticity verso, 66 x 42.5 cm (sheet: 75 x 52 cm)
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The Waiting Bus, 1986

Colour lithograph on paper, edition: 38/80, numbered, titled and, signed below image '38/80, The Waiting Bus, Jeffrey Smart?, 60 x 73 cm
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Second Sketch For Morning, Yarragon Siding, 1983

Synthetic polymer paint on Fabriano paper on card on composition board ?polyptych (four sheets), 20 x 40 cm (overall)
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The Guiding Spheres II

Digital giclee print on paper edition: 10/999, numbered and signed below image '10/999, Jeffrey Smart', 42 x 50 cm
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Port River

Watercolour, signed lower right, dated 40, 28 x 36 cm
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Portrait of Geoff Wheaton 1947

Pastel on paper, signed lower right, 37 x 28.5 cm
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Cape Dombey 1947

Archival giclee print, 46.4 x 54.6 cm
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The artists grandfather A.G. Edson

Pencil and watercolour on paper, signed lower left, dated 36/37, 34 x 25 cm
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Mr and Mrs A. E. 1959

Oil and hessian on board, signed lower right: Jeffrey Smart, portrait study of a boy on verso, inscribed: Lawrence Beck, Lauraine Diggins Fine Art, Melbourne, label attached verso (stock no.200549), 47 x 30 cm
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The last train 1989

Lithograph, ed. 7/65, signed lower right: Jeffrey Smart, titled lower centre, editioned lower left, 48.5 x 49 cm
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Derelict Farmhouse 1945

Oil on hessian, signed and dated lower right: Jeffsmart 45, 62 x 71 cm
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First Study for 'Conversation Piece' 1997

Oil and pastel on canvas, signed lower right: Jeffrey Smart, titled and dated on gallery label verso, 13.5 x 45.5 cm
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The '04 Adelaide Ring

Etching 25/200, signed lower right, 25 x 17 cm
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Sketch Plan for Hyde Park Regained

Pen on paper, signed lower right: Jeffrey Smart, 29 x 20.5 cm
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Pietro, 1958

Ink and watercolour, titled lower right: 'Pietro' inscribed, signed and dated upper right: 'To Gordon, / Jeffrey Smart 1958', 45 x 29.5 cm
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First Study for The Construction Fence (1978)

Oil on canvas, signed 'Jeffrey Smart' lower right, 28 x 75 cm
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'George O'Dea in the Sun,' 1945

Oil on canvas, 35.5 x 27 cm
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The '04 Adelaide Ring

Etching 25/200, signed lower right, 25 x 17 cm
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The Last Train 1989

Lithograph, ed. 7/65, signed lower right: Jeffrey Smart, titled lower centre, editioned lower left, 48.5 x 49 cm
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The Bather, Bondi, 1962

Oil on board, signed lower left Jeffrey Smart, 49 x 72 cm
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Untitled (Ruins), 1947

Gouache, ink and watercolour on card, signed and dated lower left Jeff Smart/ 47, bears inscription verso: Murray South/ [illeg], 27.5 x 32.5 cm
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Drawing Study for The Waiting Bus c.1986

Pencil on paper, signed, with dedication lower right For Neil with / immense gratitude & affection, / Jeffrey Smart, 18 x 24 cm
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Study for 'Waiting for the Hovercraft' 1985

Watercolour, charcoal and ink on paper, signed lower right Jeffrey Smart, 33.5 x 27 cm
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The Cable Coils

Aquatint etching, editioned lower left 41/80, signed and dated lower right Jeffrey Smart '01, 40 x 64 cm
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Untitled (Male Nude Study)

Ink on paper, signed lower right 'For Beatrice with love, Jeffrey Smart', 19 x 26 cm
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The Waiting Bus

Lithograph in colour, signed, titled and editioned in margin, 60 x 73 cm
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The Blue Boat 1949-1950

Ink, gouache & watercolour on paper, inscribed with artist's name & 'title' verso, not the artist's hand, Macquarie Galleries, Bligh Street, Sydney, label verso, 22. x 26.5 cm
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Second Study For House At Intersection, 1977

Oil on canvas on composition board, signed lower right: Jeffrey Smart, 27.5 x 37.5 cm
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Study Hide and Seek III (1969-1970)

Oil on canvas, signed 'Jeffrey Smart' lower right, 30 x 45 cm
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Woolloomooloo Squash

Oil on board, signed lower right, 50 x 60 cm
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